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    Wyświetlanie 1-14 z 14
    Tytuł:
    Jerozolima wyzwolona
    Autorzy:
    Tasso, Torquato
    Współwytwórcy:
    Choromańska, Paulina
    Kotwica, Wojciech
    Kopeć, Aleksandra
    Sekuła, Aleksandra
    Kochanowski, Piotr
    Data publikacji:
    2019-12-28
    Wydawca:
    Fundacja Nowoczesna Polska
    Tematy:
    Renesans
    Epos
    Liryka
    Opis:
    Publikacja zrealizowana w ramach projektu Wolne Lektury (http://wolnelektury.pl). Dofinansowano ze środków Ministra Kultury i Dziedzictwa Narodowego.
    Źródło:
    Torquato Tasso, Ieruzalem wyzwolona, Nakładem Akademii Umiejętności, Kraków 1902.
    Dostawca treści:
    Wolne Lektury
    Książka
    Tytuł:
    Sztuka wyzwolona. Cielesność w ukraińskiej sztuce lat dziewięćdziesiątych
    Autorzy:
    Marta, Zambrzycka,
    Powiązania:
    https://bibliotekanauki.pl/articles/902263.pdf
    Data publikacji:
    2019-11-13
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    body
    photography
    freedom
    ukrainian art
    ciało
    fotografia
    wolność
    ukraińska sztuk
    Opis:
    I present in the text describes the period of political transformation at the turn of the eighties and nineties, as well as the first decade of Ukrainian independence. I present various artistic forms that use human body as a tool of social, historical and political analysis. I also try to group artists’ works into a few thematic blocks.
    Źródło:
    Studia Interkulturowe Europy Środkowo-Wschodniej; 2019, 12; 196-215
    1898-4215
    Pojawia się w:
    Studia Interkulturowe Europy Środkowo-Wschodniej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kobieta wyzwolona jako przykład emancypacji prezentowany w programie „Warsaw Shore: Ekipa z Warszawy”
    A liberated woman as an example of emancipation presented in the TV show Warsaw Shore: Ekipa z Warszawy
    Autorzy:
    Rybka, Sławomir
    Powiązania:
    https://bibliotekanauki.pl/articles/1835959.pdf
    Data publikacji:
    2021-06-16
    Wydawca:
    Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
    Tematy:
    MTV
    Warsaw Shore: Ekipa z Warszawy
    Jersey Shore
    reality show
    kobieta
    wyzwolona
    Guido
    liberated
    woman
    Guido.
    Opis:
    MTV to stacja telewizyjna, która wywarła rewolucyjny wpływ na rozwój popkultury. Kanał, który początkowo nadawał wyłącznie teledyski, pod wpływem rozwoju internetu, a zwłaszcza serwisu YouTube, zmienił swój profil. Na antenie MTV obecnie dominują programy typu reality, czasem wzbudzające duże kontrowersje. W Polsce dużą popularnością cieszy się program „Warsaw Shore: Ekipa z Warszawy”, będący krajową wersją amerykańskiego formatu „Jersey Shore”. W programie prezentowany jest budzący skrajne opinie wizerunek kobiety, który został określony jako „kobieta wyzwolona”. Analizując 12 sezonów programu, wyodrębniono siedem głównych charakterystyk, składających się na dany wizerunek.
    MTV is a TV channel that has had a revolutionary impact on the development of pop culture. This station, which initially broadcast only videoclips, under the influence of the development of the Internet, especially YouTube, was forced to change its profile. Nowadays MTV is dominated by reality shows, some of which are very controversial. In Poland, “Warsaw Shore: Ekipa z Warszawy” – local version of the American “Jersey Shore” format, is very popular. That TV show presents a specific woman’s image, which has been described as a “liberated woman”. Analysing 12 seasons of that show, seven main characteristics that make up the image were identified.
    Źródło:
    Media Biznes Kultura; 2021, 1(10); 129-142
    2451-1986
    2544-2554
    Pojawia się w:
    Media Biznes Kultura
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Tereny polskie (Księstwo Warszawskie i wyzwolona Litwa) widziane oczyma żołnierzy Wielkiej Armii podczas ofensywy w lecie 1812 roku
    Autorzy:
    Coste, Laurent
    Powiązania:
    https://bibliotekanauki.pl/articles/640726.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Duchy of Warsaw, History of Poland 19 century, Napoleonic Wars
    Opis:
    Polish territories (Warsaw Duchy and the liberated Lithuania) seen through the eyes of the soldiers of the Great Army during the 1812 summer offensive Thanks to the memoirs and preserved correspondence of around fifteen soldiers of the Napoleonic army (captains, such as Coignet, sergeants such as Bourgogne, and generals such as Rapp or Boulard), we can now reconstruct vividly the image of the Warsaw Duchy and Lithuania at the beginning of the Russian campaign. On the geographical plane, one is struck by the vastness of the country, the harsh climatic conditions and difficulties in travel. Yet these testimonies are imprecise as regards the local population: the soldiers draw attention to a big number of Jews in cities and they emphasize that the emperor did not fully take advantage of the courage of the Polish soldiers. As regards politics, they draw attention to the enthusiasm of the Poles, but also to their disappointment with Napoleon’s indecisiveness. They all express their anxiety and misgivings as to the future, which is hardly surprising, particularly in the case of the texts written after the withdrawal of the Napoleonic army from Russia.
    Źródło:
    Prace Historyczne; 2013, 140, 1
    0083-4351
    Pojawia się w:
    Prace Historyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wyobraźnia wyzwolona. Kubistyczny model przekładu literackiego
    Imagination set free. A cubist model of literary translation
    Autorzy:
    Brzostowska-Tereszkiewicz, Tamara
    Powiązania:
    https://bibliotekanauki.pl/articles/1389838.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    cubism
    modernism
    avant-garde
    cubist translation
    creative turn in translation studies
    Ezra Pound
    Witold Wirpsza
    Opis:
    The subject of the present discussion is the cubist model of literary translation, which assumes a multilateral perspective in simultanism, expressed in rotation of the original text through various historical timespaces, styles, poetics, conventions, registers, and varieties of an ethnic language (or several languages) in the field of target text, nullification of the oppositions between domestication and exoticisation, archaising and modernising, and maximisation of reader’s reception: reader’s multilingual and multicultural competences. The “eclipticity” of relation between source and target text, peculiar to the cubist model, as well as the nonlinear (stereometric) approach to original, metonymic and juxtapositional translation technique, and ironic modality, all lead, in cubist translation, to the requirement of intertextual confrontation with the original, which is necessary of an assessment of scale, value, and range of a translation experiment.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 23; 79-98
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Polska epika bohaterska przed i po „Gofredzie”
    Polish heroic poetry before and after 'Jerusalem delivered'
    Autorzy:
    Krzywy, Roman
    Powiązania:
    https://bibliotekanauki.pl/articles/1036413.pdf
    Data publikacji:
    2020-12-20
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    Old Polish epic poetry
    heroic epic
    historical epic
    Jerusalem delivered
    ottava rima
    epika staropolska
    epos bohaterski
    epos historyczny
    Jerozolima wyzwolona
    oktawa
    Opis:
    The article is a review of the most important trends in the development of the Polish epic in the 16th and 17th centuries. In the absence of significant traditions of knightly works, the creation of Polish heroic poetry should be associated primarily with the humanistic movement, whose representatives set a heroic epic at the top of the hierarchy of genres and recognized 'Eneid' as its primary model. The postulate proposed first by the Renaissance and later by the Baroque authors did not lead to the creation of a ‘real’ epic in Poland. The translations of: the Virgil’s epic poem (1590) by Andrzej Kochanowski and Book 3 of 'The Iliad' by Jan Kochanowski can be regarded as the genre substitutes. These translations seem to test whether the young Polish poetic language is able to bear the burden of an epic matter. Then again, the works of Maciej Kazimierz Sarbiewski on the Latin 'Lechias' (the 1st half of the 17th century), which was to present the beginnings of the Polish state, were not completed. Polish Renaissance authors preferred themes from modern or even recent history, choosing 'Bellum civile' by Lucan as their general model but they did not refrain from typically heroic means in the presentation of the subject. This is evidenced by such poems as 'The Prussian War' (1516) by Joannis Vislicensis or 'Radivilias' (1592) by Jan Radwan. The Latin epic works were followed by the vernacular epic in the 17th century, when the historical epic poems by Samuel Twardowski and Wacław Potocki were created, as well as in the 18th century (the example of 'The Khotyn War' by Ignacy Krasicki). The publication of Torquato Tasso’s 'Jerusalem delivered' translation by Piotr Kochanowski in 1618 introduced to the Polish literature a third variant of an epic poem, which is a combination of a heroic poem and romance motives. The translation gained enormous recognition among literary audiences and was quickly included in the canon of imitated works, but not as a model of an epic, but mainly as a source of ideas and poetic phrases (it was used not only by epic poets). The exception here is the anonymous epos entitled 'The siege of Jasna Góra of Częstochowa', whose author spiced the historical action of the recent event with romance themes, an evident reference to the Tasso’s poem. The Polish translation of Tasso’s masterpiece also contributed to the popularity of the ottava rima, as an epic verse from the second half of the 17th century (previously the Polish alexandrine dominated as the equivalent of the ancient hexameter). This verse was used both in the historical and biblical epic poems, striving to face the rhythmic challenge.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2020, 20; 97-122
    2081-1853
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Hedonizm imaginatywny, kino postfabularne i przestrzeń wyzwolona z narracji. Hobbit Petera Jacksona
    Imaginative hedonism, post-feature cinema and space liberated from narration. Peter Jackson’s Hobbit
    Autorzy:
    de Oliveira, Weronika
    Powiązania:
    https://bibliotekanauki.pl/articles/487780.pdf
    Data publikacji:
    2017-10-09
    Wydawca:
    Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
    Tematy:
    imaginative hedonism
    post-feature
    narratio
    visualization
    Hedonizm imaginatywny
    postfabuła
    narracja
    wizualność
    Opis:
    Weronika de Oliveira Imaginative hedonism, post-feature cinema and space liberated from narration. Peter Jackson’s Hobbit Imaginative hedonism is analyzed in the context of contemporary cinema. Imaginative hedonism, a concept little known in Polish cultural studies, was invented in the 1980s by Colin Campbell in order to describe the attitude of modern consumers, who are primarily seeking pleasure in emotional stimulation and imaginative play. Oliveira believes that the mechanism is used not only by the advertisers in marketing campaigns, but also by the Hollywood film industry aimed at producing impressive, blockbuster performances. This tendency has gained the apogee in the form of so-called post-plot cinema, which is characterized by the reduction of the plot to a purely visual spectacle, intended to provide viewers with an immersive pleasure based on immersion in worlds created by the latest technology. Oliveira describes these phenomena based on the Hobbit series directed by Peter Jackson. She analyzes how space is created in the three films of the series in the context of the literary prototype by J.R.R. Tolkien and the concept of cinema attraction.
    Źródło:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2017, 23; 172-195
    1733-1528
    Pojawia się w:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ekshortacje w Gofredzie abo Jeruzalem wyzwolonej Tassa–Kochanowskiego – tradycja, forma i recepcja (zagadnienia wiodące)
    Exhortations in Piotr Kochanowski’s Translation of the Gerusalemme liberata (Polish Gofred abo Jeruzalem wyzwolona [The Goffredo, or Jerusalem Delivered]) by Torquato Tasso ‒ Tradition, Form, and Reception (Leading Issues)
    Autorzy:
    Kuran, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/535000.pdf
    Data publikacji:
    2019
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    wake-up call
    invigorating speech
    The Goffredo, or Jerusalem Delivered
    Piotr Kochanowski
    heroic narrative poetry
    Opis:
    The present study’s main focus is the analysis of three exhortations’ structure along with the topic featured therein, which appear in Piotr Kochanowski’s translation Gofred abo Jeruzalem wyzwolona published in 1618. Those speeches are delivered by Soliman and Emiren, who represent the Saracen side, and the eponymous Goffredo, who represents Christians. The author of the article indicates some arguments (understood as rhetorical devices) referring to the knightly community, which may either be praised (“our” side) or chastised (the opponents), or referencing the leader/warlord, who may deliver a self-praise or berate the enemies’ leader. In addition, a classification of speeches is offered; and so, the following types were distinguished: the call-to-arms type speech to defend a territory, values, and family; the speech calling for outstanding bravery and manly prowess in the face of expected defeat; calling for dedication when faced with an equal opponent; and finally, calling for devotion in the course of attaining a military aim.
    Źródło:
    Śląskie Studia Polonistyczne; 2019, 14, 2; 99-124
    2084-0772
    2353-0928
    Pojawia się w:
    Śląskie Studia Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Gentlemen, What is it that you did not want to see? „A Literary Prize”, a forgotten comedy by Maria Pawlikowska-Jasnorzewska
    Czego to oglądać nie chcieliście, panowie? O „Nagrodzie literackiej”, komedii Marii Pawlikowskiej-Jasnorzewskiej
    Autorzy:
    Warońska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/2090061.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish drama of the 20th century
    comedy of manners of the interwar period
    strong female characters
    reception and critical discourse
    Maria Pawlikowska-Jasnorzewska(1891–1945)
    Maria Pawlikowska-Jasnorzewska
    komedia obyczajowa dwudziestolecia międzywojennego
    kobieta wyzwolona
    koncepcja życia świadomego
    recepcja teatralna
    teatralny dyskurs krytyczny międzywojnia
    Opis:
    This article confronts the text of A Literary Prize, a comedy by Maria Pawlikowska-Jasnorzewska, with its contemporary reviews. Staged by the experimental theatre Reduta (directed by Zofi a Modrzewska) in April 1937 at Teatr Nowy in Warsaw (under the directorship of Jerzy Leszczyński), it fell into complete oblivion which lasted until the recent discovery of the director’s copy buried at the Academy of Theatre Library in Warsaw. While contemporary reviewers found A Literary Prize to be one of the weaker works of an outstanding poet, Maria Pawlikowska-Jasnorzewska in her letters contrasted the ‘violent attacks’ of the critics with a fairly warm reception of the general audience. The play was performed to capacity audiences until 19 May, and revived for a single occasion a year later in Poznań. A Literary Prize juxtaposes two plots. One, with elements of comedy of manners, follows the fortunes of a young girl, Taida Serebrzycka, who tries to navigate between two men with literary ambitions, Klemens Niedzicki and Albin Niekawski, while the other explores the challenges faced by prospective writers, especially the role of prize-winning competitions in the discovery of talent and the building of reputation. This article is focused primarily on the character of Taida, who makes the impression of being somewhat scatterbrained and snobbish, but is in fact a strong-minded, independent young woman conscious of her sexuality. She wants an honest, equal relationship, and is ready to fi ght hard for her happiness, which does include sexual satisfaction. The analysis of the reception of Maria Pawlikowska-Jasnorzewska’s play, and especially the characterization of Taida, the female protagonist, is complemented with an examination of the mechanisms of the critical discourse.
    Źródło:
    Ruch Literacki; 2018, 3; 241-260
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-14 z 14

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