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    Wyświetlanie 1-13 z 13
    Tytuł:
    Mammals in the iconography of the Temple of Hatshepsut: a project underway
    Autorzy:
    Braulińska, Kamila
    Powiązania:
    https://bibliotekanauki.pl/articles/1683672.pdf
    Data publikacji:
    2018-07-09
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    animals
    mammals
    Hatshepsut
    temple of Hatshepsut
    Deir el-Bahari
    temple decoration
    Opis:
    The project “Mammals in the iconography of the Temple of Queen Hatshepsut”, initiated by the author in the 2011/2012 season, encompasses a detailed documentation of the animals depicted in various parts of Hatshepsut’s temple in Deir el-Bahari as a prerequisite for in-depth research. The study follows a multi-disciplinary approach within faunal analysis, and is complemented with technological observations on the execution of relief representations from the temple. At this stage of the project, a general taxonomic identification of the animal representations is nearly complete and a further detailed study of each taxon has been undertaken. Both complete animals (mainly mammals for now) and animal raw materials were studied in addition to the contexts and scenes in which they appear.
    Źródło:
    Polish Archaeology in the Mediterranean; 2017, 26(1); 221-228
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Deir el-Bahari. Temple of Tuthmosis III, campaigns 2012–2013
    Autorzy:
    Dolińska, Monika
    Powiązania:
    https://bibliotekanauki.pl/articles/1727680.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Tuthmosis III
    Deir el-Bahari
    temple decoration
    temple architecture
    photomontage
    reconstruction
    Opis:
    In 2012 and 2013 the mission continued research and documentation work, concentrating on scenes located in the Hypostyle Hall, the Bark Room, and rooms D, G and H. Dozens of painted stone fragments were cleaned and protected. Photoscanning techniques were used to improve detailed rendering of the temple. New photomontages were produced and subsequent walls were drawn, joining previously separate scenes.
    Źródło:
    Polish Archaeology in the Mediterranean; 2015, 24(1); 257-264
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    More remarks on the enlarged doorway in the Djeser-akhet temple of Tuthmosis III at Deir el-Bahari
    Autorzy:
    Wiercińska, Janina
    Powiązania:
    https://bibliotekanauki.pl/articles/1684701.pdf
    Data publikacji:
    2018-07-09
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Tuthmosis III
    Djeser-akhet
    bark of Amun
    granite doorway
    temple decoration
    Hypostyle Hall
    Bark Hall
    Opis:
    The issue of the enlargement of the entrance to the Bark Hall of the Djeser-akhet temple of Tuthmosis III at Deir el-Bahari was a major focus for the Polish restoration mission from the start. The widening of the passage was noted early on in the research and new data was forthcoming with every successive field season as the decoration of the entrance wall on either side of the Hypostyle Hall and of the Bark Hall was reconstructed. More detailed information continued to add to the recreation of the process of how and when these changes were introduced, as discussed by the author in earlier articles. Further fragments of relief decoration identified in recent years as originating from the cut sections of the walls have offered new data to supplement the author’s view, being at the same time a significant source of information on the original decoration predating the destruction phase in the Amarna period.
    Źródło:
    Polish Archaeology in the Mediterranean; 2017, 26(1); 229-238
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The secretarybird dilemma: identifying a bird species from the Temple of Hatshepsut at Deir el-Bahari
    Autorzy:
    Braulińska, Kamila
    Powiązania:
    https://bibliotekanauki.pl/articles/1681843.pdf
    Data publikacji:
    2019-08-01
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    African animals
    birds in Ancient Egypt
    secretarybird
    temple of Hatshepsut
    Deir el-Bahari
    Hatshepsut Punt expedition
    temple decoration
    Opis:
    Known from a few representations in Predynastic Egyptian art, the secretarybird has otherwise been elusive, in the art of Pharaonic Egypt as well as the scientific discourse on iconographic imagery of birds in ancient Egypt. The author's studies of the animal decoration at the Temple for her doctoral dissertation identified three images of birds belonging most likely to the same species, depicted in the context of the expedition of Hatshepsut shown in the Portico of Punt. The zoological identification of the species as the secretarybird (another possibility is the African harrier-hawk) derives from an in-depth analysis of the bird’s systematics, appearance, distribution and habitat, as well as behavior, which are essential for proper species recognition and instrumental for understanding the rationale behind bringing it from the “God’s Land”. Iconographic features contesting this identification and suggesting a different species, that is, the African harrier-hawk, are discussed based on a combination of theoretical background, material analysis, on-site interviews with experts and the author’s personal experience with the species.
    Źródło:
    Polish Archaeology in the Mediterranean; 2018, 27(2); 83-116
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Lamps with "temple facade" decoration: witness to urban vitality in the northern and western Black Sea and the ties with Constantinople
    Autorzy:
    Chrzanovski, Laurent
    Zhuravlev, Denis
    Topoleanu, Florin
    Powiązania:
    https://bibliotekanauki.pl/articles/1634091.pdf
    Data publikacji:
    2020-01-04
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    late antique lamps
    arch-on-columns motif
    geographic repartition
    typology
    trade
    economic floruit
    Black Sea
    Dobrogea Danubian limes
    Opis:
    The architectural motif in the form of an arch-on-columns, the titular “temple facade”, decorating the discus of late antique lamps, has been the subject of debate and various interpretations of the meaning without reference to the rendering or the lamp type. An examination of known examples of lamps with this particular motif has identified four different lamp type variants and two main renderings of the decoration. Ovoid lamps bearing a representation of an arch-on-columns, the most numerous among the finds, come mostly from Constantinople and nearby cities, the Black Sea coast and the Danubian sites, the sole exceptions being Egypt (where they appear also in a late variant), Cyprus and Byblos. Reconstructing the distribution of these types and renderings has introduced some “order” into the existing hypotheses and highlighted issues connected with understanding the booming economy of the Pontic area as well as the recently rebuilt Danubian limes fortresses, during their apex, in the 5th and 6th centuries AD. It has also contributed to the discussion aimed at ending the widespread use of the term “Balkan lamps” for products that represent the output of Pontic and Danubian workshops influenced by the Imperial capital in Constantinople.
    Źródło:
    Polish Archaeology in the Mediterranean; 2019, 28(1); 125-159
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Lintel decoration types from the Temple of Hatshepsut at Deir el-Bahari and their meaning
    Autorzy:
    Madej, Adrianna
    Powiązania:
    https://bibliotekanauki.pl/articles/2033215.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    lintel
    decoration
    gate
    Hatshepsut temple
    Deir el-Bahari
    Opis:
    Examination of the set of preserved gate lintels from the Temple of Hatshepsut in Deir el-Bahari has revealed two models of the iconographic decoration: one that emphasizes pictorial content in the form of scenes of a cultic or symbolic nature, with inscriptions playing merely a complementary role, and the other based on the textual message alone. The use of a given model of lintel decoration appears to be a measure either of the function of the room or, more broadly, of the space, accessed through the gate, or of the context of the wall decoration around the entrance.
    Źródło:
    Polish Archaeology in the Mediterranean; 2021, 30(1); 143-156
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Trash from a temple: a deposit next to the Isis Temple at Berenike (Egypt)
    Autorzy:
    Popławski, Szymon
    Kraśniewska, Urszula
    Mi, Filippo
    Oleksiak, Jerzy
    Powiązania:
    https://bibliotekanauki.pl/articles/2033316.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Graeco-Roman Egypt
    Berenike
    classical architecture
    cornice
    architectural decoration
    Opis:
    The article discusses the stratigraphy and chronological phasing of a late antique trash deposit discovered just outside the north wall of the Isis Temple courtyard. It appears to be consumption waste collected from a large-scale event taking place in the immediate vicinity over a short period of time. Several elements of architectural decoration were found among the rubble, including three fragments of ‘Ionic’ cornice blocks that are an indication of the presence of at least one building with a classical-style architecture in the urban landscape. The fragments are quite unusual in the southern part of the Eastern Desert of Egypt and the first and somewhat unexpected attestation of this style recorded from Berenike.
    Źródło:
    Polish Archaeology in the Mediterranean; 2021, 30(2); 387-418
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Southern Room of Amun in the Temple of Hatshepsut at Deir el-Bahari: epigraphic work between 2013 and 2016
    Autorzy:
    Kapiec, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1683718.pdf
    Data publikacji:
    2018-07-09
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Southern Room of Amun
    Temple of Hatshepsut
    Deir el-Bahari
    epigraphy
    wall decoration
    Opis:
    The Southern Room of Amun Project is one of the egyptological projects of the PCMA’s Polish–Egyptian Archaeological and Conservation Mission in the Temple of Hatshepsut at Deir el-Bahari. The paper presents epigraphic work carried out in this room between 2014 and 2015, during which almost the entire wall decoration was recorded. The article is a wall-by-wall presentation, paying special attention to the most important transformations of the reliefs over time.
    Źródło:
    Polish Archaeology in the Mediterranean; 2017, 26(1); 207-220
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Inscribed pot-stands represented in the Temple of Hatshepsut at Deir el-Bahari
    Autorzy:
    Stupko-Lubczyńska, Anastasiia
    Powiązania:
    https://bibliotekanauki.pl/articles/1681587.pdf
    Data publikacji:
    2019-08-05
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Deir el-Bahari
    Temple of Hatshepsut
    Main Sanctuary of Amun
    relief decoration
    pot-stands
    dedicatory formula
    proscription of Hatshepsut
    Amarna erasures
    Opis:
    On the lateral walls of the Bark Hall in the Main Sanctuary of Amun in the Temple of Hatshepsut, four stands for burning offerings are represented in front of Amun’s bark. Conservation work on the walls of this room uncovered the painted layer. One of the stands preserves traces of an inscription which was erased in ancient times in two phases. The first phase of erasure may be dated to the reign of Tuthmosis III, while the second one was executed during the Amarna period. The paper presents the legible parts of the text, which was a standard dedication formula, along with a reconstruction of the damaged areas
    Źródło:
    Polish Archaeology in the Mediterranean; 2018, 27(2); 365-374
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Decoration of the Two Chests from the Frieze of Objects in the Southern Room of Amun in the Temple of Hatshepsut at Deir el-Bahari
    Autorzy:
    Kapiec, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/484101.pdf
    Data publikacji:
    2016
    Wydawca:
    Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
    Tematy:
    New Kingdom Egypt
    Hatshepsut
    Amun-Re
    Southern Room of Amun
    Deir el-Bahari temple
    frieze of objects
    chests with sloping lid
    Opis:
    During epigraphic works carried out in the Southern Room of Amun (Temple of Hatshepsut at Deir el-Bahari) in season of 2014/2015 painted decoration of two chests with sloping lid from the frieze of objects was recorded. On the side of each chest there are two offering scenes, painted with the use of red colour on the yellow background. In those scenes Hatshepsut is the celebrant and Amun-Re is the beneficiary of the offered goods. Names of the king and the god are originally preserved. The content of these chests, described with the use of labelling inscriptions next to each one of them, and the royal iconography in offering scenes are an expression of the renewal aspect, referring to the king. No analogies to this type of decoration on chests have been found so far.
    Źródło:
    Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2016, 29; 95-110
    2084-6762
    2449-9579
    Pojawia się w:
    Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Decoration of the Columns and Pillars from the Henket-ankh of Thutmose III (Western Thebes)
    Autorzy:
    Chapon, Linda
    Powiązania:
    https://bibliotekanauki.pl/articles/1181981.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
    Tematy:
    New Kingdom Egypt
    Henket-ankh
    Temple of Millions of Years
    architecture
    decorative programme
    pillar
    column
    Hathoric capital
    Opis:
    The Temple of Millions of Years of Thutmose III called Henket-ankh, located on the West Bank of Thebes, was probably an important and impressive monument of which very little remains nowadays. Previous work at the site, which started already in the first half of the nineteenth century, contributed greatly to the understanding and identification of this complex. The Spanish-Egyptian project that resumed the archaeological works at the site in 2008 improved our knowledge about the temple architectural and decorative features. This paper will focus on the characteristics and decoration of the vertical architectural elements with support function, that is to say columns and pillars, may have had in this temple. The fragments and blocks examined and the few architectural elements preserved in situ have allowed ascertaining of the existence in the temple of polygonal columns with sixteen sides, squared pillars, some of which were of Osiride type, and circular columns that were most likely crowned by Hathoric capitals.
    Źródło:
    Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2020, 33; 33-72
    2084-6762
    2449-9579
    Pojawia się w:
    Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Czy fasada świadczy o wnętrzu? Dekoracja rzeźbiarska skalnego kompleksu Manmodi w Junnarze
    The facade speaks of the interior? Sculptural decoration of the rock-cut temples complex Manmodi in Junnar
    Отражает ли фасад интерьер? Cкульптурное украшение скального комплекса пещеры Манмоди
    Autorzy:
    Kucmin, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/1993825.pdf
    Data publikacji:
    2019-06-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    rock temple
    chaitya
    vihara
    Buddhism
    inscriptions
    sculptural decoration
    скальный храм
    ча́йтья
    вихара
    буддизм
    надписи на твёрдых материалах
    скульптурное украшение
    Opis:
    The article discusses the issue of Indian rock architecture and the interesting problem of unfinished temples, exemplified by the Manmodi complex in Junnar. At the beginning, the location of the complex is described in the context of the location of the town of Junnar, located in the Maharashtra state. The article describes the monuments of Junnar and focused on the artistic value of rock temples and the unusual decorative motifs that appear in them. In the next part of the article the author draws attention to the possibility of linking the location of the city and complexes with the quality and uniqueness of used motifs. The description of the rock complex is conducted in the historical and artistic context. The analysis of the works was based on sources from literature and own research conducted by the author in India. The stylistic- -comparative analysis allowed to locate this complex in the context of the development of rock art in India and to consider the problem of unfinished temples. The unique motifs used in the decoration drew the author’s attention to the Yavana foundation, which were briefly presented in the article. The author presents in a short and clear way the problems of unfinished temples, extended facades and infinite interiors. The analysis takes place in the context of the entire rock art, also in reference to foreign foundations and unique motifs.
    В статье рассматривается вопрос о индийской наскальной архитектуре а также проблема недостроенных храмов, на примере комплекса пе- щер Манмоди в Юннаре. Сначала описывается размещение комплекса Манмоди в контексте местоположения самого города Джуннар, нахо- дящегося в штате Махараштра. Далее в статье описываются памят- ники Юннара, отмечена художественная ценность скальных храмов и необычные декоративные мотивы, которые в них появляются. В по- следующей части статьи автор обращает внимание на возможность сопоставления местонахождением города и комплексов с качеством и уникальностью использованных мотивов. Описание скального комплекса ведется в историческом и художе- ственном контексте. Анализ работ основывался на источниках из литературы и собственных исследованиях, проведенных автором в Ин- дии. Стилистический и сравнительный анализ позволил разместить этот комплекс в контексте развития наскального искусства в Индии и рассмотреть проблему недостроенных храмов. Уникальные мотивы, использованные в оформлении, привлекли внимание автора к фонду Явана, которые были кратко представлены в статье. Автор кратко и ясно представляет проблемы недостроенных хра- мов, сложные фасады и незаконченные интерьеры. Анализ проводится в контексте всего наскального искусства, так- же в отношении зарубежных фондов и уникальных мотивов.
    Źródło:
    Studia Orientalne; 2019, 1(15); 41-55
    2299-1999
    Pojawia się w:
    Studia Orientalne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    What an artist saw. Tracing the local iconographic tradition for the Temple of Hatshepsut at Deir el-Bahari
    Autorzy:
    Stupko-Lubczynska, Anastasiia
    Powiązania:
    https://bibliotekanauki.pl/articles/2033220.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Deir el-Bahari
    Asasif
    Hatshepsut
    Mentuhotep II Nebhepetra
    Theban tombs
    visitor’s inscriptions
    artists
    decoration
    friezes of objects
    linen
    Opis:
    An unusual iconographic motif—a fringed piece of linen—depicted in the Chapel of Hatshepsut, part of the queen’s temple at Deir el-Bahari, is examined in this paper as an illustration of the interest, well attested in Hatshepsut’s reign, in past artistic models/sources. The Chapel of Hatshepsut was intended for the mortuary cult of the female pharaoh, while the motif under discussion appears to have been inspired by decoration earlier by 500 years, found inside a burial chamber cut into the rock cliff of North Asasif, which is a natural continuation of the Deir el-Bahari amphitheater. The tomb (TT 311) belonged to Khety, a courtier of the Eleventh Dynasty pharaoh Mentuhotep II Nebhepetra. Assuming the validity of this iconographic link, the question arises concerning the accessibility of decorated burial chambers from the Eleventh-Dynasty in this area and their possible role as “pattern books” in the design of the early Eighteenth Dynasty private and royal mortuary monuments. In addition, the paper addresses the issue of the Chapel of Hatshepsut serving as a monumental “pattern book” for the Late Period Theban tombs.
    Źródło:
    Polish Archaeology in the Mediterranean; 2021, 30(1); 187-214
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-13 z 13

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