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Wyszukujesz frazę "inner emigration" wg kryterium: Wszystkie pola


Tytuł:
„[…] warum schläft denn nimmer nur mir in der Brust ein Stachel?” Ernst Wiecherts Prosawerk der 30er Jahre
“[…] warum schläft denn nimmer nur mir in der Brust ein Stachel?” Ernst Wiechert’s prose works in the 1930s
Autorzy:
Gajdis, Anna
Powiązania:
https://bibliotekanauki.pl/articles/967390.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Ernst Wiechert
Inner Emigration
East Prussia
World War I
Opis:
Ernst Wiechert’s prose written in the 1930s is best symbolized by Friedrich Hölderlin’s poem "Abendphantasie" (1799), in which the persona describes his loneliness and resignation, describing them as a thorn in his chest. The question of the identification of these feelings with the East Prussian writer is a major problem raised in the article. Wiechert certainly belongs to the group of writers associated with the so called Inner Emigration, and the studies by Herbert Wiesner, Ralf Schnell, Reinhold Grimm and Friedrich Denka support this thesis. Also, the method developed by Hubert Orlowski allows us to include or exclude literary works from inner emigration literature. This method turns out to be helpful in the interpretation of Wiechert’s works. Moreover, the question of Wiechert’s position on National Socialism is considered, which is full of contradictions, as well as his coming close to the Inner Emigration. On the basis of selected prose works created in the 1930s (e.g. "Die Hirtennovelle", "Die Majorin"), the writer’s evolution from the ‘breakthrough of grace’ to becoming an inner emigrant will be presented. Particularly noteworthy are some relevant themes in his works such as World War I, the mother figure as a prefiguration of the ‘Great Mother’ myth, the writer’s stand on National Socialism or the Mazurian landscape.
Źródło:
Acta Universitatis Lodziensis. Folia Germanica; 2015, 11; 169-177
2449-6820
Pojawia się w:
Acta Universitatis Lodziensis. Folia Germanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ideologische Voraussetzungen der Literatur des Dritten Reiches. Nationalsozialistische Literatur und Kulturpolitik
Ideological conditions of the literature of the Third Reich. Nazi literature and cultural politics
Autorzy:
Gołaszewski, Marcin
Tomasi-Kapral, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/967302.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
The Third Reich
cultural policy
Ernst Wiechert
Inner Emigration
Opis:
National Socialism did not only constitute a political doctrine; it was also a kind of worldview that left its mark on German and pan-European culture of the 20th century. The drastic changes that were linked to Hitler’s takeover of power confronted writers and poets with a completely new reality and wholly new conditions of the creative process. Those who could not or would not emigrate had to submit themselves (voluntarily or involuntarily) to the policies and norms decreed by the National Socialists. National Socialism – a conglomerate of different ideologies and ideologemes – perverted certain middle-class values and ultimately aimed towards the total subjugation of all areas of life, culture being among them. The fact that the German middle-class partly shared the values propagated by the Nazis led to an overhasty and unjust assessment of the attitude of writers belonging to the so-called ‘Inner Emigration’. The article at hand outlines the principles of National Socialist cultural politics as well as its relationship to artists. The complicated creative situation of writers and poets in the Third Reich will be shown by representative examples.
Źródło:
Acta Universitatis Lodziensis. Folia Germanica; 2014, 10; 135-151
2449-6820
Pojawia się w:
Acta Universitatis Lodziensis. Folia Germanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Dichtung kann, in geheimnisvoller Weise, tiefste Ohnmacht spüren lassen und letzte Macht zugleich ausüben”. Rudolf Hagelstanges Sonettenzyklus „Venezianisches Credo” (1945)
“Poetry, in a mysterious way, can simultaneously impart deepest impotence and ultimate power”. Rudolf Hagelstange‘s cycle of sonnets “Venezianisches Credo” (1945)
Autorzy:
Thunecke, Jörg
Powiązania:
https://bibliotekanauki.pl/articles/967392.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
The Third Reich
Sonnet Form
Rudolf Hagelstange
Inner Emigration
Opis:
The origin of Rudolf Hagelstange’s (1912–1984) cycle of sonnets "Venezianisches Credo" was Venice, while he was temporarily stationed in northern Italy in 1944 as a soldier. Twenty-four sonnets were written in the lagoon city, four more in Breganze, the remainder in Verona, where a limited edition was published in spring 1945, after some of the sonnets had already been distributed in military circles over some months. This contribution attempts on the one hand to analyze Hagelstange’s choice of the sonnet–form – a classical type of lyric poetry, guaranteeing tradition and continuity –, claiming that at that time sonnets had become a fashionable form of oppositional poetry; on the other hand, the content of the three dozen sonnets will be analyzed, in which, over long stretches discordance prevails. For the author initially presents a damning indictment of the criminal activities of the NS-regime, until he eventually proclaims – with reference to Schiller – that the contemporary spiritual and moral crisis can yet be overcome by an ‚other Germany‘. In the final analysis, Hagelstange brilliantly succeeded – by means of an interaction of continuity and dissonance – to merge aesthetic and ethical aspects and thereby managed to create one of the most outstanding lyrical documents near the end of World War II.
Źródło:
Acta Universitatis Lodziensis. Folia Germanica; 2015, 11; 179-192
2449-6820
Pojawia się w:
Acta Universitatis Lodziensis. Folia Germanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ernst von Salomon, die Landvolkbewegung und die „Neuordnung der deutschen Dinge”
Ernst von Salomon, the rural people’s movement [“Landvolkbewegung”] and the new rules of German things
Autorzy:
Kuropka, Joachim
Powiązania:
https://bibliotekanauki.pl/articles/967454.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Ernst von Salomon
Hans Fallada
national revolutionary
Nationalsocialism
Inner Emigration
Opis:
Based on two of Ernst von Salomon’s literary documents on the Rural People’s Movement ["Landvolkbewegung"] (1928–1932), this paper will trace the thinking of national revolutionary intellectuals and charismatic Landvolk leaders. Their clear rejection of National Socialism is just as evident as their retreat into a specific form of inner emigration.
Źródło:
Acta Universitatis Lodziensis. Folia Germanica; 2015, 11; 147-155
2449-6820
Pojawia się w:
Acta Universitatis Lodziensis. Folia Germanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hermann Stehr – Repräsentant des Nationalsozialismus aus Konformismus oder ein Nationalsozialist wider Willen?
Hermann Stehr – a compliant or an involuntar representative of National Socialism?
Autorzy:
Gołaszewski, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/679747.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
The 3rd Reich
Conservative Revolutionary movement
Hermann Stehr
Inner Emigration
Opis:
Herman Stehr (1864–1940) belonged to the generation of writers who had the chance to establish a serious opposition against National Socialism during the Weimar Republic, the Fascist movement and the Third Reich. Not only their age but also their experience predestined them to assume such an honourable position. Hermann Stehr, at the early stage of his career, was considered a modern writer, not only because of his writings but also because of his political views, when in the 1920s he took an active part in the building of democratic structures of the Weimer Republic. Around 1930/31 a change occurred his work and in his political views.From this time onwards he actively supported the Nazis and legitimized their politics in his writings both nationally and internationally. The symbiosis between him and the Nazis became more and more visible as they started promoting him as one of the leading German writers.The aim of this paper is to present one of the most renowned German authors of the first half of the 20th century, who due to his conformism during the Third Reich lost his chance to defend humanistic values.Consequently, this paper proves that it is a grave error to classify Stehr, a writers of conservative views, as part of Inner Emigration.Hermann Stehr most certainly did not belong to that group.
Źródło:
Acta Universitatis Lodziensis. Folia Germanica; 2017, 13; 85-100
2449-6820
Pojawia się w:
Acta Universitatis Lodziensis. Folia Germanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Exil als Heterotopie. Die Dimensionen der Inneren Emigration und des Exils am Beispiel des literarischen Schaffens von Ernst Wiechert
Emigration as heterotopia. Spaces and dimensions of emigration and inner emigration of Ernst Wiechert
Autorzy:
Kardach, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/927390.pdf
Data publikacji:
2017-04-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ernst Wiechert
emigration
inner emigration
heterotopia (Michel Foucault)
East Prussia
landscape of East Prussia
Opis:
Ernst Wiechert (1887-1950) was an East Prussian-born author who remained mentally related to the natural and cultural landscape of that region. The relation was very strongly reflected in almost all his literary work. The article deals with defining what forms and spaces of emigration and inner emigration are specific to Wiechert. It positively verifies the present state of research which treats Wiechert as the representative of inner emigration. The article also indicates new spaces of emigration (heterotopia according to Michel Foucault's definition) and inner emigration of Wiechert by careful analysis of his autobiographical texts and literary work.
Źródło:
Studia Germanica Posnaniensia; 2016, 37; 149-163
0137-2467
Pojawia się w:
Studia Germanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ernst Wiechert und sein Werk im Spiegel des autobiographischen Werkes Jahre und Zeiten. Der literarische Werdegang eines deutschen Dichters der Inneren Emigration. Vom Totenwolf (1924) über Totenwald (1939/1946) bis Missa sine nomine (1950)
Ernst Wiechert and his work in the mirror of the autobiographical work Jahre und Zeiten. The literary career of a German poet of the Inner Emigration. From Totenwolf (1924) on Totenwald (1939/1946) to Missa sine nomine (1950)
Autorzy:
Gołaszewski, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/578904.pdf
Data publikacji:
2014
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Wiechert
conservative revolution
Buchenwald
National Socialism
inner emigration
rewolucja konserwatywna
narodowy socjalizm
emigracja wewnętrzna
Opis:
Ernst Wiechert was one of the most important representatives of German inner emigration. Nowadays he is almost entirely forgotten. The aim of this article is to show his literary output according to his own memoirs Jahre und Zeiten that shed different light on the interpretation of his work, but also on his attitude and own evaluation of work, often conditioned not only by political or social considerations, but also, to a large extent, by what happened in his personal life. This article is an attempt to provide, in general terms, an analytical sketch of the writer’s works, from his first novels written in times of Conservative Revolutionary movement — Der Totenwald; Der Wald — via growing detachment from national views and the subject of The First World War — Der Knecht Gottes Andreas Nyland; speeches from the years: 1933 Der Dichter und die Jugend and 1935 Der Dichter und seine Zeit — to his autobiographical account of the concentration camp Buchenwald — Der Totenwald, novel Das einfache Leben or Missa sine Nomine.
Ernst Wiechert to jeden z najważniejszych (choć obecnie prawie zapomnianych) przedstawicieli niemieckiej emigracji wewnętrznej. Celem niniejszego artykułu jest ukazanie twórczości pisarza przez pryzmat jego wspomnień Jahre und Zeiten, rzucających nowe światło nie tylko na interpretację dzieł Wiecherta, ale także na jego poglądy i ocenę własnej twórczości, uwarunkowanej nie tylko względami politycznymi czy społecznymi, ale także, w dużej mierze, wydarzeniami z życia osobistego. Artykuł stanowi próbę stworzenia szkicu analitycznego, obejmującego teksty z różnych okresów życia pisarza — począwszy od pierwszych powieści z kręgu literatury Rewolucji Konserwatywnej (Der Totenwald; Der Wald), poprzez utwory ukazujące narastający dystans do poglądów narodowych i do tematyki Pierwszej Wojny Światowej (Knecht Gottes Andreas Nyland; mowy z lat 1933 — Der Dichter und die Jugend i 1935 — Der Dichter und seine Zeit), aż po relację autobiograficzną z obozu koncentracyjnego w Buchenwaldzie (Der Totenwald, powieść — Das einfache Leben, czy Missa sine nomine).
Źródło:
Zagadnienia Rodzajów Literackich; 2014, 57/113 z. 1; 185-211
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Émigration intérieure et codes de contestation dans la littérature polonaise 1945–1980
Inner exile and codes of contestation in Polish literature in the years 1945–1980
Autorzy:
Delaperrière, Maria
Powiązania:
https://bibliotekanauki.pl/articles/969179.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
opozycja
emigracja wewnętrzna
realizm socjalistyczny
polska literatura powojenna
dissidence
inner emigration
socialist realism
polish postwar literature
Opis:
The resistance of Polish writers against the postwar communist regime is presented in this article mainly as a way of collective manifestation of the attitude often called ‘inner emigration’. The article focuses on the ambiguous stratagems of some ardent adepts of the communist ideology, who fi nally became political dissidents, but before that had chosen the sort of ‘inner exile’ or ‘inner emigration’, having created their own literary codes based on camouflage, allegory, and mystification
Źródło:
Wielogłos; 2012, 4, 14; 315-325
2084-395X
Pojawia się w:
Wielogłos
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„… daß ‚Friedensschluß‘… nur eine Haltestelle von der Elektrischen ist“. Margarete Boie (1880–1946) in der „Inneren Emigration“
„… daß ‚Friedensschluß‘… nur eine Haltestelle von der Elektrischen ist“. Margarete Boie (1880–1946) in “Inner Emigration”
Autorzy:
Preuß, Werner H.
Powiązania:
https://bibliotekanauki.pl/articles/1195565.pdf
Data publikacji:
2019-11-23
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
Der Beitrag beleuchtet das Phänomen „Innere Emigration“ paradigmatisch am Beispiel der Romanschriftstellerin Margarete Boie (1880–1946), die familiäre Beziehungen zu Danzig hatte und einen Teil ihres Lebens dort verbracht hat. Im Ersten Weltkrieg machte sie als Zeitungsredakteurin bereits Erfahrungen im Umgang mit der Zensur. Während des Nationalsozialismus versteckte sie sich hinter der Rolle der unpolitischen, aber konservativen älteren Offizierstochter. Anhand ausgewählter Geschichten aus ihrem Band Die Tagfahrt der Preußen (1942), der Erzählung Übers Jahr… (1944) und des nicht veröffentlichten Textes Zwei Tage in Berlin (Januar 1944) erörtert der Beitrag die Bedingungen und Möglichkeiten des Schreibens in der „Inneren Emigration“.
This article examines the phenomenon of “Inner Emigration” paradigmatically using the example of the novelist Margarete Boie (1880–1946), who had family relations with Gdansk and spent part of her life there. During the First World War she already had experience as a newspaper editor in dealing with censorship. During National Socialism she hid behind the role of the apolitical but conservative older daughter of an officer. Based on selected stories from her volume Die Tagfahrt der Preußen (1942), the story Übers Jahr… (1944) and the unpublished text Zwei Tage in Berlin( January 1944), the article discusses the conditions and possibilities of writing in Inner Emigration.
Źródło:
Studia Germanica Gedanensia; 2019, 41; 341-354
1230-6045
Pojawia się w:
Studia Germanica Gedanensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ALTERNATIVE EXISTENCE OF ART IN “INTERNAL EMIGRATION” IN SLOVAK PART OF CZECHOSLOVAKIA IN YEARS 1977–1989
The alternative existence of art in “inner emigration” in the Slovak part of Czechoslovakia in years 1977–1989
Autorzy:
BÁTOROVÁ, MÁRIA
Powiązania:
https://bibliotekanauki.pl/articles/776919.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Slovak and Czech dissident movement
silent alternative
samizdat
literature
fine art
Libri prohibiti archive
Opis:
This paper presents a comparison of Slovak and Czech dissidents, the origin of the so-called “silent” dissent, alternative art in Slovakia in the years of normalization, mostly after 1977.
Źródło:
Slavia Occidentalis; 2018, 75/2; 59-67
0081-0002
Pojawia się w:
Slavia Occidentalis
Dostawca treści:
Biblioteka Nauki
Artykuł

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