Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "design history" wg kryterium: Wszystkie pola

  Lista filtrów
Wyrównaj
Wyświetlanie 1-10 z 64
Tytuł:
Interwar Furniture in Lithuania: Design and History
Autorzy:
Dičkalnytė, Aistė
Powiązania:
https://bibliotekanauki.pl/articles/1186568.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Lithuanian furniture
Lithuanian national style
interwar
modernism
art déco
Opis:
This article analyses the furniture created in Lithuania during the interwar period. Today, from a time perspective, we can shed light on the development of furniture making, with the aim to reveal the furniture designers and the particular interiors where this kind of furniture became popular, as well as the styles that influenced them. In this paper, the author mostly describes artistic designs for secular interiors. The selection was based on the fact that this furniture best reflects the prevailing tendencies when it comes to design during a particular period. After independence was restored to Lithuania, the design of produced furniture became more modern and similar to that of Western Europe. This was caused by the educative propaganda in the media and the new generation of architects and artists who had graduated from universities in western countries. The new, rational construction of houses where all the free rooms were usually rented during the crisis caused demand of space-saving furniture. The architects usually designed both buildings and the built-in furniture with that concept in mind. Architects attempted to tailor built-in furniture to the user’s needs and financial capabilities in the most optimal way. Built-in modular storage systems, kitchen cupboards, and bookshelves were conceived as architectural components. They were used to divide and to model the space. The small living space required the number of furniture pieces to be reduced. That is why unit furniture became the second-most trending innovation during the interwar period. The combination of wardrobes, bookcases, and sideboards into one piece was the most popular modular unit furniture. Tables with shelves and couches with consoles were also popular examples of space-saving furniture. These modern innovations of furniture were made in art déco style since the late 1920s. The search for Lithuanian national style was particularly relevant in the interwar period and design was used as an instrument for political purpose. This is obviously prevalent in the furniture of representation interiors. Leading architects like Vytautas Landsbergis-Zemkalnis, Bronius Elsbergas, and Arnas Funkas, and also some popular artists such as Jonas Prapuolenis, Antanas Gudaitis, and Gerardas Bagdonavicius, designed not only furniture innovations but also furniture in the Lithuanian national style as part of their representative-interior projects. Country-wide Lithuanian exhibitions and presentations abroad were also dominated by the Lithuanian national style, propagated by the authorities. Interpretations of ethnic furniture decor and forms, as well as national symbols became dominant in all Lithuanian-national-style furniture.
Źródło:
Załącznik Kulturoznawczy; 2019, 6; 171-187
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między monografią a koneserstwem. Badania nad polskim dizajnem XX i początków XXI wieku
BETWEEN A MONOGRAPH AND CONNOISSEURSHIP. RESEARCH ON POLISH DESIGN IN THE 20TH AND EARLY 21ST CENTURIES
Autorzy:
Korduba, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2135555.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
design
design history
methodology
mediation
consumption
production
Opis:
The text aims to describe currents, tendencies and fields of interest in design history studies in Poland, which grew in number around the year 2000. There are several characteristic patterns to be observed. First of all, despite the fact that the pioneering monograph on the subject appeared in 1978 (I. Huml), one can still observe terminological diversity, with various terms, such as applied arts and design, being used as synonyms. Secondly, looking at the history of the research, one may draw up a calendar of key events (publications, exhibitions) which led to the development and/or consolidation of the basic vision of Polish design from the end of the 19th century to the beginning of the 21st century, related primarily to the political and artistic history of the country. Thirdly, the increase in historical knowledge on the subject has been generated not only by different environments but also in the context of diverse institutions (academic and museum research, art market, collecting/connoisseurship). Consequently, the research conducted so far has been methodologically diversified, influenced by different goals and results. As a result, in the social reception there is a specific coexistence of projects of a scientific, popular science and commercial nature. A critical point in the dynamics of research was marked by two events which took place at the beginning of the 21st century: the exhibition Rzeczy pospolite and the subsequent publication (2000/2001), and founding of the quarterly “2+3D” (2001). Another marked increase in initiatives has occurred since the end of the 2000s. The demand for knowledge about design history is also, to some extent, animated by the art market. On the one hand, old design collecting generates a spontaneous exchange of messages on social media, while on the other, it stimulates the creation of reliable popular science studies. Research on Polish design has been dominated by the perspective of art history, usually in its traditional version focusing on style as well as the artistic and theoretical context, and highlighting issues of uniqueness and individual authorship, which prevail over functional, technological or social aspects in the discourse. Consequently, there has been no approach that would perceive Polish design and its multiple contexts as a dynamic system, a set of practices and mediations, such as the approach proposed several years ago by Grace Lees-Maffei (Production-Consumption-Mediation Paradigm) for design history. Such a perspective would enhance and stress the importance of research on the relations between various actors in the Polish design community, such as institutions (educational, experimental and research, manufacturing), transmitters (exhibitions, advice) and mediators between production and consumption.
Źródło:
Artium Quaestiones; 2021, 32; 5-36
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polish-Italian Design Dualism. Artistic Projects by Dorota Koziara
Autorzy:
Wiśnicka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/28409302.pdf
Data publikacji:
2017
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Italian design
Polish design
Design history
Contemporary art
Milan
Opis:
Polish-born, Milan-based designer, Dorota Koziara has been active on the international design scene for two decades. Her artistic career has swung between her national roots and the well-established traditions of Italian design. Working alongside the iconic Alessandro Mendini, Koziara gained a brand-new way of self-expression, smoothly intermingling between the two cultures. Her activity covers an outstanding range of projects, she is also the winner of the Third Millennium International Sculpture Competition held in Italy. Her achievements on both Polish and Italian design scenes are a unique example of how fluid contemporary trends based on national heritage can be. In this border-free society, the influences and relations between Polish and Italian design seem to be highly important. After centuries of inspiration and domination by Italian art, today’s scene shows a different approach to multicultural dialogue, the results of which are apparent in Koziara’s works. The article focuses on her achievements in the light of reciprocal Polish-Italian influences.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2017, 8; 160-175
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zagadnienie kształtu typograficznego w badaniach dawnej książki polskiej
Autorzy:
Kocot, Anna
Powiązania:
https://bibliotekanauki.pl/articles/636287.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
typographic design, the history of book, the art of printing
Opis:
The purpose of this paper is to present the problem of typographic design in the studies on Polish books printed until the 18th century. Although some of the ideas of Polish bibliologists have closely corresponded with new directions in French and Anglo-American bibliography, they have never resulted in such books as: Apparition du livre by Febvre-Martin, Gutenberg Galaxy by McLuhan, Printing Press as an Agent of Change by Eisenstein or Histoire de l’édition française. In Polish book studies, the issue of typography was raised essentially to confirm or establish the provenance of a print or to demonstrate the existence of many variants of an edition. In the second decade of the 20th century, in opposition to the ideas represented e.g. by Jan Ptaśnik, who postulated mainly the examination of historical documents, Kazimierz Piekarski worked out the so-called “typographic method” of book studies, which consisted in the analysis, description and creating the catalogue of printing types and typographic material employed in the examined prints. This method was successfully used in the series Polonia Typographica Saeculi Sedecimi, which Piekarski initialised in 1936. While the idea to evaluate and compare the aesthetic value of production of different printers were present in Polish bibliography, they could not, nevertheless, be realised before the second world war. In the second half of the 20th century researchers focused, among others questions, on: paper, bookbinding, readers, publicity, musical prints, bookselling, history of libraries and printers, but the issue of typographic design was only discussed as an exception. Making an attempt to characterise and estimate the visual aspect of Polish books printed before the end of the 18th century requires difficult study not only in bibliography, but also in the history of literature, culture and art. Works such as: Encyklopedia wiedzy o książce, Słownik pracowników książki polskiej,Drukarze dawnej Polski, a recently published bibliography of books printed by Franciszek Cezary the older, as well as already mentioned Polonia Typographica... and numerous articles (some of them concerning precisely e.g. title-pages or printers’ devices) remain a useful source of knowledge. However, Polish scientific vocabulary in this subject is still deficient and sometimes a researcher could find it indispensable to create a new term him- or herself. The author of this paper had a similar experience during her studies on the typography of prints published in sixteenth-century Cracow by Florian Ungler and Maciej Wirzbięta. The other problem she had to deal with was the creation of an original database, which allowed her to collect, research and present data in a much simpler, faster and more comfortable way. Comparative studies of selected prints published in Cracow in the first and the second half of the 16th century have shown a development of local typography and book design during this period, including changes in book architecture, typographic material and page layout. They also indicated the introduction and perfection of multiple helpful elements of a book, like pagination or foliation, indexes, errata, notes etc., as well as an establishment of some patterns of composition for editions de luxe and “series”. Despite many attempts, including those mentioned in this paper, the issue of typographic design of Polish books printed before the 18th century remains mostly unknown. Simultaneously, the general interest in modern book design in Poland has greatly increased over the last few years and creating the layout of one’s own book has become more and more popular. It is therefore extremely important to study the art of our predecessors and try to understand what they wanted to teach us in their own language of “black-art”.
Źródło:
Terminus; 2013, 15, 2(27)
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
LEARNING DESIGN AND INQUIRY IN AUSTRALIAN HISTORY CLASSROOMS
Autorzy:
Carroll, Kay
Powiązania:
https://bibliotekanauki.pl/articles/941244.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej w Lublinie. IATEFL Poland Computer Special Interest Group
Tematy:
ICT
IT
pedagogy
history
inquiry
teaching and learning design
Opis:
Global and digital connectivity transform Australian classrooms by creating rich environments for inquiry learning. Developing inquiry learning in this Information Communication Technology (ICT) context is an Australian educational goal. Recently the Australian Curriculum reform and the Digital Education Revolution has become a catalyst for teachers to overcome the ubiquitous disconnect between traditional and digital pedagogies and reconceptualise practice and curricula. The National vision for ICT in School Education (2008) creates opportunities and imperatives for transformative pedagogies to sync with key learning areas and raises questions about how ICT pedagogical disconnect may be overcome. This paper reports findings from multi-site case studies which focus on the bridging the pedagogical disconnect by investigating the ICT experiences and pedagogy of History teachers in K-12 Catholic schools.
Źródło:
Teaching English with Technology; 2012, 12, 2; 36-50
1642-1027
Pojawia się w:
Teaching English with Technology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czym jest polski design?
Autorzy:
Kostrzyńska-Miłosz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1186520.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Polish design
history of design
Cepelia
The Institute of
Industrial Design
Ład
Wanda Telakowska
Opis:
The article touches upon the question of the history of Polish industrial design. It analyses its genesis since the second half of the nineteenth century as well as the crucial problem of how ‘Polish’ and nationally rooted were, in fact, the forms presented by the Polish designers at the time. Further reflections on the topic show two main tendencies – inspirations emerging from folk art and the search for modernity (characteristic of the entire European design during the period). Both tendencies are still present in Polish design.
Źródło:
Załącznik Kulturoznawczy; 2019, 6; 91-104
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The history of renovation design of the front facade of the Main Post Office Building in Lublin
Autorzy:
Pytlarz, E.
Powiązania:
https://bibliotekanauki.pl/articles/391272.pdf
Data publikacji:
2009
Wydawca:
Politechnika Lubelska. Wydawnictwo Politechniki Lubelskiej
Tematy:
Lublin
Main Post Office building
facade renovation
illumination
client
designer
conservator
Opis:
In this article it is presented a ranovation process of the Post Office building in Lublin held in 2001 - 2003. The location of thic edifice in the main street and the same time of the frontage of the central square raises the status of this building particularly that its facade is the background of numerous official celebrations and meetings of the authorities and citizens of Lublin. The author of this article describes designing solutions and also the cooperation process of architect, client, conservator and performer. The photographs showing the facade of the Main Post Office building in Lublin before its restauration and the effect after it enable a reader to compare the facade of the building from the past to its contemporary state.
Źródło:
Budownictwo i Architektura; 2009, 4, 1; 105-113
1899-0665
Pojawia się w:
Budownictwo i Architektura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Projektowanie baz danych z pełną historią zmian danych : model bitemporalnej bazy danych i operacje zapisu
Database design with full history of data changes : the bitemporal database model and write operations
Autorzy:
Rozmus, S.
Powiązania:
https://bibliotekanauki.pl/articles/210701.pdf
Data publikacji:
2016
Wydawca:
Wojskowa Akademia Techniczna im. Jarosława Dąbrowskiego
Tematy:
informatyka
relacja bitemporalna
stan obiektu
znacznik czasu ważności
znacznik czasu transakcji
informatics
bitemporal relation
state of object
valid time-stamp
transaction time-stamp
Opis:
Znane i sprawdzone są dobre praktyki projektowania baz danych. Jednak w przypadku gdy baza danych musi gromadzić pełną historię zmian danych, wykonanie projektu bazy danych staje się zdecydowanie trudniejsze. Uwzględnienie aspektów temporalnych ze swej natury zamienia związki pomiędzy powiązanymi obiektami na związki pomiędzy stanami tych obiektów. Dodatkowo, możliwość różnej interpretacji zależności czasowych powoduje, że nie wypracowano jeszcze ogólnie przyjętej metodyki projektowania temporalnych baz danych. Artykuł jest pierwszym z serii artykułów podsumowujących doświadczenia Autora zdobyte w ramach prac nad systemem Centralnej Ewidencji Pojazdów i Kierowców (CEPiK). W artykule przedstawiono sposób podejścia do projektowania relacyjnej bazy danych przechowującej pełną historię zmian stanów obiektów. Opisano model bazy danych, szczegółowo wyjaśniono wpływ zmian stanów obiektów na historię życia obiektów oraz zaprezentowano algorytmy operacji zapisu zmieniających stan bazy. Przedstawione podejście zostało praktycznie wykorzystane do budowy jednej z baz danych CEPiK.
Good database design practices are well-known and proven. However, when a particular base has to include also a complete history of changes introduced to the data, the project realization becomes a much more complex task. If we take into account temporal aspects, we naturally transform the relations between the interlinked objects into the relationships between the states of these objects. Additionally, the possibility of various interpretations of time dependencies prevented us so far from developing a generally accepted methodology for designing temporal databases. This article is the first in a series of articles published within the framework of the work carried out on the system of the Central Register of Vehicles and Drivers (in Polish: CEPiK). It presents the approach to the design of a relational database, which stores a complete history of the changes made to the states of these objects. It describes a database model, which explains in detail the influence of the changes made to the states of these objects, whilst also containing the life history of these objects and presents algorithms of the right operation modifying the state of the database. The presented approach has been used in practice to create one of CEPiK’s databases.
Źródło:
Biuletyn Wojskowej Akademii Technicznej; 2016, 65, 1; 89-109
1234-5865
Pojawia się w:
Biuletyn Wojskowej Akademii Technicznej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rozwój przestrzenny Lipnicy Murowanej w czasach zaborów w świetle austriackich map wojskowych
Spatial development of Lipnica Murowana during the partitions in light of Austrian military maps
Autorzy:
Budziakowski, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/218588.pdf
Data publikacji:
2019
Wydawca:
Stowarzyszenie Konserwatorów Zabytków
Tematy:
Lipnica Murowana
mapa Miega
kartografia
historia urbanistyki
Mieg’s map
cartography
history of urban design
Opis:
Dzięki zachowanym austriackim mapom wojskowym z XVIII i XIX wieku istnieje możliwość zbadania zmian przestrzennych, jakie miały miejsce m.in. na terenach Polski południowej. Szczególnie cenna jest tzw. mapa Miega – opracowanie wykonane w skali 1:28 800 (jeden cal = 400 sążni), obejmujące swoim zakresem teren Cesarstwa Austriackiego, sięgającego w tamtym okresie od Wenecji po Warszawę. Stanowi ona znakomitą bazę i punkt wyjściowy badań z zakresu historii urbanistyki – badań, które nie doczekały się do tej pory szerokiej realizacji. Niniejszy artykuł dołącza do nielicznych tekstów tego typu.
Owing to preserved Austrian military maps from the 18th and 19th century, there is a possibility to examine spatial changes that occurred e.g. in southern Poland. Particularly valuable is the so called Mieg’s map – drawn in the scale 1:28800 (one inch = 400 fathoms), covering the area of the Austrian Empire which at that time stretched from Venice to Warsaw. The map constitutes an excellent basis and a springboard for the research on the history of urban design which has not been studied in-depth so far. This article is an addition to few texts of that kind.
Źródło:
Wiadomości Konserwatorskie; 2019, 57; 134-141
0860-2395
2544-8870
Pojawia się w:
Wiadomości Konserwatorskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-10 z 64

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies