Wszystkie pola: dance - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Bibliografia taneczna. Stan literatury tanecznej w Polsce – perspektywy badawcze
Bibliography of Dance. Dance Studies in Poland: Research Perspectives
Autorzy:: Iwańska, Alicja
Powiązania:: https://bibliotekanauki.pl/articles/460220.pdf
Data publikacji:: 2012
Wydawca:: Fundacja Pro Scientia Publica
Tematy:: dance literature in Poland
dance periodicals
dance books
dance web sites
polish dance bibliography
dance research in Poland
dance library
Opis:: The objective of this paper is twofold: (1) to review the literature on dance in Poland and (2) to make Polish dance bibliography more elaborate. First, the essay discusses the current state of research on dance in Poland. Second, it presents the classification of dance publications by Leslie Getz and attempts to create a bibliography of the dance catalogue in Poland. Finally, it comments on the scientific activity of Polish research institutions studying dance and suggests some improvements to the current situation of dance research in Poland.
Źródło:: Ogrody Nauk i Sztuk; 2012, 2
2084-1426
Pojawia się w:: Ogrody Nauk i Sztuk
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Sports Dance and the Process of Socialization
Autorzy:: Banio, Adrianna
Powiązania:: https://bibliotekanauki.pl/articles/1055087.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:: activity
ballroom dance
dance
dance community
socialization
sport
the Maslow’s hierarchy of needs
Opis:: The paper presents the socializing role of sports dance in man’s life. The influence of the activity or movement on the process of socialization of an individual and a group is multi-aspectual and plays significant role in social development of a human. Socialization through sports dance is described as one of the elements shaping character and influencing social communication, as well as affecting a man’s part in co-creation of the surrounding environment
Źródło:: Central European Journal of Sport Sciences and Medicine; 2015, 9, 1; 85-90
2300-9705
2353-2807
Pojawia się w:: Central European Journal of Sport Sciences and Medicine
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Straight into the Eyes – Jacek Łumiński and the Silesian Dance Theatre(1991-2011)
Autorzy:: IWANSKA, ALICJA
Powiązania:: https://bibliotekanauki.pl/articles/628821.pdf
Data publikacji:: 2012
Wydawca:: Fundacja Pro Scientia Publica
Tematy:: Jacek Łumiński, Silesian Dance Theatre, contemporary dance, history of dance in Poland – 20th century, dance education
Opis:: The fi nal decade of the 20th century was the turning-point for the development of Polish contemporary dance. In 1991 Jacek Łumiński established the Silesian Dance Theatre in Bytom. The theatre is said to be in the avant-garde of all activities related to contemporary dance development in Poland. It was J. Łumiński and his theatre who pioneered new trends in contemporary dance at the beginning of the nineties of the 20th century, at the same time they have conducted educational activity over the intervening twenty years.The aim of this article is to present the artistic and educational activity of the Silesian Dance Theatre of the recent twenty years. In the beginning the author presents a choreographic por-trait of J. Łumiński, the founder and choreographer of the Silesian Dance Theatre, and creator of the Polish contemporary dance technique. Then an analysis of J. Łumiński’s dance style is car-ried out, and the review of the Silesian Dance Theatre’s choreographic attainments is presented.The fi nal part of the article discusses the wide spectrum of educational activities under-taken in the fi eld of contemporary professional dance by theSilesian Dance Theatre, and the phenomenon of the theatre on the Polish stage.
Źródło:: Journal of Education Culture and Society; 2012, 3, 1; 31-46
2081-1640
Pojawia się w:: Journal of Education Culture and Society
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Teatr tańca – dzieje pojęcia
The theatre of dance – history of the term
Autorzy:: Iwańska, Alicja
Powiązania:: https://bibliotekanauki.pl/articles/460176.pdf
Data publikacji:: 2011
Wydawca:: Fundacja Pro Scientia Publica
Tematy:: teatr tańca
taniec XX wieku
taniec - historia
taniec – teoria
theatre of dance
20th century dance
dance – history
dance - theory
Opis:: Teatr tańca jest obecnie przedmiotem rozważań i dyskusji w wielu środowiskach. Gatunek ten silnie obecny we współczesnej kulturze nie został dotąd zdokumentowany ani poddany historycznej i naukowej refleksji. Autorka podejmuje taką próbę. Celem referatu jest przedstawienie znaczeniowych fluktuacji, jakim na przestrzeni XX wieku podlegał sam termin „teatru tańca”. Na wstępie autorka omawia źródła teatru tańca oraz przybliża dokonania i idee artystów, którzy na kształtowanie się tej formy sztuki widowiskowej wywarli największy wpływ. Następnie prezentuje i analizuje ważniejsze definicje tego zjawiska artystycznego funkcjonujące w historii w XX-wiecznej sztuki. Zwraca uwagę na wąskie i szerokie rozumienie tego terminu. W części tej omawia też elementy strukturalne spektakli teatru tańca. W zakończeniu zastanawia się nad obecnym rozumieniem teatru tańca oraz jego znaczeniem w sztuce współczesnej.
The theatre of dance is currently the subject of reflection and discussion in numerous circles. This genre, significantly present in the modern culture, has not been yet documented nor subjected to historical and academic reflection. The author makes such an attempt The aim of the paper is the presentation of the fluctuations of meaning, which were experienced by the sole term “theatre of dance”. In the introduction the author discusses the origins of the theatre of dance and examines the achievements and ideas of the artists, who have mostly influenced the shaping of this performance art. Then, the author presents and analyzes the significant definitions of this artistic phenomenon present in the history of 20th century art. She points out to the narrow and broad understanding of this term. In this part she also discusses the structural elements of the theatre of dance performances. In the conclusion the author reflects on the current understanding of the theatre of dance and its importance in the modern art.
Źródło:: Ogrody Nauk i Sztuk; 2011, 1
2084-1426
Pojawia się w:: Ogrody Nauk i Sztuk
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: The contribution of dance on childrens health
Autorzy:: Kourkouta, L.
Rarra, A.
Mavroeidi, A.
Prodromidis, K.
Powiązania:: https://bibliotekanauki.pl/articles/1916442.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet Medyczny w Białymstoku
Tematy:: dance
children
dance therapy
Opis:: Introduction: Dance is a kind of art therapy involving the psychotherapeutic use of expressive movement through which children can engage creatively in the process of personal development. Purpose: To highlight the contribution of dance to children psychophysical development and their self-expression of personality. Materials and methods: The research method consisted of reviewing articles addressing dance's role in children's psychophysical development and self-expression of personality found mostly via Medline, the Hellenic Academic Libraries Link and Google Scholar. A search of classic scientific literature and studies in libraries was also conducted. All articles had to be written in either Greek or English and refer to dance. Results: Dance is a treatment procedure commonly used at schools as an educational means. It is an important effective tool for children who suffer from emotional disorders and learning disabilities and aims to increase children's self-esteem, emotional expression, and ability to complete tasks relaxation, social interaction and coherence of the group in which they participate. Dance also helps children both to manage emotions that impede learning and to improve their adaptability in school. Conclusions: Dance develops children's the expressive ability and help them to express themselves not only verbally but also bodily.
Źródło:: Progress in Health Sciences; 2014, 4, 1; 229-232
2083-1617
Pojawia się w:: Progress in Health Sciences
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: India and the Translocal Modern Dance Scene, 1890s–1950s
Autorzy:: Vargas-Cetina, Gabriela
Powiązania:: https://bibliotekanauki.pl/articles/1008943.pdf
Data publikacji:: 2020-12-31
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: Dance
Modern Dance
India
America
Translocality
Opis:: At the end of the nineteenth century and during the first half of the twentieth, lead dancers from different countries became famous and toured internationally. These dancers—and the companies they created—transformed various dance forms into performances fit for the larger world of art music, ballet, and opera circuits. They adapted ballet to the variety-show formats and its audiences. Drawing on shared philosophical ideas—such as those manifest in the works of the Transcendentalists or in the writings of Nietzsche and Wagner—and from movement techniques, such as ballet codes, the Delsarte method, and, later on, Eurythmics (in fashion at the time), these lead dancers created new dance formats, choreographies, and styles, from which many of today’s classical, folk, and ballet schools emerged. In this essay, I look at how Rabindranath Tagore, Isadora Duncan, Anna Pavlova, Ruth St. Denis and Ted Shawn, Uday Shankar, Leila Roy Sokhey and Rumini Devi Arundale contributed to this translocal dance scene. Indian dance and spirituality, as well as famous Indian dancers, were an integral part of what at the time was known as the international modern dance scene. This transnational scene eventually coalesced into several separate schools, including what today is known as classical and modern Indian dance styles.
Źródło:: Review of International American Studies; 2020, 13, 2; 39-59
1991-2773
Pojawia się w:: Review of International American Studies
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: Influence of rehabilitation on health of ballroom dancers after sports injuries
Autorzy:: Banio, Adrianna
Powiązania:: https://bibliotekanauki.pl/articles/1054995.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:: ballroom dance
dance
latin dance
rehabilitation
sports injuries
Opis:: The paper is aimed at assessing the influence of rehabilitation on health of ballroom dancers after sports injuries. At the turn of 2014 and 2015 ballroom dancers from all around Poland were questioned. The surveyed were professional dancers aged between 13 and 30 years. As many as 63 athletes were injured during their career. The rehabilitation of 47 of them took place in the rehabilitation centre under physiotherapeutic supervision. Only 16 of the injured rehabilitated on their own. The opinion poll based on the survey was used as a method. The questionnaire included closed and open questions which were to show the influence of injury and its treatment on future sports career. Questions were detailed and referred to the kinds of injuries and their causes, the process of treatment, duration of rehabilitation, its process and results. Questionnaire results were analysed statistically with the use of the Pearson’s chi-squared test. It has been proved that rehabilitation under physiotherapeutic supervision has positive influence on health of ballroom dancers after injuries. Specialist rehabilitation of sportsmen after sports injuries contributed to the shortening of time of the recuperation and to the complete recovery. The time of recovery of the injured who did not undergo the professional rehabilitation was longer, and it was impossible to restore lost functions in the group of 5% of the surveyed, which resulted in the end of their career. Dancers after sports injures should always undergo professional rehabilitation under the sports doctor’s and physiotherapist’s supervision.
Źródło:: Central European Journal of Sport Sciences and Medicine; 2016, 14, 2; 63 - 71
2300-9705
2353-2807
Pojawia się w:: Central European Journal of Sport Sciences and Medicine
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: Bobrek – Life through Dance
Bobrek - życie poprzez taniec
Autorzy:: Drzazga, Dagmara
Powiązania:: https://bibliotekanauki.pl/articles/593979.pdf
Data publikacji:: 2013
Wydawca:: Łódzkie Towarzystwo Naukowe
Tematy:: dance
break dance
social engagement
ostindustrial area
taniec
inicjatywa społeczna
obszary poprzemysłowe
Opis:: The workers’ district of Bytom, Bobrek, with its steelworks and a coal mine for ‘the better future’ under Communism, has now become the terrifying subject of media accounts of pathologies and hopelessness. Children continue to play against the backdrop of the derelict buildings, but they gradually abandon their dreams. The Silesian Dance Theatre in Bytom organized dance workshops devoted to break-dance, hip-hop and funk in the area. Three boys, the main characters of the story, Andrzej, Daniel and Paweł, decided to create something to portray the way they live through dancing. With a group of other dancers they prepared a performance at the local theatre. During the premiere night their families and friends entered the theatre for the first time. Will their dream come true? This paper reflects on the making of the film Bobrek dance (2002).
Robotnicza dzielnica Bytomia – Bobrek, z pobliską hutą i kopalnią była za komuny przykła-dem pracy „o lepsze jutro”; dziś straszy patologiami i beznadzieją. Klimat ten szczególnie mocno odczuwają dzieci. Bawiąc się przed odrapanymi familokami, obserwując codzienne, trudne życie swoich rodzin stopniowo pozbywają się marzeń. Stają się zakompleksione i agre-sywne. Już nawet nie próbują walczyć o siebie. Z myślą o dzieciach z Bytomia-Bobrka Śląski Teatr Tańca (ŚTT) zorganizował warsztaty taneczne. Był to taniec ulicy: break-dance, hip- -hop, funky. Trójka bohaterów filmu – Andrzej, Daniel i Paweł postanowiła poprzez taniec zmienić coś w swoim życiu. Razem z grupą innych tancerzy przygotowali profesjonalny spek-takl w tutejszym teatrze. Tego wieczoru po raz pierwszy w życiu progi te przekraczają także ich rodziny i koledzy z podwórka. Czy marzenia chłopców się spełnią? Tekst jest refleksją na temat pracy nad filmem Bobrek dance (2002).
Źródło:: Art Inquiry. Recherches sur les arts; 2013, 15; 181-190
1641-9278
Pojawia się w:: Art Inquiry. Recherches sur les arts
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: Prosto w oczy – Jacek Łumiński i Śląski Teatr Tańca (1991-2011)
Straight in the Eyes: Jacek Łumiński and the Silesian Dance Theatre (1991-2011)
Autorzy:: Iwańska, Alicja
Powiązania:: https://bibliotekanauki.pl/articles/459959.pdf
Data publikacji:: 2012
Wydawca:: Fundacja Pro Scientia Publica
Tematy:: Jacek Luminski
Silesian Dance Theatre contemporary dance
history of dance in Poland – 20th century
dance education
Opis:: The last decade of the 20th century marked a turning-point in the development of Polish contemporary dance. In 1991, Jacek Luminski established the Silesian Dance Theatre in Bytom.The theatre is said to have been the avant-garde of all activities around contemporary dance in Poland. It was J. Luminski and his theatre that set new trends in contemporary dance of the early 1990s, at the same time having fulfilled educational purposes for the last twenty years. The aim of this article is to present the artistic and educational activity of the Silesian Dance Theatre of the last twenty years. It first presents a choreographic portrait of J. Luminski, founder and choreographer of the Silesian Dance Theatre, the creator of the Polish contemporary dance technique. Then, this paper analyses Luminski’s dance style and reviews the Silesian Dance Theatre’s choreographic achievements. The final part of the article discusses a wide spectrum of educational activities undertaken in the field of contemporary professional dance by the Silesian Dance Theatre, and the phenomenon of theatre on the Polish stage.
Źródło:: Ogrody Nauk i Sztuk; 2012, 2
2084-1426
Pojawia się w:: Ogrody Nauk i Sztuk
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 10.

Tytuł:: Dance as a Sign: Discovering the Relation Between Dance Movement and Culture
Autorzy:: Byczkowska-Owczarek, Dominika
Powiązania:: https://bibliotekanauki.pl/articles/781541.pdf
Data publikacji:: 2019
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: dance
body
ankoku butoh
sign
taniec
ciało
znak
Opis:: This article presents examples of the relationship between culture, dance, and the body in the fields of communication (with oneself, the community, God/deity), the social hierarchy, social values, relations between the individual and the group, and relations between genders, from the perspective of the sociology of the dance. The sociological perspective also indicates the various historical, ritual, control, and regulatory roles that traditional and modern dances play in the communities in which they arise and are performed. The second part of the text contains a case study of the Japanese ankoku butoh dance. The author presents the philosophical roots of the dance (e.g., Japanese mythology, Zen Buddhist philosophy) and the creator’s personal experiences (childhood trauma and post-war social situation) as factors that influenced the dance’s development. The example of ankoku butoh illustrates the interrelation between cultural meanings and dance movements.
Źródło:: Kultura i Społeczeństwo; 2019, 63, 3; 63-74
2300-195X
Pojawia się w:: Kultura i Społeczeństwo
Dostawca treści:: Biblioteka Nauki

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