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Wyszukujesz frazę "body art" wg kryterium: Wszystkie pola


Tytuł:
Патріотичний боді-арт: політична мода чи мода на патріотизм?
Polityczny body-art: Moda polityczna czy moda na patriotyzm?
Autorzy:
Хома, Наталія
Powiązania:
https://bibliotekanauki.pl/articles/489345.pdf
Data publikacji:
2015
Wydawca:
Polskie Towarzystwo Naukowe w Żytomierzu
Tematy:
patriotic body art,
tattoo-regalia,
visualisation, non-verbal communication,
political fashion
Opis:
Practice of visualization of patriotic moods of Ukrainian people in the form of body art (tattoo-regalia), which became more intensified during and after the Revolution of Dignity, is analyzed in the article. It is proved that pro-Ukrainian body art as a kind of “body language” is a socio-political (patriotic) marker. In the article there is argued that the human body is not only biological, economic or virtual unit, but also a semiotic (sign) one; it acts as a kind of text, related to the social construction of identity; a set of specific social signs, symbols and codes. Tattoo-regalia is considered by the author as a symbolic expression of social interaction, mean of visual of non-verbal communication through the transformation of the natural structure of a man. It is noted that the patriotic body art is external corporeal expression of cultural meanings, which is manifested in tendencies among the Ukrainians to put patriotic images: tridents, embroidered ornaments, images of “Heaven Hundreds”, Cossack images. The author emphasizes that the good reason to put patriotic tattoo is an ideology: tattooregalia perceives by others as a visualization of a clear identification of the person with certain events in life of the state and the nation. It is proved that modern Ukrainian patriotic body art expresses emotions and (or) individual awareness of belonging to a particular social and personal position within social roles (Ukrainian, patriot, a fighter for certain national values). Attention is paid to the fact that the current practice of patriotic body art is associated with markers of both personal and the group (national) identity.
Źródło:
Studia Politologica Ucraino-Polona; 2015, 5; 259-264
2312-8933
Pojawia się w:
Studia Politologica Ucraino-Polona
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Znaczenia nie da się oddzielić od ciała
The Meaning Cannot Be Separated From The Body
Autorzy:
Dworakowska, Zofia
Powiązania:
https://bibliotekanauki.pl/articles/1359084.pdf
Data publikacji:
2021-06
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
qualitative research
participatory art
performance studies
representation
Symphony of the Ursus Factory
Opis:
The text is a proposal to analyse the film Symphony of the Ursus Factory from three different perspectives: performance studies, qualitative research, and participatory art. Departing from a quote by the director, Jaśmina Wójcik, where she reminisces about her first encounters with the former employees of the factory, the author focuses on the issue of embodied knowledge. Through discussing different moments of the film and its visual and audial strategy, the author also shows how theatricality mixes with documentality in the production. The author also refers to different events and activities from the nine-year-long Factory Ursus Project to show it as a long-term process grounded on different modes of participation and collaboration, without which the movie could not have been possible and which legitimates its artistic form.
Źródło:
Didaskalia. Gazeta Teatralna; 2021, 163/164; 28-51
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z kręgu zagadnień ciała i cielesności w cyklach obrazowych Genesis. Na wybranych przykładach sztuki średniowiecznej
Body and Carnality in the Scene of „Genesis”. An Analysis of Selected Medieval Works of Art
Autorzy:
Mazurczak, Urszula M.
Powiązania:
https://bibliotekanauki.pl/articles/1929385.pdf
Data publikacji:
2011
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Stwórca
człowiek
ciało
cielesność
zmysły
intelekt dusza
ubiór
God the Creator
human being
body
carnality
senses
intellect
soul
apparel
Opis:
The Medieval imagery in the representations of the Genesis are profusely analysed in the literature of the subject. This is owing to the fact that the images in question cumulate a large number of interrelated religious motifs and ideas. The paramount motif is that of the Creator, whose presence was usually represented graphically by the figure of Christ with the crossnimbus. Other figures were also used as substitutes of God the Father. Figures of angels taking part in the consequent stages of creation are a frequent iconographic element, too. Irrespective of the above, the bodies and the carnality of Adam and Eve has been discussed only marginally, or completely ignored in the research on the Medieval imagery of the Genesis. Despite the common belief that Medieval art had no intense interest in the human body, the scenes depicting the creation of the human being reveal the artists' attempts to take up the theological discourse on the nature of carnality, bearing “God's image.” This paper points at a selection of patristic texts and those written by other authors who interpreted carnality in the context of the mystery of the human soul, intellect, human senses as well as the conditions relating to the sexual divide. The analysis is based on the most outstanding Medieval miniatures and reliefs that represent the relationship between the human being and the Creator in the moment of creating, first, Adam and then Eve. Special emphasis is placed on the artists' efforts to carefully represent the gestures of the Creator, which are to tell the spectator about the dignity of the human body as created by God. Also discussed are images that pinpoint the difference in the artistic positioning of the representation of God in relation to Adam and Eve. Some of the images show closeness and affinity, when God leans down towards the world in the act of creating man. In others, God sits on a globe, creating man by means of a divine gesture, but staying in a distance to His creation. A vital element in the way in which the first parents' bodies were painted was how a given artist emphasised or understated the anatomical features of Adam and Eve. Some artists even presented them as children, in an apparent need to give their own interpretation of their age. Yet another significant aspect in the analysis of how the human body was depicted is that of surroundings. The representations of the garden of Eden present nature, with special exposition of the ground on which the newly-created Adam is lying, a rock as well the trees and rivers in paradise.
Źródło:
Roczniki Humanistyczne; 2011, 59, 4; 5-28
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wybrane elementy wystroju apartamentu chińskiego na piętrze korpusu głównego Pałacu Wilanowskiego i jego zmiany na przestrzeni dziejów - nowe spojrzenie
Selected elements of the decoration of the Chinese Apartment on the first floor of the Wilanów palace’s main body and its changes over the centuries – a new approach
Autorzy:
Alkemade, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/1968041.pdf
Data publikacji:
2019
Wydawca:
Muzeum Pałacu Króla Jana III w Wilanowie
Tematy:
Chinese Apartment
Stanisław Kostka Potocki
Aleksandra Potocka
August Potocki
inventory of 1832
collection of Oriental art
Opis:
One part of the collection of the Museum of King Jan III's Palace at Wilanów is a set of interior decorations removed during restoration works in 1955-1962. It consists of eight panels from Locci's 2nd Room, concealed door from the Anteroom and a panel from the ceiling of the King's Sons' Room. Using the documentation from the restoration process and archival photographs, it proved possible to reconstruct the exact look of the decorations. The original idea to arrange the Chinese Apartment on the first lfoor of the Wilanów Palace is traditionally attributed to Stanisław Kostka Potocki, and the oldest inventory describing it was compiled in 1832. Intended as exposition space, the interiors were decorated in concordance with the collection displayed in each room, including, among others, paintings, woodblock prints, ceramics and lacquered objects. Currently a new permanent exhibition is being prepared in the corridor by the Chinese and Hunting Rooms in the southern wing of the palace. It will tell the history of the Apartment and the historical collection of Oriental art.
Źródło:
Studia Wilanowskie; 2019, XXVI; 57-82
0137-7329
2720-0116
Pojawia się w:
Studia Wilanowskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Signifier Cannot Be Detached from the Body
Autorzy:
Dworakowska, Zofia
Rusek, Mirosław
Powiązania:
https://bibliotekanauki.pl/articles/1955934.pdf
Data publikacji:
2021-12
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
qualitative research
participatory art
performance studies
representation
Symphony of the Ursus Factory
Opis:
The text is a proposal to analyse the film Symphony of the Ursus Factory from three different perspectives: performance studies, qualitative research, and participatory art. Departing from a quote by the director, Jaśmina Wójcik, where she reminisces about her first encounters with the former employees of the factory, the author focuses on the issue of embodied knowledge. Through discussing different moments of the film and its visual and audial strategy, the author also shows how theatricality mixes with documentality in the production. The author also refers to different events and activities from the nine-year-long Factory Ursus Project to show it as a long-term process grounded on different modes of participation and collaboration, without which the movie could not have been possible and which legitimates its artistic form.
Źródło:
Didaskalia. Gazeta Teatralna; 2021, English Issue 2021; 90-112
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
THE NATURE OF COMMON SENSE AND HOW WE CAN USE COMMON SENSE TO RENEW THE WEST
Autorzy:
Redpath, Peter A.
Powiązania:
https://bibliotekanauki.pl/articles/507346.pdf
Data publikacji:
2014
Wydawca:
International Étienne Gilson Society
Tematy:
aim
analogy
anarchy
art
body of knowledge
cause
common sense
communication
comprehensive understanding
concept
contemporary
contrary
contrariety
culture
demonstration
demonstrative
disorder
education
equality
emotion
end
enlightened
enlightenment
excellence
existence
explanation
fear
fundamentalistic
genus
God
habit
happiness
harmony
hierarchically ordered
history
hope
human
humanist
inequality
inspiration
inspired
judgment
justice
knowledge
language
leadership
logic
mathematics
memory
metaphysics
modern
multitude
nature
Nietzschean
operational
opposite
order
part
person
philosophy
physical
poetry
power
principle
provocative thought
quality
reality
reason
receptivity
relationship
renaissance
resistance
rhetoric
science
scientism
skeptic
sophist
soul
species
strength
success
system
truth
utopian
West
Western civilization
unity
universe
values
virtue
whole
will
wisdom
wonder
World War
Opis:
Since most pressing today on a global scale is to be able to unite religion, philosophy, and science into parts of a coherent civilizational whole, and since the ability to unite a multitude into parts of a coherent whole essentially requires understanding the natures of the things and the way they can or cannot be essentially related, this paper chiefly considers precisely why the modern world has been unable to effect this union. In so doing, it argues that the chief cause of this inability to unite these cultural natures has been because the contemporary world, and the West especially, has lost its understanding of philosophy and science and has intentionally divorced from essential connection to wisdom. Finally, it proposes a common sense way properly to understand these natures, reunite them to wisdom, and revive Western and global civilization.
Źródło:
Studia Gilsoniana; 2014, 3: supplement; 455-484
2300-0066
Pojawia się w:
Studia Gilsoniana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The image of the body-face: The case of Franz X. Messerschmidt and Bill Viola
Autorzy:
Popczyk, Maria
Powiązania:
https://bibliotekanauki.pl/articles/437567.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
body
physionomy
aesthetics
art
emotion
franz xaver messerschmidt
bill viola
bodily expression
contemporary art
Opis:
In this paper, I am predominantly interested in interpretations of emotional states portrayed in images of the face. In particular, the interpretations which have grown around the series of busts by Franz Xaver Messerschmidt, as well as those which attempt to expound Bill Viola’s video works. I will refer to aspects of physiognomy, artistic practices and aesthetics, in order to show what each of these tells us about our attitude to the body and emotions and what happens to the body while a person is experiencing an emotion. My aim is to demonstrate how the act of depicting the body, regarded as a cognitive process in an artistic medium accompanied by a special kind of aesthetic experience, becomes a means of communication which is capable of conveying a universal message and of allowing us to define our attitude to the body.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2015, 5, 1; 99-110
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The human body: From its instrumentality to its axiological precedence in the contemporary art of design
Autorzy:
Staniszewska, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/437403.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
tool; the handiness of tools; Martin Heidegger; design; beyond practical values; bodily comfort; everyday aesthetics
Opis:
Heidegger’s notion of ‘handiness’ combines two meanings, which in my view should be separated. They both refer to ways of characterizing tools in a given culture. Every culture uses tools, and they are all used so they are ‘handy’. The question is: Handy with regard to what? Two answers come to mind. The first one suggests that handiness is typical of the aims achieved in a given culture, which are linked with that culture’s system of values. Having been fulfilled, the aims seem to disappear, but new ones emerge and the cultural values are all the time appreciated. The aims and values constitute a part of the vision of the world accepted by the members of a given cultural community. In such a context, we can understand the handiness of tools as their optimum quality in facilitating the achievement of the aims which maintain the current cultural values, and so the existence of a given culture. The second answer links handiness with fulfilling the requirements of the human body. When considering the body in terms of its biological categories (as an organism) we can bear in mind its universal characteristics such as limbs, height, differences in body measurements, etc. In such a context, Martin Heidegger’s handiness can be understood pragmatically, as the features of a tool when adjusting it to the human body. In this paper, I propose a thesis that contemporary design loses handiness of the first type, while concentrating on making tools more and more comfortable for the human body. The cultural aims and values traditionally recognized in a given culture lose their priority, or seem to be ignored. At the same time, every tool user is given a chance to develop handiness of the first type. Whether we use this opportunity or not is another problem.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2015, 5, 1; 79-86
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
THE ESSENTIAL CONNECTION BETWEEN COMMON SENSE PHILOSOPHY AND LEADERSHIP EXCELLENCE
Autorzy:
Redpath, Peter A.
Powiązania:
https://bibliotekanauki.pl/articles/507500.pdf
Data publikacji:
2014
Wydawca:
International Étienne Gilson Society
Tematy:
aim
analogy
anarchy
art
body of knowledge
cause
common sense
communication
comprehensive understanding
concept
contrary
contrariety
culture
demonstration
demonstrative
equality
emotion
end
excellence
existence
explanation
fear
genus
habit
happiness
harmony
hierarchically ordered
history
hope
human
humanist
inequality
judgment
knowledge
language
leadership
logic
mathematics
memory
metaphysics
multitude
nature
operational
opposite
order
part
person
philosophy
physical
poetry
principle
quality
reason
receptivity
relationship
renaissance
resistance
rhetoric
science
soul
species
strength
syllogism
system
truth
West
Western civilization
unity
universe
virtue
whole
wonder
Opis:
This article argues that, strictly speaking, from its inception with the ancient Greeks and for all time, philosophy and science are identical and consist in an essential relationship between a specific type of understanding of the human person as possessed of an intellectual soul capable of being habituated and a psychologically-independent composite whole, or organization. It maintains, further, that absence of either one of the extremes of this essential relationship cannot be philosophy/science and, if mistaken for such and applied to the workings of cultural institutions, will generate anarchy within human culture and make leadership excellence impossible to achieve. Finally, it argues that only a return to this “common sense” understanding of philosophy can generate the leadership excellence that can save the West from its current state of cultural and civilizational anarchy.
Źródło:
Studia Gilsoniana; 2014, 3: supplement; 605-617
2300-0066
Pojawia się w:
Studia Gilsoniana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Effect of Experimental Presentation of Images of Women in Magazine Advertising and Works of Art on Body (Dis)satisfaction in Adolescent Girls
Autorzy:
Mirucka, Beata
Powiązania:
https://bibliotekanauki.pl/articles/1985611.pdf
Data publikacji:
2018-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
body (dis)satisfaction
images of women
media influence
perception of art
adolescence
Opis:
The present study was the first to investigate the influence of artistic images of women on adolescent girls’ body attitude. The results have shown that a 10-minute exposure to artistic images of women by such great masters as Titian, Botticelli or Degas significantly changed body attitude in teenage girls, which was expressed through increased body satisfaction, decreased body dissatisfaction, and weakening of negative body emotion. Those outcomes have also confirmed the results of the existing studies exploring the negative influence of magazine advertising on teenage girls’ body experiencing. The comparison of two study groups has shown that girls looking at women in works of art expressed a significantly higher level of body satisfaction than girls exposed to women in advertisements.
Źródło:
Kultura i Edukacja; 2018, 2(120); 113-130
1230-266X
Pojawia się w:
Kultura i Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Body as a Machine in the Works of Soviet Artists of the 1920s and 30s
Autorzy:
Bigaj-Zwonek, Beata
Powiązania:
https://bibliotekanauki.pl/articles/1967947.pdf
Data publikacji:
2019-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Soviet art
engaged art
Socialist Realism
machine
industrial development
Alexander Deyneka
Opis:
The article discusses the work of artists active in the 1920s and 1930s in Russia,2 the form and content of which links them with the idea of man-machine, which grew in popularity in the age of heightened industrial development and system changes in the 20th century. The article seeks to present the influence of official guidelines (including cultural and educational policies) and technological change on imagery, and, essentially, to point up the relationship between politics and the form and content of the art. An overview of artists working notably in Russia focuses on that period of their oeuvre that drew overtly on new solutions in visual arts. These artists are less known in Poland nowadays as they were either artistically enmeshed in Socialist Realism down the line or had a role in sanctioning it. The paper further dwells on the relationship between the avant-garde, modern art and engaged art at the early stages of forming the new political system. It also discusses problems such as: changes in art prompted by new ways of artistic practice; artist’s mutual inspirations; the application of imagery types that had formed earlier (especially when artistic activity had its footing in similar objectives); exemplifications of artists frequently drawing on the artistic traditions of their native country without shunning references to landmark works.
Źródło:
Kultura i Edukacja; 2019, 4(126); 138-150
1230-266X
Pojawia się w:
Kultura i Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
That Thou Art: Aesthetic Soul/Bodies and Self Interbeing in Buddhism, Phenomenology, and Pragmatism
Autorzy:
Jones, David
Powiązania:
https://bibliotekanauki.pl/articles/451461.pdf
Data publikacji:
2020-11-05
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
experience
aisthēsis
interdependent arising
“that thou art” (tat tvam asi)
cogito
aesthetic perception
body
soul
Dewey
Merleau-Ponty
Buddha
Descartes
Plato
Opis:
The inheritance of dualism from Plato to Descartes, and since, has impoverished the human relation with nature, the world, other humans, and other species. The division of soul and body, and its counterpart of mind and body, gave us a world from which we believe ourselves to be separate from and superior to other species. This self-othering standpoint has had devastating consequences socially, politically, economically, and ecologically. This essay seeks to identify some resources in the Western tradition in phenomenology and pragmatism that avoid this standpoint and bring them into conversation with some primary insights of Buddhist philosophy: interdependent arising, the not-self, and interbeing. By doing so, it is not only suggested that comparative conversations are not only useful in their own right, but they add dimensions to our experience in the world. Moreover, they offer avenues for living enriched lives in concert with the world without engaging in self-deceptive mental and comforting psychological activities of who and what we really are.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2020, 4, 3; 37-47
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tego się nie robi kotu, czyli o ciałach martwych zwierząt w sztuce najnowszej
You can’t do that to a cat, or dead animals in recent art
Autorzy:
Pitrus, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/692152.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
sztuka współczesna, taksydermia, części ciała, rynek sztuki
contemporary art, taxidermy, body parts, art market
Opis:
The article deals with the subject of art made with body parts of animals. The motive of a dead animal has been present in art since its beginning; in cave paintings and later in Flemish still lives. Yet it is contemporary art that tries to go even further. Instead of representing dead bodies, the artists simply use them. They could be “mere” dead flies, or giant sharks. Andrzej Pitrus discusses taxidermy, which normally is not considered a proper art, but many “real” artists use this technique as well. Some ethical issues are also discussed, because many of the works are nowadays sold for steep prices. Where does the critical art end, and exploitation start? It is hard to answer this question, which nevertheless sould be asked.
Źródło:
Zoophilologica. Polish Journal of Animal Studies; 2019, 5
2719-2687
2451-3849
Pojawia się w:
Zoophilologica. Polish Journal of Animal Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Taniec jako sztuka relacji
Dance - the art of relations
Autorzy:
Zerek, Ula
Powiązania:
https://bibliotekanauki.pl/articles/424732.pdf
Data publikacji:
2016
Wydawca:
Akademia Sztuk Pięknych w Gdańsku
Tematy:
sztuka tańca,
współczesna choreografia,
improwizacja,
ciało,
ruch,
art of dance,
contemporary choreography,
improvisation,
body,
movement
Opis:
Humans were expressing their needs and emotions in movement far before developing speech or any other civilised skills. The body as a source of movement is the closest and primary form of experiencing life as well as perceiving the surrounding world. Dealing with dance as a form of artistic expression, I question the essence and meaning contained in dance presentations from both the perspective of a dancer and as a researcher. Contradictory to visual arts, literature and even music, dance is a living ephemeral art that evolves in time and space in front of the spectator. Without time and space the experience would not be possible. By observing transformations within the art of dance, searching for deeper understanding of its roots as well as for artistic self reflection, I have come upon with principles which can define the essence of dance. In addition to the previously mentioned condition of time and space, there is a fusion of body and mind. Dance exceeds stereotypes and limiting ideologies. Dance as a field of art practice is able to challenge both the artist and the spectator. All the elements – body, mind, time, space, artist, spectator may take different configurations influencing each other. Therefore dance is the art of relations. The direct input on the individual character of dance experience and interpretation lays in body awareness. This phenomenon is explained through the phenomenology of perception by the French philosopher Maurice Merleau-Ponty, and further developed studies by the contemporary researcher Richard Shusterman. The potential of dance seems to be infinite which might be the reason for the unlimited explorations of artists in relation to dance voyaging beyond the boundaries of the discipline. In this text a variety of contemporary dance art is presented by introducing examples of chosen artists and their works. Art performances which are hard to classify, often cause controversy and difficulties with reception and interpretation. There is another element necessary for the understanding of the contemporary art of dance and this is the theory and practice which builds a discourse that develops a tradition. This paper is a reflective analyses which goes beyond explicit meanings and theories while at the same time following the primal essence of dance.
Źródło:
Sztuka i Dokumentacja; 2016, 14; 118-143
2080-413X
Pojawia się w:
Sztuka i Dokumentacja
Dostawca treści:
Biblioteka Nauki
Artykuł

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