Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "art of diplomacy" wg kryterium: Wszystkie pola

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-5 z 5
    Tytuł:
    The art of diplomacy in the context of contemporary international relations
    Autorzy:
    Wizimirska, K.
    Powiązania:
    https://bibliotekanauki.pl/articles/348475.pdf
    Data publikacji:
    2016
    Wydawca:
    Akademia Wojsk Lądowych imienia generała Tadeusza Kościuszki
    Tematy:
    multilateral diplomacy
    international relations
    diplomatic protocol
    Opis:
    While considering the issues associated with diplomacy it can be stated that its establishment in the context of international relations is a key element. However, in the description of international interactions diplomacy represents just one of the aspects in this area. This paper presents the information concerning the theory of international relations as a scientific discipline dealing with the cultural, economic and political reality. It clarifies who the participants of international interactions are, what interactions come into play and which methods, tools and techniques can be employed to achieve the set objectives. In the contemporary international arena relations between the states are being manifested in numerous forms and, therefore, the knowledge of the basic modi operandi used by their diplomatic service representatives is an essential aspect leading to the resolution of potential disputes and conflicts.
    Źródło:
    Zeszyty Naukowe / Wyższa Szkoła Oficerska Wojsk Lądowych im. gen. T. Kościuszki; 2016, 4; 88-105
    1731-8157
    Pojawia się w:
    Zeszyty Naukowe / Wyższa Szkoła Oficerska Wojsk Lądowych im. gen. T. Kościuszki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The art of diplomacy in the context of contemporary international relations
    Autorzy:
    Wizimirska, Klaudia.
    Powiązania:
    Zeszyty Naukowe / Wyższa Szkoła Oficerska Wojsk Lądowych im. gen. T. Kościuszki 2016, nr 4, s. 88-105
    Data publikacji:
    2016
    Tematy:
    Polityka międzynarodowa
    Dyplomacja wielostronna
    Protokół dyplomatyczny
    Artykuł z czasopisma wojskowego
    Artykuł z czasopisma naukowego
    Opis:
    Bibliografia na stronach 103-104.
    Dostawca treści:
    Bibliografia CBW
    Artykuł
    Tytuł:
    Interaction of Arts in Diplomatic Ceremonials of the USSR (Early 20s – mid 80s XX Century)
    Autorzy:
    Yuryevna, Zakharova Oksana
    Powiązania:
    https://bibliotekanauki.pl/articles/1933227.pdf
    Data publikacji:
    2020-03-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    international relations
    art of diplomacy
    foreign visits
    cultural programs
    state image
    Opis:
    The relevance of the study is determined both by the insufficient study of the diplomatic ceremonials of the USSR, and the fact that knowledge of the laws of their functioning expands our ideas about the cultural component of the life of Soviet society. Taking into account the absence in Russian historiography of a special study devoted to the problem of the interaction of arts at diplomatic ceremonies, the author set the goal to conduct a comprehensive research of the problem of the interaction of arts in diplomatic ceremonials. The article considers the stay of the Diplomatic Corps in Moscow from the point of view of the influence of foreign policy priorities on the norms of the diplomatic protocol. Examples of balls, sports, receptions, organized by the embassies of Germany and Italy, which in the 20–30s played a leading role in the life of the Diplomatic Corps, are given. The content of concert programs of official foreign visits, which contributed to the creation of a positive image of the country on the world stage, is analyzed. For the first time the term “diplomatic counterculture” is introduced into scientific circulation – an intentional violation of the diplomatic protocol and diplomatic etiquette in order to achieve a specific result in international communication. It was revealed that the diplomatic ceremonial in itself is a synthesis of arts – the picturesque design of space, music, choreography, costume. Already in the first years of Soviet power, symbols of power entered the “struggle for power.” At diplomatic ceremonies this struggle was in the form of a confrontation between European protocol traditions and the rules of the Soviet diplomatic protocol and etiquette newly created by the employees of the Protocol Division of the USSR People’s Commissariat for Foreign Affairs. Dress code, concert programs, a list of dishes served – everything had to meet the standards of Bolshevik ideology. Hospitality is an important component of national politics. The Protocol Division, through its work, tried to destroy stereotypes about the USSR as an evil empire. The multinational Soviet culture contributed to the creation of a positive image of the state on the world stage.
    Źródło:
    Reality of Politics; 2020, 11; 107-117
    2082-3959
    Pojawia się w:
    Reality of Politics
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Polityczność sztuki. Analiza pracy Zbigniewa Libery pt. LEGO. Obóz koncentracyjny z 1996 roku
    An Analysis of Zbigniew Libera’s Lego. Concentration Camp from 1996
    Autorzy:
    Lorenc, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/616695.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    art
    diplomacy
    Zbigniew Libera
    Holocaust
    sztuka
    polityczność
    Opis:
    The objective of the paper is to analyze Zbigniew Libera’s Lego. Concentration Camp from 1996, which is considered to be one of the most important Polish works of art in the 1990s. Lego exemplifies the problem of the politicality of art which consists of art’s involvement in politics. The considerations on the permeation of the fields of politics and esthetics constitute a sig- nificant part of the work of French philosopher Jacques Ranciere, whose concepts provide the theoretical foundations for the analysis of Libera’s Lego. The juxtaposition of toys with the symbol of the Holocaust raises questions about the role of art in uncovering the discourse of power as understood by Michel Foucault, the influence of public policies (cultural, educational policies and the policy towards the past) on art and the borders of commercialization and trivialization of the symbols of collective memory. Libera’s Lego is a transgressive work, representing the trend of so-called critical art in modern Polish art. The artist used artistic methods to break the cultural taboo that concerns the presentation of the non-presentable. Libera showed the past and the present, the former by re- ferring to the topic of the Holocaust, indicating the pragmatism of the Nazi system, and the lat- ter by uncovering the laws of the teaching process, carried out by means of repeating patterns. Above all, however, Libera showed that artistic activity can be a form of expressing interests and can influence the shape of public policies.
    Źródło:
    Przegląd Politologiczny; 2012, 3; 81-96
    1426-8876
    Pojawia się w:
    Przegląd Politologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Between Temporal and Spiritual Powers: Colonial Diplomacy Associated with the Painting France Bringing Faith to the Huron-Wendats of New France (c. 1666)
    Autorzy:
    Ouellet, Pierre-Olivier
    Powiązania:
    https://bibliotekanauki.pl/articles/2035969.pdf
    Data publikacji:
    2020-11-19
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Early modern Quebec
    New France
    gift-giving
    painting
    Canadian art history
    Opis:
    Preserved in Quebec City, the French canvas entitled France Bringing Faith to the Huron-Wendats of New France, executed around 1666, constitutes a central piece of Canadian art history painted during the French colonial period. Espousing an iconography adapted to the New World, this painting presents an Indigenous figure in its foreground. The man, with a tanned complexion and black hair, whose naked body is dissimulated by a single blue and gold piece of clothing, faces a female character having European features, adorned with noble fabrics and precious jewellery. The scene, set in nature, evokes the grandeur and wilderness of North America. A two-masted French merchant ship floating on the majestic expanse of water reinforces this impression. This painting, obviously, illustrates the Europeans’ arrival on this territory in the seventeenth century, and the encounters between the French and Indigenous peoples. However, the representation is also rich in motifs that are likely to attract attention and curiosity: the mise en abyme (the painting within the painting), the celestial figures, and the coat of arms at the bow of the vessel constitute such examples. In this regard, the research studies of our Canadian art history predecessors – to which we are indebted – have enabled us to, first, retrace the painting’s history and, second, clarify its interpretive elements in relation to the spiritual and contextual dimensions specific to New France, in order to shed light on some of its well-kept secrets.
    Źródło:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies; 2020, 4; 209-235
    2545-1685
    2545-1693
    Pojawia się w:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies