Wszystkie pola: Pantuchowicz, Agnieszka - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Improving the Original. Stanisław Barańczak’s Clown-World
Ulepszanie oryginału. Świat klaunów Stanisława Barańczaka
Autorzy:: Pantuchowicz, Agnieszka
Powiązania:: https://bibliotekanauki.pl/articles/29520266.pdf
Data publikacji:: 2022-12-21
Wydawca:: Uniwersytet Bielsko-Bialski
Tematy:: Stanisław Barańczak
przekład
normalizacja
ulepszenie
błazenada
translation
normalization
improvement
clown-world
Opis:: The article discusses Stanisław Barańczak’s idea of the possibility of improving the original in translation as a crucial aspect of his poetic agenda both before the 1989 change of the political system in Poland and after it. This aspect of his poetics is linked with his frequent recourses to normalization as a way out of, in his eyes oppressive, rule of the idiotic clownery and chaos of the surrounding reality regardless of its actual political or social significances. Hence the ambivalence in Barańczak’s vision of normality which, paradoxically, can be seen as either negative or, litotetically, as non-negative.
Źródło:: Świat i Słowo; 2022, 38, 1; 273-287
1731-3317
Pojawia się w:: Świat i Słowo
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: The Haunting Presence of the Feminine: Virginia Woolf in the Streets of London
Autorzy:: Pantuchowicz, Agnieszka
Powiązania:: https://bibliotekanauki.pl/articles/632512.pdf
Data publikacji:: 2017
Wydawca:: Projekt Avant
Tematy:: haunting, Gothicism, Virginia Woolf, gender, flâneur, market, London
Opis:: Beginning with the theme of the location of haunting in Gothic interiors and the confusion of life and death and the “sub-central” positioning of the feminine as the hidden source of fearfulness, the paper analyzes Virginia Woolf’s “Street Haunting: A London Adventure” as an example of a narrative written from the position of the haunting in which the figure of fearful feminine is transformed into a “hauntess” participating in the public world on equal rights with others. Woolf’s text, though seemingly positing the protagonist in the position of flâneuse, in fact implicitly criticizes flâneuring as a masculine kind of looking and participating in the public space. Taking place away from home, Woolf’s strolling in the streets of London carnivalizes (in the Bakhtinian sense) the activity by way of a joyful blurring of the split between the home and the market. Transgressing what Kathryn Simpson calls “the male privilege of the flâneur” (2010: 47) and rendering the transgression as haunting, Woolf evades participation in the masculine world of traffic and exchange by way of bringing the space of the Gothic confinement, and also of entombment, to the public.
Źródło:: Avant; 2017, 8, 2
2082-6710
Pojawia się w:: Avant
Dostawca treści:: Biblioteka Nauki

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