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Wyświetlanie 1-10 z 18
Tytuł:
Książę
Autorzy:
Machiavelli, Niccolò
Współwytwórcy:
Kotwica, Wojciech
Choromańska, Paulina
Sozański, Antoni
Data publikacji:
2014-07-14
Wydawca:
Fundacja Nowoczesna Polska
Tematy:
Renesans
Traktat
Epika
Opis:
Publikacja zrealizowana w ramach projektu Wolne Lektury (http://wolnelektury.pl) na podstawie tekstu dostępnego w serwisie Wikiźródła (http://pl.wikisource.org).
Źródło:
Niccolo Machiavelli, Mikołaja Machiawella Traktat o Księciu (il principe), tłum. Antoni Sozański, druk. Uniwersytetu Jagiellońskiego, Kraków 1868.
Dostawca treści:
Wolne Lektury
Książka
Audiobook
Tytuł:
Niccolò Machiavelli: klasyczny realizm i republikanizm
Niccolò Machiavelli: political realism and republicanism
Autorzy:
Raburski, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/950202.pdf
Data publikacji:
2012-06-16
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
machiavelli
political realism
republicanism
italian philosophy
early modern philosophy
renaissance philosophy
Opis:
Article presents life and ideas of Niccolò Machiavelli. Machiavelli is placed in the context of his times. His influence on the development of modern political thought is examined. The examples of his wider impact on western culture are given. Machiavelli is described as a founding father of two strands of political philosophy: political realism and republicanism.
Źródło:
Filozofia Publiczna i Edukacja Demokratyczna; 2012, 1, 1; 111-119
2299-1875
Pojawia się w:
Filozofia Publiczna i Edukacja Demokratyczna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
In Praise For Monstrosities. The Case of Niccolò Machiavelli
Autorzy:
Wróbel, Szymon
Powiązania:
https://bibliotekanauki.pl/articles/1929995.pdf
Data publikacji:
2013-01-02
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
armed citizen
continuity of nature
diplomat
monsters
necessity of the monster
situation
prince
virtù
Opis:
In the paper author refers to the passage from The Prince of Niccolò Machiavelli, in which the famous Florentine says that there are two kinds of combat: one with laws, the other with force. Author defend the claim that by writing this, Machiavelli opened up a new and still unused way of thinking about nature-culture relationship. A follower of this way of thinking withdraws from saying that nature is surpassed by culture, or that nature is nothing else but a subject of an on-going human speculation, and rebuts the sole hypothesis that what there is, is nothing but nature. Modern Western culture entrusted its key opposition to the nature-culture relationship. By and large, political philosophy is a story about surpassing the nature in order to establish a state under the rule of law. According to Machiavelli, the juxtaposition of nature and culture, the narrative on surpassing by politics the laws of nature, just as well as the narrative on us being stuck in it, are all utterly wrong. Accepting the ambiguity of the opposition between nature and culture and assuming that the social contract is indeed fictitious, author would like to question Machiavelli about his vision of subjectivity and politics in a world where “natural objects” appear to be socialized, and “cultural subjects” appear to be dissocial. In the way author puts the question: does Machiavelli recommend monstrosity by writing stories in praise of monstrosity as it may well seem?
Źródło:
Polish Sociological Review; 2013, 180, 4; 455-474
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
RZYMSKA DYSCYPLINA WOJSKOWA W UJĘCIU NICCOLÒ MACHIAVELLEGO
Autorzy:
Faszcza, Michał Norbert
Powiązania:
https://bibliotekanauki.pl/articles/664396.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Niccolò Machiavelli
armia rzymska
dyscyplina wojskowa
Opis:
Machiavelli on Roman Military DisciplineSummaryThe importance of Niccolò Machiavelli’s work for the evolution of modern political ideas is indisputable, but the organisation of military forces was an equally important issue for him. Although most researchers usually ignore this aspect, Machiavelli’s ideas exerted a significant influence on subsequent developments in European military discipline. He was inspired to a large extent by the works of the ancien authors containing descriptions of terms of service in the Roman legions. His attention focused on the Republican period, though he also examined episodes from the Imperial era. Nowadays he is recognised as one of the most influential authors of military treatises, whose ideas on military discipline had a substantial influence on its evolution.
Źródło:
Zeszyty Prawnicze; 2014, 14, 4
2353-8139
Pojawia się w:
Zeszyty Prawnicze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Carl Schmitt, an Epigone of Machiavellianism?
Autorzy:
Borowy, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/43446143.pdf
Data publikacji:
2023-11-01
Wydawca:
Fundacja Instytut Nauki o Polityce
Tematy:
decisionism
Carl Schmitt
political theology
Niccolo Machiavelli
Opis:
This article aims to illustrate Schmitt’s theories as extensions of Niccolò Machiavelli’s political concepts to sustain order within the state. The author aims to explicate the complex nature of Carl Schmitt’s concepts as a continuation of Machiavelli’s thoughts, aimed at upholding the idea of state authority. In the text, the author tries to show that the proper context for reading Schmitt is the decaying form of the state established in the seventeenth century, whose form, as a continuation of Catholic theology, Carl Schmitt fiercely defends against the liberal hegemony. Schmitt’s ideological and political choices suggest that he consciously aligns with the intellectual themes that Machiavelli navigated, while at the same time Schmitt struggled against the effects of the secularization of politics, a process of which Machiavelli was a precursor.
Źródło:
Polish Journal of Political Science; 2023, 9, 4; 64-78
2391-3991
Pojawia się w:
Polish Journal of Political Science
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Machiavelli’s The Prince: How to Refute Virtue Ethics in Three Steps
Autorzy:
Stoškus, Mindaugas
Powiązania:
https://bibliotekanauki.pl/articles/22766419.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Niccolò Machiavelli
The Prince
virtues
vices
fox metaphor
Cicero
Opis:
This article examines Niccolò Machiavelli’s account of virtues in his famous work The Prince. The Italian philosopher uses three different stages or steps of argumentation. All these steps are analyzed in this paper. It is argued that in each step, Machiavelli makes partial conclusions which are neglected in the next step. In the last step, Machiavelli concludes that not only some virtues lead to failure, but all virtues are harmful to a successful leader. Instead of an honest and just way of acting, Machiavelli proposes the slyness of a fox – the most effective and successful way of acting. Cicero’s De Officiis effectively helps to understand the radicality of Machiavelli’s account of virtues. Cicero’s work enables one to explain all the central metaphors and analogies used in Machiavelli’s The Prince. Comparing Cicero’s and Machiavelli’s radically different accounts of the same virtues and vices shows that Machiavelli changed the traditional understanding of virtues, thus refuting traditional moral and political philosophy.
Źródło:
Studia Philosophiae Christianae; 2023, 59, 1; 31-47
0585-5470
Pojawia się w:
Studia Philosophiae Christianae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Książę Niccolò Machiavellego, czyli o podobieństwie pendulum i speculum
Il Principe by Niccolo Machiavelli or the similarity between pendulum and speculum
Autorzy:
Barwicka-Tylek, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/926186.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Niccolò Machiavelli, Prince, political doctrines, pendulum, speculum, methods of goverment
Opis:
The author of the paper tries to identify the basic methodological assumptions of the personal pattern of the ideal ruler as presented by Machiavelli in his Il Principe. While comparing the “mirror of the Principe” elaborated by Machiavelli, with the Galileo’s pendulum that came to being 100 years later, one may observe significant similarity between the manures along which the two devices were construed. They both came to being as a result of some idealization. Both speculum and pendulum is exploited above all in order to demonstrate interrelations between major variables which determine the course followed by the phenomena which arouse interest of both authors. In case of Machiavelli, this is the wish to describe the mechanism that is responsible for the effective – i.e. the one that guarantees the political success – method of ruling. At the same time the selection of the procedure applied for idealization (the one that requires the considering of extreme cases or disregarding the less important ones) causes that the description of the Prince assumes mainly the theoretical and ostentatious values. Thanks to the outlined analogy between pendulum and speculum it is possible to present a hypothesis that the assessment of the factual political radicalism of the methods of controlling the state as proposed in Il Principe should take into consideration not only that content of these methods which pertains to their subject matter but also the methodological nature of the entire concept.
Źródło:
Krakowskie Studia z Historii Państwa i Prawa; 2012, 5, 1; 27-40
2084-4115
2084-4131
Pojawia się w:
Krakowskie Studia z Historii Państwa i Prawa
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obszary pamięci w literaturze włoskiego Renesansu
Aree della memoria nella letteratura del rinascimento italiano
Autorzy:
Klimkiewicz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/19322622.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Lodovico Ariosto
Niccolò Machiavelli
Giorgio Vasari
humanizm włoski
funkcje pamięci
Opis:
Nel rinascimento letterario italiano la tematica legata all’ars memorativa assume forme e contenuti diversi, in relazione alla specificità del genere letterario e, conforme all’intenzione dell’autore, riveste un ruolo caratteristico per la realizzazione dell’obiettivo artistico e soggettivo dell’opera. Il presente studio si concentra sull’individuazione dei caratteri e delle funzioni del fenomeno della memoria nella letteratura del rinascimento italiano in base alle opere di Lodovico Ariosto, Niccolò Machiavelli e Giorgio Vasari. Questi autori, ricorrendo al tema della memoria, nelle opere appartenenti alle correnti letterarie diverse: epico-cavalleresca, politica ed artistica, trasmettono un’immagine dell’epoca in cui il denominatore comune è l’uomo con la sua psiche e la ricerca del proprio spazio nella società e nella storia.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2013, 008; 79-88
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-10 z 18

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