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    Wyświetlanie 1-4 z 4
    Tytuł:
    Ilirizam i tumačenje snova: Gundulići Vlaha Bukovca
    The Illyrian movement and the interpretation of dreams:Ivan Gundulićin the paintings of Vlaho Bukovac
    Autorzy:
    Jukić, Tatjana
    Powiązania:
    https://bibliotekanauki.pl/articles/635897.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    the Illyrian movement
    psychoanalysis
    metonymy
    painting
    literature
    Opis:
    Given the prominent position in the Croatian cultural imagination of Vlaho Bukovac’s 1895 painting of the Illyrian Movement, this article argues that the later accounts of early to mid- 19th century Illyrian  politics  and  literature  remain  contaminated,  and  structurally  so,  by Bukovac’s  treatment of  the  visual.  This  visual  contaminant  then  points  to  more  general political and cultural practices in Austria-Hungary at the time, including psychoanalysis, not least where psychoanalysis addresses the scope of image and the phantasmatic. Analyzing three paintings where Bukovac takes up the subject of literature cum the phantasmatic alongside Freud’s 1908 study of „Der Dichter und das Phantasieren”, I propose that in both literature serves to indicate the political logic of metonymy or the metonymic logic of the political; furthermore, I show that Freud, unlike Bukovac, fails to sustain this logic precisely in places where he sets out to classify wishes.
    Given the prominent position in the Croatian cultural imagination of Vlaho Bukovac’s 1895 painting of the Illyrian Movement, this article argues that the later accounts of early to mid- 19th century Illyrian  politics  and  literature  remain  contaminated,  and  structurally  so,  by Bukovac’s  treatment of  the  visual.  This  visual  contaminant  then  points  to  more  general political and cultural practices in Austria-Hungary at the time, including psychoanalysis, not least where psychoanalysis addresses the scope of image and the phantasmatic. Analyzing three paintings where Bukovac takes up the subject of literature cum the phantasmatic alongside Freud’s 1908 study of „Der Dichter und das Phantasieren”, I propose that in both literature serves to indicate the political logic of metonymy or the metonymic logic of the political; furthermore, I show that Freud, unlike Bukovac, fails to sustain this logic precisely in places where he sets out to classify wishes. 
    Źródło:
    Poznańskie Studia Slawistyczne; 2012, 2
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Stripovni stil pjesničkoga subjekta u suvremenom hrvatskome pjesništvu iskustva intermedijalnosti i postintermedijalnosti
    The comic book style of the poetical subject in the contemporary Croatian poetry of intermedial and postintermedial experience
    Autorzy:
    Jukić, Sanja
    Powiązania:
    https://bibliotekanauki.pl/articles/635899.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    poetic subject
    media subject
    comic book style
    comic book subject
    intermedial and postintermedial poetry
    Opis:
    This  paper  deals  with  poetic  subjects  in  the  comic  book  format  as  presented  in  the media. The subject of media entity  dominates the corpus of texts in  intermedial and post-intermedial poetry experience. These aspects of Croatian poetry from 1968 up to the present day,  whose structures  are  primarily  determined  by  contacts  with  different  media  culture texts,  are  defined by  Goran  Rem.  This  paper  explores  the  ways  in  which  the  media  inter-mediates comic book semiotics into the poetic code of that particular part of contemporary Croatian poetry and thus determines the paradigmatic forms of the subject of media/comic book.
    This  paper  deals  with  poetic  subjects  in  the  comic  book  format  as  presented  in  the media. The subject of media entity  dominates the corpus of texts in  intermedial and post-intermedial poetry experience. These aspects of Croatian poetry from 1968 up to the present day,  whose structures  are  primarily  determined  by  contacts  with  different  media  culture texts,  are  defined by  Goran  Rem.  This  paper  explores  the  ways  in  which  the  media  inter-mediates comic book semiotics into the poetic code of that particular part of contemporary Croatian poetry and thus determines the paradigmatic forms of the subject of media/comic book. 
    Źródło:
    Poznańskie Studia Slawistyczne; 2012, 2
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Bośnia − hortus horridus. Obraz Bośni w podróżach franciszkanów Grgi Marticia i Ivana Frano Jukicia
    Bosnia − hortus horridus. The image of Bosnia in travels of Franciscans: Grgo Martić and Ivan Frano Jukić
    Autorzy:
    Pieniążek-Markowić, Krystyna
    Powiązania:
    https://bibliotekanauki.pl/articles/2013700.pdf
    Data publikacji:
    2014-06-02
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    podróżopisarstwo
    romantyzm
    granice
    nieczystość
    obcość
    travel literature
    romanticism
    borderlines
    impurity
    foreigness
    Opis:
    The subject of discussion in the present article are travel accounts of the nineteenth century given by two Franciscans, namely, Grgo Matić and Ivan Frano Jukić as a result of their visit in Bosnia. The image of the territory, reconstructed on the basis of their accounts, manifests itself as a devastated Arcadia. Bosnia turns out to be a country which may not be taken under rational consideration, since it is embroiled in absurdities and contradictions, streaked with poverty, but rich in all resources of nature. The visited country is perceived as a paradisiac place destroyed by its contemptible in habitants, who being dirty themselves, sully the whole space with their own impurity. It is a place where everything is out of place, which is transformed into a borderland, dominated by divisions, far from social and divine order. Presented as such, Bosnia, hortus horridus, becomes a sort of gothic garden in which, among beautiful, yet wild, nature and ruins imperfect and scared people live; their tainted women who transgress against the established roles, the oppressor (Ottoman Turks), a lazy local Muslim, and a member of the Orthodox Church who breaks out of the Illyrian common visions.
    Źródło:
    Prace Filologiczne. Literaturoznawstwo; 2014, 4(7); 263-278
    2084-6045
    2658-2503
    Pojawia się w:
    Prace Filologiczne. Literaturoznawstwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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