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    Wyświetlanie 1-13 z 13
    Tytuł:
    The Past and Memory in "Archive of Lives": Justyna Łuczaj-Salefs Impressionist Historical Documentary
    Autorzy:
    Czaja, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/918083.pdf
    Data publikacji:
    2014-06-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Archiwum istnień
    Justyna Łuczaj-Salej
    historical film documentary
    WW II
    Opis:
    The documentary film Archiwum istnień tells the story of research by Nazi anthropologists searching among the population of occupied Poland for representatives of the Aryan race. In her film, the director makes use of archival materials from World War Two (above all, photographs, propaganda film chronicles and letters). Not only does Justyna Łuczaj-Salej incorporate the above into the cinematographer’s box of tricks, but most of all, she exploits them counter to their authors’ intentions, thereby initiating a process that de-contextualises and re-contextualises these archives in a deconstruction of the past. 
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 107-112
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A Brief History of Communism. "Rabbit à la Berlin" by Bartosz Konopka
    Autorzy:
    Czaja, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/919943.pdf
    Data publikacji:
    2012-06-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    documentary film
    Berlin Wall
    Berlin Wall in popular culture
    Bartosz Konopka
    Piotr Rosołowski
    Opis:
    The documentary film Rabbit à la Berlin (Królik po berlińsku), directed by Bartosz Konopka, tells the story of the Berlin Wall. The story is presented from an unusual perspective – that of the wild rabbits inhabiting the zone in the middle of the wall separating East and West Berlin, thus making reference to animal fables and the conventions of the nature film. The filmmakers also use known archival materials in an interesting way by placing them in new, surprising contexts. The story of animals told in Rabbit á la Berlin is parallel to that of people. The film combines these analogies in order to construct a powerful metaphor. The creators of Rabbit á la Berlin not only tell the story of the Germans, of East Germans separated from the western world, the story of the Berlin Wall, but also the story of Eastern European people living behind the Iron Curtain.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 11, 20; 75-81
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Patrzenie poprzez fragmenty. Komiksowy dziennik Aleksandra Zografa "Pozdrowienia z Serbii"
    Looking Throught Fragments. Aleksandar Zografs comics diary “Regards From Serbia”
    Autorzy:
    Czaja, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/920019.pdf
    Data publikacji:
    2012-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    comics
    comics diary
    Aleksandar Zograf
    Regards from Serbia
    komiks
    Serbia
    Opis:
    In his comic Greetings from Serbia. A Journal in Comics Written During the Conflict in Serbia, Aleksander Zograf’s choice of form is associated with the periodical form of the diary in drawings kept by the author. By means of a series of episodes, Zograf shows selected fragments of daily life in Serbia: the realities of living in a country under sanctions, being bombed by NATO aircraft, and struggling with post-war chaos.A characteristic feature of the anthology Greetings from Serbia. A Journal in Comics Written During the Conflict in Serbia is – in the words of the author – “observation through fragments”. The poetics of the fragment, the autonomization of the individual elements that comprise the open composition, and the breaking up of the plot’s cohesion are all associated with the worldview that emerges from Zograf’s comics. The reality observed turns out to be chaotic, incoherent and irrational. It becomes impossible to fully embrace or provide any overarching sense to the events, and thus fictionalize and express them by means of a traditional narrative form. By choosing the form of the comic book, and abandoning a comprehensive, ordered point of view, the author attempts to describe the whole by means of fragments.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 10, 19; 57-65
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ekranowe życie mitu : powstanie warszawskie w polskim filmie fabularnym
    Autorzy:
    Czaja, Justyna.
    Współwytwórcy:
    Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza (Poznań). Wydawca
    Data publikacji:
    2018
    Wydawca:
    Poznań : Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza
    Tematy:
    Film fabularny
    Film polski
    Ideologia
    Polityka historyczna
    Polityka kulturalna
    Powstanie warszawskie (1944)
    Tematy i motywy
    Monografia
    Opis:
    Bibliografia, netografia, filmografia na stronach 385-[408].
    Dostawca treści:
    Bibliografia CBW
    Książka
    Tytuł:
    Prozaiczna codzienność superbohaterów, czyli analiza komiksowej serii Karla Ferdona
    Autorzy:
    Czaja, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/45458492.pdf
    Data publikacji:
    2023-12-31
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    Karlo Ferdon
    superhero
    American comic books
    superhero comics
    daily life
    parody
    Opis:
    The article discusses a parody comic series by Chilean cartoonist Karlo Ferdon which depicts American superheroes in prosaic day-to-day situations. The author shows how placing iconic pop culture characters in an unexpected context can lead to their deconstruction and demythologization.
    Źródło:
    Załącznik Kulturoznawczy; 2023, 10, 10; 179-198
    2392-2338
    Pojawia się w:
    Załącznik Kulturoznawczy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Moskwa w bieli i czerni - trzy filmowe portrety miasta
    Moscow in black and white - three film portraits of the city
    Autorzy:
    Czaja, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/920129.pdf
    Data publikacji:
    2013-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Walking the Streets of Moscow
    Georgiy Daneliya
    Taxi Blues
    Pavel Lungin
    Moscow
    Alexandr Zeldovich
    the city in film
    Moscow in films
    Opis:
    This article presents the three different portraits of Moscow depicted in the Russian films  Walking the Streets of Moscow by Georgy Danielija, Taxi Blues by Pavel Lungin and Moscow by Alexander Zeldovich. The times the films were made (the thaw period, the period after the collapse of the Soviet Union, and the decline during the 1990s) determine differences in the directors’ perceptions. The picture of the city becomes a reflection of both hope and of more contemporary fears and anxieties.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2013, 12, 21; 265-273
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Samochód jako rekwizyt – ekranowe wizerunki dodge’a chargera
    The car as a prop – on-screen images of the Dodge Charger
    Autorzy:
    Czaja, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/32062532.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    prop
    American Cinema
    car
    Dodge Charger
    rekwizyt
    kino amerykańskie
    samochód
    Opis:
    The car is a popular prop used in the cinema to create film reality. On the screen it functions not only as a physical object, an element of the depicted world, but also as a representation, imagination, myth. The aim of the article is to analyze various ways of using a car (the Dodge Charger, considered an icon of the automotive industry, the most popular American muscle car) as a film prop in a Hollywood cinema, a description of its various functions, meanings and meanings assigned to it – literal and symbolic.
    Źródło:
    Przestrzenie Teorii; 2023, 40; 205-223
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Tabloidyzacja Holocaustu w kulturze popularnej
    The trivialization of the Holocaust in popular culture
    Autorzy:
    Czaja, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/919809.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Popular Culture
    Stalag Fiction
    Nazi Exploitation
    Irma Grese
    Josef Mengele
    Opis:
    The text is an attempt to answer the question about the effects of the collision of Holocaust, recognized as a historical fact, with the mechanism of popular culture and how particular aspects of Holocaust, such as sex, violence and death, are used.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 8, 15-16; 81-99
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    W poszukiwaniu śladów przeszłości – komiks jako medium małej i wielkiej historii (przykład powieści graficznych Nie pojedziemy zobaczyć Auschwitz Jérémiego Dresa i Zaduszki Rutu Modan)
    In Search of Traces of the Past: Comics as a Medium for History Great and Small
    Autorzy:
    Czaja, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/920900.pdf
    Data publikacji:
    2015-06-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Rutu Modan
    The Property
    Jérémie Dres
    We Won’t See Auschwitz
    comics
    graphic novel
    history
    popular culture
    Opis:
    The analysis of the article’s author focuses on the graphic novels The Property by Rutu Modan and We Won’t See Auschwitz by Jérémy Dres. Th e comics discussed deal with similar issues. Both refer to the wartime and postwar fate of Polish Jews, show military history as a factor shaping the family history of multiple generations, and touch upon issues concerning identity, Polish-Jewish relations, and national stereotypes. Through the use of comics, both authors try to preserve pieces of family history while touching upon many far more general and universal issues. Comics prove in this case to be a handy tool in the telling of intertwining histories great and small.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 139-150
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Superbohater made in Poland – parodia w Hydrozagadce Andrzeja Kondratiuka
    Superhero made in Poland - a parody in Andrzej Kondratiuks film "Hydrozagadka"
    Autorzy:
    Czaja, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/917974.pdf
    Data publikacji:
    2014-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Hydrozagadka
    Andrzej Kondratiuk
    parody
    superhero
    popular culture
    Opis:
    The article looks at Andrzej Kondratiuk’s film Hydrozagadka as a parody of stories about superheroes. An analysis of the construction of the film’s characters, plot, rhetoric, ideology and use of space reveals a parodic transformation of the original model. Also analysed is the comic effect achieved by placing an American pop culture icon in a foreign cultural context – Poland in the early 1970s. The parodic nature of Hydrozagadka is analyzed in the context of Polish propaganda art from the period of communism.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 57-64
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Poeta narysowany – o puszkinowskiej trylogii Andrieja Chrżanowskiego
    A Drawn Poet – about Andrei Khrzhanovsky’s A Pushkin Trilogy
    Autorzy:
    Czaja, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1039168.pdf
    Data publikacji:
    2019-03-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Andrei Khrzhanovsky
    A Pushkin Trilogy
    Alexander Pushkin
    Animated Film
    Artist’s Biography
    Opis:
    Czaja Justyna, Poeta narysowany – o puszkinowskiej trylogii Andrieja Chrżanowskiego [A Drawn Poet – about Andrei Khrzhanovsky’s A Pushkin Trilogy]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 357–370. ISSN 1644-6763. DOI 10.14746/ pt.2019.32.19. The subject of the article is an animated film A Pushkin Trilogy directed by Andrei Khrzhanovsky, dedicated to Alexander Pushkin. It comprises the films: Ya k vam lechu vospominanem, I s vami snova ya and Osen. The article attempts to answer the question about the reasons for the director’s interest in this outstanding writer and his work. It also shows the evolution of the ‘Pushkin theme’ in Khrzhanovsky’s work, changes in the content and formalism, and artistic research that led to the creation of the original animated trilogy. The poetics of the work are analyzed, in which the director looks at the work of the Russian writer through the prism of his manuscripts and sketches, while at the same time expanding the formula of the biographical film.
    Źródło:
    Przestrzenie Teorii; 2019, 32; 357-370
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    W poszukiwaniu hierofanii – o filmie Góra Sulejmana Jelizawiety Stiszowej
    In search of a hierophany: on Elizaveta Stishova’s Suleiman Mountain
    Autorzy:
    Czaja, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/2135399.pdf
    Data publikacji:
    2021-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Suleiman Mountain
    Elizaveta Stishova
    sacred mountain
    Axis mundi
    hierophany
    shamanism
    Mircea Eliade
    sacred
    profane
    Opis:
    The subject of the article is Elizaveta Stishova's film Suleiman Mountain, the action of which focuses on the Kyrgyz mountain, surrounded by religious veneration. The title place is treated as a spatial hierophany, that is, according to Mircea Eliade's concept, a place where and through which the sacred is revealed. The text will analyze the film's space-time and its symbolic dimension, and the characters' relations with the title place, especially the relationship between women and the mountain and its mythical character.  
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 30, 39; 201-216
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Warszawa – miasto, które nie istnieje
    Warsaw - a city that does not exist
    Autorzy:
    Czaja, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/920122.pdf
    Data publikacji:
    2013-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Warsaw in 1935
    Tomasz Gomoła
    The End of Summer 1939
    Anna Belka
    Marek Mikulski
    Maciej Mikulski
    Violetta Urbaniak
    City of Ruins
    Damian Nenow
    comics
    computer animation 3D
    Opis:
    The subject of the article is attempts in cinema and comics to reconstruct the image of pre-warWarsaw. The use of archival photographs of the capital, old postcards, and computer reconstructions using 3D technology increase the realism of the presentation, and provide the effect of intuition, intimacy, and directness. AWarsawnon-existent today comes to life again on the screen and in the pages of the comic book.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2013, 12, 21; 219-225
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-13 z 13

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