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    Wyświetlanie 1-16 z 16
    Tytuł:
    Autobiographical Remembering: Memory as Resistance in Bengali Dalit Women’s Narratives
    Autorzy:
    Mondal, Purbasha
    Powiązania:
    https://bibliotekanauki.pl/articles/2216039.pdf
    Data publikacji:
    2021-12-14
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    memory
    resistance
    Bengali Dalit Women
    healing
    partitioned Bengal
    Opis:
    This paper makes an attempt to explore how the concept of memory works as a tool of resistance in the narratives of the Bengali Dalit women writers in the Partitioned Bengal. The Bengali Dalit women have been marginalized in different ways, and the history of these women has been neglected. But the atma-katha (life-story) of the Bengali Dalit women seeks to question the accepted official historical record of Bengal. In this paper, I propose to examine the narratives of Dr. Puspa Bairagya and Kalyani Thakur Charal which were chiefly produced in the twenty-first century Bengal and were anti-caste narratives and thereby provide an insight into the counter-memories of the Bengali Dalit women. I would like to apply the autobiographical memory theory to the narratives of these writers. My prospective paper endeavors to illuminate personal agency and healing and would hope to generate a new understanding of the texts in the Indian context.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2021, 13; 6-20
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Rosalind and "Śakuntalā" among the Ascetics: Reading Gender and Female Sexual Agency in a Bengali Adaptation of "As You Like It"
    Autorzy:
    Sarkar, Abhishek
    Powiązania:
    https://bibliotekanauki.pl/articles/648297.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    As You Like It
    19th-century Bengali theatre
    cross-dressed heroine
    female sexual agency
    Kālidāsa
    classical Sanskrit drama
    Opis:
    My article examines how the staging of gender and sexuality in Shakespeare’s play As You Like It is negotiated in a Bengali adaptation, Ananga-Rangini (1897) by the little-known playwright Annadaprasad Basu. The Bengali adaptation does not assume the boy actor’s embodied performance as essential to its construction of the Rosalindequivalent, and thereby it misses several of the accents on gender and sexuality that characterize Shakespeare’s play. The Bengali adaptation, while accommodating much of Rosalind’s flamboyance, is more insistent upon the heteronormative closure and reconfigures the Rosalind-character as an acquiescent lover/wife. Further, Ananga-Rangini incorporates resonances of the classical Sanskrit play Abhijñānaśākuntalam by Kālidāsa, thus suggesting a thematic interaction between the two texts and giving a concrete shape to the comparison between Shakespeare and Kālidāsa that formed a favourite topic of literary debate in colonial Bengal. The article takes into account how the Bengali adaptation of As You Like It may be influenced by the gender politics informing Abhijñānaśākuntalam and by the reception of this Sanskrit play in colonial Bengal.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2018, 18, 33; 93-114
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Similarities and Differences in Postcolonial Bengali Women’s Writings: The Case of Mahasweta Debi and Mallika Sengupta
    Podobieństwa i różnice w twórczości Bengalek w okresie postkolonialnym na przykłądzie Mahashwety Debi i Malliki Sengupty.
    Autorzy:
    Knotková-Čapková, Blanka
    Powiązania:
    https://bibliotekanauki.pl/articles/437327.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
    Tematy:
    archetype
    Mahasweta Debi/Devi
    Bengali literature
    feminism
    femininity
    generation
    postcolonial studies
    Mallika Sengupta
    subaltern studies
    Opis:
    The emancipation of women has become a strong critical discourse in Bengali literature since the 19th century. Only since the second half of the 20th century, however, have female writers markedly stepped out of the shadow of their male colleagues, and the writings on women become more and more often articulated by women themselves. In this article, I focus on particular concepts of femininity in selected texts of two outstanding writers of different generations, a prose writer, and a woman poet: Mahasweta Debi (b. 1926) and Mallika Sengupta (1960–2011). Analyzing Mahasweta’s female characters, I focus on the issue of the double marginalization of dalit tribal women; we can find here impacts of intersectional discrimination of class, gender and caste. Debi is very radical in her social criticism but is quite reluctant to accept the label of feminism. Mallika, on the other hand, represents a movement among the female writers of her generation that openly declares her support for feminist ideologies, which can be demonstrated on some of the examples referred to here. Another important strand of Mallika’s constructions of femininity are archetypal images — mythological metaphors of femininity (in the Hindu context) which may in some cases be interpreted in accordance with difference feminism, in others as a critique of the essentialized and dichotomous concepts of masculinity and femininity. While Mahasweta’s emancipation drive is more deeply grounded in her field research and journalistic activism in the tribal areas she writes about, Mallika’s has been more strongly linked with the academia and has joined the theoretical feminist discourse. Through a close reading the women’s emancipation discourse of these two protagonists in Bengali literature, we can speak of a shift from a practical, concrete criticism, to a theoretically founded radicalism.
    Źródło:
    ARGUMENT: Biannual Philosophical Journal; 2012, 2, 1; 97-115
    2083-6635
    2084-1043
    Pojawia się w:
    ARGUMENT: Biannual Philosophical Journal
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Bangla Rock: exploring the counterculture and dissidence in post-colonial Bengali popular music
    Autorzy:
    Kamalini, Mukherjee,
    Powiązania:
    https://bibliotekanauki.pl/articles/890511.pdf
    Data publikacji:
    2018-02-27
    Wydawca:
    Akademia Pedagogiki Specjalnej im. Marii Grzegorzewskiej. Wydawnictwo APS
    Tematy:
    counterculture
    alternative music
    bangla rock
    vernacular music
    Opis:
    This paper is an attempt to explore the politics and the poetics of vernacular music in modern Bengal. Drawn from extensive and in-depth research into the current “scene” (as popularly referred to in the musician and music lover circles), this paper delves into the living histories of musical and linguistic revolutions in a part of India where the vernacular literature has been historically rich, and vastly influenced by the post-colonial heritage. The popular music that grew from these political and cultural foundations reflected its own pathos, and consecutively inspired its own form of oral tradition. The linguistic and musical inspirations for Bangla Rock and the eventual establishment of this genre in a rigidly curated culture is not only a remarkable anthropological case study, but also crucial in creating discourse on the impact of this music in the creation of oral histories. This paper will discuss both the musical and the lyrical journey of Bengali counterculture in music, thus in turn exploring the scope of Bangla – as in the colloquial for Bengali, and Rock – the Western musical expression which began during the 50’s and the 60’s (also populist and political in its roots). The inception of this particular political populist narrative driven through songs and music, is rooted in the Civil Rights movement, and comparisons can be drawn in the ‘soul’ of the movements, though removed both geographically and by time. Thus this paper engages with the poetics of Bangla Rock, to understand the marginal political voices surfacing through alternative means of expression.
    Źródło:
    International Journal of Pedagogy, Innovation and New Technologies; 2017, 4(2); 35-47
    2392-0092
    Pojawia się w:
    International Journal of Pedagogy, Innovation and New Technologies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Shakespeare,<i>Macbeth</i>and the Hindu Nationalism of Nineteenth-Century Bengal
    Autorzy:
    Sarkar, Abhishek
    Powiązania:
    https://bibliotekanauki.pl/articles/647977.pdf
    Data publikacji:
    2016-06-01
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Macbeth
    violence
    Bengali
    nationalism
    Hindu revivalism
    colonial modernity
    Opis:
    The essay examines a Bengali adaptation of Macbeth, namely Rudrapal Natak (published 1874) by Haralal Ray, juxtaposing it with differently accented commentaries on the play arising from the English-educated elites of 19th Bengal, and relating the play to the complex phenomenon of Hindu nationalism. This play remarkably translocates the mythos and ethos of Shakespeare’s original onto a Hindu field of signifiers, reformulating Shakespeare’s Witches as bhairavis (female hermits of a Tantric cult) who indulge unchallenged in ghastly rituals. It also tries to associate the gratuitous violence of the play with the fanciful yearning for a martial ideal of nation-building that formed a strand of the Hindu revivalist imaginary. If the depiction of the Witch-figures in Rudrapal undercuts the evocation of a monolithic and urbane Hindu sensibility that would be consistent with colonial modernity, the celebration of their violence may be read as an effort to emphasize the inclusivity (as well as autonomy) of the Hindu tradition and to defy the homogenizing expectations of Western enlightenment
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2016, 13; 117-129
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Paradoksy w Dźiwy Goswamina koncepcji duszy, drogi do doskonałości oraz wyzwolenia
    Autorzy:
    Wasilewska, Dagmara
    Powiązania:
    https://bibliotekanauki.pl/articles/645391.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Instytut Slawistyki PAN
    Tematy:
    Indian philosophy
    paradox
    Bengali Vaishnavism ("gauḍīya")
    Jīva Gosvāmī (1517–1608)
    Opis:
    Paradoxes in Jīva Gosvāmi’s concept of the soul, path to perfection and liberationThis article is devoted to the role and significance of paradoxes in the philosophical thought and mysticism of the sixteenth-century Bengali Vaishnava theologian Jīva Gosvāmi. He situates his system within the Vedanta school, where the main category distinguishing its branches and deciding on their specific character is the relation between the Absolute, the phenomenal world and the human being. In Gosvāmi’s school, this relation involves identity and distinctness (bhedābheda) of those categories at the same time, referred to by the word acintya (“inaccessible to reason”), which further stresses this ontological paradox. Although doctrinally the most important, it is not the only paradox in Gosvami’s thought. Adopting this core metaphysical thesis engendered many other aporias, including those concerning the nature of the soul, the concept of bhakti (loving devotion to a deity) and the idea of liberation (mukti), which Goswami then attempts to solve in his most important philosophical treatise – Ṣaṭsandarbha. Paradoksy w Dźiwy Goswamina koncepcji duszy, drogi do doskonałości oraz wyzwoleniaPrzedmiotem artykułu jest rola i znaczenie paradoksów w myśli filozoficznej i mistyce teologa wisznuizmu bengalskiego – Dźiwy Goswamina (XVI w.). Sytuuje on swój system w obrębie szkoły wedanty, w której główną kategorią odróżniającą jej nurty i decydującą o ich specyfice jest relacja pomiędzy absolutem a światem zjawiskowym i człowiekiem. U Goswamina będzie to relacja jednoczesnej tożsamości i odrębności (bhedābheda) powyższych kategorii, dookreślona słowem acintya – „niedostępna rozumowi” – co dodatkowo uwydatnia ten ontologiczny paradoks. Chociaż doktrynalnie najistotniejszy, nie jest to jednak jedyny paradoks w myśli Goswamina. Poprzez przyjęcie tej nadrzędnej tezy metafizycznej powstało bowiem wiele innych aporii, między innymi dotyczących natury duszy, problemu wcielenia, a także koncepcji bhakti (nabożnego oddania dla bóstwa) oraz wyzwolenia (mukti), które następnie Goswamin stara się rozwiązać w swoim najważniejszym traktacie filozoficznym – Szatsandarbhsze.
    Źródło:
    Adeptus; 2019, 13
    2300-0783
    Pojawia się w:
    Adeptus
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Shakespeare Comes to Bengal
    Autorzy:
    Chaudhuri, Sukanta
    Powiązania:
    https://bibliotekanauki.pl/articles/39766684.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Shakespeare
    Bengal
    Calcutta
    Bengali translations
    Bengali theatre
    Hindu College
    Presidency College
    Kalidasa
    Bankimchandra Chattopadhyay
    Ishwarchandra Vidyasagar
    Michael Madhusudan Datta
    Haraprasad Shastri
    Hirendranath Datta
    Rabindranath Tagore
    Girishchandra Ghosh
    Opis:
    India has the longest engagement with Shakespeare of any non-Western country. In the eastern Indian region of Bengal, contact with Shakespeare began in the eighteenth century. His plays were read and acted in newly established English schools, and performed professionally in new English theatres. A paradigm shift came with the foundation of the Hindu College in Calcutta in 1817. Shakespeare featured largely in this new ‘English education’, taught first by Englishmen and, from the start of the twentieth century, by a distinguished line of Indian scholars. Simultaneously, the Shakespearean model melded with traditional Bengali popular drama to create a new professional urban Bengali theatre. The close interaction between page and stage also evinced a certain tension. The highly indigenized theatre assimilated Shakespeare in a varied synthesis, while academic interest focused increasingly on Shakespeare’s own text. Beyond the theatre and the classroom, Shakespeare reached out to a wider public, largely as a read rather than performed text. He was widely read in translation, most often in prose versions and loose adaptations. His readership extended to women, and to people outside the city who could not visit the theatre. Thus Shakespeare became part of the shared heritage of the entire educated middle class. Bengali literature since the late nineteenth century testifies strongly to this trend, often inducing a comparison with the Sanskrit dramatist Kalidasa. Most importantly, Shakespeare became part of the common currency of cultural and intellectual exchange.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2023, 27, 42; 31-46
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Crossings with Jatra: Bengali Folk-theatre Elements in a Transcultural Representation of Lady Macbeth
    Autorzy:
    Dutta Gupta, Aabrita
    Powiązania:
    https://bibliotekanauki.pl/articles/1812147.pdf
    Data publikacji:
    2021-06-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Jatra
    Lady Macbeth
    Vaishnavism
    Shakespeare adaptations
    Crossings by Vikram Iyenger
    Opis:
    This paper examines a transcultural dance-theatre focusing on Lady Macbeth, through the lens of eastern Indian Bengali folk-theatre tradition, jatra. The wide range of experimentation with Shakespeare notwithstanding, the idea of an all-female representation is often considered a travesty. Only a few such explorations have earned recognition in contemporary times. One such is the Indian theatre-dance production Crossings: Exploring the facets of Lady Macbeth by Vikram Iyenger, first performed in 2004. Four women representing four facets of Lady Macbeth explore the layered nuances that constitute her through the medium of Indian classical dance and music juxtaposed with Shakespearean dialogues from Macbeth. This paper will argue the possibilities posited by this transgressive re-reading of a major Shakespearean tragedy by concentrating on a possible understanding through a Hindu religious sect —Vaishnavism, as embodied through the medium of jatra. To form a radically new stage narrative in order to bring into focus the dilemma and claustrophobia of Lady Macbeth is perhaps the beginning of a new generation of Shakespeare explorations. Iyenger’s production not only dramatizes the tragedy of Lady Macbeth through folk dramatic tradition, dance and music, but also Indianises it with associations drawn from Indian mythological women like Putana (demoness) and Shakti (sacred feminine).
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2021, 23, 38; 91-108
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ashapurna Devi’s “Women” – Emerging Identities in Colonial and Postcolonial Bengal
    Kobiety w pisarwstwie Ashapurny Devi – wyłanianie się nowych tożsamości w kolonialnym i postkolonialnym Bengalu.
    Autorzy:
    Chattopadhyay, Suchorita
    Powiązania:
    https://bibliotekanauki.pl/articles/437325.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
    Tematy:
    Ashapurna Devi
    Bengali literature
    identity
    postcolonial studies
    subaltern studies
    Opis:
    Ashapurna Devi, a prominent Bengali woman novelist (1909–1995) focused on women’s creativity and enlightenment during the colonial and postcolonial period in Bengal, India. She herself displayed immense will power, tenacity and an indomitable spirit which enabled her to eke out a prominent place for herself in the world of creative writing. Her life spanned both colonial India and independent India and these diverse experiences shaped her mind and persona and helped her to portray the emerging face of the enlightened Bengali middle-class woman. Her writings trace the evolution of the Bengali woman as an enlightened and empowered individual struggling against the shackles of discriminatory norms imposed upon her by society. She traces the extremely conservative upbringing that the female members of her generation were subjected to and goes on to show how different individuals responded to these structures in different ways. Some would comply unquestioningly, some would comply simply because they did not dare to protest, while others would break free and find their own niche in the outside world. These issues are addressed by Ashapurna Devi in many short stories as well, but a critical analysis of her trilogy Pratham Pratisruti (1964), Subarnalata (1967) and Bokulkatha (1974) enables us to experience this struggle against a gradually unfolding backdrop where India moves on from being a British colony to an independent country. The trilogy traces the life of three generations of a family — Satyabati, Subarna and finally Bokul and establishes Ashapurna Devi as a path-breaking champion of women’s emancipation in an era when such endeavours were few and far between.
    Źródło:
    ARGUMENT: Biannual Philosophical Journal; 2012, 2, 1; 75-95
    2083-6635
    2084-1043
    Pojawia się w:
    ARGUMENT: Biannual Philosophical Journal
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wsiąkł jak... Kambodża
    Autorzy:
    Bengali, Shashank.
    Powiązania:
    Forum 2021, nr 2, s. 50-51
    Data publikacji:
    2021
    Tematy:
    Bezpieczeństwo publiczne
    Emigracja polityczna
    Opozycja polityczna nielegalna
    Opozycjoniści
    Polityka wewnętrzna
    Prześladowania polityczne
    Śledztwo i dochodzenie
    Zabójstwo polityczne
    Tajowie
    Artykuł z czasopisma społeczno-politycznego
    Artykuł publicystyczny
    Artykuł z tygodnika opinii
    Opis:
    Artykuł dotyczy losów działacza tajskiej opozycji Wanchalearma Satsaksita. W 2014 roku z powodu przewrotu wojskowego w Tajlandii musiał wyemigrować z kraju. Schronienie znalazł w Kambodży, gdzie dalej prowadził działalność opozycyjną i krytykował armię. W 2020 roku, kiedy robił zakupy, został porwany przez nieznanych sprawców. Próby odnalezienia opozycjonisty podjęła się jego siostra, Sitanan Satsaksit. Autor opisuje przebieg prowadzonego przez nią śledztwa oraz losy innych opozycjonistów z Tajlandii.
    Dostawca treści:
    Bibliografia CBW
    Artykuł
    Tytuł:
    Peopling an Unaccustomed Earth with a New Generation: Jhumpa Lahiri’s Supreme Fictional Journey into Human Conditions
    Zaludnianie nieoswojonej ziemi nową generacją: Jhumpy Lahiri niezwykła podróż w głąb ludziej natury.
    Autorzy:
    Saxena, Neela Bhattacharya
    Powiązania:
    https://bibliotekanauki.pl/articles/437213.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
    Tematy:
    Bengali literature
    diasporic writing
    feminism
    generation
    Gynocentric matrix
    Jhumpa Lahiri
    postcolonial studies
    Opis:
    Using a theoretical framework derived from my ongoing engagement with what I have called a ‘Gynocentric matrix’ of Indic sensibility, along with James Hillman’s polytheistic psychology and Wallace Stevens’ notion of a Supreme Fiction, this paper offers a reading of Jhumpa Lahiri’s (b. 1967) short stories beyond postcolonial criticism. Stemming from a depth consciousness where life, living and death, joy, indifference and sorrow, generation, de/re-generation, and transformation are intricately intertwined, Lahiri’s fictional multiverse, opposed to universe, is peopled by a new generation of characters who speak to the soul of the reader, while in the process, she sculpts a reality that does not tolerate any homogenizing impulse in the name of an abstract unity.
    Źródło:
    ARGUMENT: Biannual Philosophical Journal; 2012, 2, 1; 129-150
    2083-6635
    2084-1043
    Pojawia się w:
    ARGUMENT: Biannual Philosophical Journal
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Obraz Europy i Indii końca lat 20. XX wieku w relacji z podróży Annadashankara Raya „W drodze i na obczyźnie”
    The Image of Europe and India in the late 1920s in Annadashankar Ray’s travelogue Pathe prabāse
    Autorzy:
    Rokicka, Weronika
    Powiązania:
    https://bibliotekanauki.pl/articles/950473.pdf
    Data publikacji:
    2019-03-13
    Wydawca:
    Polskie Towarzystwo Orientalistyczne
    Tematy:
    travel writing
    Indian literature
    Bengali literature
    India
    colonialism
    Annadashankar Ray
    Opis:
    Annadashankar Ray’s travelogue Pathe prabāse chronicles the life of an Indian (Bengali) in England and his travels around Europe in late 1920s and it is one the finest examples of travel writing in Bengali in the 20th century. With its rich descriptions of landscapes, everyday life, social order and political phenomena, it creates a consistent image of Europe and paradoxically also paints a certain image of India at the same time. This article aims to analyse such an image and reaches the conclusion that, despite the political changes in India at that time and the rise of the independence movement in particular, Ray’s travelogue depicts a deeply colonial image of the world and of the relationship between modern, technologically and socially advanced Europe and India that still has much to learn from much better developed nations.
    Źródło:
    Przegląd Orientalistyczny; 2019, 2 (270); 147-156
    0033-2283
    Pojawia się w:
    Przegląd Orientalistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Revolutionizing Agency: Sameness and Difference in the Representation of Women by Rokeya Sakhawat Hossain and Mahasweta Devi
    Rewolucjonizacja działania: zbieżności i różnice w sposobie reprezentowania kobiet przez Rokeyę Sakhawat Hossain i Mahashwetę Devi.
    Autorzy:
    Mukherjee, Prasita
    Powiązania:
    https://bibliotekanauki.pl/articles/437458.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
    Tematy:
    agency
    colonial studies
    Bengali literature
    feminism
    marginalization
    postcolonial studies
    subaltern studies
    Third World women
    powerlessness
    Opis:
    In this paper the sameness and difference between two distinguished Indian authors, Rokeya Sakhawat Hossain (1880–1932) and Mahasweta Devi (b. 1926), representing two generations almost a century apart, will be under analysis in order to trace the generational transformation in women’s writing in India, especially Bengal. Situated in the colonial and postcolonial frames of history, Hossain and Mahasweta Devi may be contextualized differently. At the same time their subjects are also differently categorized; the former is not particularly concerned with subalterns whereas the latter specifically focuses on the effect of race and class on gender. The quest for the ‘self’ and ‘subjectivity’ is more pertinent in the latter and consequently the appeal for agency is based on a crude power struggle. Hossain, a philanthropist who championed the woman question, believed that striving for equality should be a collective process which could be achieved by spreading awareness among fellow-inmates inhabiting the prison of patriarchy. Like Euro-American first-wave feminists, Rokeya advocated the necessity of education among women in order for them to be able to comprehend their plight and ‘awake’ for the cause. She addresses fundamental issues of feminism like education and the systematized claustrophobia within the domestic space. Whereas Mahasweta Devi, has been an activist writer who is regarded as the brand ambassador for the support of the marginalized, deprived and denotified tribes of India. It is her mission to provide succour to the marginalized sections, especially tribes from the Purulia district of West Bengal, like the Kherias and Shabars. As an activist writer she explores tribal life and allied socio-political issues which reflect their agony.
    Źródło:
    ARGUMENT: Biannual Philosophical Journal; 2012, 2, 1; 117-127
    2083-6635
    2084-1043
    Pojawia się w:
    ARGUMENT: Biannual Philosophical Journal
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Periphery of the USSR: Indian Travellers’ Perception of the Eastern Bloc and Non-Russian Soviet Republics in the Cold War Era
    Peryferie ZSSR: postrzeganie przez indyjskich podróżników krajów bloku wschodniego i nierosyjskich republik radzieckich w czasie zimnej wojny
    Autorzy:
    Rokicka, Weronika
    Powiązania:
    https://bibliotekanauki.pl/articles/38585424.pdf
    Data publikacji:
    2023
    Wydawca:
    Polska Akademia Nauk. Instytut Slawistyki PAN
    Tematy:
    Indie
    ZSSR
    blok wschodni
    indyjska literatura podróżnicza
    bengalska literatura podróżnicza
    India
    Soviet Union
    Eastern block
    Indian travel literature
    Bengali travel literature
    Opis:
    This article examines the perception of countries of the Eastern bloc and Soviet republics other than the Russian Soviet Republic in Indian travelogues of the Cold War era written in the Bengali language. Although most Indian travellers who came to the European countries of the Eastern bloc and the USSR at that period only visited the main cities of the Russian Soviet Republic, some ventured into lesser known territories, e.g. Estonia, Poland, or Ukraine, and in their travel accounts included one or two chapters on those regions. The distinctive feature of their travelogues is the strong focus on various aspects of social and economic life, from the education system, through workers’ rights, to public housing, and on the progress Eastern bloc countries made since coming under Soviet influence. The article argues that Indian travellers created the image of Eastern bloc countries and Soviet republics other than the Russian Soviet Republic as a periphery of Soviet Russia by constantly comparing the two, presenting Russia as the heart of the Soviet world and focusing on problems other parts of the USSR and the Eastern bloc still faced despite of what they perceived as Moscow’s assistance.
    Artykuł analizuje obraz republik radzieckich – innych niż Rosyjska Republika Radziecka – i krajów bloku wschodniego w indyjskiej literaturze podróżniczej w języku bengalskim czasów zimnej wojny. Mimo że większość podróżujących z Indii do ZSSR i bloku wschodniego odwiedzała jedynie główne miasta Rosyjskiej Republiki Radzieckiej, niektórzy odwiedzali również mniej znane regiony, na przykład Estonię, Polskę lub Ukrainę, a potem zamieszczali opisy tych miejsc w swoich relacjach z podróży. Szczególną cechą tych relacji było skupienie się na różnych aspektach sytuacji społeczno-ekonomicznej: od systemu edukacji, przez prawa pracownicze po budownictwo publiczne, jak też na postępie, który miał dokonać się w różnych regionach bloku wschodniego po wejściu krajów w radziecką strefę wpływów. Artykuł pokazuje, jak indyjscy podróżnicy tworzyli obraz krajów bloku wschodniego i republik radzieckich innych niż rosyjska jako peryferii Rosji Radzieckiej poprzez ciągłe ich porównywanie oraz skupianie się na problemach, które pozostawały nierozwiązane, mimo tego, co postrzegali jako wsparcie Moskwy dla krajów bloku wschodniego i republik radzieckich innych niż rosyjska.
    Źródło:
    Acta Baltico-Slavica; 2023, 47
    2392-2389
    0065-1044
    Pojawia się w:
    Acta Baltico-Slavica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kwestia emancypacji kobiet w myśli społecznej Renesansu Bengalskiego
    Women’s Emancipation in the Social Thought of the Bengali Renaissance Thinkers
    Проблема женской эмансипации в социальной мысли интеллектуалов эпохи Ƃенгальского Возрождения
    Autorzy:
    Dżugaj, Blanka Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1934157.pdf
    Data publikacji:
    2021-06-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    woman in India
    Bengal Renaissance
    woman in Indian culture
    woman in Hindu traditions
    journalism of Bengal Renaissance
    Rabindranath Tagore
    Ischwar Chandra Vidyasagar
    Ram Mohan Roy
    женщина в Индии
    Ƃенгальское Возрождение
    женщина в индийской культуре
    женщина в индуизме
    журналистика Бенгальского Возрождения
    Рабиндранат Тагор
    Ишвар Чандра Видьясагар
    Рам Мохан Рой
    Opis:
    In the middle of 19th century, Bengal, the region of British India, witnessed an intellectual and religious awakening. It was a time of significant revival of cultural, social, and political life, manifested in arising new cultural trends, political ideologies, and social movements. According to Indian reformers, values such as social equality, women’s emancipation, and universal access to education have gained particular recognition. In the area of women’s rights, social activists such as Ram Mohan Roy, Swami Vivekananda, or Ishwar Chandra Vidyasagar, have postulated compulsory education for girls, abolition of the custom of widow’s self-immolation, right to remarry for widowed women, and prohibition of marrying children and polygamy. Moreover, the reformers of Bengal Renaissance created a model of a new Indian woman: bhadramahila. Initially, the name was used only for the female equivalent of a bhadralok, a male from the Bengali middle or upper class, who has a good education and knowledge about culture. Over time, however, the word bhadramahila has begun to function in relation to a social construct, which was a modern woman of the Bengal Renaissance. This paper explores the women’s issues in the journalism of Bengali intellectuals of that period. Journalism began to become a way of expressing social views in India, on a scale unprecedented in this region. The article aims to present the issues of women’s emancipation in the broader context of the ideas of the Bengali Renaissance and to define the perspectives of detailed research in areas which - despite the presence of this subject in the scientific discourse - still require in-depth studies.
    В середине XIX века Бенгальский регион Британской Индии стал свидетелем интеллектуального и религиозного пробуждения – это было время значительного возрождения культурной, социальной и политической жизни, проявившегося в возникновении новых культурных тенденций, политических идеологий и социальных движений. В глазах индийских реформаторов особое значение получили такие ценности как социальное равенство, эмансипация женщин и всеобщий доступ к образованию. В области прав женщин такие общественные деятели, как Рам Мохан Рой, Свами Вивекананда, Ишвар Чандра Видьясагар, постулировали обязательное образование для девочек, отмену обычая самосожжения вдов, право на повторный брак для овдовевших женщин и запрет на брак с детьми. Более того, реформаторы Ƃенгальского Возрождения создали модель новой индийской женщины: бхадрамахилы. Первоначально это название использовалось только для женского эквивалента бхадралока – мужчины из среднего или высшего класса бенгальского обществa, имеющего хорошее образование и знание культуры. Однако со временем слово бхадрамахила начало функционировать в отношении социальной конструкции, которой была современная женщина Бенгальского Возрождения. В данной статье исследуются женские проблемы в журналистике бенгальских интеллектуалов того периода. Журналистика стала способом выражения социальных взглядов в Индии в беспрецедентном для этого региона масштабе. Цель статьи – представить вышеупомянутые проблемы женской эмансипации в более широком контексте идей Ƃенгальского Возрождения и определить перспективы детального исследования в областях, которые, несмотря на присутствие этой темы в научном дискурсе, по-прежнему требуют углубленных исследований.
    Źródło:
    Studia Orientalne; 2021, 1(19); 87-103
    2299-1999
    Pojawia się w:
    Studia Orientalne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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