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    Wyświetlanie 1-4 z 4
    Tytuł:
    Ekspresjonistyczny horyzont abstrakcjonizmu
    Horizon of expressionist abstraction
    Autorzy:
    Bator, Manfred
    Powiązania:
    https://bibliotekanauki.pl/articles/487969.pdf
    Data publikacji:
    2014
    Wydawca:
    Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
    Tematy:
    Ekspresjonizm
    Abstrakcjonizm
    Estetyka
    Opis:
    The problem indicated in the title of the article seems to be a matter of aesthetics which need at least an elementary analysis from the philosophical perspective, as well as humanistic reflection directly or indirectly associated with it. Also, it seems that the popular idea of abstract art usually associated only with the methods of imaging, is highly debatable. The possibility of applying the category of abstraction in relation to artifacts outside the convention can and even should be considered under the condition that we determine the scope of the concept of abstraction and the provenance of the concept of abstraction. The starting point for discussion should be the reconstruction of the concept of abstraction and abstract art, then examine the possibility of occurrence of abstract expressionist painting, in which the means of artistic expression become autonomous, and important parts of the image have lost their figurative/ representational character, and gained the status of self-meaningful image elements. The expressionist roots must be sought in expressive form of triune chorea – the synthesis of music, dance and poetry, whose function was to express human feelings. It used to be an abstract which revealed the state of mind and soul, therefore explicating the state of the abstract and not concrete.
    Źródło:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2014, 18; 164-177
    1733-1528
    Pojawia się w:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ekspresja i dekonstrukcjonizm. O możliwości zastosowania teorii Harolda Blooma w interpretacjidzieła sztuki
    Expression and deconstruction. On the possibility of applying the theory by Harold Bloom to the interpretation of artwork.
    Autorzy:
    Bator, Manfred
    Powiązania:
    https://bibliotekanauki.pl/articles/487732.pdf
    Data publikacji:
    2013
    Wydawca:
    Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
    Opis:
    The problem indicated in the title of the article belongs to a sort of aesthetic issues that demand careful analysis and consideration in the context of possible settlement in philosophical perspective. His ideas are connected with the fact that the current expression in European art is a response both to the preceding artistic achievements and, if not primarily, and to the social situation in which he was born (the situation was the subject of philosophical and humanistic writing on the period). A similar situation is connected with the "new expression" accompanied by rapidly growing postmodern philosophy. The course of considerations undertaken is intended to demonstrate the usefulness of these elementsin Harold Bloom’s deconstructive literary analysis that seem to be related as much to the creation and analysis of contemporary expressionist painting considered as cultural text. An anticipated result of the research will show that the work of art, regardless of artistic discipline in which it is embedded, does not look for a single discourse, but many – non-linear but intersecting and sometimes antagonistic discourses, as evident in creative ratio of the artist's work, which by nature is embedded in a historical context.
    Źródło:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2013, 16; 218-234
    1733-1528
    Pojawia się w:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Malarz w artystycznych zmaganiach z tradycją. Harolda Blooma koncepcja lęku przed wpływem
    PAINTER IN ARTISTIC STRUGGLE WITH TRADITION. The Concept of Anxiety as Influenced by Harold Bloom
    Autorzy:
    Bator, Manfred
    Powiązania:
    https://bibliotekanauki.pl/articles/487932.pdf
    Data publikacji:
    2015-11-05
    Wydawca:
    Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
    Tematy:
    HAROLD BLOOM, TRADITION, PRECURSOR, INFLUENCE, SUBJECTIVITY, INSPIRATION, EXPRESSIONISM
    HAROLD BLOOM, TRADYCJA, PREKURSOR, WPŁYW, PODMIOTOWOŚĆ, INSPIRACJA, EKSPRESJONIZM
    Opis:
    PAINTER IN ARTISTIC STRUGGLE WITH TRADITION The Concept of Anxiety as Influenced by Harold Bloom In a letter to another poet, Wallace Stevens, American poet and essayist, wrote: [...] I consciously resigned from reading mannered poets such as Eliot or Pound, in order to avoid taking anything from them, even unconsciously. In contrast to that attitude, young German expressionists with full consciousness seek inspiration at the beginning of their artistic career mainly in post-impressionist movement, discovering in direct or indirect contact (exhibitions) the power of color and their own creative power, due to what did their precursors. In his publication entitled ‘The anxiety of influence’, Bloom wrote that ‘poetic influence is not required to make poets become less original; equally often it makes them more original, though not necessarily better’. The main animators of expressionism in German painting and graphics (Emil Nolde, Max Beckmann, Oskar Kokoschka, George Grosz, Max Bechstein, Ernest Ludwig Kirchner, Vasily Kandinsky, Alexei Jawlenski, Franz Marc, August Macke, Egon Schiele) turned out to be maybe not better than Precursors, but undeniably original. Undoubtedly artistic path of each of these artists can be decomposed according to Bloom’s scheme, based on six revisions for allowing to understand ... how one poet walks away from another, which would confirm the legitimacy of using Bloom’s philosophical-literary theory in relation to visual arts. Such awareness validates the idea of interpreting artistic career of Polish renown artist Zdzislaw Nitka, who gave his habilitation dissertation the following title: Painter on the shoulders of the artist – that is a tribute to the masters.
    Źródło:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2015, 20; 158-192
    1733-1528
    Pojawia się w:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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