The problem indicated in the title of the article seems to be a matter
of aesthetics which need at least an elementary analysis from the philosophical
perspective, as well as humanistic reflection directly or indirectly
associated with it. Also, it seems that the popular idea of abstract art
usually associated only with the methods of imaging, is highly debatable.
The possibility of applying the category of abstraction in relation to artifacts
outside the convention can and even should be considered under
the condition that we determine the scope of the concept of abstraction
and the provenance of the concept of abstraction. The starting point
for discussion should be the reconstruction of the concept of abstraction
and abstract art, then examine the possibility of occurrence of abstract
expressionist painting, in which the means of artistic expression become
autonomous, and important parts of the image have lost their figurative/
representational character, and gained the status of self-meaningful
image elements. The expressionist roots must be sought in expressive
form of triune chorea – the synthesis of music, dance and poetry, whose
function was to express human feelings. It used to be an abstract which
revealed the state of mind and soul, therefore explicating the state of the
abstract and not concrete.
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