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Tytuł:
Antropologia filozoficzna Gilberta de la Porrée a powstanie scholastycznej rzeźby wczesnogotyckiej
Autorzy:
Dębicki, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/705469.pdf
Data publikacji:
2013-03-01
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
antropologia filozoficzna
antropologia teologiczna
fiozofia człowieka
zasada jednostkowienia
indywidualizacja człowieka
spór o uniwersalia
sztuka a filozofia
rzeźba średniowieczna
rzeźba romańska
rzeźba wczesnogotycka
rzeźba scholastyczna
Opis:
W artykule został podjęty problem relacji między wczesnogotycką rzeźbą sakralną o cechach antropomorficznych a uprawianą wówczas antropologią filozoficzną. Przedmiotem analizy jest rzeźba Portalu Królewskiego (zachodniego) katedry w Chartres, powstałego w latach 40. XII wieku. Portal ten, wielokrotnie kopiowany oraz naśladowany w II połowie XII stulecia, ujawnia nieznane do tej pory obszary artystycznego kształtowania postaci ludzkich jako jednostkowych, zindywidualizowanych bytów, obdarzonych własnym wyrazem psychicznym. To artystyczne nowatorstwo rzeźby szartryjskiej zostało poprzedzone równie nowatorską filozofią człowieka autorstwa Gilberta de la Porrée, profesora i kanclerza szkoły katedralnej w Chartres. Gilbert precyzyjnie określił pojęcia: byt pojedynczy, indywidualny oraz osobowy, dzięki czemu mógł odróżnić ogół (humanitas) od jednostki (homo) i wyodrębnić zespół cech, które, jego zdaniem, indywidualizują człowieka. Ponieważ jego teoria antropologiczna poprzedza powstanie rzeźb Portalu Królewskiego, należy więc przyjąć, że stworzyła ona podstawę ideową dla powstania nowego typu posągu.
Źródło:
Przegląd Filozoficzny. Nowa Seria; 2013, 1; 103-125
1230-1493
Pojawia się w:
Przegląd Filozoficzny. Nowa Seria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kamieniarka i rzeźba dekoracyjna w Kazimierzu nad Wisłą*
Autorzy:
Siciński, Karol
Powiązania:
https://bibliotekanauki.pl/articles/536812.pdf
Data publikacji:
1952
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
rzeźba dekoracyjna w Kazimierzu nad Wisłą
Fara kazimierska
rzeźba kościoła Farnego
technika narzutowa
Kościół farny w Kazimierzu
kaplica N.P.M. w Kazimierzu
kamienica "Pod św. Krzysztofem"
kamienica Celejowska
rzeźba polskiego renesansu
fasady kamienic kazimierskich
Źródło:
Ochrona Zabytków; 1952, 3; 163-173
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kronika PRL 1944-1989. [T. 39], Sztuka: malarstwo i rzeźba
Sztuka: malarstwo i rzeźba
Autorzy:
Kunicki, Kazimierz.
Współwytwórcy:
Ławecki, Tomasz (1952- ). Autor
Edipresse Polska. Wydawca
Dom Wydawniczy Bellona (1997-2007). Wydawca
Data publikacji:
2017
Wydawca:
Warszawa : Edipresse-Kolekcje : Bellona
Tematy:
PRL
Rzeźba polska
Malarstwo polskie
Opracowanie
Opis:
Numer tomu na okładce.
Bibliografia na stronach 130-131.
Dostawca treści:
Bibliografia CBW
Książka
Tytuł:
Twórczość Marcina Rząsy. Przyczynek do monografii
Autorzy:
Burnat, Blanka
Powiązania:
https://bibliotekanauki.pl/articles/1945387.pdf
Data publikacji:
2021-12-13
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Marcin Rząsa
rzeźba współczesna
Zakopane
rzeźba figuratywna
drewno
contemporary sculpture
figurative sculpture
wood
Opis:
Celem artykułu jest przedstawienie sylwetki zakopiańskiego rzeźbiarza Marcina Rząsy w oparciu o badania własne autorki. Tekst prezentuje życiorys artystyczny twórcy, począwszy od czasu studiów w warszawskiej Akademii Sztuk Pięknych. Następnie Autorka nakreśla zasadnicze motywy w twórczości Marcina Rząsy i stara się zinterpretować styl i wyraz jego figuralnych przedstawień. Podkreśla też znaczenie drewna jako wykorzystywanego przez Rząsę materiału rzeźbiarskiego.
The article aims to bring the profile and the work of the sculptor Marcin Rząsa from Zakopane. It consists of sculptor’s artistic biography from his childhood to the end of the education at the Academy of Fine Arts in Warsaw. In the second part the author outlines the main interest of Marcin Rząsa figurative art and tries to analyze and interpret the artist’s expression. Further the article brings out the importance of wood as a material used in Rząsa’s carving process.
Źródło:
Artifex Novus; 2021, 5; 200-209
2544-5014
Pojawia się w:
Artifex Novus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jeniecki prezent : Matka Boska Kozielska Rozstrzelanych Henryka Gorzechowskiego (dwugłos)
Autorzy:
Młyńczak, Halina.
Powiązania:
Zbrodnia Katyńska : próba bilansu Warszawa, 2001 S. 193-198
Data publikacji:
2001
Tematy:
Gorzechowski Henryk.
Matka Boska Kozielska Rozstrzelanych (rzeźba)
Matka Boska Ostrobramska (rzeźba)
Opis:
Płaskorzeźba Matki Boskiej Ostrobramskiej wykonana w Kozielsku przez Henryka Gorzechowskiego podarowana synowi Henrykowi.
Dostawca treści:
Bibliografia CBW
Artykuł
Tytuł:
Tadeusz Adam Zieliński (1907-1993) - rzeźbiarz Madonny Kozielskiej
Autorzy:
Nicieja, Sławomir.
Powiązania:
Łambinowicki Rocznik Muzealny 1994, nr 17, s. 125-136
Data publikacji:
1994
Tematy:
Zieliński, Tadeusz A. (1907-1993)
Rzeźba sakralna Polska
Rzeźba biografie Polska 20 w.
Kampania wrześniowa (1939)
Opis:
We wrześniu 1939 r. żołnierz Batalionu Obrony Narodowej w Brasławiu. Jeniec obozu w Kozielsku.
Dostawca treści:
Bibliografia CBW
Artykuł
Tytuł:
"Rzeźba lat 1560-1650 na Śląsku Opolskim", Tadeusz Chrzanowski, Warszawa 1974 : [recenzja]
Autorzy:
Pokora, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/537095.pdf
Data publikacji:
1975
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
„Rzeźba lat 1560—I650 na Śląsku Opolskim”
twórczość Michała Kromera
Michał Kromer
Źródło:
Ochrona Zabytków; 1975, 3-4; 283-285
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rzeźby mazowieckie w Radziłowie
Autorzy:
Szymański, Stanisław
Powiązania:
https://bibliotekanauki.pl/articles/539365.pdf
Data publikacji:
1951
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Radziłów
kościół pw. św. Barbary w Radziłowie
Zaśnięcie NP Marii
rzeźba św. Jerzego
zaśnięcie NP Marii
Zesłanie Ducha Świętego rzeźba
rzeźby radziwiłłowskie
Źródło:
Ochrona Zabytków; 1951, 1-2; 58-64
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rzeźba Rudaw Janowickich i Kotliny Kamiennogórskiej w świetle danych z cyfrowego modelu terenu i badań terenowych
Autorzy:
Sobczyk, A.
Powiązania:
https://bibliotekanauki.pl/articles/295040.pdf
Data publikacji:
2008
Wydawca:
Stowarzyszenie Geomorfologów Polskich
Tematy:
Rudawy Janowickie
Kotlina Kamiennogórska
rzeźba
model cyfrowy terenu
badania terenowe
Źródło:
Landform Analysis; 2008, 9; 377-380
1429-799X
Pojawia się w:
Landform Analysis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Drewniana rzeźba gotycka w powiecie kłodzkim - wystawa konserwatorska
Autorzy:
Fedorowicz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/538027.pdf
Data publikacji:
1972
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
„Drewniana rzeźba gotycka w powiecie kłodzkim”
wystawa w ratuszu Muzeum Ziemi Kłodzkiej
Madonna ze świętymi ze Starkowa
Madonna z Czyżykiem
Źródło:
Ochrona Zabytków; 1972, 3; 229-230
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rzeźba podczwartorzędowa okolic Szydłowca. Rola litologii i tektoniki
Sub-quaternary relief in the region of Szydlowiec. The role of tectonics
Autorzy:
Kosmowska-Suffczynska, D.
Powiązania:
https://bibliotekanauki.pl/articles/2085672.pdf
Data publikacji:
1988
Wydawca:
Uniwersytet Warszawski. Wydział Geografii i Studiów Regionalnych
Tematy:
Szydlowiec
rzezba podczwartorzedowa
litologia
tektonika
budowa geologiczna
Opis:
The present article is an analysis of the relief of the Quaternary substratum, this relief being a background for further geomorphologic studies, particularly concerning the way of glaciation and deglaciation of the Riss Glaciation. The investigated area lies on the NE border of the Holy Cross Mts between Skarżysko-Kamienna and Szydłowiec (Fig. 1). On the SW it adjoins the Goleniów Ridge of the Końskie Hills, on the NE it passes into the Quaternary Radom Plain. Such a situation of the area determines certain features of its relief - namely the occurrence side by side, or the overlap-of two relief types of different age – rock relief and Quaternary relief. The rock relief is here much differentiated depending on the lithology; it is different within the Lower Jurassic, the Middle Jurassic and the Upper Jurassic (Fig. 3). Tectonics have also strongly influenced the relief (Fig. 5). In the Quaternary relief a prevailing feature is the occurrence of a number of irregularly scattered glacial hills. They owe their origin to the Riss ice-sheet at the time of its maximum extent. That glacier invaded the rock relief devoid (except valleys) of older glacial deposits. Basing on the map of the Sub-Quaternary relief which she has drawn (Fig. 8) and on cross-sections (Figs 7, 9), the author considers the question to what extent this relief depends on the tectonics of that area and to what extent it is conditioned by its lithology, i.e. what is the share of endogenous and exogenous factors. The sub-Quaternary relief, the same as that of today, generally slopes down from SW to NE, from a maximum altitude of 260 m to 200 m above sea level. The investigated area is cut by the valleys of the Szabasówka and the Iłżanka rivers the bottoms of which descend to 160 m above sea level. The smallest differences of altitude between the fossil sub-Quaternary surface and the present-day relief occur within the Lias rocks, i.e. in the SW part of the area, while the greatest ones - within the Malm rocks in its NE part. In the sub-Quaternary relief some units may be distinguished. The highest part of the area is occupied by a Lias plateau, mainly built of sandstone and mudstone, reaching 260-230 m of altitude. It is relatively flat and vast, with its edges cut by radially parting valleys, on the South it is limited by the valley of the Oleśnica (tributary of the Kamienna). The next element of the relief is a distinct slope of the Lias surface running in accordance with the line of a large dislocation, stretching far and called the Lubień-Mnichów dislocation (Fig. 6). The slope falls towards the valleys of the Szabasówka and the Iłżanka. Those valleys lie in the Dogger clays. Their rocky bottoms lie 30 m below the present-day bottoms. The valley of the Szabasówka is lengthened to the North by a sub-questa valley described by S. Z. Różycki (1972). Another distinct unit in the sub-Quaternary relief is a surface built of much differentiated Dogger rocks, varying from resistant to easily dicayed. A characteristic feature here is the occurrence of elevated, isolated heights; their longer axis (NW-SE) runs conformably to the main tectonic directions. They are built of sandstone series and their relative height reaches ca 50 m. As can be seen on the geologic map (without the Quaternary) (Fig. 3) those hills are inscribed into the network of tectonic transversal and longitudinal lines. The less resistant, clayey strata of the Dogger constituted the foundation of valley. These valleys were deeply cut and avoided rocky hummocks, forming probably a picturesque scenery. The next relief unit is the area lying eastward of the Szabasówka valley. Here the Quaternary substratum is partly built by Tertiary deposits which mask the sub-Tertiary relief. They fill the depressions mainly situated between the outcrops of the ore-bearing horizons of Czerwona and Mikołaj (the Bathonian and the Callovian) and in the border zone of the Dogger and the Malm. The thickness of Tertiary deposit reaches 25 m, their top lies at 190-210 m of altitude and the deepest bottom occurs at 165 m above sea level. The depressions in the Dogger rocks were very narrow and deep, their direction follows the direction of longitudinal dislocation lines. This type of relief can be observed in the area near Mirów (Figs 10, 11, 12). Owing to a thick network of borings it was possible also here to find one of the transversal tectonic lines. It runs crosswise to the strike of strata and has a NE-SW direction conformable to the tectonic lines drawn by Karaszewski (1961, 1975). The thrust value is 22 m at least. The worst known is the sub-Quaternary relief within the last of the distinguished units, i.e. on the area built of Malm carbonate rocks which occupy the NE edge of the studied region. The altitudes of the rocky substratum range from 180 to 195 m above sea level. The area is a plain with an outline of a vast depression without outflow. Owing to its geological structure the area is waterless. In her investigations on the origin of the sub-Quaternary relief the author has paid attention to the age relation - between gradational processes, which resulted here in the formation of the levelling Palaeogene surface, and tectonic occurrences (continuous and discontinuous deformations). There is no visible influence, in the relief, of continuous tectonics (anticlines, synclines). Instead, these tectonics have influenced the direction of the lithologic features of the area. The influence of discontinuous tectonics appears mare directly. Conformably to the run of the Wierzbnik-Chlewiska dislocation the Holy Cross Mts end and the upland begins. Along the next longitudinal dislocation there occurs a distinct, though gradual lowering of the surface built of Lias. The share of transversal dislocations in shaping the sub-Quaternary relief has also been considerable. Through frequent shifting of different parts of the area in relation to one another the transversal dislocations broke the lithological continuity of the particular outcrops and prevented the formation, on a larger scale of erosive and denudative forms of the cuesta type, which are common on the NE border of the mountains. The style here is that of horst relief with characteristic fault blocks cut by dislocations on two or three sides. The influence of tectonics may be also seen in the valley directions in the investigated area (Fig. 2). The directions of even small valleys reflect the directions of faults lines both transversal and longitudinal. This often results in an anomalous system of valleys which are perpendicular to one another. The author considers the problem of tectonic conditioning of the valleys run to be of great importance as she thinks they could have decided on the directions of water drainage from the dying ice and thus on the deposition and extent of glacial forms. It is also worth noting that the system of major roads and villages, through adaptation to the line of hills and valleys, has maintained the directions of the tectonic lines (Figs 1, 3). In answer to the question put at the beginning of the present paper concerning the role of tectonics and lithology in the formation of the sub-Quaternary relief, it should be stated that in the author’s opinion tectonics were of decisive importance through: directing lithological features of the area, imposing places for valley formation, preventing the development of cuestas, the formation of horst relief. Instead, lithology found its expression and influenced the further development of the relief only in places designated by tectonics.
Źródło:
Prace i Studia Geograficzne; 1988, 09; 13-52
0208-4589
Pojawia się w:
Prace i Studia Geograficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Norweska architektura i rzeźba wobec natury
Autorzy:
Cisek, Ewa
Maluga, Leszek
Rozmarynowska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/books/1887166.pdf
Data publikacji:
2017
Wydawca:
Politechnika Wrocławska. Oficyna Wydawnicza Politechniki Wrocławskiej
Opis:
The subject of the work is the phenomenon of Norwegian architecture resulting directly from its sculptural character the sources of which must be sought in a deep relationship of spatial solutions with Norwegian nature and culture. The discussed issues belong both to the domain of architecture and art by referring to the development of artistic and architectural forms as well as their surroundings. It is an attempt at showing a unique feature of Norwegian architecture, which is the sculptural and artistic quality and presenting it in a new perspective as an effect of an architect’s conscious and responsible attitude towards the structurally ordered world of nature. The essence of the research problem is the concept of a layout with sculptural properties evolving towards an eco-structure which is understood as a complementary component of a place that has structural multifaceted connections with a naturally shaped environment. It boils down to: – presentation of the Norwegian concept of an architectural layout of sculptural features as an element that is present in all scales starting from an artistic design, then an architectural installation, a multi-element composition and finally small and large size solutions both in an open landscape and an urban landscape. – presentation of possibilities of application of an eco-structure concept in the environmental architectural design which is characterised by sculptural properties as a settlement structure that is an integral part of a place and constitutes an elementary level of organising social and spatial structures within a local eco-system and eco-form understood as an architectural object and sculpture or installation of an ecological character that is shaped along with nature. An architectural layout understood in this way, formed according to a given place, thus remaining in interactive relations the natural environment, facilitates the formation of a sense of local subjectivity, identity and a shared responsibility for the environment and it influences the strengthening of neighbour community and improves the quality of dwelling. The work consists of six parts. Part one is an introduction that discusses the subject, scope, assumptions, objectives, methods and structure of the work. Some key notions are analysed here such as architecture, sculpture, archetype, place, way and local environment taking into account their interdisciplinary meaning. Also some significant expressions were signalled such as organic structurality, sensuality and habituality of spatial forms, eco-structure and eco-form. The state of research is presented here which is continued and specified in more detail in subsequent parts of the thesis. Part two is devoted to the theoretical concept of the essence of the sculptural character of Norwegian spatial layouts. Its sources are indicated resulting from environmental and cultural conditions of Norway and an analysis of relations of Norwegian architecture and sculpture was carried out in refer- 376 Norwegian architecture and sculpture towards nature. Summary ence to aesthetic transformations that are taking place in Europe in the 20th century. The formation of this relationship is shown in philosophical thought, which as a consequence evolved into ecophilosophy that is integrally connected with the idea of a sculptural character of forms and their structural construction in relation to the ordered world of nature. It was indicated that these new structural relationships resulted in the movement of eco-villages as eco-structures growing rapidly in Norway at the beginning of the 21st century. Subsequent passages present a synthetic concept of layouts that have sculptural properties in a psychological aspect, in the context of archetypical motifs of experiencing the world and direct references to the character of Norwegian landscapes, phenomenological values of a place, material solutions and sensual perception of reality, which at the same time constitutes a research hypothesis for further discussion. Part three deals with various concepts of spatial structures that are characterised by sculptural properties created in an open landscape. The following two categories were pointed out here: 1. Sculptural elements connected with one another via a way into a significant network of sacrum. 2. Elements located in the landscape depending on their scale (artistic design, architectural installation, farms as artistic multi-element structures, separate object of sculptural properties) and on environmental, historical and cultural conditions. Part four contains various concepts of layouts that have sculptural properties created in the urban landscape starting from an artistic design, significant architectural installations, small and large size objects in the urban space and finally holistic transformations of the cityscape such as creating an artificial topography that is the creative imitation of a natural form and its creative development, land rehabilitation as a connection between various environments or it may also be seen as a dialogue between organic forms of a former natural landscape and linear shapes of the degraded environment. Part five presents an aspect of the sculptural character of spatial forms in the context of Norwegian activities in the scope of ecology and obtaining renewable energy. The presented issue appears here in two aspects. On the one side it generates the creation of spatial forms connected with the technical infrastructure. On the other side it reactivates settlement systems defined as eco-structures, which significantly support pro-ecological activities and the natural environment protection. It deals with ways of protecting natural and cultural environments as a condition of activities of architects and artists in the landscape. It also focuses on the problem of a naturally shaped area and an eco-system connected with it as well as transformations of landscape in order to obtain “green energy”. It also discusses the specific formation of ecostructures, eco-villages or thematic-cultural village and urban eco-structure. Also presented was a methodological design attitude as well as a wider aspect beyond designing connected with the functioning of an eco-system and social groups forming local communities. Finally, the concept of eco-form, including eco-sculpture as an object shaped along with nature was outlined. Part six contains the summary of the presented discussions along with reflections and conclusions. The sculptural character of Norwegian architecture shaped in deep relation with nature is an interdisciplinary problem that goes beyond strictly architectural issues. Hence the work contains extensive references to other connected fields of humanities, i.e. fine arts, philosophy, psychology and sociology. Translated by Bogusław Setkowicz
Dostawca treści:
Biblioteka Nauki
Książka
Tytuł:
Jubileusz Franciszka Suknarowskiego
Autorzy:
Wyrobiec, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/458283.pdf
Data publikacji:
1998
Wydawca:
Wadowickie Centrum Kultury im. Marcina Wadowity
Tematy:
Franiszek Suknarowski
wystawa
Czartak II
rzeźba
malarstwo
Źródło:
Wadoviana. Przegląd historyczno-kulturalny; 1998, 1; 34-35
1505-0181
Pojawia się w:
Wadoviana. Przegląd historyczno-kulturalny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Adam Myjak na dwa sposoby
Autorzy:
Sołtys, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/2109193.pdf
Data publikacji:
2020
Wydawca:
Akademia Sztuk Pięknych im. Władysława Strzemińskiego w Łodzi
Tematy:
adam myjak
rzeźba
przestrzeń
przemijanie
świadomość
Opis:
Adam Myjak has devoted nearly 50 years of his life to creative work. At the age of 30 he became a critically acclaimed sculptor in Poland. Today he is a classic of Polish contemporary sculpture. He runs a graduating studio at the Faculty of Sculpture of the Academy of Fine Arts in Warsaw. He has already been elected its Rector three times. He has built a huge oeuvre, consisting of objects of autonomous artistic expression (for interiors and open-air) and monuments, architectural, outdoor, medal-making and even stage design projects (on some specific theme). On the one hand, his art is based on the conditions of existential agoraphobia – fear of what the world and history bring, which is connected with the fearful hiding characters in themselves, escapism into dreams and unconsciousness; on the other hand, recently it has been an experience of opening to space.
Źródło:
Powidoki - magazyn artystyczno-naukowy; 2020, 3; 68-75
2657-652X
Pojawia się w:
Powidoki - magazyn artystyczno-naukowy
Dostawca treści:
Biblioteka Nauki
Artykuł
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