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Wyświetlanie 1-15 z 28
Tytuł:
Jak zdefiniować mit literacki, czyli o (rozwiązanym) problemie francuskich literaturoznawców
Autorzy:
Marcin, Klik,
Powiązania:
https://bibliotekanauki.pl/articles/897286.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
mit literacki
nowa definicja
mit jako powtórzenie
archetyp
temat
motyw
Opis:
Due to extreme discrepancies in comprehension of the literary myth, many modern literary scholars consider it as a very broad concept which may be used for any occasion to define any research subject. The myth is often identified with an archetype, a theme or a motif, which leads to misunderstandings. The author of this study proposes to apply a term of the literary myth only to stories about certain events, retold in various works, whose heroes are particular people or beings with human features. This “minimum” definition of the literary myth, which does not take into account the characteristics and functions that are usually attributed to the myth, and which at the same time allows to distinguish it from other concepts used in literary studies, may be a starting point for studies of various kinds and is intended by the author to facilitate the theoretical discussion on the myths in literature.
Źródło:
Przegląd Humanistyczny; 2016, 60(1 (452)); 147-157
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Witraż – mit światła i koloru
Autorzy:
Adam, Włodarczyk,
Powiązania:
https://bibliotekanauki.pl/articles/487700.pdf
Data publikacji:
2019-08-04
Wydawca:
Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
Tematy:
WITRAŻ
MIT
ARCHITEKTURA
SACRUM
ŚWIATŁO
STAINED-GLASS
MYTH
ARCHITECTURE
LIGHT
Opis:
Stained-Glass – a Myth of Light and Color The art of stained-glass works has been related to the concept of sacrum for centuries. The genesis of this myth reaches the medieval era, when stained-glass had been one of the primary artistic techniques. The symbol- ism of light and color which has been known since the primeval times, an expression of God’s glo-ry, has perfectly inscribed itself in the program of ideological gothic cathedrals. For hundreds of years stained-glass has dominated church architecture, at the same time solidified the common conviction of its religious purpose. Only after cultural and social changes at the end of 19th century has traditional approach towards stained-glass been broken. It then entered widespread public and everyday space. In the next era, in 20th century, it became an expression of many independent artists. Due to their creative work, mythology of sacral stained-glass has expanded onto new areas. In modern times, stained-glass is a full-fledged art genre, free and in-depend- ent, but still dealing with deeply rooted conviction of the religious charac- ter of the glass masterpiec-es.
Źródło:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2019, 27; 254-265
1733-1528
Pojawia się w:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mit i oralność w świetle diagnoz kryzysu kultury nowoczesnej
Autorzy:
Rolka, Malwina
Powiązania:
https://bibliotekanauki.pl/articles/600564.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
myth
primary
orality
secondary orality
script
ideology
culture
mit
oralność pierwotna
oralność wtórna
pismo
ideologia
kultura
Opis:
A category of secondary orality appeared in debate over the condition of contemporary culture by dint of Walter Jackson Ong’s research on influence of technology of word over an awareness of western man. Its concept designates a specific type of communicational situation, which is created by a twentieth-century ways of transmission of informations, like radio, television, telephone and another electronic voice-devices. In Ong’s works the perspective of secondary orality functions in context of the model of Greek culture, which preceded a beginning of the characterstic type of mentality, connected with the interiorization of script. The original oral awareness was dipped in world of mythical stories, which was created a cultural identity by dint of the acts of memorization and oral transmission of poetic experience. Analogies and differences between secondary and primary orality tease to ask about function and understanding the category of myth in perspective the first of them, which didn't appear in Ong’s works. A response to this question must connect with consideration of understanding the myth in contemporary reflection about the culture and with a search of symptoms of its presence in middle-class and consumerist societies, in which have appeared the technology of secondary orality. In my paper I'd like to try to recreate this elements of cultural background of contemporariness, which relate the age of twentieth-century orality to its ancient mythical grounding but equally indulge in transformations by dint of evolution of human condition in western culture
Źródło:
Internetowy Magazyn Filozoficzny Hybris; 2016, 34 (3)
1689-4286
Pojawia się w:
Internetowy Magazyn Filozoficzny Hybris
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Artysta w kręgu mitów późnej nowoczesności
Autorzy:
Władysław, Solski, Zbigniew
Powiązania:
https://bibliotekanauki.pl/articles/487951.pdf
Data publikacji:
2019-08-04
Wydawca:
Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
Tematy:
LATE MODERNITY
THE MYTH ABOUT ACQUIRING THE KNOWLEDGE OF THE WORLD
IMMORTALITY MYTH
PÓŹNA NOWOCZESNOŚĆ
MIT POZNAWALNOŚCI ŚWIATA
MIT NIEŚMIERTELNOŚCI
Opis:
The author – referencing the thought by Chantal Delsol – uses the term “late modernity”, recognizing in subsequent after-the-Enlightenment peri- ods subsequent phases of modernity. Among countless myths of after-mo- dernity he chose two: about acquiring the knowledge of the world and im- mortality, which, in his opinion, influenced the condition of a modern artist in the strongest way. In conclusions the author notices that the biggest weakness of modernity (in contrary to its self-assessment) is impossibility to build a consistent image of reality, which is a result of lack of originality. Creators of modern culture specialized in theft of ideas of their predeces- sors, and out of context foreign fragment may be presented by them as a fruit of their own reflections. The weakness of modernity, displaying in its morbid tendency to reduction, became its strength: it is impossible to build a whole from the fragments, but with small fragments a whole may be infected. The success of modernity turned out to be, then, a success of a virus spreading from period to period.
Źródło:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2019, 27; 108-125
1733-1528
Pojawia się w:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Idea demokracji w filozofii społecznej Karla R. Poppera – racjonalistyczny mit nowoczesnej Europy
The idea of democracy in Karl R. Poppers social philosophy - the rationalistic myth of modern Europe
Autorzy:
Jasiński, Bogusław
Powiązania:
https://bibliotekanauki.pl/articles/424328.pdf
Data publikacji:
2017
Wydawca:
Akademia Sztuk Pięknych w Gdańsku
Tematy:
Karl R. Popper
demokracja
mit
nowoczesna Europa
oświecenie
Opis:
The article presents a sketch of Karl Popper’s philosophical opinions. Popper belongs to those philosophers who came to strictly philosophical questions from problems concerned with the natural sciences. This development of their thought has particular consequences for their philosophical style. On the one band – as one can note in Popper – their philosophy is one which is low on poetic turns of phrase and high on logical rigor. On the other hand, their thought is characterized by a greater dose of certainly, of an apodictic tendency even, than is that of those philosophers who, educated in the traditions of the humanities, are more burdened by the weight of tradition. Such an attitude has perhaps two consequences: it leads either to the trivial repetition of other people’s insights or to a certain unquestionable originality. The author maintains that, in the case of Popper, we are dealing with the second eventuality. In the article he presents chosen elements illustrative of the originality of Popper’s thought. In Popper philosophy the rational is always contradicted by the irrational. And the ‘despair of reason’, as he states, always leads to limitation of freedom and closed society. So the alternative is based on dramatic choice: ‘reason or violence’ or/and ‘reason or revolution’. The reason for Popper is - in fact - the same as humanities. Historicism, the way of thinking in historical categories, is exempt from thinking because it is based on firm rules and thus its result is totalitarianism. Here is the focal point of Popper’s thinking - his a priori established faith in reason implies a certain type of humanism; the one who believes in the unlimited possibilities of man whose chief weapon becomes reason. We believe in reason – that is a dogma. And reason enables criticism (critical rationalism), that is a falsification of (any) theory. That’s why the social science has an inevitable conjectural character. Popper’s methodological individualism that is based on belief in his own reason is a dogma as well. The only way out to deprive reason of its irrationality is to place it in the horizontal and not the vertical perspective, on the level of practical life, in between individual men. After the Holocaust there is nothing ‘above’ or ‘beyond’. Our decisions are rooted in already reason-guided life, and so are the political institutions – not in a meta-level rationalism.
Źródło:
Sztuka i Dokumentacja; 2017, 16; 7-27
2080-413X
Pojawia się w:
Sztuka i Dokumentacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zagadka Timajosa
Autorzy:
Grzybowski, Juliusz
Powiązania:
https://bibliotekanauki.pl/articles/600588.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Socrates
Timaeus
riddle
myth (mythos)
reason (logos)
Sokrates
Timajos
zagadka
mit (mythos)
rozum (logos)
Opis:
This article focuses around the riddle, which Timaeus asks Socrates. I will therefore deal with troublesome absence of Socrates in troublesome dialogue of Plato’s. I will deal with a riddle and I will try to remember that the riddle is deadly dangerous, at least for those who deal with wisdom, and therefore perhaps especially for philosophers. I will evoke the fragment B 56 of Heraclitus, where we can hear the story about Homer’s death. Briefly: I will be wondering why Socrates is not dead after hearing riddle of Timaeus.
Źródło:
Internetowy Magazyn Filozoficzny Hybris; 2016, 34 (3)
1689-4286
Pojawia się w:
Internetowy Magazyn Filozoficzny Hybris
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mity. Kilka tropów
Autorzy:
Andrzej, Kostołowski,
Powiązania:
https://bibliotekanauki.pl/articles/487786.pdf
Data publikacji:
2019-08-04
Wydawca:
Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
Tematy:
OEDIPUS
ANDROGYNE
PYGMALION
A LIVING MYTH
ARTISTIC DUOS
EDYP
PIGMALION
ŻYWY MIT
DUETY ARTYSTYCZNE
Opis:
The text is mainly about some references to myth in the 20-21st century art. A rift in treatment of myth during this period is interesting. On the one hand, in popular literature and media a generic term “myth” is often used. But it is often understood as something substantially irrational and used with a certain disdain, as well as on the boundary of being pejora- tive. Whereas in serious anthropological and philosophical texts and in art, “myth” may be on the one hand specified (in the case of “classical” mythical stories there are references by names to mythical characters in sequences of events), and on the other fully rational elements are excavated from it within its context, which significantly explain natural phenomena and cause and effect aspects of the surrounding world. Taking more rational way of describing myth into consideration, I chose examples of myths: Oedipus, Androgyne and Pygmalion’s. Oedipus is burdened with inter- pretations and omnipresent in the surrealist art (for example especially strongly in Max Ernst’s works). Also, as an “out-take” of the myth, part about Sphinx, carries interesting proto-feminist threads (in Leonor Fini’s paintings). A hermaphroditic Androgyne seems to draw out a new actual- ity and is interpreted in twofold unity, or completely entangled. In twofold unity (as in Marc Chagall’s works or Magdalena Abankowicz’s) they are associated but separated presence of personas. In the sense of negative rifting we may analyze genres of womanly act, which hides objectification of broken Androgyne. However, entanglement is on the one hand a connec- tion (as in lovers’ embrace) and on the other over-individualistic duos or bigger groups of artists, especially those who have been also performance artists since the 60s of the 20th century. Pygmalion myth profusely used in art hides within, among others, a metaphor of illusion.
Źródło:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2019, 27; 50-66
1733-1528
Pojawia się w:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Uwikłanie bohatera w mit – drogi duchowego wyzwolenia
The entanglement of the hero into myth – ways of spiritual liberation
Autorzy:
Popek, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/423191.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
the hero
entanglement into myth
religious practices
grace
self-cultivation
disenfranchisement of art
spiritual liberation
bohater
uwikłanie w mit
praktyki religijne
łaska
kultywowanie siebie
zniewolenie sztuki
duchowe wyzwolenie
Opis:
The work is a frame study of heroism, which manifests itself in particular living people and in mythological characters, heroes concerned for welfare, beauty and truth in everyday struggles. It presents the fates of the mythical benefactors of humanity as well as humans absorbed by efforts for their spiritual salvation. The background of the stated problem concerning the entanglement of the hero into myth is “the philosophical disenfranchisement of art". This issue is a specific basis for the presenting of the figure of fined for his noble intentions Prometheus from the painting by Rubens. Referring to the heroism of the people, we can see that it is also not free of sacrifices. It turns out that there is no turning back from the destination, which is the life of every human according to his own conviction. However, only the awareness of the entanglement into myth and the practice of one’s personal religious belief in spiritual liberation can bring the expected relief in the form of true grace.
Źródło:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2016, 28/1; 191-216
0860-4487
Pojawia się w:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zur Bestimmung notwendiger Bereiche der Zentralisation von Leitungsfunktionen unter den Bedingungen von Unternehmen mit vielen Teilbetrieben (Kombinatabetrieben d.U.)
Autorzy:
Jeżak, Jan
Powiązania:
https://bibliotekanauki.pl/articles/656505.pdf
Data publikacji:
1982
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Źródło:
Acta Universitatis Lodziensis. Folia Oeconomica; 1982, 20
0208-6018
2353-7663
Pojawia się w:
Acta Universitatis Lodziensis. Folia Oeconomica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Istoty żywe, posiadające logos. Nieludzcy mieszkańcy uniwersum Tolkienowskiego i ich języki
Autorzy:
Marcin, Niemojewski,
Powiązania:
https://bibliotekanauki.pl/articles/897178.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
J.R.R. Tolkien
Śródziemie
mit
rasy
języki
wyobraźnia antropologiczna
Opis:
The Lord of the Rings, like all J.R.R. Tolkien’s literary legacy, for years has been popular among faithful readers and is gaining new ones; moreover it is inspiring researchers to formulate theses and develop scientific analyses. These works offer various perspectives of interpretation, but you can list among them three dominant ones: biographical, mythological and religious one, which is a variant of the second perspective. All the research approaches are tied by two motifs, which both by Tolkien critics and by enthusiasts are regarded as key to understanding his artistic legacy: nonhuman inhabitants of Middle-earth and their languages. Reflection on the mutual relationship of these motifs can lead to the disclosure in Tolkien’s work the germ of anthropological imagination.
Źródło:
Przegląd Humanistyczny; 2015, 59(3 (450)); 13-24
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Orfeusz i Eurydyka Czesława Miłosza: katabaza jako figura żałoby
Autorzy:
Maciej, Jaworki,
Powiązania:
https://bibliotekanauki.pl/articles/897263.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Miłosz
Orpheus
Eurydice
myth
mourning
catabasis
Hades
Orfeusz
Eurydyka
mit
żałoba
katabaza
Opis:
The article is a proposal for a new interpretation of Czesław Miłosz’s poem. The author presents that Orpheus’s catabasis in the poem and in the myth itself – which is revealed while its reading – is a figure of mourning, ending with the second death of Eurydice and coming out to the surface. Interpretation of descent to Hades is inspired by the poet's self-commentary and observations of Freud, and Croce and di Nola on mourning. Such reading also explains the meaning of troublesome for interpreters changes, which Miłosz made in the story of the myth compared to traditional versions by Virgil, Ovid, Rilke.
Źródło:
Przegląd Humanistyczny; 2016, 60(2 (453)); 175-186
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Religia na granicy mitu
Religion on the border of the myth
Autorzy:
Raube, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/423418.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
myth
religion
values
morality
anthropology
Cassirer
mit
religia
wartości
moralność
antropologia
Opis:
Cassirer thought that religion is one of the main fundamental rule of a human society and cultural order, mainly because it is able to guarantee moral laws being the main grounds of our civilization. But religion could not have been existed if it had not been preceded by mythical thinking. The myth is a real condition of religion. Religious interpretation is permeated by mythical metaphors, but the border between them is difficult to identify.
Źródło:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2016, 28/2; 39-51
0860-4487
Pojawia się w:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 28

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