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    Wyświetlanie 1-6 z 6
    Tytuł:
    Диалог культур в информационно-коммуникативной среде XXI века
    Dialogue o f cultures in the information-communication space o f the XXI century
    Autorzy:
    Orzechowska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/480927.pdf
    Data publikacji:
    2009-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    information-communication space
    dialogue of cultures
    Russian language
    Opis:
    The XXI century witnesses the origination of various projects whose objective is to take into consideration the dialogue among cultures in the information-communication space. One can see an example of such project in the series of social commercials made in the form of animated films promoting the multifarious culture of Russia and praising the diversity of its every region. The project is entitled Multi-Rossija. The films constitute ideal material to shape the linguistic competence of students and obliterate barriers in intercultural communication during Russian language lessons on the basis of the dialogue of cultures.
    Źródło:
    Acta Polono-Ruthenica; 2009, 1, XIV; 453-461
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Диалог культур в поэтике Вероники Долиной
    Dialogue of Cultures in the Poetics of Veronika Dolina
    Autorzy:
    Mnich, Ludmiła
    Powiązania:
    https://bibliotekanauki.pl/articles/968764.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    dialogue of cultures
    Veronika Dolina
    intertextuality
    author song
    Opis:
    The article deals with various types of dialogue of cultures in the songs by Veronika Dolina. The genre of “author song” (Russian and Soviet singer-songwriters’ works) is analysed as a special kind of dialogue with listeners as well as with history and culture. In particular, the author interprets and places in intertextual context three songs by Dolina: ‘The Aunt Told Me’, ‘On the Death of A. D. S.’ and ,The Cardinal Is Still Young’.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 201-210
    1427-9681
    2353-4834
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Rossica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Диалог культур и идей в прозе Ивана Рукавишникова
    Dialogue of Cultures and Ideas in Ivan Rukavishnikov’s Prose
    Autorzy:
    Szymonik, Danuta
    Powiązania:
    https://bibliotekanauki.pl/articles/968776.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    dialogue of cultures
    Ivan Rukavishnikov
    Silver Age
    Russian literature
    Opis:
    The article deals with the problems of dialogue of cultures and ideas in prose pieces by Ivan Rukavishnikov (1877–1930), a Russian poet of the Silver Age, writer, cultural activist and translator. Rukavishnikov’s works are characterized by ideological and aesthetic tendencies typical of the Russian culture at the turn of the 20th century. In contemporary research parallels have been drawn between the prose of Rukavishnikov and that of Fyodor Dostoyevski, Fyodor Sologub, Valery Bryusov, Andrei Bely, Mikhail Albov and Vladimir Nabokov, among others. Rukavishnikov’s early verse is marked by the motifs of death, illness and loneliness. The majority of Rukavishnikov’s poems describe the poet’s feelings and emotions through images of weakness, disappointment, sorrow, suffering, fatigue and weariness, typical of the ‘lost generation’ poets. The same motifs are characteristic of his prose. The autobiographical persona from the lyrical poetry has a correspondent in the novel “The Damned Family” – the autobiographical figure of Viktor Makarovich, an artist and a typical individualist, focused on his personal feelings. As the author’s “porte parole”, Makarovich discusses art topics with other characters in the novel, and sometimes with himself. These artistic and intellectual discussions reflect the essence of actual Silver Age literary polemics. In the article the author also analyzes Rukavishnikov’s interest in Hindu ideas and culture, expressing the human longing for truth and perfection (manifest in the second part of the collection “The Close and the Distant”). By referring to the ancient philosophy the writer raises universal and timeless questions. These questions do not belong only to the spiritual and physical world of Rukavishnikov as a representative of the Russian Silver Age, but remain topical nowadays as well.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 133-141
    1427-9681
    2353-4834
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Rossica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Парижский миф в русской литературе XVIII века
    The Myth of Paris in the Russian Literature of the 18th Century
    Autorzy:
    Колбасин, Вадим
    Powiązania:
    https://bibliotekanauki.pl/articles/968754.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    mythological consciousness
    dialogue of cultures
    myth-making
    Russian literature of the 18th – 19th centuries
    Opis:
    The myth of Paris, formed in the Russian literature of the 18th – early 19th centuries, is an expression of the mythological consciousness in which the ‘space – time’ dichotomy is cyclical: it is a myth of eternal return. This Parisian myth was based on a set of oppositions between the cultural and intellectual orientations in the two countries. The Russian consciousness was characterized by a sense of lack of liberty and by inclination for reflection and hesitation, whereas the enlightened France prided itself on the clarity and concreteness of its thinking and was highly aware of its pioneering role in the political and cultural world of its time. Therefore, the Russian Parisian myth was accompanied by the motifs of travel, escape, release – an ‘eternal return’ to a dream. Several generations of Russian writers, from Trediakovsky to Pushkin, impressed it on the mythological consciousness of their readers by establishing an image of Paris as a feast of life, as a city of exceptional power of expression.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 9-17
    1427-9681
    2353-4834
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Rossica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Рецепция античности в творчестве авторов литературного объединения «Беловежа»
    Reception of antiquity in the works of the authors of the «Białowieża» literary group
    Recepcja starożytności w twórczości autorów stowarzyszenia literackiego «Białowieża»
    Рэцэпцыя антычнасці ў творчасці аўтараў літаратурнага аб’яднання «Белавежа»
    Autorzy:
    Ламм, Мария
    Powiązania:
    https://bibliotekanauki.pl/articles/1932676.pdf
    Data publikacji:
    2021
    Wydawca:
    Uniwersytet Warszawski. Wydział Lingwistyki Stosowanej. Katedra Białorutenistyki
    Tematy:
    Classical antiquity
    Sokrat Janowicz
    Michał Androsiuk
    Jan Czykwin
    Mira Łuksza
    classical metacode
    dialogue of cultures
    Starożytna Grecja
    klasyczny metakod
    dialog kultur
    Античность
    Сократ Янович
    Михал Андросюк
    Ян Чиквин
    Мира Лукша
    классический метакод
    диалог культур
    Антычнасць
    Сакрат Яновіч
    Міхал Андрасюк
    Ян Чыквін
    Мiра Лукша
    класічны метакод
    дыялог культур
    Opis:
    The article is devoted to the study of the reception of antiquity in the works of Belarusian writers in Bialystok. The main directions of the reception of antiquity in the Belarusian literature of the twentieth century, the productive models of the appeal of Belarusian authors in Poland to the comprehension of classical metacodes are considered. The topic of antiquity is not the main one for the work of Bialystotsky authors, thanks to this it was possible to expand the coverage of authors, analyze the work of writers belonging to different generations and characterize two characteristic directions of the reception of antiquity: folklore and book, based on two ideas about the development of Bela¬rusian literature. The reception of antiquity is regarded as an important part of the Belarusian-Polish interethnic and intercultural dialogue.
    Artykuł poświęcony jest badaniu recepcji starożytności w twórczości pisarzy białoruskich w Białymstoku. Rozważane są główne kierunki recepcji antyku w literaturze białoruskiej ХХ wieku, produktywne modele apelu autorów białoruskich w Polsce do rozumienia klasycznych metakodów. Temat staro-żytności nie jest głównym tematem twórczości białostockich autorów, dzięki temu udało się rozszerzyć zasięg autorów, przeanalizować twórczość pisarzy należących do różnych pokoleń i scharakteryzować dwa charakterystyczne kierunki recepcji starożytności: folklor i książka, oparta na dwóch koncepcjach rozwoju literatury białoruskiej. Recepcja starożytności jest uważana za ważną część białorusko-polskiego dialogu międzyetnicznego i międzykulturowego.
    Статья посвящена изучению рецепции античности в творчестве бело-русских писателей Белостока. Рассматриваются основные направления рецепции античности в белорусской литературе ХХ в., продуктивные модели обращения белорусских авторов в Польше к осмыслению классических метакодов. Тема античности не является основной для творчества белос-тоцких авторов, благодаря этому была возможность расширить охват авто-ров, проанализировать творчество литераторов, принадлежащих к различным поколениям и охарактеризовать два характерных направления рецепции античности: народно-фольклорное и книжное, основывающихся на двух представлениях о пути развития белорусской литературы. Рецепция античности рассматривается как важная часть белорусско-польского межнационального и межкультурного диалога.
    Артыкул прысвечаны вывучэнню рэцэпцыі антычнасці ў творчасці бела-рускіх пісьменнікаў Беласточчыны. Разглядаюцца асноўныя напрамкі рэцэпцыі антычнасці ў беларускай літаратуры ХХ ст., прадуктыўныя мадэлі звароту беларускіх аўтараў у Польшчы да асэнсавання класічных метакодаў. Тэма антычнасці не з'яўляецца асноўнай для творчасці беластоцкіх аўтараў, дзякуючы гэтаму была магчымасць пашырыць ахоп аўтараў, прааналі-заваць творчасць літаратараў, якія належаць да розных пакаленняў і ахарак-тарызаваць два характэрныя кірункі рэцэпцыі антычнасці: народна-фальклорны і кніжны, якія грунтуюцца на двух уяўленнях аб шляхах развіцця беларускай пісьменнасці. Рэцэпцыя антычнасці разглядаецца як важная частка беларуска-польскага міжнацыянальнага і міжкультурнага дыялогу.
    Źródło:
    Acta Albaruthenica; 2021, 21; 121-132
    1898-8091
    Pojawia się w:
    Acta Albaruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Агрессивность и ассертивность в межкультурной коммуникации: от чёрной к белой риторике
    Autorzy:
    Барышников, Николай
    Powiązania:
    https://bibliotekanauki.pl/articles/2057432.pdf
    Data publikacji:
    2021-09-30
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    black rhetoric
    hopelessness of manipulation
    white cross-cultural dialogue
    aggression
    assertiveness
    interference in dialogue
    unfriendly attitude towards Russia
    militant ethnocentrism
    a new vector of research
    similarity of cultures
    Opis:
    This article presents the author’s interpretation of a new approach to the study of cross-cultural communication problems based on similarities of different cultures, whose representatives are partners in cross-cultural dialogue. From a humanistic standpoint, it is argued that there is an urgent need to change the paradigm of professional crosscultural communication from black rhetoric to white cross-cultural dialogue – a transition which can be implemented especially through the assertive behavior of its participants as an alternative to aggressive behavior. The main reasons for the insufficient effectiveness of cross-cultural dialogue with representatives of Russian culture are analyzed, including the historically conditioned unfriendly attitude of the world community towards Russia and foreign participants’ militant ethnocentrism.
    Źródło:
    Acta Polono-Ruthenica; 2021, 3, XXVI; 189-206
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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