Temat: show - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: The Talk Show Interview as a Speech Genre: Georgian-English Perspective
Wywiad w programie talk show jako gatunek mowy: perspektywa gruzińsko-amerykańska
Autorzy:: Iobishvili, Nana
Powiązania:: https://bibliotekanauki.pl/articles/40269005.pdf
Data publikacji:: 2023
Wydawca:: Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:: gatunki mowy
wywiady w programie talk show
talk shows
speech genres
talk show interviews
talk show
Opis:: The present paper discusses the talk show interview as a speech genre. With this view, the study employs contrastive analysis. The focus is on interviews conducted in non-political talk shows, which had not been studied in this regard so far. The article outlines talk shows in America and Georgia, characterizes their structure, style, lexical-grammatical characteristics, and presents the interview as a speech genre.
Niniejszy artykuł poświęcony jest wywiadowi w amerykańskich i gruzińskich programach talk show jako gatunku mowy. W badaniu wykorzystano metodę komparatystyczną. Materiał badawczy stanowią wywiady z programów talk show o tematyce rozrywkowej, które nie były dotąd badane pod tym względem.
Źródło:: Białostockie Archiwum Językowe; 2023, 23; 161-170
1641-6961
Pojawia się w:: Białostockie Archiwum Językowe
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Selected Peculiarities of English and Georgian Political Talk Shows
Wybrane cechy politycznych talk show w języku angielskim i gruzińskim
Autorzy:: Dvalishvili, Salome
Powiązania:: https://bibliotekanauki.pl/articles/40267877.pdf
Data publikacji:: 2023
Wydawca:: Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:: dyskurs polityczny
dialog
talk show polityczny
political discourse
dialogue
political talk show
Opis:: The present paper aims to discuss selected peculiarities of English and Georgian political talk shows using the example of BBC | Vote 22 NI, WMUR-TV ‘Granite states Debate’, NBC News-MSNBC Democratic Debate, Choice, The stories of the day and Timely Questions. The analysis is conducted with a view to determining the similarities between the methods and techniques of manipulation in English and Georgian political speeches. It is undertaken to answer the following question: Are the politicians mostly criticizing the opponent’s speech and their ideas or are they simply insulting them? What kind of mood do the guests and the host create in the beginning and during the programme? What kind of similarities and differences can be seen in the structure of English and Georgian political talk shows? In English-language talk shows, political discourse is not as open and obvious as in Georgian ones. The host and the guests do not intend to abuse someone verbally or physically. As a rule, the English-language political discourse has a neutral approach in this regard, while in Georgian, there tends to be a sharp confrontation with the opponent.
Celem niniejszego artykułu jest omówienie podstawowych cech angielskiego i gruzińskiego politycznego talk show na przykładzie następujących programów: BBC | Vote 22 NI, WMUR -TV ‘Granite states Debate’, NBC News-MSNBC Democratic Debate, Choice, The stories of the day and Timely Questions. Analiza zebranego materiału pozwala określić podobieństwa w metodach i technikach manipulacji w angielskich i gruzińskich mowach. Podjęto próbę udzielenia odpowiedzi na następujące pytania: Czy politycy krytykują przemówienia przeciwników, czy ich obrażają? Jaki nastrój tworzą goście i gospodarz programu? Jakie podobieństwa i różnice są widoczne w strukturze angielskich i gruzińskich politycznych realizacji gatunku talk show? W anglojęzycznych programach tego typu dyskurs polityczny nie jest tak bezpośredni i otwarty jak w ich gruzińskich odpowiednikach. Gospodarz i goście nie przejawiają intencji werbalnego lub fizycznego atakowania uczestników. W dyskursie anglojęzycznym widoczne jest neutralne podejście, podczas gdy w gruzińskim obserwuje się ostrą konfrontację z przeciwnikiem.
Źródło:: Białostockie Archiwum Językowe; 2023, 23; 129-140
1641-6961
Pojawia się w:: Białostockie Archiwum Językowe
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Geotourism potential of show caves in Poland
Autorzy:: Zieliński, Artur
Marek, Aneta
Zwoliński, Zbigniew
Powiązania:: https://bibliotekanauki.pl/articles/15804550.pdf
Data publikacji:: 2022
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: geotourism
show caves
commercial caves
visitors
Polska
Opis:: In the modern world, tourism is a very dynamically growing industry with significant impact on the eco-nomic prosperity of many regions or even countries. The paper presents the geotourism potential of the 12 show (com-mercial) caves in Poland before and during the current pandemic time. Survey results demonstrate that caves are major geotourist attractions. In 2019, they were visited by a total of almost 950,000 people. The attendance might have exceed-ed even a million if the popular Mroźna Cave in the Tatras had not been temporarily closed to visitors due to a rockfall in winter period 2018/2019. In 2020, all the show caves combined were visited by a more than 390,000 people, which amounted to about 41% of the total attendance recorded for 2019. The most visited cave proved to be Smocza Jama (Dragon’s Den) in the centre of Kraków, which recorded almost 422,000 visitors in 2019. A preliminary assessment of the attractiveness of the caves as geosites is given. The most attractive caves as geosites were identified as: Bear Cave, Upper Wierzchowska Cave, and Bat Cave. It is possible to confidently assert that the celebration of the International Year of Caves and Karst (IYCK) in 2021–2022 will increase interest in caves and translate into a revival of cave tourism.
Źródło:: Quaestiones Geographicae; 2022, 41, 3; 169-181
0137-477X
2081-6383
Pojawia się w:: Quaestiones Geographicae
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: On types of responsiveness in the theory of voting
Autorzy:: Holler, M. J.
Nurmi, H.
Powiązania:: https://bibliotekanauki.pl/articles/406595.pdf
Data publikacji:: 2016
Wydawca:: Politechnika Wrocławska. Oficyna Wydawnicza Politechniki Wrocławskiej
Tematy:: plausible opinion aggregation
monotonicity
no-show paradox
Opis:: In mathematics, monotonicity is used to denote the nature of the connection between variables. Hence for example, a variable is said to be a monotonically increasing function of another variable if an increase in the value of the latter is always associated with an increase in the other variable. In the theory of voting and the measurement of a priori voting power one encounters, not one, but several concepts that are closely related to the mathematical notion of monotonicity. We deal with such notions focusing particularly on their role in capturing key aspects of plausible opinion aggregation. Further, we outline approaches to analyzing the relationship of opinion aggregation and voting power and thereby contribute to our understanding of major components that determine the outcome of voting.
Źródło:: Operations Research and Decisions; 2016, 26, 2; 87-106
2081-8858
2391-6060
Pojawia się w:: Operations Research and Decisions
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: The genesis and development of Polish horse riding in the period of twenty years
Autorzy:: Urban, Renata
Powiązania:: https://bibliotekanauki.pl/articles/1030794.pdf
Data publikacji:: 2019
Wydawca:: Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:: dressage
equestrianism
eventing
show jumping
the Olympic Games
Opis:: Although the traditions of equestrianism in Poland goes back a long way, it was not until 1880 that the first equestrian competitions were organized in Warsaw. In the following years, the interest of the Polish society in equestrian competition had been growing and led to the creation of equestrian-breeding associations, which actively conducted sports activities. However, itwas Poland regaining independence in 1918 that enabled the dynamic development of Polish equestrianism, especially in military circles among cavalry and horse artillery officers. The creation of the Polish Equestrian Association in 1928 had an undoubted impact on the popularization of equestrian sport among civilians. The Association became the organizer of many sports competitions for both military and civilian riders. Moreover, it undertook a number of initiatives aimed at the development and popularization of equestrianism in Polish society. Polish riders participated in the most important sports competitions organized in the interwar period, both in the country and internationally. They took part in the Olympic Games three times (1924, 1928 and 1936), in which they won four medals. Furthermore, they achieved success in equestrian competition around the world (the United States, Italy, France, the United Kingdom, Germany and others).
Źródło:: Central European Journal of Sport Sciences and Medicine; 2019, 28, 4; 27-38
2300-9705
2353-2807
Pojawia się w:: Central European Journal of Sport Sciences and Medicine
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Culture, learning and rational decision-making: evidence from a TV show
Autorzy:: Lobão, Júlio
Powiązania:: https://bibliotekanauki.pl/articles/2127598.pdf
Data publikacji:: 2020
Wydawca:: Akademia Leona Koźmińskiego w Warszawie
Tematy:: decision-making
culture
learning
rationality
TV show
France
Vietnam
Opis:: This paper analyzes the French and the Vietnamese versions of the TV game show “The Price is Right”, using data from 130 episodes. We focus on the bidding game, covering 434 rounds and 1,736 bids. We document that players deviate signifi cantly from what is predicted by the model of rational expectations, especially in the French population. Moreover, Vietnamese fourth bidders are found to win more frequently than their French counterparts in spite of using strategic bids less often. We attribute these results to cultural reasons. Contestants from the collectivistic, uncertainty-tolerant culture (i.e., Vietnam) are more reluctant to engage in strategic bidding than individuals from the individualistic, uncertainty-avoidant culture (i.e., France). However, Vietnamese contestants pay more attention to the estimates of the previous players and thus make a better use of the informational advantage inherent to the sequential nature of the game. Overall, our evidence suggests that culture is an important omitted variable in studies that examine cross-country differences in decision-making.
Źródło:: Decyzje; 2020, 34; 5-27
1733-0092
2391-761X
Pojawia się w:: Decyzje
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: Garden Festivals in Bolestraszyce
Autorzy:: Wójcik-Popek, A.
Powiązania:: https://bibliotekanauki.pl/articles/107039.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet Rzeszowski. Wydział Biologiczno-Rolniczy
Tematy:: show gardens
educational garden
theme garden
education in landscape architecture
Opis:: In the previous year, the 7th Garden Festival in Bolestraszyce was already held. It is an annual event that brings together Polish garden enthusiasts and creators, teachers and young landscape architecture adepts, and even primary school representatives. Festivals have been organized since 2011 by the Arboretum and the Department of Physiography in Bolestraszyce, near Przemyśl. It has been initiated thanks to the funding from the Ministry of Culture and National Heritage. The festival is surrounded by the substantive care of the Landscape Architecture Association, the Association of Polish Landscape Architects, the Polish Nurserymen Association and the Polish Dendrological Society. Show gardens are an unusual variety of gardens – they serve to present the latest trends in the art of space arrangement and present, popularize new plant varieties. In recent years, they have also gained a wider educational function, often referring to environmental problems or various socio-cultural issues.
Źródło:: Topiarius. Studia krajobrazowe; 2018, 6; 109-116
2449-9595
2543-926X
Pojawia się w:: Topiarius. Studia krajobrazowe
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: Swear Words in Netflix‘s Adult Animation „BoJack Horseman“ Season 1. A Corpus-Assisted Study
Schimpfwörter in der ersten Folge der Netflix-Erwachsenenanimation „BoJack Horseman“. Eine korpusgestützte Studie
Autorzy:: Grobelna, Barbara
Powiązania:: https://bibliotekanauki.pl/articles/36874871.pdf
Data publikacji:: 2024-01-24
Wydawca:: Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:: Schimpfwörter
Fernsehsendung
Korpuslinguistik
BoJack Horseman
foul language
TV show
corpus linguistics
Opis:: This study has emerged from the research on telecinematic discourse and corpus linguistic studies. The aim of this paper is to provide a socio-pragmatic analysis of swear words in the dialogues of the Season 1 of the TV show “BoJack Horseman”, on the basis of the Bojack Horseman Corpus, prepared and compiled by the author. Lemmas such as crap, fuck, shit, damn, ass, dick, bitch, and suck are analysed, as well as their grammatical forms and functions they serve. The findings illustrate the importance of foul language employed by the show-writers and uncover the sociopragmatic aspect of the distribution of swear words in this particular TV show. The language used by the characters of the show depicts, to some extent real-life conversations, and swear words in them are used alike. The swear words in the dialogues function as an outlet for extreme emotions, a form of catharsis, or an extra emphasis added to the utterance. The offensiveness of swear words in “BoJack Horseman” is described as mild and moderate, but the swear words do occur in nearly every episode of the show. However, they are used not only to carry a negative impact (such as an insult or provocation), but also to convey positive information (the sense of social bonding or camaraderie).
Diese Studie ist aus der Erforschung des telecinematischen Diskurses und der Korpuslinguistik hervorgegangen. Das Ziel dieser Arbeit ist es, eine sozialpragmatische Analyse von Schimpfwörtern in den Dialogen der Staffel 1 der TV-Show „BoJack Horseman“ auf der Grundlage des vom Autor erstellten und zusammengestellten Bojack Horseman Corpus zu liefern. Lemmas wie crap, fuck, shit, damn, ass, dick, bitch und suck werden ebenso analysiert wie ihre grammatikalischen Formen und Funktionen, denen sie dienen. Die Ergebnisse verdeutlichen die Bedeutung der Schimpfwörter der Showautoren und decken den soziopragmatischen Aspekt der Verbreitung von Schimpfwörtern in dieser speziellen TV-Show auf. Die Sprache, die von den Charakteren der Show verwendet wird, stellt zu einem gewissen Grad Gespräche aus dem wirklichen Leben dar, und die Obszönitäten darin werden gleichermaßen verwendet. Die Schimpfwörter in den Dialogen funktionieren als: ein Ventil für extreme Emotionen, eine Form der Katharsis oder eine zusätzliche Betonung, die der Äußerung hinzugefügt wird. Die Anstößigkeit von Obszönitäten in „BoJack Horseman“ wird als mild und moderat beschrieben, aber die Schimpfwörter kommen in fast jeder Folge der Show vor. Sie werden jedoch nicht nur verwendet, um eine negative Wirkung zu erzielen (z. B. eine Beleidigung oder Provokation), sondern auch um positive Informationen zu vermitteln (das Gefühl der sozialen Bindung oder Kameradschaft).
Źródło:: Linguistische Treffen in Wrocław; 2023, 24; 255-264
2084-3062
2657-5647
Pojawia się w:: Linguistische Treffen in Wrocław
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: Modern Media Phenomenon
Autorzy:: Prijatelj, Erika
Powiązania:: https://bibliotekanauki.pl/articles/668375.pdf
Data publikacji:: 2011
Wydawca:: Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:: media culture
creativity
reality show
sports
entertainment
values
ethics
post-modern capitalism
Opis:: Contemporary media culture is defined by the logic of the victorious spectacle expanding to all areas of life. Post-modern capitalism has turned everyday life and culture into entertainment with the help of the spectacular. In fact, such entertainment results in a fake sense of happiness, pop mainstream, the swallowing up alternatives and therefore the creation of a passive consumer society. The media today have a unique power of overwhelming a person with information. They enable a modern person to know much, but understand little. This discussion has cast some light on very popular reality shows, the body and sports. It concludes with a reflection on modern media, which leave a person of this age with a patchwork identity.
Źródło:: The Person and the Challenges. The Journal of Theology, Education, Canon Law and Social Studies Inspired by Pope John Paul II; 2011, 1, 2
2391-6559
2083-8018
Pojawia się w:: The Person and the Challenges. The Journal of Theology, Education, Canon Law and Social Studies Inspired by Pope John Paul II
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 10.

Tytuł:: Shaman or Showman? The Myths of Jim Morrison From an Aesthetic Anthropological Perspective
Autorzy:: Papp, Richard
Powiązania:: https://bibliotekanauki.pl/articles/2154941.pdf
Data publikacji:: 2022-03-31
Wydawca:: Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie
Tematy:: Jim Morrison
The Doors
art
modern myths
shamanism
show business
rock music
Opis:: The study deals with the concepts of Jim Morrison’s art from the perspective of Jim Morrison’s myth especially his “self-made shamanism”. Jim Morrison created a “personal shamanism” that basically determined his art and image. The study explores how and why Jim Morrison created his own myth and built shamanistic elements in his songs, poems, and performances. Besides, the paper touches on the connections and between Jim Morrison’s ideas and show business. Whit this in mind, the study brings up examples of the “Jim Morrison myth” after his death and tries to place this myth in the meanings of modernity’s mythology.
Źródło:: Studia Humanistyczne AGH; 2022, 21, 1; 75-87
2084-3364
Pojawia się w:: Studia Humanistyczne AGH
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 11.

Tytuł:: Irony, self-mockery, and ironic turns of events. Marian Załucki’s satirical performances
Autorzy:: Smyczek, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/650127.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Załucki Marian
satire
comedy show
censorship in the People’s Republic of Poland
Borderlands
Opis:: The article offers an analysis of the works of Marian Załucki (a Polish comedian, poet, children’s literature writer, and author of books: Przejażdżki wierszem, U szczypnij muzo, Ojczyste kpiny!, A n ie m ówiłem?, Niespokojna czaszka, Przepraszam żartowałem, Czy lubi pani Załuckiego?), and constitutes an attempt at presenting the specificity of the comedy scene in the PRL.
Źródło:: Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 45, 7
1505-9057
2353-1908
Pojawia się w:: Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 12.

Tytuł:: Localised dystopia in Croatian and Serbian cinema
Autorzy:: Gilić, Nikica
Powiązania:: https://bibliotekanauki.pl/articles/923160.pdf
Data publikacji:: 2018-12-22
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: The Show Must Go On
Unknown Energies
Unidentified Feelings
dystopian cinema
post-yugoslav cinema
Opis:: Genre production is often easily localised in various cultures, but localisations of science fiction seem particularly interesting, due to the technological sources of the genre imagery and typical narrative structures. Localisation to a less technologically-oriented society, such as post-yugoslav Croatia and Serbia, are a very good example, since in such films as The Show Must Go On (by Nevio Marasović) and Technotise – Edit & I (by Aleksa Gajić and Nebojša Andrić) allegorical science fiction deals directly with local problems and narrations, such as Croatia’s obsession with modernisation and Western-European identity (in Marasović’s film) and Serbia’s traumatic relation with Slobodan Milošević’s regime and national pride (in Gajić’s and Andrić’s animated feature film). The experimental concept of Unknown Energies, Unidentified Feelings (by Dalibor Barić and Tomislav Babić) provides another model of dealing with genre structures in a local context, since it directly develops the early-1970s model of connecting experimental cinema with the technological obsessions of the era (important for entire Yugoslavia through the GEFF festival) into a contemporary experimental animated dystopia.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 23, 32
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 13.

Tytuł:: Cold And Distant Or Hearty And Human? The Visual Portrayal Of Vladimir Putin On Russian Television
Autorzy:: Kaltseis, Magdalena
Powiązania:: https://bibliotekanauki.pl/articles/526539.pdf
Data publikacji:: 2019
Wydawca:: Univerzita sv. Cyrila a Metoda. Fakulta masmediálnej komunikácie
Tematy:: Visual communication
Vladimir Putin
Russian television
Talk show
Mass media
Visual images
Visual representations
Russian president
Opis:: Sharply dressed, smooth, and sporty—these are probably among the first attributes associated with the Russian president Vladimir Putin. This image is promoted by television which still remains a powerful medium in Russia. While the annexation of Crimea by the Russian Federation in March 2014 initially led to an increase in the popularity of Putin, his approval rating has significantly fallen since the signing of pension reforms in autumn 2018. This could explain why in September 2018 a new talk show called Moskva. Kreml’.Putin, which offers a synopsis of Putin’s working week, began its broadcast. By analyzing the „new“ image of Putin portrayed in this show and comparing it with his visual presentation in the news program Vremia and the annual talk Priamaia Linia s Vladimirom Putinym, the following paper examines the visual portrayal of Putin transmitted on television. By focusing on the visual, the analysis reveals that the president’s image, and the attributes assigned to him, are established and communicated mostly via the content and arrangement of (moving) pictures. Thus, the study suggests that visual communication on television significantly shapes and influences the perception of the Russian president. This work therefore contributes to a better understanding of television in general and of mass media communication in Russia in particular.
Źródło:: Media Literacy and Academic Research; 2019, 2, 2; 6-33
2585-8726
2585-9188
Pojawia się w:: Media Literacy and Academic Research
Dostawca treści:: Biblioteka Nauki