Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "religious poetry" wg kryterium: Temat


Wyświetlanie 1-13 z 13
Tytuł:
Religious and Sacred Poetry
Autorzy:
Żurakowski, Bogusław
Powiązania:
https://bibliotekanauki.pl/articles/440903.pdf
Data publikacji:
2013
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
poetry
religious poetry
sacred poetry
Religious and sacred poetry
Opis:
Religious poetry (and sacred poetry) is written nowadays as often as in the past, but it frequently appears in new contexts. Metaphysical references may be found in various historical, aesthetic and educational settings. Max Sheller argues that “an act of religious cognition is more similar to artistic experience of the world than to the cognition typical for science and metaphysics” . How close, then, poetry and religion are in this respect! The journal Religious and Sacred Poetry (Poezja Religijna i Sakralna) offers the possibility of exploring the common ground of religion and poetry. We are very happy to present the first issue of the journal to our readers.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2013, 1(1); 14
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bezoar z łez ludzkich czasu powietrza morowego by Walenty Bartoszewski as an Example of “A Prescription for the Soul and the Body” at the Time of the Plague
Autorzy:
Kardasz, Monika
Powiązania:
https://bibliotekanauki.pl/articles/2030569.pdf
Data publikacji:
2021-02-21
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
lyric song
religious poetry
Jesuit poetry
bezoar
plague
Opis:
The article is an attempt to interpret a hardly known collection of poems by Walenty Bartoszewski, a Jesuit in Vilnius, published in reaction to the outbreakof the plague in Vilnius in the years 1629–1632, which constitutes the testimony of increased religiousness in the face of an epidemic. In the article, the author of the collection is presented, as well as his poetic oeuvre. Also, a brief description of the social background of those events is given. Then, other texts from the 16th–18th centuries, concerned with the topic of the epidemic are characterized. They include sermons, secular works, religious songs and prayers. The main part of the article is devoted to the interpretation of the collection by Bartoszewski in the context of the most important aspects of the volume Bezoar z łez ludzkich czasu powietrza morowego [Bezoar of Human Tears Shed at the Time of the Plague], which include: the manifestation of religiousness at the beginning of the 18th century, the realities of the epidemic depicted in lyrics, the vision of God and Christ, ways of protecting the faithful against the plague, and the intercession of the Mother of God.
Źródło:
Tematy i Konteksty; 2020, 1; 121-149
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Elizabeth Jennings and Poetry Reaching Out Towards Transcendence
Autorzy:
Walczuk, Anna
Powiązania:
https://bibliotekanauki.pl/articles/888870.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Elizabeth Jennings
religious poetry
metaphysics
transcendence
Opis:
The article discusses how Elizabeth Jennings, having distanced herself from “The Movement,” engages her work in a dialogue with philosophy and theology, especially with regard to metaphysics and transcendence. The main focus is on the analysis of her poetic idiom based on oxymoron and silence. Jennings’ poetry is informed on the one hand by her Catholic Christianity, reflected not only in the poems’ subject matter but primarily in a religious sense pervading all her poetry. On the other hand it is empowered by Jennings’ belief in the capacity of the imaginative use of words to enter into the metaphysical realm and embody the ineffable. Jennings links human words of poetry with the Word of the divine, and in consequence bestows a sacramental value upon poetry in which she sees a human transcription of the perennial Logos shaping and illuminating the world.
Źródło:
Anglica. An International Journal of English Studies; 2015, 24/1; 59-72
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Biblical Quotations in Latvian Cemetery Epitaphs
Autorzy:
Treija, Rita
Powiązania:
https://bibliotekanauki.pl/articles/440912.pdf
Data publikacji:
2014
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
Latvian cemeteries
epitaphs
biblical quotations
religious poetry
intertextuality
Opis:
The article is part of a wider study on Latvian cemetery epitaphs which is being carried out by Rita Treija at the Institute of Literature, Folklore and Art, University of Latvia. The source of the study is a wide material of the Latvian tombstone inscriptions covering the time period from the 19th to the 21st century. The bulk of materials obtained comes from the Archives of Latvian Folklore as well as the author’s private collection. The author seeks to analyse the multilayered nature of the memorial inscriptions on gravestones both from a philologist’s and folklorist’s perspective, focusing mainly on the use of biblical quotations and allusions in the epitaph textual tradition. The textual analysis of Latvian cemetery epitaphs shows that the Bible is an important source of reference used both directly and indirectly in the composition of the memorial texts for the deceased. There are four levels that can be distinguished according to the distance from the original source: (1) direct biblical quotations (with or without references to particular verses of the Scripture); (2) liturgical prayers (excerpted from the ordinary procedure of the public worship, as well as from special funeral and memorial rituals); (3) church songs (quoted from the Roman Catholic or Evangelical Lutheran hymnals); (4) usage of biblical characters and motives in other texts (such as individual prayers, religious poetry, etc.). The presence of biblical quotations and allusions in the epitaphs provides a certain repertoire of gravestone texts. However, besides the manifestations of the religious identity, the material of the Latvian memorial inscriptions shows that there are other approaches in creating epitaph texts, such as quoting Latvian folksongs, mourning lyrics, popular songs, etc. The results of the analysis can be applied in comparative epitaph studies as a Latvian example. The issues discussed in the article may be useful in cultural and folk religion studies, too.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2014, 2(6); 187-204
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Introduction to Religious and Sacred Poetry (2)
Autorzy:
Tytko, Marek Mariusz
Powiązania:
https://bibliotekanauki.pl/articles/440892.pdf
Data publikacji:
2013
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
religious poetry
sacred poetry
literature
culture
education
scholarly periodical
religious literary culture
Slavic philology
Christian culture
Religious and Sacred Poetry
Opis:
Welcome to the internet portal of the international scholarly periodical Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education (Poezja Religijna i Sakralna: Międzynarodowy Kwartalnik Religii, Kultury i Wychowania). This is an interdisciplinary scholarly periodical (intended as a quarterly) focused on Christian religious and sacred poetry considered from various angles: theological, philosophical, literary, linguistic, cultural, pedagogical, psychological and historiographical. The multidimensional, cultural and educational focus of this periodical allows for formulating scholarly theory and reflection about biblical poetry, sacred (liturgical) poetry, and religious poetry present in the Christian tradition of many nations, from Antiquity through the Middle Ages up to modern times. Catholic (Roman Catholic, Greek Catholic and others), Orthodox and Protestant traditions in religious poetry are part of the complementary heritage of Christian poetry of European countries, with which we would like to enrich one another. Christian poetry, approached by various avenues of study, is the subject of research in many countries. All these approaches follow the principle of discovering the truth in the classical sense – the relationship between cognition and reality. Truth, goodness, beauty, and holiness in religious poetry and matters of this kind constitute the subject of our studies. The range and scope of subject matter published in our periodical include teachings in relation to man (a person as creator and a person as recipient of religious poetry) and man’s creation in the form of religious poetry. We present the results of this research on the phenomenon of religious and sacred poetry to the representatives of many scholarly disciplines. In particular, with regard to religious and sacred poetry we are interested in the following subjects, arranged by the following disciplines and sub disciplines: 1) Theology, particularly biblical theology (in reference to Psalms, hymns, Lamentations, and poetic aspects in the Bible) and liturgy (liturgical theology, theology of worship), 2) Philosophy, primarily the philosophy of the beauty of religious poetry, esthetics of literature, axiology of literature, philosophy of poetry, as well as the philosophy of culture, philosophy of pedagogy and theory of communication, 3) Literary science, in particular the history and theory of literature and comparative literary sciences of all European literature (religious and sacred poetry in Europe, particularly Central Europe) 4) Linguistics, especially of the Slavic nations (the language of religious and sacred poetry), 5) Slavic philology, mostly in reference to the Christian poetry of Slavic countries, including: 6) Polish philology (Polish religious and sacred poetry, also in the regional dialects), 7) Bohemian philology (Czech and Moravian religious and sacred poetry), 8) Slovakian philology (Slovakian religious and sacred poetry), 9) Ukrainian philology (Russian, Rusian and Ukrainian religious and sacred poetry), 10) Bielorussian philology (Bielorussian religious and sacred poetry), 11) Other Slavic philologies (religious and sacred poetry of other Slavic nations), 12) Cultural sciences (religious literary and artistic culture), 13) Pedagogy, especially pedagogy of culture, including pedagogy of art and literature, pedagogy of artistic culture, religious culture, education of religious poetry, the poetry of Christian education, fine literature in religious education, and didactic poetry, 14) Psychology, including the psychology of creativity, psychology of religion, psychology of religious artistic and literary creativity, 15) Historiography of culture, particularly the historiography of religious literature (history of Christian poetry, history of literary culture in connection with religious poetry, and history of Christian religious poets). We will focus on both the subject (a piece of religious poetry) and on the object (a religious poet or artist producing religious works), and see these activities and products of the religious poet or artist as a broad matter of research, open for description, analysis, and examination of its various aspects. As the subject of studies we also include the recipient or receiver of these religious works: the reader of the Bible (e.g. Psalms, hymns, Lamentations and poetic fragments of the Holy Scrip-ture), who is the receiver of the message contained in religious poetry (in accordance with the principles of communication theory). We also focus our attention on the learning process through religious poetry and education through Christian literature and biblical pedagogy. The high professional standards of this periodical will be established by the presence of eminent specialists and scholars on our international scholarly board who represent university centers from many countries in Europe and America. Our aim is to meet the high standards of national and international scores for published scholarly papers. We offer our academic and scholarly peer reviewed periodical to the scholars of various humanistic branches from all countries. We invite authors to publish original papers that include the results of their own research. We also invite authors to publish reviews of scholarly books devoted to Christian religious poetry, Christian literary culture, education through poetry and other religious, cultural and educational matters of this kind. The periodical is open to scholars, academics and experienced pedagogues, clergy and laypeople who are acquainted with the Christian culture, and have deep conceptual interests and a creative mentality. The language of preference for the majority of scholarly papers published by “Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education” is English as it is an international language, but we will also publish selected texts in the following Slavic languages: Polish, Czech, Russian and Slovakian. We would like to bridge the East with the West to reach a wide and diversified range of international recipients. We encourage you to publish in the next volume of our periodical and wait for your papers as we are currently accepting new submissions for our periodical: http://www.religious-and-sacred-poetry.info Dear Readers, welcome to the complete resource for the current and most recent volume of our periodical. Each volume of the “Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education” contains two basic parts: 1) Dissertations, Papers, Studies and Research Reports, which comprises the primary content of our periodical; 2) Reviews and Resources, comprised of book reviews and other materials (e.g. sources, bibliography). “Religious and Sacred Poetry” is a periodical with free access to its contents, which results from the rule Open Access (unlimited access to complete versions of the published papers). This makes it easier for authors to share their scholarly results with academic centers all over the world. Our authors appreciate this principle and willingly publish with us. We invite you to cooperate with us. Materials which satisfy the scholarly criteria but received after the closing of the current volume are published in the next volume. Authors and scholars may send their papers to be published at any time. Papers sent to the editor undergo a process of academic review and when published they are protected by authorship law. The periodical “Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education” (“Poezja Religijna i Sakralna: Międzynarodowy Kwartalnik Religii, Kultury i Wychowania”) is a new periodical founded in 2012, well rooted in Latin-Greek civilization and Christian tradition, owing to its scope and the choice of its members a consciousness of the Christian foundation of the European cultures. The aim of the periodical is to spread and raise awareness to the results of scholarly research, led in various university centers (primarily European), upon Christian religious poetry in the religious (theological), cultural, pedagogical, literary, artistic, linguistic, psychological and philosophical (anthropological, ethical, and esthetic) contexts. The international character of the periodical “Religious and Sacred Poetry. Religion, Culture and Education” is guaranteed not only by the international scholarly board, but also by the authors, who represent many nations and impart genuine and important scholarly insights through their precious texts. Our periodical is open for cooperation and collaboration with many universities. We care about the high level of competence and form of our periodical content, pay precise attention to the observance of scholarly procedures, and promote an interdisciplinary approach to the subjects considered. We also make attempts to diversify the contents of the periodical despite an apparently narrow specialization of subject. This is according to the spirit of international openness, and at the same time with respect to the idea of a Europe of sovereign countries, the Europe of complementary, unrepeated national cultures, the Europe of Latin and Greek civilizations, the Europe of Christian roots, from which we rise as national and cultural communities thanks to the Gospel transmitted for two thousand years, and thanks to the Tradition and rich heritage of the Church breathing with two lungs: eastern and western. Our periodical in general is a permanent, international and interdisciplinary communal, a social European and independent research project devoted to religious and sacred poetry. The values presented in „Religious and Sacred Poetry” express the realized mission of the authors and editors. The mission of our common international enterprise, elaborated by many scholars and academic centers, is giving its readers a periodical which will introduce scholarly discoveries concerning Christian religious and sacred poetry into European and world circulation. There hasn’t existed a scholarly periodical of this nature and scope so far (at least there are no such periodicals existing in the international European syllabuses). The editorial team together with the authors will address this shortcoming by filling this research niche in the humanistic sciences. The periodical appears primarily in electronic form, available on the internet (open access), and is also available secondarily in paper form. We aim at achieving a high ranking for this periodical not only within the Polish evaluation system of the Ministry of Science and Higher Education, but also at reaching a position on the list of the Euro-pean Reference Index for Humanities (ERIH). The initiative for creating a scholarly periodical which would combine the studies of literature, culture, theology and pedagogy as well as the other related humanistic branches, began in 2010 by the founder of the periodical Dr Mark Mariusz Tytko, a pedagogue and a historian of art from Jagiellonian University. The idea had the support of a retired professor of the University, Bogusław Żurakowski, a pedagogue and specialist of literature and cultural sciences, who has become the head of the international scholarly board. The periodical “Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education” first came into existence on May 3rd 2012 in Cracow. On the first edito-rial board, apart from these two scholars just mentioned, there are the following members: from Poland prof. UKSW Dr hab. Wojciech Feliks Kudyba (literature studies), prof. UJ Dr hab. Maciej Jan Urbanowski (literature studies), prof. KUL Dr hab. Piotr Juliusz Jaroszyński (philosophy of culture, a representative of the Lublin Philosophical School), prof. UMCS Dr hab. Anna Marta Żukowska (a pedagogue and a specialist in the history of artistic education), prof. UŚ Dr hab. Urszula Jolanta Szuścik (a psychologist of creativity), sr prof. UPJPII Dr hab. Adelajda Sielepin CHR (liturgical theology), rev. p. Dr hab. Roman Bogacz (biblical theology), prof. AGH Dr hab. Adam Michał Nodzeński (statistics), Dr Barbara Krystyna Niemiec (linguistics and pedagogy), from the Czech Republic doc. Dr hab. Libor Martinek (a translator, literary studies), from Slovakia doc. Dr Marián Andričík (a translator, literary studies), Dr Ivica Hajdučeková (literary studies), from Ukraine prof. Dr hab. Svitlana Ivanivna Krawchenko (literary studies), from Belorussia doc. Dr Eugeniusz Arkadejowicz Pańków (literary studies) and doc. Dr Olga Eugenijewna Pańkowa (literary studies). We are open for additional scholarly cooperation on the editorial team and it may grow as needed with new specialists (the list of the editors is not closed). The founding of the periodical has been an answer by international scholars to the contemporary crisis in humanistic writing. The founding principles of the periodical say that this periodical is meant to be an international scholarly quarterly having its contents coherent with the Magisterium of the Roman-Catholic Church. From the very beginning of the periodical its focus is typically interdisciplinary, keeping balance between philology, pedagogy, psychology, cultural studies, theology and philosophy. The post of editor in chief has been filled by Dr Mark Marius Tytko in May 2012. The periodical, though it has risen from the university in Cracow, is not exclusively connected with one university but has embraced from the beginning various academic communities from many countries in Europe, and in this sense it is an international work by numerous scholars for presenting the results of research done mainly in the middle European academic centers (Middle / Central Europe) in several humanistic areas. The subject range expressed in the title indicates the profile of the periodical. Since the birth of the periodical we have established a professional internet portal in several languages: Polish, English, Russian, Bielorussian, Czech, Slovakian and Ukrainian (other languages are not excluded, we are open for cooperation in the future). The professional electronic version of the periodical is edited in a way such that the national (language specific) web pages on our internet portal refer to the same contents of the periodical, which can be found in PDF, available anywhere in the world: http://www.religious-and-sacred-poetry.info
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2013, 2(2); 13-18
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Values of Sacrum and Sanctum in the Lyrics of Polish Religious Songs after 1945
Autorzy:
Sojka, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/441042.pdf
Data publikacji:
2014
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
religious song
sacred
sacrum
sanctum
God
religion
values
religious themes
song
religious poetry
culture
Opis:
The article presents an overview and analysis of a research study of the repertoire of Polish religious songs after 1945. The article aims to present how the religious values of sacrum and sanctum are realized in them through the medium of linguistic and musical means of expression. The author also examines the categories of religious poetry as proposed by Maria Jasińska-Wojtkowska, and considers religious songs as multi-faceted acts of auto- and social communication. A phenomenological perspective adopted by the songs encourages holiness and acts of goodness through the pursuit of God – the supreme value. The article is an original text. Its goal is to demonstrate how the religious values of sacrum and sanctum are realized through the medium of linguistic and musical means of expression in Polish religious songs created after 1945. The author considers religious songs as multi-faceted acts of auto- and social communication. The methods employed by the author are analysis of song lyrics, as well as analysis of selected aspects of the musical component of the songs. The main results are as follows: the analyses reveal that the lyrics of the religious songs are imbued with the values of sacrum and sanctum, expressed through the choice of topics, the words and phrases used, and a type of poetics specific for sacrum. As a consequence, the songs provide vessels for religious values. Moreover, the structures of the songs are such that they include, as their inherent components, the author and the addressee of the values of sacrum and sanctum. The results of the analyses may be employed further as a basis for continued research, in particular in the following areas: reception of religious songs; practical applications of the reception of religious songs, both in pedagogical work and in the context of child education and socialization, especially in terms of religious upbringing and education. The songs encourage holiness and acts of goodness through the pursuit of God, the supreme value. The article also explores the social impact religious songs have on an individual’s attitude to the world and interaction with the religious community. The article’s original contribution consists mainly in the research perspective it applies to the analyses of the research material, i.e. the author’s hermeneutic and phenomenological approach. Moreover, the article’s strong point lies in its comprehensive treatment of songs as both literary and musical works.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2014, 1(5); 213-228
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
APPROACHES TO RELIGIOUS POETRY IN POLISH AND ANGLOPHONE SCHOLARSHIP. A COMPARATIVE OVERVIEW
Polskie i anglojęzyczne badania nad poezją religijną. Przegląd porównawczy
Autorzy:
Matyjaszczyk, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1036031.pdf
Data publikacji:
2020-11-26
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
religious literature; religious poetry; literary criticism; the sacred in literature
literatura religijna; poezja religijna; teoria literatury; sacrum w literaturze
Opis:
The article compares Polish and Anglophone literary-theoretical approaches to religious poetry. It demonstrates that some common tendencies to be found in Polish studies and in English scholarship include drawing on a single religious tradition (Christian, official), focusing on the author and their religious experience, and narrow and/or prescriptive approaches that are sometimes more theological than literary-theoretical in nature. The survey suggests that the most prominent difference is that Polish criticism has produced a long-standing tradition of literary-theoretical studies that develop on or polemicize with each other in an attempt to describe and systematize the field of the intersections of poetry and religion and propose literary methodologies for studying religious poetry, while Anglophone studies do not enter into this kind of dialogue. The Polish studies, if popularized, could help reduce the theoretical and methodological deficit in Anglophone scholarship on the subject.
Źródło:
Prace Polonistyczne; 2020, 75; 43-64
0079-4791
Pojawia się w:
Prace Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rev.:] Maria Mili Purymska, Na skrzydłach wiatru, Zagnańsk : Świętokrzyskie Towarzystwo Regionalne ; Chicago : [s.n.] 2012, 103, VIII p. [Maria Mili Purymska, On the wings of the wind, Zagnańsk: the Świętokrzyskie Regional Association; Chicago : [s.n.] 2012, 103, VIII p.
Autorzy:
Szymczyk, Alina
Powiązania:
https://bibliotekanauki.pl/articles/951896.pdf
Data publikacji:
2013
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
Purymska Maria Mili (1946 -)
Polish poetry in the United States
poetry of emigration
religious lyric poetry
patriotic lyric poetry
personal lyric poetry
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2013, 1(1); 145-148
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jezus i Samarytanka. Spotkanie człowieka z Chrystusem w ujęciu Pieśni o blasku Wody, Karola Wojtyły
Jesus and the Samaritan Woman: Meeting with Christ in Karol Wojtyła’s Song of the Brightness of Water
Autorzy:
Bogacz, Roman
Ligas, Maria Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/951875.pdf
Data publikacji:
2014
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
Jesus Christ
Samaritan Woman
meeting with Christ
Karol Wojtyła (1920-2005)
Song of the Brightness of Water
Polish poetry
religious poetry
Jezus Chrystus
Samarytanka
spotkanie z Chrystusem
Pieśń o blasku wody
poezja polska
poezja religijna
Opis:
In the summary of the reflection on Christ’s dialogue with the Samaritan woman, we should say that the preoccupation with the meeting - awakening explains the absence of philosophical, historical and national topics in the early poetry of K. Wojtyła. It also allows for the conclusion that the probable source of the metaphorical description are the author's own experiences. Individual, unique, and religious experience was the imperative that forced him to write a lyrical diary. It also gave the poems significant testimony of a different reality. The meeting of Christ with the Samaritan woman has an individual dimension. It is connected with the transformation of the life of a human, who turning to the inner self, discovers the richness of the spiritual life. Contact with Jesus, as K. Wojtyła describes in his works, is shaped by the mysteries: the Incarnation, the Cross and the Resurrection, which leads the believer to eternal life. Three Christian virtues play an important role in the dialogue of Jesus with man: faith, hope, and love that shape human behavior. They define a person’s response to the proposal of meeting with God, and actually to the opportunity of seeing Him “face to face” for all eternity.
Podsumowując rozważania na temat dialogu Samarytanki z Chrystusem należy powiedzieć, że zaabsorbowanie spotkaniem – przebudzeniem wyjaśnia fakt nieobecności we wczesnej poezji K. Wojtyły wątków filozoficznych, historycznych i narodowych. Pozwala również na stwierdzenie, że prawdopodobnym źródłem metaforycznego opisu są własne przeżycia Autora. Indywidualne, niezwykłe, religijne doświadczenie było imperatywem, które nie pozwalało milczeć stało się bodźcem do pisania lirycznego pamiętnika. Ono nadało również tym wierszom rangę świadectwa, za którym stoi inna rzeczywistość. Spotkanie Chrystusa z Samarytanką ma wymiar indywidualny, jednostkowy. Wiąże się ono z przemianą życia człowieka, który zwracając się w stronę własnego wnętrza, odkrywa bogactwo życia duchowego. Kontakt z Jezusem, jaki opisuje w swych utworach K. Wojtyła, kształtowany jest przez tajemnice: Wcielenia, krzyża i Zmartwychwstania, jakie prowadzą wierzącego ku życiu wiecznemu. Istotną rolę w dialogu Jezusa z człowiekiem pełnią trzy cnoty chrześcijańskie: wiara, nadzieja i miłość, jakie kształtują ludzkie postępowanie. To one wyznaczają odpowiedź osoby na propozycję spotkania z Bogiem, a właściwie na możliwość oglądania Go „twarzą w twarz” przez całą wieczność.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2014, 4(8); 51-71
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jesus and the Samaritan Woman: Meeting with Christ in Karol Wojtyła’s Song of the Brightness of Water
Jezus i Samarytanka. Spotkanie człowieka z Chrystusem w ujęciu Pieśni o blasku Wody, Karola Wojtyły
Autorzy:
Bogacz, Roman
Ligas, Maria Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/951876.pdf
Data publikacji:
2014
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
Jesus Christ
Samaritan Woman
meeting with Christ
Karol Wojtyła (1920-2005)
Song of the Brightness of Water Polish poetry
religious poetry
Jezus Chrystus
Samarytanka
spotkanie z Chrystusem
Pieśń o blasku wody
poezja polska
poezja religijna
Opis:
In the summary of the reflection on Christ’s dialogue with the Samaritan woman, we should say that the preoccupation with the meeting - awakening explains the absence of philosophical, historical and national topics in the early poetry of K. Wojtyła. It also allows for the conclusion that the probable source of the metaphorical description are the author's own experiences. Individual, unique, and religious experience was the imperative that forced him to write a lyrical diary. It also gave the poems significant testimony of a different reality. The meeting of Christ with the Samaritan woman has an individual dimension. It is connected with the transformation of the life of a human, who turning to the inner self, discovers the richness of the spiritual life. Contact with Jesus, as K. Wojtyła describes in his works, is shaped by the mysteries: the Incarnation, the Cross and the Resurrection, which leads the believer to eternal life. Three Christian virtues play an important role in the dialogue of Jesus with man: faith, hope, and love that shape human behavior. They define a person’s response to the proposal of meeting with God, and actually to the opportunity of seeing Him “face to face” for all eternity.
Podsumowując rozważania na temat dialogu Samarytanki z Chrystusem należy powiedzieć, że zaabsorbowanie spotkaniem – przebudzeniem wyjaśnia fakt nieobecności we wczesnej poezji K. Wojtyły wątków filozoficznych, historycznych i narodowych. Pozwala również na stwierdzenie, że prawdopodobnym źródłem metaforycznego opisu są własne przeżycia Autora. Indywidualne, niezwykłe, religijne doświadczenie było imperatywem, które nie pozwalało milczeć stało się bodźcem do pisania lirycznego pamiętnika. Ono nadało również tym wierszom rangę świadectwa, za którym stoi inna rzeczywistość. Spotkanie Chrystusa z Samarytanką ma wymiar indywidualny, jednostkowy. Wiąże się ono z przemianą życia człowieka, który zwracając się w stronę własnego wnętrza, odkrywa bogactwo życia duchowego. Kontakt z Jezusem, jaki opisuje w swych utworach K. Wojtyła, kształtowany jest przez tajemnice: Wcielenia, krzyża i Zmartwychwstania, jakie prowadzą wierzącego ku życiu wiecznemu. Istotną rolę w dialogu Jezusa z człowiekiem pełnią trzy cnoty chrześcijańskie: wiara, nadzieja i miłość, jakie kształtują ludzkie postępowanie. To one wyznaczają odpowiedź osoby na propozycję spotkania z Bogiem, a właściwie na możliwość oglądania Go „twarzą w twarz” przez całą wieczność.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2014, 4(8); 27-50
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Sacred and the Poetic: The Use of Religious Terminology in Ovid’s Words
Sacrum słowem sławione – terminologia religijna w twórczości Owidiusza
Autorzy:
Kaczor, Idaliana
Powiązania:
https://bibliotekanauki.pl/articles/1045765.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ovid
Latin poetry
Roman religion
Roman divination
Roman religious festivities
Opis:
The article investigates Ovid’s use of religious terminology and imagery, in particular in the Fasti and the Metamorphoses. As an educated Roman citizen, Ovid was conversant with Roman ritual practices and frequently drew on facets of the Roman religious experience in his writing, exploring topics such as ritual performance, religious nomenclature, festivals, customs and traditions. In the article, I argue that Ovid’s treatment of religious material is deliberately uneven. The poet, well-versed in the Roman ritual nomenclature, nevertheless flaunted his technical competence only in the rite-oriented Fasti: in his other works, above all in the myth-laden Metamorphoses, he abandoned drier technical details for artistic flair and poetic imagery, unconstrained by traditional practices of Roman piety. The mythological setting of the latter poem gave Ovid a chance to comment upon universal truths of human nature, espousing the prevailing Roman belief that maintaining good relations with the gods (pax deorum) through collective piety would win Rome divine favour in all her initiatives.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 17-35
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pius Vates
Autorzy:
Borkowski, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/2030565.pdf
Data publikacji:
2021-02-21
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
pious poetry
liturgical function of the text
religious literary themes
poet as a prophet
Opis:
The question dealt with in the paper is as follows: to what extent might the notion of “religious literature” be functional if applied both to the early modernliterature and the contemporary literary culture? Does it mean “sacred literature,” simply opposed to the “secular” one, whatever it might mean? The author’s suggestion is to use the notion of “religious literature” more consistently, depending strictly on the liturgical functions of the text (e.g. of prayers, hymns or homilies), while the term “sacred literature” should be used only with reference to the so-called “Sacred Books,” i.e. the Revelation recognized in a given religious system. The sense of the terms “pious literature” or “pious poet,” however, should be much broader, going beyond the limitations of religious functions of the text and reflecting a quasi-prophetic intellectual and moral status of the writer.
Źródło:
Tematy i Konteksty; 2020, 1; 63-73
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Idea of God and Religion in the Poetry of Anna Frajlich
Autorzy:
Wróbel-Best, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/440936.pdf
Data publikacji:
2013
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
Literary criticism
thematic critique
Polish-American poetry
Polish-Jewish diaspora in America
religious motifs in literature Frajlich-Zając Anna (1942-)
religion, philosophy and literature
sacrum in literature
Jewish poetry of the 20th century “homo viator” as a literary symbol
hermeneutics
Krytyka literacka
krytyka tematyczna
literatura polska na emigracji polska diaspora żydowska w Ameryce
motywy religijne w literaturze Frajlich-Zając Anna (1942-)
religia
filozofia i literatura
sacrum w literaturze
żydowska poezja XX wieku
“homo viator” jako symbol w.
literaturze
hermeneutyka literacka
Opis:
The presented article is a conceptual work. It examines the poetry of Anna Frajlich-Zając (born in 1942-). The article aims at presenting Frajlich’s poetry using a very unique perspective of God and religion, which was never applied to her poetry in the past. It is also an attempt to comprehensively envision this poetry as the “palimpsest of meanings” that leads to polyphony of aesthetic values. The research method applied to the article is based on thematic critique. We also use the principles of the “hermeneutic circle” by Wilhelm Dilthey (1833-1911) to conduct the analysis. The “hermeneutic circle” stresses synergistic effects between the “whole” and “parts” of poetic writings. Finally, we underline Frajlich’s symbolic imagination as part of our methodology. The article shows an evolving structure of the idea of God and religion in the poetry of Anna Frajlich. It introduces the concept of “homo viator,” “religious syncretism,” and “closed”/“open” religion. It provides the unique interpretation of Frajlich’s poetry. The intellectual conclusions of the article are not limited to academia and journalism. They are useful to investigate popular culture and links that exist among religion, literature as well as philosophy. The results of this analysis can lead to new solutions in the humanities (literature, art, and philosophy). Also, they provide grounds for further research. The article is socially applicable in academia. It could be interesting for students as well as educators/academic instructors. The article provides a new and creative analysis of literary writings by Frajlich.
Artykuł jest rodzajem tekstu konceptualnego. Analizuje on poezję Anny Frajlich, posługując się ideą Boga i religii, co prowadzi w rezultacie do oryginalnych rozwiązań. Jest on próbą całościowego opisania tej poezji (definiowanej, jako „palimpsest znaczeń”), która odsłania polifonię jakości estetycznych. Metodologia artykułu opiera się głównie na krytyce tematycznej oraz założeniach hermeneutyki Wilhelma Diltheya (1833-1911). Koło hermeneutyczne jest postrzegane w tej analizie jako zależność interpretacyjna pomiędzy „częścią” i „całością” dzieła. Wychodzimy z założenia, że jednostkowa oraz izolowana „część” poszczególnych utworów wiedzie nieuchronnie w stronę ukrytej, semantycznej „całości” w poezji Anny Frajlich. Artykuł odsłania rozwijającą się strukturę tej poezji i wprowadza różnorodne pojęcia („homo viator”, „synkretyzm religijny”, „zamknięta / otwarta religia” i inne), aby ją całościowo opisać. Analiza taka odsłania głębokie i unikalne warstwy wyobraźni poetyckiej Anny Frajlich. Wnioski i rozwiązania intelektualne, proponowane w artykule, mogą być przydatne nie tylko w badaniach naukowych, kręgach uniwersyteckich lub dziennikarskich. Są one również pomocne w definiowaniu współczesnych założeń kultury popularnej i socjologii kultury oraz relacji istniejących pomiędzy religią, literaturą i filozofią. Mogą one, ponadto, prowadzić do nowych odkryć w dziedzinie nauk humanistycznych, bo badanie linii rozwojowej (znaczenie Boga i religii) w poezji Anny Frajlich jest nowe, twórcze oraz oparte na utworach, wydanych zarówno w języku polskim jak i angielskim.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2013, 4(4); 187-208
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-13 z 13

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies