Temat: cognitive poetics - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Artistic Conceptualization of Native Land in William Wordsworth’s Poetry
Autorzy:: Romanyshyn, Nataliia
Powiązania:: https://bibliotekanauki.pl/articles/2014877.pdf
Data publikacji:: 2021
Wydawca:: Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:: English Romanticism
William Wordsworth
artistic concept
cognitive poetics
cognitive stylistics
national identity
Opis:: The paper focuses on revealing linguistic and cognitive mechanisms that underlie the formation and functioning of verbal images of native land in William Wordsworth’s poetic system. The artistic concept of Motherland is subjected to linguistic-poetic interpretation. The national specificity of Wordsworth’s poetics reveals itself in the dominance of ethnographic details and naturalness of description, foregrounding the idea of inseparability of individual personal fate and the processes of ethnic environment transformation. Everyday themes and dramatic effect of personal and intimate events in the life of a poetic persona are ascribed symbolic senses and reflect the universal and national destiny of England at the turn of the century.
Źródło:: Academic Journal of Modern Philology; 2021, 12; 137-146
2299-7164
2353-3218
Pojawia się w:: Academic Journal of Modern Philology
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Fear in Gothic Fiction: A Cognitive Poetic Analysis of Angela Carter’s The Bloody Chamber
Autorzy:: Kędra-Kardela, Anna
Powiązania:: https://bibliotekanauki.pl/articles/579174.pdf
Data publikacji:: 2016
Wydawca:: Łódzkie Towarzystwo Naukowe
Tematy:: gothic fiction
cognitive poetics
Deictic Shift Theory
Angela Carter
The Bloody Chamber
Opis:: Based on the Deictic Shift Theory as adopted by cognitive poetics (Stockwell 2002), this paper offers an account of fear generating mechanisms involving spatial, temporal, perceptual, relational and compositional deictic shifts in Angela Carter’s The Bloody Chamber. Focusing on the ways the reader gets involved in the terrifying story of Carter’s protagonist, the paper uncovers the complex mechanism of the “production of horror” in the text.
Źródło:: Zagadnienia Rodzajów Literackich; 2016, 59/117 z.1; 13-23
0084-4446
Pojawia się w:: Zagadnienia Rodzajów Literackich
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 3.

Tytuł:: Deixis in Charles Williams’s Et in Sempiternum Pereant
Autorzy:: Kowalczyk, Andrzej
Powiązania:: https://bibliotekanauki.pl/articles/579288.pdf
Data publikacji:: 2016
Wydawca:: Łódzkie Towarzystwo Naukowe
Tematy:: the supernatural in fiction
cognitive poetics
Deictic Shift Theory
Charles Williams
Et in Sempiternum Pereant
Opis:: This paper applies the Deictic Shift Theory (DST) – as developed within the paradigm of cognitive poetics – to the analysis of Charles Williams’s short story, Et in Sempiternum Pereant. It is argued that by employing DST it is possible to account for the reader’s interpretations, which result from her/his “getting immersed” in and “moving” mentally through the story world, regardless of its “metaphysical” quality.
Źródło:: Zagadnienia Rodzajów Literackich; 2016, 59/117 z.1; 25-36
0084-4446
Pojawia się w:: Zagadnienia Rodzajów Literackich
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 4.

Tytuł:: A Cognitive Poetic Approach to Paratext: Horace Walpole’s Prefaces to The Castle of Otranto. A Gothic Story
Autorzy:: Kędra-Kardela, Anna
Powiązania:: https://bibliotekanauki.pl/articles/579010.pdf
Data publikacji:: 2018
Wydawca:: Łódzkie Towarzystwo Naukowe
Tematy:: cognitive poetics
paratext
Ronald W. Langacker
ntersubjectification
Current Discourse Space
Horace Walpole
The Castle of Otranto
Opis:: Based on an analysis of two Prefaces to Horace Walpole’s The Castle of Otranto. A Gothic Story, the paper offers a cognitive poetics view of paratext, a literary device defined by Genette as “a threshold of interpretation”. Viewed as a symptom of the author’s presence “with-in” and “with-out” text, paratextual information is held to play an important role in text interpretation. It is claimed that a literary work’s interpretation is a result of the speaker/author – hearer/reader meaning negotiation which takes place in the Current Discourse Space (Langacker 2008) and involves intersubjectification, a cognitive process referred to by Langacker as “apprehension of other minds” (Langacker 2007).
Źródło:: Zagadnienia Rodzajów Literackich; 2018, 61, 4(128); 55-70
0084-4446
Pojawia się w:: Zagadnienia Rodzajów Literackich
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 5.

Tytuł:: Embodied Criticism. Theoretical Foundations of Cognitive Poetics
Autorzy:: Żukowska, Kamila
Powiązania:: https://bibliotekanauki.pl/articles/2010393.pdf
Data publikacji:: 2016-06-30
Wydawca:: Wydawnictwo Adam Marszałek
Tematy:: literary theory
cognitive science
poetics
metaphor
Opis:: The aim of the paper is to discuss the cognitive approach to metaphor launched by Lakoff and Johnson, which turns out to be also the key question to the problem of intersubjective communicability of literary work. Based on this approach, the literature can simply be considered a kind of language using spatial metaphors with additional emotional content.
Źródło:: Kultura i Edukacja; 2016, 2(112); 102-111
1230-266X
Pojawia się w:: Kultura i Edukacja
Dostawca treści:: Biblioteka Nauki

Artykuł

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