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Wyświetlanie 1-3 z 3
Tytuł:
It is Only a Matter of Style: Hollywood and the Myth of American Cultural Influence in Poland
Autorzy:
Lewandowski, T.
Powiązania:
https://bibliotekanauki.pl/articles/1009022.pdf
Data publikacji:
2006
Wydawca:
Uniwersytet Opolski
Tematy:
AMERICANIZATION
CULTURE
HOLLYWOOD
STYLE
Opis:
The paper deals with the perceived hegemony of American mass culture in Poland and its effects on young people. It is argued that the supposed 'Americanization' of Poland through Hollywood films does not constitute any serious threat to Polish national identity, and in fact has little to do with any genuine American cultural influence. Rather, it amounts to the passing adoption of American styles. Explaining that Hollywood is an internationally owned and operated force that works more to appeal to the tastes of the worldwide audience than America's, it is concluded that the globalization of American cinema is more a threat to the U.S.A. national identity than that of other countries. Additionally, the fact that many Americans such as right-wing politicians and conservative Southerners and Midwesterners have viewed Hollywood antagonistically from its inception, indicates the degree to which it should not be considered as representative of American culture or the nation as a whole. Likewise, the content of Hollywood's films has almost nothing to do with the reality of the country it happens to rest in. To illustrate the point that Poland does not suffer from Americanization, American and Polish national characteristics are detailed to demonstrate the vast differences between the world views and cultures of these two nations and peoples. Ultimately, it is suggested that there has been no significant internal cultural impact on Polish youth due to contact with American entertainment, other than on the surface in the form of fashion and appearance. Also, they are becoming more and more derisive of American mass culture as time passes. Therefore, core Polish attitudes have not become more American and the Polish culture, which has survived so much in the past, has very little to fear from the vapid Hollywood fantasy land a continent away.
Źródło:
Stylistyka; 2006, 15; 399-408
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“You’ll never meet someone like me again”: Patty Jenkins’s "Monster" as Rogue Cinema
Autorzy:
Wise, Michelle D.
Powiązania:
https://bibliotekanauki.pl/articles/641480.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
lesbian
homosexuality
gender
violence
Hollywood
Opis:
Film is a powerful medium that can influence audience’s perceptions, values and ideals. As filmmaking evolved into a serious art form, it became a powerful tool for telling stories that require us to re-examine our ideology. While it remains popular to adapt a literary novel or text for the screen, filmmakers have more freedom to pick and choose the stories they want to tell. This freedom allows filmmakers to explore narratives that might otherwise go unheard, which include stories that feature marginal figures, such as serial killers, as sympathetic protagonists, which is what director Patty Jenkins achieves in her 2003 film Monster. Charlize Theron’s transformation into and performance as Aileen Wuornos, and Jenkins’s presentation of the subject matter, make this film an example of rogue cinema. In addition, Aileen Wuornos is portrayed as a clear example of the rogue character. This character trope frequently defies social standards, suffers from past trauma, is psychologically complex, and is often exiled. As a prostitute and social outcast, Aileen Wuornos exists on the fringes of society and rejects the hegemonic power structure and later heteronormativity of society, which makes her a rogue figure. While there are several aspects to consider when analyzing Jenkins’s film, my intention is to argue that this film is an example of rogue cinema because of its content. In order to accomplish this task, I examine Theron’s bodily transformation and her performance as Wuornos. Furthermore, I look at how Jenkins handles the depiction of romantic love and gendered violence and argue that her treatment of this content renders this film rogue.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2019, 9; 66-80
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Hollywood is no place for idealists”: Hollywood as Dystopia in Cinema and Fiction
Autorzy:
Fisiak, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/971266.pdf
Data publikacji:
2020
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Grande Dame Guignol
Gothic fiction
Savage Intruder
Hollywood
dystopia
Opis:
The following article deals with the representation of Hollywood as a dystopian place, for women in particular, where glamour is a utopian façade for both literal and figurative corruption, where the lifespan of an actress is severely limited and the process of discarding “useless” artists is systemically implemented. My main point of reference will be Donald Wolfe’s 1970 Savage Intruder, one of the lesser known hag horrors. Moreover, I will allude to other films exploring a similar motif, not to mention Angela Carter’s 1977 novel entitled The Passion of New Eve, which also analyzes the falseness of Hollywood and its capacity for dystopia.
Źródło:
Zagadnienia Rodzajów Literackich; 2020, 63, 1; 111-120
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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