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Wyświetlanie 1-15 z 99
Tytuł:
‘Living in a house without mirrors’: Poetry’s Cachet and Student Engagement
Autorzy:
Xerri, Daniel
Powiązania:
https://bibliotekanauki.pl/articles/888905.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
poetry reading
crisis discourse
student engagement
teacher beliefs
poetry’s cachet
Opis:
This article examines the contentious proposition that poetry has for the past few decades been experiencing a crisis, especially when it comes to student engagement. By means of the results of a study conducted in an English as a second language context, it explores teachers’ and students’ beliefs, attitudes and practices in relation to poetry. This article shows that the very discourse used to talk about poetry is a direct reflection of how much cachet it is ascribed in the classroom. It questions whether this inflation of cachet is responsible for the fact that poetry is not perceived as a genre that teachers and students opt to read for personal pleasure.
Źródło:
Anglica. An International Journal of English Studies; 2016, 25/1; 271-286
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Elizabeth Jennings and Poetry Reaching Out Towards Transcendence
Autorzy:
Walczuk, Anna
Powiązania:
https://bibliotekanauki.pl/articles/888870.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Elizabeth Jennings
religious poetry
metaphysics
transcendence
Opis:
The article discusses how Elizabeth Jennings, having distanced herself from “The Movement,” engages her work in a dialogue with philosophy and theology, especially with regard to metaphysics and transcendence. The main focus is on the analysis of her poetic idiom based on oxymoron and silence. Jennings’ poetry is informed on the one hand by her Catholic Christianity, reflected not only in the poems’ subject matter but primarily in a religious sense pervading all her poetry. On the other hand it is empowered by Jennings’ belief in the capacity of the imaginative use of words to enter into the metaphysical realm and embody the ineffable. Jennings links human words of poetry with the Word of the divine, and in consequence bestows a sacramental value upon poetry in which she sees a human transcription of the perennial Logos shaping and illuminating the world.
Źródło:
Anglica. An International Journal of English Studies; 2015, 24/1; 59-72
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ted Hughes and Poetry as Spiritual Restitution
Autorzy:
Pietrzak, Wit
Powiązania:
https://bibliotekanauki.pl/articles/888634.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Ted Hughes
shamanism
the white goddess
modern poetry
spirit
Opis:
The article explores Ted Hughes’s poems and criticism with a view to demonstrating that his poetry represents a willing exposure to the greatest of traumas in order to recuperate from them a spiritual energy. It is argued here that since, according to Hughes, the modern world is a civilisation of repression, the poet’s task is to alleviate this pain at the price of his own suffering. In this sense the poet plays the function of the shaman, who knows that his power derives from the pain he undergoes on behalf of his community. Rather than spirits, however, the poet-shaman in Hughes seeks the favour of what Robert Graves called the white goddess, who can bestow her blessing on the poet or mercilessly plunge him into ruin.
Źródło:
Anglica. An International Journal of English Studies; 2015, 24/1; 119-132
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Українська поезія в Польщі у період „Хрущовської відлиги”
Autorzy:
Yaruchyk, Victor
Powiązania:
https://bibliotekanauki.pl/articles/1789974.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
literature
poetry
small homeland
problems of creativity
motivation poetry
metaphor
Opis:
The article deals with the origin, development and importance of the Ukrainian literature that has been present in Poland since 1956. It was then that Ukrainians were able not only to easily express their artistic creativity, but they could also publish their works in the newly created media. The founders of the Ukrainian poetry in Poland were Ostap Lapskyy, Eugene Samohvalenko, Jakiv Hudemchuk, Mila Luchak, Olga Petyk and others. Among the main motives of their poems were longing for their homeland, loss of their native land, love of the homeland, and a high value of their native language. Since the eighties of 20 century, there has appeared literature of the new, younger generation.
Źródło:
Studia Ucrainica Varsoviensia; 2017, 5; 173-184
2299-7237
Pojawia się w:
Studia Ucrainica Varsoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
In the Land of Ulro: Satan as a Concept of Mistaken Creativity in William Blake’s Poetry and Designs
Autorzy:
Łuczyńska-Hołdys, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/888985.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
William Blake
poetry
painting
literature
Romantic poetry
empiricism
rationalism
Satan
Opis:
Unlike other famous Romantics, William Blake does not glorify Satan as an embodiment of such concepts as liberty, independence and freethinking. In the following article an attempt will be made to see how in Blake’s poetry and painting the figure of Satan becomes associated with rationalism and the notion of misguided creativity. In this aspect Satan is consistently identified with Urizen, Blake’s personification of the fallen human reason and the creator of the material universe. This identification functions as a critique of empiricism and rationalism characteristic for the Age of Reason.
Źródło:
Anglica. An International Journal of English Studies; 2013, 22/1; 35-44
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O poezji cmentarnej (graveyard poetry) – Robert Blair i Edward Young
On graveyard poetry – Robert Blair and Edward Young
Autorzy:
Kasperski, Edward
Powiązania:
https://bibliotekanauki.pl/articles/2012211.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
literatura angielska
Robert Blair
Edward Young
poezja grobów
English literature
Graveyard School of Poetry
Opis:
The term ‘graveyard poetry’ or Graveyard School of Poetry is used in the history of literature to refer to a collection of English poems of the 18th century whose character is primarily meditative and refl exive. The graveyard poets chose intensely emotional lyric genres such as dramatised and full of strong emotions meditative monologue, elegy or last will. They allowed the authors to express deeply subjective and intimate feelings, which revealed the supressed and hidden in the social discourse unoffi cial aspect of their psyche. They led to poetry which is direct, personal, confessional, intimate and reaching out of the rigour of Neoclassical convention. The compositions refl ected on mortality and immortality, passing of time, fragility of human life, horror of death, interment, grave, ‘coffi n bed’ after death, symbolism of the dead, decomposing bodies and bleak cemetery night and silence. They were full of sorrow, lugubriousness, grievance, dispair and melancholy caused by irreparable loss of a close person who passed away. They asked dramatic questions about the sense of life and death, about the meaning of the symbolism of graves for the living and the postmortem ‘what’s next’. The graveyard poetry literary and artistically wise ennobled and canonised the motif of grave and cemetery, which changed into meaningful and symbolic scenery. The Graveyard School of Poetry might have appeared to be a reaction to modern and scientifi c conversion of the world and universe image and therefore might have seemed to be a regressive and nostalgic turn towards Middle Ages and Baroque. In fact, it was paving the way for the future as well as for the romantic, radical revaluation and changes in literature, especially through opening towards subjective, extreme emotions of an individual, striving for direct poetic form of expression and by virtue of concentrating on boundary existential refl ection. The history of literature features above others the names of two poets who were the fi rst to compose poems initiating the graveyard poetry movement as a collective historical-literary phenomenon and infl uencing the successors – a Scottish poet, Robert Blair, the author of The Grave and Edward Young, the author of The Complaint, or Night Thoughts on Life, Death, and Immortality.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2012, 2(5); 179-198
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jan Palach w czeskiej poezji
Jan Palach in Czech poetry
Autorzy:
Kulmiński, Robert
Powiązania:
https://bibliotekanauki.pl/articles/2012755.pdf
Data publikacji:
2017-06-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Jan Palach
samospalenie
bohater
poezja
self-immolation
hero
poetry
Opis:
The article tackles the analysis of lyrical pieces dedicated to Jan Palach. From the extensive material, including inter alia Kazimierz Wierzyński’s poem Na śmierć Jana Palacha w Pradze broadcasted by the radio station of Radio Free Europe, or the piece written by a popular Bulgarian poet, Valery Petrov, entitled Self-immolation, I have selected only those works which were created in Czechoslovakia right after Jan Palach had committed self-immolation. The primary reason for such a selection is that they were composed shortly after Palach’s act and were written by Czech and Slovakian poets emotionally committed to the dramatic political suicide of a young Prague student and experienced the events of January 1969 directly. As a consequence, the following works remain in my interest: Miroslav Holub’s Praha Jana Palacha and Josef Kainar’s Bolest at’ mi poví, published in a weekly magazine of the Association of Czechoslovakian Writers “Letters” on 23rd January 1969, Jan Skácel’s Hořící keř, as well as the poem by Pavol Horov Malé rekviem za Jana Palacha a iných, both published in “Letters” on 6th and 13th February accordingly, and the poem written on 30th January 1969 by Jan Zábrana entitled První (Noc v Tatrách). The aspects I am mainly interested in in the works referred to above are the manners of articulating the heroization of Jan Palach and his act. Indeed, these poems constitute a part of heroic discourse, they create heroic narration and present the self-immolated person in a blaze of glory as an indisputable hero
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2017, 7(10); 243-256
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Instances of Phonological Weight-Sensitivity in Early Middle English Poetry
Autorzy:
Kołos, Marta
Powiązania:
https://bibliotekanauki.pl/articles/888796.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
heavy syllables
iambic
accentuation
ictic position
poetry
weight-sensivity
Opis:
The present paper addresses the issue of heavy syllables and their special status in Early Middle English iambic poetry. The expected stress pattern for native vocabulary is essentially trochaic and left-strong, yet numerous non-root-initial heavy syllables appear to receive accent in literary works of the period. In Old English, the language relied on syllabic quantity to a great extent, both for poetic and linguistic accentuation. The question arises whether the apparent potential of heavy syllables for attracting poetic accent in Middle English might be a remnant of Old English weight sensitivity. Another issue to be addressed is the possibly different employment of heavy syllables (in ictic positions) in Early Middle English poems as opposed to later poetic works of the period.
Źródło:
Anglica. An International Journal of English Studies; 2015, 24/2; 27-40
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Worthless yet Priceless: The Truths and Economics of Poetry
Autorzy:
Baron-Milian, Marta
Bednarek, Stefan
Rabiej, Stanisław
Gorgula, Marta
Powiązania:
https://bibliotekanauki.pl/chapters/1030816.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
poetry
truth
economy of literature
Opis:
The essay tries to capture the epistemological status of poetry from the perspective of questions posed by the economy of literature. Selected theories of poetry – those of Jochen Hörisch, Viktor B. Shklovsky, Jean Baudrillard and Franco Berardi – can be regarded as a kind of “economics of poetry” due to their proposed treatment of the properties of the poetic medium from an economic perspective. In each of these theories, poetry is defined as uneconomical and useless, which, paradoxically, becomes its fundamental condition for existence as a place for breaking the linguistic circulation of signs, a point of resistance against conventionalized communication and automatization of perception, and thus a medium offering unique knowledge about reality.
Źródło:
Truth and Falsehood in Science and the Arts; 128-146
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Genius, Appropriation and Transnational Collaboration in Ezra Pound’s Cathay
Autorzy:
Vali, Abid
Powiązania:
https://bibliotekanauki.pl/articles/889010.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
American literature
modernist poetry
imagism
Ezra Pound
Cathay
Classical Chinese poetry
Opis:
When we discuss the cross-cultural relationships of Euro-American modernists we often fall between the poles of either celebrating the ‘coming together of traditions’ or suspiciously decrying the power play involved. A case in point is the divergent critical understanding most often posited of Ezra Pound’s relationship to the materials he produced from Ernest Fenollosa’s notes – notably Classical Chinese poetry in the form of Cathay (1915). The first position is Hugh Kenner’s who holds that its meaning, its primary function, was as an anti-WWI volume, rather than as any representation of Chinese poetry or an extension of Imagism (1971, 202–204). In seeming opposition to this vision of an ideal aesthetic come at by the application of genius, we have those who highlight the source material of Fenollosa’s notes to discuss various modes of Pound as translator. Interestingly, these critics, who resist the Kennerian celebration of Poundian genius and insist that Pound is engaged here in an act of translation, “essentially [...] appropriative” (Xie 232), or otherwise, also reinforce a reading whereby “the precise nature of the translator’s authorship remains unformulated, and so the notion of authorial originality continues” (Venuti 6). This is the issue I wish to address when we study the disparities between Fenollosa’s notes and the Cathay poems, i.e. Pound’s own choices with regard to those poems’ content, as a key chapter in the study of transnational collaboration.
Źródło:
Anglica. An International Journal of English Studies; 2018, 27/1; 97-110
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tefillin: Transgression of a Jewish Religious Ritual Article: Contemporary Hebrew Poetry as a Modern Midrash
Autorzy:
Shoshana, Ronen,
Powiązania:
https://bibliotekanauki.pl/articles/897197.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Yehuda Amichai
Yona Wallach
Hebrew Poetry
Tefillin
Judaism
Opis:
Artykuł przedstawia poetycką reinterpretację przedmiotu używanego w czasie żydowskich rytuałów religijnych – tefilin w poezji dwóch głównych poetów hebrajskich: Yehudy Amichaiego i Yony Wallach. Analizując wiersz Straight from Prejudice Amichaiego i Tefillin autorstwa Wallach, zauważyć można transgresję tradycyjnej religijnej funkcji tefilin. Poza religijnymi, oboje sugerują zastosowanie tego rytualnego przedmiotu w innych kontekstach, jednakże zgodnych z tradycją. Dzięki temu wiersze te można zinterpretować jako nowy midrasz w judaizmie.
Źródło:
Przegląd Humanistyczny; 2015, 59(4 (451)); 195-207
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Capturing the lexical richness of Swahili poetry
Autorzy:
Hinnebusch, Thomas J.
Pawlik, Jacek Jan
Różański, Jarosław
Powiązania:
https://bibliotekanauki.pl/chapters/31233286.pdf
Data publikacji:
2023-10-27
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Swahili language
Swahili poetry
Swahili lexis
anthology of Swahili
poetry
bibliography of Swahili poetic works
online Swahili/English prosodic
lexis
Swahili dictionary
African poetry
African language dictionaries
Opis:
This paper is essentially a report on a web-based project that began over 20 years ago to document the vocabulary used mainly in the Swahili canon of classical Swahili poetry in the form of a glossary illustrated by textual citations from the poetry. It is a digital project, and part of the results have already been published in a WordPress site supported by HumTech, a technological support unit at the University of California, Los Angeles, California (UCLA). As the project evolved, it has expanded to include pedagogical and research tools to assist researchers and learners of advanced genres of Swahili literature in learning about and studying Swahili poetry, especially the poetry written in the so-called classical period. While the main thrust is still the documentation of lexis used in poetry and the construction of a comprehensive glossary, supported by citations from Swahili prosodic literature, other elements have been added: a bibliography of prosodic-focused literature, a section with information about specific poems and their authors, and a provision that allows the uploading of video and other relevant documentation. The project can be viewed online here: http://swahilipoetry.humnet.ucla.edu/.
Źródło:
Language, Culture, Literature Intertwined. The Swahili Perspective; 79-98
9788323561996
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Translating Polish Poetry into Scots: An Ethical Question
Autorzy:
Derrick, McClure, J.
Powiązania:
https://bibliotekanauki.pl/articles/889038.pdf
Data publikacji:
2020-09-15
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
translation
poetry
Polish language
Scots language
Tadeusz Różewicz
Adam Mickiewicz
Piotr Sommer
Feliks Konarski
Opis:
Though ideally a translator should have a sound knowledge not only of the language of the source text but of the literary culture from which it has arisen, examples can readily be found of satisfactory poetic translations made by translators with little or no knowledge of the original language. Examples also abound of cases where an inadequate knowledge of the source language has led a translator into errors of interpretation, which may or may not be counterbalanced by felicities of expression in the target-language text. The author’s Scots translations of poems in Polish, a language of which he has only a rudimentary knowledge, are presented and examined as case-studies of the practical and ethical problems of translating from an imperfectly-known language.
Źródło:
Anglica. An International Journal of English Studies; 2020, 29/3; 177-193
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sprung Rhythm in the Poetry of Stanisław Barańczak
Sprung rhythm w poezji Stanisława Barańczaka
Autorzy:
Dembińska-Pawelec, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2012247.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
poezja
sprung rhythm
S. Barańczak
G.M. Hopkins
przekład
poetry
translation
Opis:
This article demonstrates the influence of G.M. Hopkins’s poetry, especially his idea of sprung rhythm, on the works of S. Barańczak. Barańczak translated Hopkins’s poems in the late 1970s. He is also the author of articles addressing Hopkins’s life and poetry. During the process of translation Barańczak had the opportunity to investigate not only Hopkins’s philosophical and religious poems, but also his concept of sprung rhythm. This specific rhythmical form was an interesting translation issue for Barańczak, which he analysed in his articles. The author of this paper shows that sprung rhythm which was encountered during the process of translation permeated Barańczak’s own poems. The rhythmical form in Hopkins’s poems is similar to the Polish tradition of accentual long-line verse, originating from Mickiewicz’s poetry. Barańczak used this pattern in translations and in his own poems, but he modified it to make it similar to Hopkins’s model of sprung rhythm. The author also proves that Barańczak was inspired by Hopkins’s prosodic effects, especially instrumentation of verse and paronomasia.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2013, 3(6) cz.1; 77-90
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
That which Cannot be Said: My Flesh and the Face of the Other in the Poetry of John Donne
Autorzy:
Grzegorzewska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/888644.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
John Donne
Metaphysical Poetry
post-phenomenology
theology
saturated phenomenon
Opis:
The article offers an analysis of selected poems of John Donne, viewed through the prism of traditional theological thought (the works of Hans von Balthasar) and current philosophical debates. In particular, the author draws upon the works of Jean-Luc Marion and Richard Kearney who take up the task of scrutinizing the heritage of phenomenological thought. Both thinkers address the questions arising from philosophy’s renewed interest in religion initiated in twentieth-century post-phenomenology. The analysis concentrates on bodily pain and love ecstasies as the modalities of human flesh. The author of the paper adapts for the purposes of literary criticism Jean-Luc Marion’s concept of a “saturated phenomenon” which surprises and bedazzles the perceiving subject by overflowing his or her intention at the moment of its unexpected arrival. The aim of the article is to highlight the religious and philosophical potential of Metaphysical Poetry.
Źródło:
Anglica. An International Journal of English Studies; 2016, 25/1; 5-25
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 99

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