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    Wyświetlanie 1-5 z 5
    Tytuł:
    The Images to Come: On Showing the Future without Losing One’s Head
    Autorzy:
    Lipszyc, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/451529.pdf
    Data publikacji:
    2020-04-15
    Wydawca:
    Uniwersytet Warszawski. Wydział Filozofii
    Tematy:
    Michael Haneke
    image
    futurity
    Walter Benjamin
    psychoanalysis
    Opis:
    The paper discusses the possibility of a cinematic image which represents future catastrophes, while avoiding ideological entrapments and self-serving fantasies. Taking a Japanese ghost story and a brief note by Walter Benjamin as his dual starting point, the author first attempts to define the possible dangers inherent to the very idea of showing the future, the most important being the danger of the premature, cathartic discharge of the spectator’s anxiety in a sadistic/voyeuristic show. After discussion of the mechanisms of this discharge, the author offers an analysis of a positive example, namely Michael Haneke’s Time of the Wolf. According to the analysis, Haneke manages to avoid the traps by constructing reflective images that make the spectators watch themselves as they are searching in vain for the cathartic images of the catastrophe.
    Źródło:
    Eidos. A Journal for Philosophy of Culture; 2020, 4, 1; 49-56
    2544-302X
    Pojawia się w:
    Eidos. A Journal for Philosophy of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Distracted Aesthetics: Towards a Hermeneutics of Engagement with Distractive Works of Art
    Autorzy:
    Harmon, Justin L.
    Powiązania:
    https://bibliotekanauki.pl/articles/19322623.pdf
    Data publikacji:
    2023-09-30
    Wydawca:
    Uniwersytet Warszawski. Wydział Filozofii
    Tematy:
    hermeneutics
    Walter Benjamin
    distraction
    aesthetics
    street art
    Opis:
    Western aesthetics has privileged contemplation as a necessary condition for authentic aesthetic experience. In contrast, I argue that the adequacy of aesthetic comportment must be measured by the self-presentation of the object in question, shaped by the place from which such presentations issue. Thus, the specific character of many forms of art, particularly in urban contexts, solicits a kind of “distracted” engagement rather than contemplative attention. Distraction is a positive mode of aesthetic engagement. I begin with a critical account of the formalist theories of Kant and Bell as examples of this privileging of contemplative hermeneutics. I then consider Walter Benjamin’s theory of mimesis as a basis for a more fruitful account of aesthetic form, of which certain “distractive” artworks serve as examples. Distraction is an appropriate response to certain presentations, in the face of which absorption would be a kind of aesthetic failure.
    Źródło:
    Eidos. A Journal for Philosophy of Culture; 2023, 7, 2; 36-51
    2544-302X
    Pojawia się w:
    Eidos. A Journal for Philosophy of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Broken Latin, Secret Europe: Benjamin, Celan, Derrida
    Autorzy:
    Lipszyc, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/1930451.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Uniwersytet Warszawski. Wydział Filozofii
    Tematy:
    Jacques Derrida
    Paul Celan
    Walter Benjamin
    secrecy
    literature
    Opis:
    The author begins by analyzing Walter Benjamin’s quarrel with George Kreis and the respective visions of culture advocated by both sides of the debate. Then, he offers a reading of a poem by Paul Celan in which the poet sides with Benjamin, but also makes his position more complex, ultimately offering a paradoxical figure of “the secret openness” or “open/public secrecy” as a remedy against the “mystery” of the Georgians. This idea can be seen as developed in Jacques Derrida’s understanding of secrecy, which the author proceeds to analyze. The secrecy as a deconstructive rift in the public discourse, a split which tears it open, can be seen as opposed both to the undemocratic mystery and to the seeming openness of globalatinization. After considering the formal, political and (post)religious aspects of secrecy, the author ends with showing how literature as such is the most powerful medium of Derridean secret.
    Źródło:
    Eidos. A Journal for Philosophy of Culture; 2021, 5, 3; 82-91
    2544-302X
    Pojawia się w:
    Eidos. A Journal for Philosophy of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Häm on the Wall: Hamacher, Celan, and Two Simple Questions
    Autorzy:
    Lipszyc, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/19322641.pdf
    Data publikacji:
    2023-09-30
    Wydawca:
    Uniwersytet Warszawski. Wydział Filozofii
    Tematy:
    Werner Hamacher
    Paul Celan
    Walter Benjamin
    memory
    image
    translation
    Opis:
    The paper is a modest attempt at a careful assessment of Werner Hamacher’s version of deconstruction as a reading strategy which centers upon the idea of the afformative caesura. In order to probe the potential and the possible limits of Hamacher’s strategy, the author presents a Hamacherian reading of one of Paul Celan’s poems, titled “Mauerspruch,” a poem brimming with references to Walter Benjamin’s work. In the first part of the paper the author shows the effectiveness of Hamacherian perspective. In the second part, however, following suggestions of the poem itself, the author shows that the perspective should be extended in order to include two crucial categories: the category of the image and the category of memory. Thus, ultimately, the assessment of Werner Hamacher’s strategy results in a praise and a modest proposal of its amendment.
    Źródło:
    Eidos. A Journal for Philosophy of Culture; 2023, 7, 2; 93-102
    2544-302X
    Pojawia się w:
    Eidos. A Journal for Philosophy of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Benjamin and Spinoza: Divine Violence and Potentia
    Autorzy:
    Bodde, Emerson R.
    Powiązania:
    https://bibliotekanauki.pl/articles/451289.pdf
    Data publikacji:
    2019-07-31
    Wydawca:
    Uniwersytet Warszawski. Wydział Filozofii
    Tematy:
    Walter Benjamin
    Baruch Spinoza
    Georges Sorel
    divine violence
    power
    potentia
    potestas
    Opis:
    In this paper, I seek to clarify, criticize, and expand upon the ambiguous-yet-influential concept of divine violence introduced by Walter Benjamin’s “Zur Kritik der Gewalt”. I proceed in three parts: in the first, I outline Benjamin’s argument about the cycle of mythical violence and divine violence’s special role as an interruption of that cycle. Next, I explicate Spinoza’s key concepts of potentia and potestas, which can be used to more clearly define what ought to instead be translated as “divine force”. In the third part, through Benjamin’s brief discussion of Sorel’s theory of the anarchist general strike, I equate potentia as a determinate power of aggregative individuals to divine force, both as a collective action and as an idea itself. I use this renewed and more sophisticated concept of divine force to oppose several interpretations of Benjamin’s concept, including Benjamin’s own quietist stance toward divine force.
    Źródło:
    Eidos. A Journal for Philosophy of Culture; 2019, 3, 2(8); 75-90
    2544-302X
    Pojawia się w:
    Eidos. A Journal for Philosophy of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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