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Tytuł:
Credit activities of cooperative banks in Poland
Działalność kredytowa banków spółdzielczych w Polsce
Autorzy:
Bieniasz, A.
Krysztofiak, P.
Powiązania:
https://bibliotekanauki.pl/articles/43375.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Przyrodniczy w Poznaniu. Wydawnictwo Uczelniane
Tematy:
credit
cooperative bank
non-performing loan
Polska
Opis:
The aim of the study was to analyze the lending activities of cooperative banks in Poland in the years 2010– 2014, in a size of banks. Elaboration is a review, based on the data of the Polish Financial Supervision Authority. Research indicates that the value of own funds of the cooperative banks was reflected in both the volume of lending, and in the structure of loans. Banks with capital of 5 million euro loans for primarily farmers, individuals, and individual entrepreneurs. In turn, the banks with capital of more than 5 million euro were most involved in the financing of small and medium enterprises and individual farmers. Regardless of the size of banks, the most important in lending loans were investment and operating.
Celem pracy była analiza działalności kredytowej banków spółdzielczych w Polsce w latach 2010–2014, w układzie wielkości banków wyznaczonej przez wartość funduszy własnych. Opracowanie ma charakter przeglądowy, oparty na danych Komisji Nadzoru Finansowego. Przeprowadzone badania wskazują, że wartość funduszy własnych banków spółdzielczych przekładała się zarówno na wielkość akcji kredytowej, jak i na strukturę kredytów według podmiotów. Banki o kapitałach do 5 mln euro w największym stopniu kredytowały rolników indywidualnych, osoby prywatne oraz przedsiębiorców indywidualnych. Z kolei banki o kapitałach powyżej 5 mln euro najbardziej zaangażowane były w kredytowanie małych i średnich przedsiębiorstw oraz rolników indywidualnych. Niezależnie od wielkości banków największe znaczenie w akcji kredytowej miały kredyty inwestycyjne i operacyjne, a największe problemy z obsługą zadłużenia miały duże przedsiębiorstwa, firmy z sektora MSP oraz przedsiębiorcy indywidualni.
Źródło:
Journal of Agribusiness and Rural Development; 2017, 43, 1
1899-5241
Pojawia się w:
Journal of Agribusiness and Rural Development
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The effect of board of directors characteristics on risk and bank performance: Evidence from Turkey
Autorzy:
Doğan, Berna
Ekşi, İbrahim Halil
Powiązania:
https://bibliotekanauki.pl/articles/1837946.pdf
Data publikacji:
2020-09-30
Wydawca:
Uniwersytet Ekonomiczny w Poznaniu
Tematy:
corporate governance
bank performance
non-performing loans
Opis:
A bank, particularly in developing countries like Turkey, is one of the most important institutions in the financial sector. Therefore knowing the factors affecting the performance of banks is important for the development of the sector. One of the factors affecting the risk and profitability of banking sector is the internal factors of the banks. The aim of this paper is to investigate the board of directors’ characteristics and its effect on risk level measured by non-performing loans and on bank performance measured by asset profitability using the Generalized Method of Moments (GMM) estimator. Data from nineteen deposit banks for the period 2012–2018 were used. The result of the study determined that the board size, foreign board members and the independent board members have an effect on both non-performing loans and the return on assets.
Źródło:
Economics and Business Review; 2020, 6, 3; 88-104
2392-1641
Pojawia się w:
Economics and Business Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Macroeconomic Determinants of Credit Risk on the Example of Non-performing Loans
Autorzy:
Zawadzki, Adam
Powiązania:
https://bibliotekanauki.pl/articles/22443131.pdf
Data publikacji:
2023-10-16
Wydawca:
Uniwersytet Warszawski. Wydział Nauk Ekonomicznych
Tematy:
credit risk
non-performing loans (NLPs)
macroeconomic factors
Opis:
The primary goal of this article is to examine the principal macroeconomic factors influencing credit risk as assessed by the nonperforming loan ratio (hereinafter NPL ratio). Based on the results, the ratio of domestic credit to the private sector, Organization for Economic Cooperation and Development (OECD) membership with a negative correlation with NPLs while the unemployment rate and the ratio of public debt with a positive relation with NPLs were statistically significant. In addition, the correlation between the inflation rate and the depreciation of the home currency wasproven. The research examines the effects of the 2008 credit crunch, which triggered the financial crisis. The sample comprises106 countries for the period 2009–2019. The real GDP growth, unemployment rate, public debt ratio, domestic credit to private sector ratio, currency depreciation, inflation rate, and interest rate were analysed as macroeconomic factors. A dummy variable representing OECD membership has been included in the analysis. The estimations were performed using the ordinary least squares (OLS) method. This article contributes to the academic discourse on the panel data perspective with regard to non-performing loans, while the practical implications are beneficial for governments and international investors.
Źródło:
Central European Economic Journal; 2023, 10, 57; 275-286
2543-6821
Pojawia się w:
Central European Economic Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Self-Censorship Between Self-Ridicule and Self-Reflection
Autorzy:
Jakimiak, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/2050053.pdf
Data publikacji:
2022-04
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
self-censorship
theatre
performing arts
Oliver Frljić
humour
Opis:
This essay investigates the notion of humour as a tool used to highlight the acts of self-censorship in theatre and performing arts and its subversive potential. By referring to the examples from the process of working on the Imaginary Europe performance directed by Oliver Frljić, the essay problematizes the acts of self-prevention committed by artists who decide to withdraw a certain figure of speech in order not to cause harm towards minorities or underprivileged groups. I revisit theories that tackle humour and reveal its complexity (Billig, McGowan and Zupančič), and I refer to the work of artists who combine humour with self-reflection in the process of undermining and questioning theatrical hierarchies and mechanisms of power.
Źródło:
Didaskalia. Gazeta Teatralna; 2022, 168; 200-232
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rozruchy badawczo-artystyczne w sztukach performatywnych: zbliżenie na taniec, ruch i choreografię
Research-Artistic Riots in the Performing Arts: A Close-Up On Dance, Movement, and Choreography
Autorzy:
Reznik, Zofia
Brelińska-Garsztka, Paulina
Małkowicz-Daszkowska, Zofia
Powiązania:
https://bibliotekanauki.pl/articles/1830716.pdf
Data publikacji:
2021-10
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
artistic research
performing arts
methodology
dance
case study
Opis:
The article addresses the issue of artistic research in the field of performing arts with a particular emphasis on movement, dance, and choreographic practices, set in the Polish context. The authors aim to identify and describe examples of artistic-research processes in the field defined above; to explore the specificity of AR practices and the contexts in which they are realised; to share tools, methods, and knowledge about them at the level of AR practices themselves and studies on AR. The paper is divided into 5 parts: 1) a definition of artistic research; 2) an auto-choreo-ethnographic reflection; 3) a spider-map of AR practices; 4) an in-depth analysis of three research-artistic processes (I: Przyszłość Materii (The Future of Matter) by Magdalena Ptasznik; II: Badanie/Produkcja (Research/Production) curated by Maria Stokłosa; III: a continuum of practices by Ania Nowak); 5) “interlacing” – a cross-sectional reflection. The structure of the narrative is based on two orders: a) a textual order – the main axis of the article; b) a graphic-mapping order – a complementary collection of visual-textual materials presented on the Research Catalogue platform.
Źródło:
Didaskalia. Gazeta Teatralna; 2021, 165; 123-160
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Determinants of the non-performing loan ratio in the European Union banking sectors with a high level of impaired loans
Autorzy:
Ciukaj, Radosław
Kil, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/557764.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Ekonomiczny w Poznaniu
Tematy:
non-performing loans
European Union banks
credit risk
Opis:
In the article an attempt is made to identify the quality of credit exposure determinants of banks in European Union countries that were characterized by a high level of impaired loans at the end of 2017 (Bulgaria, Croatia, Cyprus, Italy, Ireland, Greece, Portugal). Using the static panel-based approach the non-performing loan (NPL) determinants for the period from 2011 to 2017 were analyzed. The results showed that the high level of NPLs can be explained mainly by both macroeconomic and microeconomic factors. In particular, it has been shown that in the surveyed countries supervisory authorities should pay special attention to smaller banks with high dynamics of new loans and a low return on assets due to the fact that these entities are characterized by a higher NPL ratio. A higher level of NPL is also affected by a high concentration of the banking sector and higher interest rates on newly granted loans. As a result of research it was also shown that the majority of NPL determinants are the same in all types of banks, regardless of the business model and the scope of banking supervision. The differences were noticeable in characteristics regarding the housing market as well as the profitability of operations and lending dynamics of the analyzed entities.
Źródło:
Economics and Business Review; 2020, 6(20), 1; 22-45
2392-1641
Pojawia się w:
Economics and Business Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Criteria affecting the audience numbers in performing art organizations
Kryteria wpływające na poziom liczby widzów w instytucjach wystawiennicznych
Autorzy:
Smolny, Katarzyna
Gałecka, Małgorzta
Powiązania:
https://bibliotekanauki.pl/articles/583039.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Ekonomicznego we Wrocławiu
Tematy:
cultural economics
effectiveness
MCDM methods
performing arts organizations
Opis:
The problem is finding the optimal and efficient model of public funding. The development of an objective theatre funding model is a major challenge for both the entities developing as well implementing the cultural policy. The aim of this article is to identify the criteria/measures having the potential effect on the increase of the audience numbers in individual theatres in Poland. This aim is implemented using Multi Criteria Decision Making (MCDM), the result of which is to achieve full distribution of a set of variants (individual theatres) in accordance with the monitored criteria (audience numbers in a theatre). Our research found the important role of both financial and non-financial indicators among which technical indicators are essential. On this basis, the need to develop optimal allocation of public funds between theatres in terms of their technical capabilities or infrastructure should be considered.
Znalezienie optymalnego, wydajnego modelu finansowania publicznych usług kulturalnych jest problematyczne. Wypracowanie obiektywnego modelu finansowania teatrów stanowi ogromne wyzwanie dla podmiotów zarówno kształtujących, jak i realizujących politykę kulturalną. Celem artykułu jest wskazanie kryteriów i miar mających potencjalny wpływ na kształtowanie się liczby widzów w poszczególnych teatrach w Polsce. Cel osiągnięto za pomocą modelu wielokryterialnej analizy wariantów. Badania dowiodły istotnej roli kryteriów zarówno finansowych, jak i pozafinansowych, wśród których podstawową rolę odgrywa kryterium techniczne. Na tej podstawie należy rozważyć konieczność tworzenia optymalnego podziału środków publicznych między teatry z uwzględnieniem ich możliwości technicznych czy infrastrukturalnych.
Źródło:
Prace Naukowe Uniwersytetu Ekonomicznego we Wrocławiu; 2019, 63, 10; 96-113
1899-3192
Pojawia się w:
Prace Naukowe Uniwersytetu Ekonomicznego we Wrocławiu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Measuring Non-Performing Loans During (and After) Credit Booms
Autorzy:
Serwa, Dobromił
Powiązania:
https://bibliotekanauki.pl/articles/483301.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
non-performing loan ratio
credit boom
housing loans
Opis:
In this study we evaluate the distortion of the ratio of non-performing loans (NPL) caused by rapid credit growth to show that the bias in this ratio (caused by the prolonged credit boom) may indeed be significant. Next, we discuss an adjustment to the NPL ratio based on a theoretical model of a loan portfolio. This adjustment is robust for credit booms and busts; therefore, it can be used to compare credit quality ratios across distinct portfolios and banks as well as to simulate future NPL ratio developments. Our estimates of the portfolio of housing loans in Poland show that the new adjusted index of non-performing loans is robust to different model specifications.
Źródło:
Central European Journal of Economic Modelling and Econometrics; 2013, 5, 3; 163-183
2080-0886
2080-119X
Pojawia się w:
Central European Journal of Economic Modelling and Econometrics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ogólna teoria aktora? O tradycyjnej metodologii badania aktorstwa filmowego w perspektywie performatyki
The General Theory of the Actor and Acting? On the traditional methodology of research in the domain of film acting from the perspective of the theory of performing
Autorzy:
SKRZYPCZAK, PIOTR
Powiązania:
https://bibliotekanauki.pl/articles/920977.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
film acting
performance
methodological reflections on acting (performing)
Opis:
These reflections concern film acting, or to be more exact, the canonical three-stage research scenario, i.e. description, analysis and interpretation. They require a methodological interdisciplinary confluence of multiple strands, beyond the confines of a monolithic methodology.At a certain stage of the methodological reflections on acting (performing) there emerged a tendency to employ various disciplines. I would like to call it “the general theory of the actor and acting” or “the theory of performing”. The theory of performing, in fact, brings together such realms as anthropology, semiotics, phenomenology, aesthetics, the theory of literature, the psychology of perception of on-stage and on-screen representations, and, in a narrower sense, also studies on facial expression, diction and prosody, gesture and kinesics. However, in the most rudimentary sense it does consider the fundamental role of the actor and acting to be the focal point of discussion - the question of the very performance.Does the theory of performing explore the phenomenon of film acting (performing), and if so, to what degree is it the case? Two reference points for this issue seem to emerge.The first concerns the very choice of the object for analysis, involving such dimensions as relational networks of multiple actions regarding the actor and the process of acting, resulting in the creation of the character in a given film.The other, directly related to the first, concerns the very point of departure in the exploratory research process. How does the profile of the actor emerge due to such procedures as camera-work, montage, dubbing or motion control? It seems that what should be at the very centre of attention of the general theory of actor and acting is the actor-as-a-real-person, the interpreter of his own role-play, and also the subject of the actions involving the constructive process of a given film role, which results in the final on-stage/on-screen effect. We ought to pose the question of whether or not he is merely an acting element inhabiting the situation of the shooting within the confines of the camera-work. The theory of performing is not so much focused on the actor as an analog of a real human being (the fact that should be considered positively), but is focused on the actual acting process, the process of performing, first and foremost, the autonomous performer. Hence, another question arises: who is the character in the on-screen mode of existence? What is his real identity?The general theory of the actor and acting strives to answer this question from multiple viewpoints, from the viewpoints of anthropology, structuralism, deconstruction theory, as well as in terms of the most promising approaches (in my opinion), namely the cognitive and phenomenological stances. Here the floor is open for discussion.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 15-34
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fenomen dialogu w sztuce widowiskowej i jego implikacje edukacyjne
The phenomenon of dialogue in performing arts and its educational implications
Autorzy:
Żardecki, Wiesław
Powiązania:
https://bibliotekanauki.pl/articles/428216.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Naukowe Chrześcijańskiej Akademii Teologicznej w Warszawie
Tematy:
dialog
sztuka
sztuka widowiskowa
dialogue
arts
performing arts
Opis:
Prezentowany tekst jest opracowaniem kulturoznawczo-pedagogicznym z nawiązaniem do wątków klasycznego kulturoznawstwa, pedagogiki dialogu i nauki o sztuce. Został zogniskowany wokół czterech tematycznych obszarów, tj. dialogu sztuki z rzeczywistością; dialogu sztuki z odbiorcą; dialogu sztuki ze sztuką; dialogu sztuki z praktykami życia społecznego. Ważnym przesłaniem analizowanej problematyki jest uchwycenie kontekstu życia sztuki oraz wyprowadzenie implikacji edukacyjnych.
This paper seeks to demonstrate the cultural and educational aspects of dialogue drawing on classical culture studies, pedagogy of dialogue and the science of the arts. It focuses on four thematic areas: the dialogue of the arts with reality, the dialogue of the arts with the viewer, the dialogue of the arts with the arts itself, the dialogue of the arts with the aspects of social life. The underlying purpose of this paper is to contextualise the life of the arts and its educational ramifications.
Źródło:
Studia z Teorii Wychowania; 2018, 2 (23); 115-133
2083-0998
2719-4078
Pojawia się w:
Studia z Teorii Wychowania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Taniec w pedagogice przygody. Rekonesans w literaturze
Autorzy:
Ewa, Palamer-Kabacińska,
Powiązania:
https://bibliotekanauki.pl/articles/892413.pdf
Data publikacji:
2017-08-23
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
outdoor education
adventure education
arts
performing arts
dance
Opis:
Outdoor and adventure education is an increasingly popular trend in education in Poland – nowadays it is manifested mainly in practical forms and only in non-formal education. In Western Europe and the USA, with developed research methodology and a long tradition, this trend can be called science. Outdoor and adventure education is a heterogeneous sphere, but it has several elements that are at the heart of the adventure education method. One of its main assumptions is working with a specific “adventure medium” through which the intended goals are achieved. The most popular are outdoor sports and tourism, but more and more often new means are used, for example those derived from the arts. It is manifested mostly in practical activities (which is natural, as this field developed out of practice, and its theoretical and research background was created later). The use of arts is two-dimensional. The first dimension is based on visual arts (handicraft, painting), most often linked to outdoor education, and their main goal is to build relationships with nature. The second, less popular dimension, focuses on the use of body expression (theatre, dance, movement). In Poland, this trend is not yet known, whereas in Western countries there have appeared some articles showing the value of using arts in this area of education. The purpose of this article is to show how arts, and body expression in particular, may be used in outdoor and adventure education activities.
Źródło:
Kwartalnik Pedagogiczny; 2017, 62(2 (244)); 204-220
0023-5938
Pojawia się w:
Kwartalnik Pedagogiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Facebook posts as performatives in Bulgarian political life: A sociolinguistic investigation
Autorzy:
Tincheva, Nelly
Powiązania:
https://bibliotekanauki.pl/articles/677559.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Facebook
performing
performative
political discourse
Bulgarian politics
sociolinguistics
Opis:
Facebook posts as performatives in Bulgarian political life: A sociolinguistic investigationThe paper provides a snapshot of how the Bulgarian political public interprets the notion of ‘political action’. The paper argues there are two basic notions (‘performing’ and ‘performativity’) which are fundamental to present-day interpretations of ‘political action’, and that these two notions need to be approached through quantitative analysis of actual respondents’ interpretations. The paper addresses this analytical niche and in doing so draws on a previous sociolinguistic study which strongly suggests that the modern genre of the Facebook post has special social and political significance in pro-active Bulgarian political life. The paper systematizes and discusses the results from a questionnaire-based study on Bulgarian recipients’ expectations about the communicative and political effect of the Facebook post. The results of the study reveal that Bulgarian political audiences perceive the Facebook post not simply as a genre in Bulgarian political discourse but, crucially, as a vehicle for actual political performance in present-day Bulgarian political life. Posty na Facebooku jako performatywy w bułgarskim życiu politycznym. Ujęcie socjolingwistyczneArtykuł dotyczy tego, jak bułgarska społeczność pojmuje ideę „aktu politycznego”. Autorka broni tezy, że istnieją dwie kluczowe idee – „publiczne przedstawienie” i „performatywność” (tj. wypowiedzi performatywne) – które determinują współczesne bułgarskie interpretacje „aktu politycznego” oraz że obie te idee należy badać jakościowo, poprzez analizę danych wziętych od realnych respondentów, będących zarówno nosicielami języka, jak i aktywnymi politycznie obywatelami. Podejmując próbę zapełnienia analitycznej niszy, autorka wskazuje, że współczesny gatunek, jakim jest post na Facebooku, ma szczególne znaczenie w życiu codziennym aktywnych politycznie i społecznie Bułgarów. W artykule zostały usystematyzowane i omówione rezultaty badania, które dotyczyło nastawienia i oczekiwań bułgarskich recypientów w odniesieniu do efektu komunikacyjnego i politycznego postów na Facebooku. Okazuje się, że bułgarska społeczność polityczna pojmuje ten nowy gatunek nie tylko jako narzędzie do uczestnictwa w dyskursie politycznym, ale także jako sposób na realne działanie polityczne.
Źródło:
Slavia Meridionalis; 2019, 19
1233-6173
2392-2400
Pojawia się w:
Slavia Meridionalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sekcja 2. Performowanie relacji. Transdyscyplinarność współczesnych działań artystycznych. Wstęp
Section 2. Performing relationships. The transdisciplinarity in contemporary artistic practices. Introduction
Autorzy:
Zaluski, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/424373.pdf
Data publikacji:
2016
Wydawca:
Akademia Sztuk Pięknych w Gdańsku
Tematy:
performowanie relacji; transdyscyplinarność;
performing relations; transdisciplinarity; contemporary artistic practices
Opis:
In recent years transdisciplinary tendencies have been growing increasingly stronger in Polish culture. They can no longer be reduced to intermedial or transmedial practices within the field of visual arts. Rather, they consist of transgressing and extending the borders of different fields of cultural production and their respective institutional circuits. Visual artists have been trying to enter the field of movie production and use the professional work conditions it offers together with their specific sensibilities, ways of thinking and habits. Another important factor is distribution within the movie industry field – an opportunity to reach a different and potentially larger audience than the one that visits art galleries and museums. This trend which was described – in a somewhat exaggerated manner – as “the cinematographic turn” in Polish contemporary art is really one part of a more general phenomenon. A few years ago “the performative turn” was announced. A bit later it was followed by “the audio turn”. Today it is probably the right moment to start a discussion about an analogical “theatrical” or “choreographical” turn. The point is, however, to recognise that all these “turns” in visual arts are elements of a more comprehensible configuration and they develop according to similar lines. The transdisciplinary movement has also occurred in other fields of cultural production. It can be observed in the field of literature, theatre, music or dance, all of which not only appropriate selected elements from the field of visual arts – e.g. materiality, iconicity, performance, multimedia installations, conceptual and documental dimensions, cognitive and generative protocols, artistic and social actions etc. – but also penetrate further and further into its institutional spaces and circuits. The development of such transdisciplinary tendencies is conditioned – on various levels – by a series of factors: starting form the logic characteristic of visual arts – the one of expansion, self-redefinition and appropriation of the outside – through transdisciplinary studios at art schools, the changing of identities and the tasks of cultural institutions or the criteria of grant programmes, to the general transformations in the forms of labour and modes of production under capitalism. Obviously, there has already been a history – manifold histories – of such exchanges and they are not absolutely new or without precedence. What seems to be new, at least in Poland, is the co-appearance and growing intensity of transdisciplinary and “transinstitutional” practices in various fields of cultural production. Transdisciplinarity can be the main purpose of singular projects or a basis for taking up other issues – a basis for performing relationships between a whole set of elements: body, movement, time, space, habit, affect, sight, hearing, mind, object, sign, discourse, history, culture, production and politics. The common ground of texts gathered in this section is the motif of creating or “performing” relations. They do not exhaust the subject identified here nor even present its full complexity. They rather provide a number of case studies which indicate some more general outlines of the transdisciplinary and transinstitutional logic that governs the field of contemporary cultural production. We hope that the section will contribute to wider discussion on the subject. Ula Zarek defines dance as an “art of relationships” and shows how contemporary choreographic work goes beyond “pure dance” and approaches the field of visual arts and performance art. Using phenomenological and aesthetic concepts of bodily intentionality and the thinking, sentient soma as well as a theoretical reflection on dance, which is becoming increasingly present in Poland, the author analyzes a series of projects based on improvisation – the main method of experimental and cognitive acts in contemporary dance. She also indicates that transdisciplinary practices draw on both the field of “performative arts”, which is often described in Polish with the word “performans”, and the tradition of “performance art”, which is in turn referred to with the original English term. Similar issues are taken up by Katarzyna Słoboda, who presents from the perspective of a curator and dance researcher, the objectives and course of the project Frames of reference. Choreography in the museum. The case study becomes an occasion for general considerations of dance as a way of exploring affective relations, which are an important aspect of contemporary capitalism and its production culture. The analysis touches upon such subjects as choreographic scores, improvisation as an act of coming into relationship with a context, and the presence of the viewer-participant at the site of the creative process: in the space of choreographic work and production. In this space the border between workday movement and dance becomes highly uncertain. Piotr Olkusz presents the project Avant-Garde and social realism, developed as a result of institutional co-operation between The Kazimierz Dejmek New Theatre and The Museum of Art in Lodz. It was intended to explore the relation between certain aspects of social realism and the ideas and practices of the Avant-Garde. It included transdisciplinary practices that led to the interpenetration of theatre and visual arts and, at times, to the creation of a “total performance beyond all genre”. However the project was not centred on the historical past. It was rather meant to examine the inheritance of the Avant-Garde and social realism and check if within it there remained anything alive, worth taking up and updating. It was above all to raise a question about the contemporary place, role and mutual relationship of experimental and socially engaged art. The presence of visual arts themes and practices in the field of theatre is the frame of Katarzyna Urbaniak’s text. The author uses contemporary theories of things and objects to examine the status of Jerzy Grzegorzewski's scenographic objects. She analyses, on the one hand, past agency and performativity of “ready made” objects that co-acted on the stage with human actors, and on the other hand, the place of the objects in the theatre which turn into a collection and an archive. Two difference projects during recent years aimed at presenting the archive – in the form of a book and a hipertext website – change the status of the items it includes: they displace them out of the contexts of the spectacle and actors play and puts them into a space in which they become closer to artistic objects or biographical and cultural traces. In both cases the scenographic objects turn into memory afterimages of Grzegorzewski’s theatre. “The turn to things” also sets a theoretical frame for Joanna Glinkowska’s text. Her analysis concerns the exhibition Things, organised as an artistic project at the Museum of Archaeology and Ethnography in Lodz. In accordance with the concept designed by artist-as-curator Agnieszka Chojnacka, the project participants presented or created their artistic objects in relation to the exhibition space and narration of the museum’s permanent display. Glinkowska tries to show how those artistic objects acted and performed in relation to one another. She also wonders if Things are a sign of a wider tendency on the part of Polish contemporary art to penetrate into the field of ethnography.
Źródło:
Sztuka i Dokumentacja; 2016, 14; 114-116
2080-413X
Pojawia się w:
Sztuka i Dokumentacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
GDP growth as a bank loan quality determinant
Autorzy:
Rachuba, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2047044.pdf
Data publikacji:
2020-12-29
Wydawca:
Uniwersytet Warszawski. Wydawnictwo Naukowe Wydziału Zarządzania
Tematy:
asset quality
GDP growth
macroeconomic cycle
non-performing loans
Opis:
Past financial crises and recessions have revealed the importance of the economy’s condition for the loan quality. Macroeconomic determinants of the non-performing loans have been attracting considerable attention in recent years. The aim of this paper is to organize and summarize studies examining the role of GDP growth and its impact on bank loan quality. This approach reveals the research problem which is to specify if there exists a statistically significant relationship between economic growth and the level of non-performing loans. It is equally important to determine the direction of this link. By appealing to common knowledge, the research hypothesis states that an increase in economic activity results in improving loan quality. To verify the hypothesis, the analysis of the relevant literature and the methods of verbal as well as tabular description have been applied. Empirical results on the link between the macroeconomic environment and the level of non-performing loans appear to be quite conclusive. It has been found that an economic expansion generally improves the loan quality. This broadly proven relationship is in line with many studies which confirm the borrowers’ increased willingness to repay debts in a favourable economic environment. Far less frequently, the intensified macroeconomic activity leads to future bank losses. Additionally, some studies do not provide any statistically significant effect of GDP growth on the loan quality.
Źródło:
Journal of Banking and Financial Economics; 2020, 2(14); 21-37
2353-6845
Pojawia się w:
Journal of Banking and Financial Economics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O specyfice musicalu rockowego
Rock musical and its specificity
Autorzy:
Bernatowicz, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/1944370.pdf
Data publikacji:
2021-06-30
Wydawca:
Narodowe Centrum Kultury
Tematy:
musical
rock
sztuki performatywne
rock opera
analiza
performing arts
analysis
Opis:
This article discusses various aspects of rock musical, focusing on its relationship with the aesthetics of rock music. The introduction provides a methodological approach to this type of a musical theatre work. The existing concepts related to this term are presented, a distinction is made between the category of rock opera and rock musical, and an original definition of this subgenre is proposed. The next section explores the relationship between rock music and rock musical in terms of authenticity. Differences and similarities in the performing practice are presented for both artistic forms along with their sound representations. The final section of the article analyses two prominent musicals created in the early stages of the subgenre development – Hair and Jesus Christ Superstar. Having set certain boundary conditions for fusing rock with theatre, both productions are analysed for their structural components appropriate for the musical form (musical elements, dramatic elements of the work) in combination with rock aesthetics and the performance of this type of work on stage.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 114, 2; 150-161
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
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