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Tytuł:
It’s not all about the profit: an analysis of changes in arts and business relations
Autorzy:
Kamila, Lewandowska
Powiązania:
https://bibliotekanauki.pl/articles/557726.pdf
Data publikacji:
2016-03-30
Wydawca:
Uniwersytet Ekonomiczny w Poznaniu
Tematy:
arts and business
sponsorship
arts-business partnership
arts-based methods
Opis:
rts and business relationships have been generally characterised by sponsorship and philanthropy and there are a number of studies that support this binary approach. Recently however more research and experimentation has been conducted regarding the structural changes in the arts and business relations, e.g. the emergence of various new types of arts and business collaboration, such as arts-based methods. That being said there remains a dearth of exhaustive studies that would empirically analyse these new types of collaboration and how they influence the terrain of arts and business relations. My empirical study of thirty-three arts and business organisations is one of the few studies to emphasise the changes and transitions that shape the landscape of the arts and business field today. This exploratory study recognises and describes the transition from a transactional to a more partnership-oriented approach of arts and business organisations.
Źródło:
Economics and Business Review; 2016, 2(16), 1
2392-1641
Pojawia się w:
Economics and Business Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fenomen dialogu w sztuce widowiskowej i jego implikacje edukacyjne
The phenomenon of dialogue in performing arts and its educational implications
Autorzy:
Żardecki, Wiesław
Powiązania:
https://bibliotekanauki.pl/articles/428216.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Naukowe Chrześcijańskiej Akademii Teologicznej w Warszawie
Tematy:
dialog
sztuka
sztuka widowiskowa
dialogue
arts
performing arts
Opis:
Prezentowany tekst jest opracowaniem kulturoznawczo-pedagogicznym z nawiązaniem do wątków klasycznego kulturoznawstwa, pedagogiki dialogu i nauki o sztuce. Został zogniskowany wokół czterech tematycznych obszarów, tj. dialogu sztuki z rzeczywistością; dialogu sztuki z odbiorcą; dialogu sztuki ze sztuką; dialogu sztuki z praktykami życia społecznego. Ważnym przesłaniem analizowanej problematyki jest uchwycenie kontekstu życia sztuki oraz wyprowadzenie implikacji edukacyjnych.
This paper seeks to demonstrate the cultural and educational aspects of dialogue drawing on classical culture studies, pedagogy of dialogue and the science of the arts. It focuses on four thematic areas: the dialogue of the arts with reality, the dialogue of the arts with the viewer, the dialogue of the arts with the arts itself, the dialogue of the arts with the aspects of social life. The underlying purpose of this paper is to contextualise the life of the arts and its educational ramifications.
Źródło:
Studia z Teorii Wychowania; 2018, 2 (23); 115-133
2083-0998
2719-4078
Pojawia się w:
Studia z Teorii Wychowania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Taniec w pedagogice przygody. Rekonesans w literaturze
Autorzy:
Ewa, Palamer-Kabacińska,
Powiązania:
https://bibliotekanauki.pl/articles/892413.pdf
Data publikacji:
2017-08-23
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
outdoor education
adventure education
arts
performing arts
dance
Opis:
Outdoor and adventure education is an increasingly popular trend in education in Poland – nowadays it is manifested mainly in practical forms and only in non-formal education. In Western Europe and the USA, with developed research methodology and a long tradition, this trend can be called science. Outdoor and adventure education is a heterogeneous sphere, but it has several elements that are at the heart of the adventure education method. One of its main assumptions is working with a specific “adventure medium” through which the intended goals are achieved. The most popular are outdoor sports and tourism, but more and more often new means are used, for example those derived from the arts. It is manifested mostly in practical activities (which is natural, as this field developed out of practice, and its theoretical and research background was created later). The use of arts is two-dimensional. The first dimension is based on visual arts (handicraft, painting), most often linked to outdoor education, and their main goal is to build relationships with nature. The second, less popular dimension, focuses on the use of body expression (theatre, dance, movement). In Poland, this trend is not yet known, whereas in Western countries there have appeared some articles showing the value of using arts in this area of education. The purpose of this article is to show how arts, and body expression in particular, may be used in outdoor and adventure education activities.
Źródło:
Kwartalnik Pedagogiczny; 2017, 62(2 (244)); 204-220
0023-5938
Pojawia się w:
Kwartalnik Pedagogiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Three Trips in One Plane: Martial Arts and Combat Sports Conferences in Muju, Osaka, and St. Petersburg
Autorzy:
Kubala, Krzysztof
Cynarski, Wojciech J.
Świder, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/1922223.pdf
Data publikacji:
2019-06-19
Wydawca:
PPHU Projack Jacek Wąsik
Tematy:
martial arts
combat sports
scientific conferences
martial arts tourism
participant observation
Opis:
Problem and Aim: The current article is an attempt to summarize the experiences gained from two foreign conferences, the 50th Japanese Academy of Budo Conference and the 2nd International Budo Conference at the Centenary Memorial Hall on Kansai University, which were recognized simultaneously as the VI International IMACSSS Conference, and the accompanying events, as well as 8th International Scientific Congress “Sport, People and Health”, organized by, among others, P.F. Lesgaft National State University of Physical Education, Sport and Health and the International Sambo Federation. The third of these scientific events was the 6th International Taekwondo Symposium for Taekwondo Studies, which was held in Muju, South Korea. Materials and Method: Due to the multidisciplinary approach nature of the conferences, content analysis of literature and extensive discourse analysis as well as the participant observation were used. Three case studies are also provided. Results and Conclusions: The indicated trips and scientific events offal within martial arts tourism, which is at the same time a journey for scientific study and exchange of knowledge related to martial arts research. It is therefore connected with scientific tourism as well as with congress and educational tourism. The described scientific events are relevant for research on martial arts tourism and for describing the process of institutionalizing the scientific research of martial arts and the recent history of the institutions in this area.
Źródło:
Physical Activity Review; 2019, 7; 114-124
2300-5076
Pojawia się w:
Physical Activity Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Visual Art in Nursery Schools
Autorzy:
Rochovská, Ivana
Krupová, Dagmar
Powiązania:
https://bibliotekanauki.pl/articles/454246.pdf
Data publikacji:
2016
Wydawca:
Akademia Ignatianum w Krakowie
Tematy:
pre-primary education
nursery school
visual arts
fine arts
educational
program.
Opis:
This paper focuses on the possibilities of applying an interpretation of visual art in a nursery school. It defines the concept of visual arts and briefly deals with the issue of an interpretation of visual arts. It presents a preview of the educational project for the children, called Umělci v mateřské škole (Artists in Nursery School), which was published in a complete form within a separate publication. It stresses the importance of implementing visual arts in pre-primary education.
Źródło:
Multidisciplinary Journal of School Education; 2016, 10; 69-87
2543-7585
Pojawia się w:
Multidisciplinary Journal of School Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Policy versus Philanthropy: Between Public and Private Funding of the Arts
Autorzy:
Lewandowska, Kamila
Powiązania:
https://bibliotekanauki.pl/articles/1194641.pdf
Data publikacji:
2018
Wydawca:
Szkoła Główna Handlowa w Warszawie
Tematy:
arts and business
private funding of the arts
philanthropy
cultural policy
Opis:
The aim of this paper is to analyse the relations between arts and business in the international context. It centres on two topics: firstly, the impact of the public arts funding systems on private support and, secondly, the current transitions in the relationship between arts and business that lead to the development of new forms of cooperation. The first part of the article compares systems of arts funding in different countries, mostly in Europe and the USA. The second part focuses on the definition of ‘partnership’, that is, the new paradigm in arts and business relations and describes its manifestations in real life.
Źródło:
Edukacja Ekonomistów i Menedżerów; 2018, 50, 4; 97-111
1734-087X
Pojawia się w:
Edukacja Ekonomistów i Menedżerów
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bokus Barbara – Kosowska Ewa (eds.), Truth and Falsehood in Science and the Arts (Warszawa: Wydawnictwa Uniwersytetu Warszawskiego 2020)
Autorzy:
Rabiej, Stanisław Jan
Powiązania:
https://bibliotekanauki.pl/articles/1603532.pdf
Data publikacji:
2021-06-30
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
Truth
Science
Falsehood
Arts
Opis:
Review of the book: Bokus Barbara – Kosowska Ewa (eds.), Truth and Falsehood in Science and the Arts (Warszawa: Wydawnictwa Uniwersytetu Warszawskiego 2020). Pp. 299. ISBN 978-83-235-4220-9
Recenzja książki: Bokus Barbara – Kosowska Ewa (eds.), Truth and Falsehood in Science and the Arts (Warszawa: Wydawnictwa Uniwersytetu Warszawskiego 2020). Pp. 299. ISBN 978-83-235-4220-9
Źródło:
Verbum Vitae; 2021, 39, 2; 627-634
1644-8561
2451-280X
Pojawia się w:
Verbum Vitae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Uzdrawianie obecności w arteterapii
Healing the Presence in Arts Therapy
Autorzy:
Gisman-Stoch, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/2131228.pdf
Data publikacji:
2021-12-29
Wydawca:
Akademia Ignatianum w Krakowie
Tematy:
arteterapia
zdrowie
homeostaza
sztuka
poruszająca obecność
arts therapies
health
homeostasis
arts
‘affecting presence’
Opis:
Praktyka w obszarze arteterapii wymaga namysłu nad jej fundamentami: rozumieniem zdrowia oraz rozumieniem sztuki, które uzasadnia jej miejsce w podejmowanych procesach terapeutycznych. Pojęcie zdrowia obecnie podlega dyskusji, a pojęcie sztuki jest z natury otwarte. W każdych działaniach terapeutycznych rozumianych jako towarzyszenie w procesie zdrowienia obowiązuje zasada: primum non nocere. Bezrefleksyjne angażowanie sztuki w działania terapeutyczne jest potencjalnie szkodliwe. Rozumiem zdrowie jako dynamiczny stan równowagi, który zawdzięczamy żywotności procesów homeostazy i allostazy, a zdrowienie jako skuteczny wysiłek podejmowany przez organizm w celu zarządzania tymi procesami. Zdrowie jest zarówno byciem w dobrej formie, jak i zdolnością dążenia do dobrej formy. Żywotność i efektywność procesów homeostazy łączę z ludzką zdolnością do bycia obecnym. Podobnie sztukę rozumiem jako specyficzne ludzkie doświadczenie trudnego, często bolesnego procesu dążenia do dobrej formy, jak i samą formę, którą za Robertem Plantem Armstrongiem (1971) nazywam „poruszającą obecnością”. Twórcze procesy ekspresyjne, w wyniku których takie formy powstają, widzę jako kierowane potrzebą adaptacji i transcendencji, a obecność jako warunek, który pozwala nam bezpośrednio spotkać zarówno to, co tożsame, jak i inne. Poświecenie równej uwagi procesowi i formie uważam za kluczowe w arteterapii.
Good practice in arts therapy requires reflection on its very foundations: human health that sets the therapeutic goals and the role of the therapist in the process of healing and an understanding of art that would legitimize its place in therapeutic activities. The concept of health is currently under discussion and the concept of art is inherently open. In all activities understood as auxiliary in the healing process, the primum non nocere principle applies. A thoughtless use of art in therapeutic activities can be harmful. The WHO identifies health as broadly defined well-being allowing satisfactory productivity. In this paper, such understanding of health is discussed and contrasted with an approach that views health as a dynamic state of equilibrium that we owe to the vitality of the processes of homeostasis and allostasis, while recovery is understood as an effective effort taken by the whole body to manage these processes. Such a perspective allows us to see health as both being in “good shape” and the vital ability to strive for the “good shape.” I link the vitality of these processes with the human ability to be present. I see art as a uniquely human experience of the difficult, often painful process of striving for a good form, and the form itself. I call that form “affecting presence” after Robert Plant Armstrong (1971). The creative expressive process that results in the creation and recognition of such forms is seen as driven by striving for adaptation and transcendence. Fulfilling both of these goals requires a presence that enables direct encounter with likeness and otherness. In arts therapy practice, giving equal attention to the process and the affecting presence that issues from it is both its most crucial task and the condition of its success.
Źródło:
Studia Paedagogica Ignatiana; 2021, 24, 4; 117-129
2450-5358
2450-5366
Pojawia się w:
Studia Paedagogica Ignatiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Writing is Fifty Years behind Painting” – William S. Burroughs and the Arts
Autorzy:
Białkowska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1808086.pdf
Data publikacji:
2020-12-28
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
William S. Burroughs
Brion Gysin
visual arts
multi-media projects
Shotgun Arts
Opis:
William S. Burroughs (1914-1997), one of the most controversial American writers of the 20th century, is an example of a "total artist", who does not limit himself to one genre or medium. He is best known for being an experimental writer, the co-creator of the avant-garde, "cut-ups" technique - a variant of collage. His cut-ups, however, were not limited to literature, as he was also the author of musical recordings, experimental videos and various visual art projects. These were collaborative undertaking that the artist carried out with his friends - mainly with  Brion Gysim (painter), Ian Sommerville (electronics technitian and computer programmer) and Anthony Balch (film director). This article discussed William Burroughs' lesse-known works like, The Third Mind, As Pook Is Here, and The Book of Breeething as they are multi-media, interdysciplinary projects, created with the help of popular painters or illustrators, e.g. Bob Gale or Malcolm McNeil, and best demonstrate Burroughs' unconventional approach towards collaboration and the crossing of boundaries between different forms of art. The article also briefly comments on Burroughs' final decision to turn to painting and his eccentric "Shotgun Art".
Źródło:
Forum for Contemporary Issues in Language and Literature; 2020, 1; 93-108
2391-9426
Pojawia się w:
Forum for Contemporary Issues in Language and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Arts-Based Research” w prognozowaniu trendów rozwojowych architektury mieszkaniowej
Arts-Based Research in the prognostication of developmental trends within housing architecture
Autorzy:
Bonenberg, W.
Powiązania:
https://bibliotekanauki.pl/articles/345232.pdf
Data publikacji:
2013
Wydawca:
Politechnika Krakowska im. Tadeusza Kościuszki. Wydział Architektury. Katedra Kształtowania Środowiska Mieszkaniowego
Tematy:
arts-based research
prognozowanie
architektura mieszkaniowa
Arts-Based Research
prognostication
housing architecture
Opis:
W artykule zaprezentowano oryginalną metodę Arts-Based Research , która mogłyby dać przewagę konkurencyjną na rynku dzięki identyfikacji przyszłych trendów rozwojowych architektury mieszkaniowej. Przewaga w zakresie przewidywania przyszłych trendów jest istotnym elementem konkurencyjności we współczesnej architekturze - dotyczy nie tylko projektowania architektonicznego, ale wielu gałęzi przemysłu: producentów materiałów budowlanych, wyposażenia wnętrz, mebli, itp. Przedstawiona metoda jest wynikiem prac naukowo-badawczych prowadzonych na Wydziale Architektury Politechniki Poznańskiej. Jej oryginalność polega na wykorzystaniu działań artystycznych jako operatora heurystycznego w prognozowaniu związanym z architekturą mieszkaniową.
This article presents the original Arts-Based Research method which could give competitive advantage on the market owing to the identification of future developmental trends in housing architecture. Superiority within the scope of predicting future trends is a significant element of competitiveness in contemporary architecture – it not only concerns architectural design but also numerous branches of industry: the producers of building materials, interior design, furniture etc. The presented method is the result of scientific and research work done at the Faculty of Architecture, Poznan University of Technology. Its originality consists in the use of artistic actions as a heuristic operator in forecasting related to housing architecture.
Źródło:
Środowisko Mieszkaniowe; 2013, 11; 47-54
1731-2442
2543-8700
Pojawia się w:
Środowisko Mieszkaniowe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Breaking Down the Walls? Old and New Barriers to Social Cohesion in Arts, Culture and Media. Warsaw, Poland, May 11, 2023
Autorzy:
Sakzewski, Tanya
Powiązania:
https://bibliotekanauki.pl/articles/20311766.pdf
Data publikacji:
2023-10-17
Wydawca:
Polskie Towarzystwo Komunikacji Społecznej
Tematy:
media freedom
culture and arts
Opis:
Report from event: Breaking Down the Walls? Old and New Barriers to Social Cohesion in Arts, Culture and Media; Warsaw, Poland, May 11, 2023
Źródło:
Central European Journal of Communication; 2023, 16, 1(33); 156-159
1899-5101
Pojawia się w:
Central European Journal of Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tańce chłopskie w twórczości graficznej Sebalda Behama w kontekście historycznym, społecznym i kulturowym
Sebald Beham’s Peasant Dances in Historical, Social and Cultural Context
Autorzy:
Łazicka, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/707065.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Hans Beham
graphic arts
grafika
Opis:
The German so-called Little Masters (Kleinmeister) were painter-engravers, active in the first half of the 16th century. They did not form any group or belong to any school, but were direct continuators of Albrecht Dürer’s printmaking. Depending on the author, the term Little Masters has been applied to various artists from this generation, the most significant ones being the three artists from Nuremberg: (Hans) Sebald (1500-1550), Barthel (1502-1540) Beham and Georg Pencz (ca. 1500-1550), as well as Albrecht Altdorfer (1480-1538) and Heinrich Aldegrever (1502-ca. 1555), and the lesser known Hans Brosamer (ca. 1490-1552), Jacob Binck (1494/1500-after 1569) and an anonymous Master IB. The article focuses on Sebald Beham whose biography and works have been repeatedly studied in German and English literature,but only mentioned in Polish publications. As far as his education is concerned, it is possible, but not documented, that he was trained by his brother Barthel and subsequently by Dürer. His life has often been regarded as a rebellious one due to his troubles with the authorities; firstly, when he confessed, together with his brother and Georg Pencz, his disbelief in the holy sacraments and his disrespect for the town council, and secondly, when his book on the proportions of the horse was published before Dürer’s Art of Measurement. In the first case, he was jailed and expelled from Nuremberg for just under a year, whereas after the second scandal he left the city for few months. This prolific artist’s oeuvre encompasses about 250 copperplates, 18 etchings and over 1500 woodcuts, including book illustrations. He was the author of simple and small woodcuts, extremely detailed miniature works in metal created with thin and delicate lines, as well as large woodcuts used as wallpapers. Moreover, the subjects of his prints were varied: Biblical (mostly the Old Testament), mythological, historical (ancient history in particular) and genre scenes (mainly peasants), images of saints, portraits, allegorical representations, coats of arms, decorative and ornamental motifs. My paper deals with Beham’s prints depicting peasant dances and festivals, especially the three series of engravings created in Frankfurt am Main between 1535-1540: Peasant Festival (1537), Peasant Wedding Procession (ca. 1538–1540) and Peasant Festival or The Twelve Months (1546–1547). Although it was Dürer who introduced this genre motif into the graphic arts and inspired his followers, the creation and development of this specific type of representation is ascribed to the Beham brothers. Sebald’s large woodcuts and miniature engravings depicted the villagers’ customs in different ways; taking the audience’s needs into consideration, he developed, changed and re-edited this motif in his prints till the second half of the 16th century, when it began to function as a separate subject. The development of the peasant motif in graphic arts at that time resulted from several factors. First of all, it occurred during a period of interest in the way of life and feasts of this social group. Studies on the past and the first attempts to create a national identity provide an explanation for this fascination, as does the changing atmosphere of Nuremberg secondary to social and religious transformations. The new Lutheran doctrine condemned church holidays as being more secular than religious in character. Kermis, the most popular festival, which celebrated a church’s anniversary or its saint’s day, was often an occasion that provoked numerous sins: blasphemy, drunkenness, anger, lust or adultery, as well as quarrels, brawls and even murders. As a result, the aforementioned feasting became a worrying issue for the town council, which gradually began to cancel some of the festivals; the authorities tried to make both the upper and lower classes aware of the destructive effects of village holidays. Taking the moralistic and didactic character of Beham’s graphic works into consideration, one can assume that the artist expressed recognition as well as critique of this kind of feast. Last but not least, the Peasants’ War also accounted for rising interest in rural life, although it cannot be regarded as a key factor. While most researchers have tried to find only one right interpretation as far as both large woodcuts and the series of miniature engravings depicting peasants are concerned, it seems to me that one should study these works in a wider context, taking their varied contents, symbols and meanings into consideration. These do not have to exclude one another; on the contrary, they can complete each other and help us to understand Beham’s prints better in their historical, social and cultural context. Such an approach gives rise to new possibilities of interpretation.
Źródło:
Rocznik Historii Sztuki; 2014, 39; 191-221
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Filozofická hermeneutika H. G. Gadamera a skúsenosť hermeneutiky náboženstva
Autorzy:
Slivka, Daniel
Powiązania:
https://bibliotekanauki.pl/articles/2140991.pdf
Data publikacji:
2011
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
arts
philosophy
H.G. Gadamer
Opis:
Heidegger thus attempted to give a hermeneutic circle base that would besomething more than just epistemology. His hermeneutics becomes a realontology, which prohibits return to epistemological issues. It is this aporia has become the central problem of philosophical hermeneutics H. G. Gadamer (1900-2002). First introduced to the scientific problem of consciousness essay of 1958,where he developed features of hermeneutical ontology. The essay can be foundin his greatest work, published in 1960 Wahrheit und Methode (Truth andmethod.) The author confirms her ontological universality of understanding, alsocalled the hermeneutic universalism. It follows that understanding as well as theoriginal ontological character of every human life. Hermeneutics is the basicaspects of existence, that it creates in the finiteness and historicity, which make up the sum of his experiences in the world. These aspects make the process ofunderstanding something as universal and constitutive. Another aspect ofGadamer is very important as it relates to historical tradition. "Man is a projectlike this confirmed by Heidegger, but it is brought from the past and is tied is a tradition. Gadamer, in controversy with rehabilitating Enlightenment hermeneutictradition of fertility. Understanding can not be seen as an action organization,rather than the vivid integration into the historical process of transmission in whichpast and present continuously synthesized. "Gadamer explains, so that manexists as a historical phenomenon that it is determined.
Źródło:
Humanum. Międzynarodowe Studia Społeczno-Humanistyczne; 2011, 2(7); 61-69
1898-8431
Pojawia się w:
Humanum. Międzynarodowe Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Średniowieczna retoryka jako czynnik kształtujący sztuki plastyczne. Przegląd podstawowych problemów
Autorzy:
Tabor, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/669748.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
Middle Ages
rhetoric
visual arts
Opis:
In the Middle Age the rhetoric was one of the seven liberal arts. Its position in the medieval culture Has been confirmed by Cassiodor, Isidor of Sevilla, Augustin of Hippona and Martianus Capella. The medieval rhetoric was composedof five parts: inventio (invention), dispositio (disposition), elucutio (elocution), memoria (memory) and pronuntiatio (pronuntiation). Only three of them exertet real influence on the fine arts. Inventio controlled the proces of choice of the ideas, which have benn represented by images in work of arts. Dispositio collocated the images in the whole structure of work of art. Elocutio applicated some rhetorical figure in order to communicate some massages throughout the images. In the Middle Ages existed two sources, which inspired the mediewal rhetoric. The fitst Skurce was the ancien, greek and roman rhetoric , the second – the semitic, biblical rhetoric. In the Bible exist two important literary and rhetorical structures – the parallelism and the centripetal construction. These structures influenced some models of composition of narrative cycles and series of images. Rhetor – a hypothetical personage, educated in trivium and quatrivium and expert in the rhetoric, played important role in the mediewal culture. He collaborated with artist and he applicated the rhetorical methods and rhetorical figure in the creation of works of art.
Źródło:
Analecta Cracoviensia; 2012, 44
2391-6842
0209-0864
Pojawia się w:
Analecta Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Value of Physical Culture in the Group Sportsmen Doing Combat Sports
Autorzy:
Tadeusz, Ambroży,
Waldemar, Makuła,
Dorota, Ambroży,
Adam, Jurczak,
Dariusz, Mucha,
Powiązania:
https://bibliotekanauki.pl/articles/891262.pdf
Data publikacji:
2018-08-17
Wydawca:
Wyższa Szkoła Bezpieczeństwa Publicznego i Indywidualnego Apeiron w Krakowie
Tematy:
physical culture values
martial arts
Opis:
During the research the Scheler value scale has been used with the analysis accent put only on physical culture values. The basic data distribution statistics and the strength of correlations between the values have been evaluated, too. The findings confirm the rank of their previous education and life experiences including the sporty ones in strengthening the adult respondents’ attitudes to the physical culture values.
Źródło:
Kultura Bezpieczeństwa. Nauka – Praktyka – Refleksje; 2016, 21; 273-284
2299-4033
Pojawia się w:
Kultura Bezpieczeństwa. Nauka – Praktyka – Refleksje
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 425

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