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Wyświetlanie 1-15 z 46
Tytuł:
Barthes. Szaleństwo Gradivy
Autorzy:
Ryziński, Remigiusz
Powiązania:
https://bibliotekanauki.pl/articles/2158561.pdf
Data publikacji:
2011
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Barthes
love
madness
psychoanalyses
Opis:
Gradiva is equivalent of love, an image of love, one which is not only an element of imagination, but also enters into what is real. In other words: the image becomes the reali- ty for a moment. Perversion finds its place. The only possible love, says Barthes, is the impossible love. When someone loved is not available but exists as an image and as the image can last forever. The love-desire is always in mad relation with what’s impossible. But this madness is real in the unreal world of not-being together.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2011, 1(1); 33-36
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le silence des fous chez Zola et Maupassant
The silence of the mad in the works of Zola and Maupassant
Autorzy:
Kaczmarek-Wiśniewska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/483614.pdf
Data publikacji:
2017
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
silence
madness
Zola
Maupassant
Opis:
It is difficult to define all the meanings and connotations of silence depicted in literary works. In the 19th century, where the Realism and the Naturalism paid much attention to the study of both physical and mental illnesses, silence was considered as one of the distinctive signs of madness. The paper analyzes four examples of this phenomenon in selected Zola’s and Maupassant’s texts (novels and short stories) whose characters, all mad or maniac, embody various aspects of the silence regarded as a pathological condition of a human being.
Źródło:
Quêtes littéraires; 2017, 7; 73-81
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Heterotopy of the hysterical body
Autorzy:
Mackiewicz, Wojciech
Barański, Jarosław
Powiązania:
https://bibliotekanauki.pl/articles/18105177.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
hysteria
madness
epistemology
philosophy of medicine
Opis:
Heterotopia is the space of otherness, a counter-space. A very specific type of heterotopia is a human’s body, especially in its illness and sickness. Hysteria, the disease which can imitate many other diseases, is here a crucial example. From its ancient beginnings until today hysteria makes us reflect on the essence of illness and disease, on the definition of the human condition, on the social role of a healthy and ill human body, etc. The archeology of hysteria explains how disorders shape medical standards.
Źródło:
Internetowy Magazyn Filozoficzny Hybris; 2021, 53, 2; 1-29
1689-4286
Pojawia się w:
Internetowy Magazyn Filozoficzny Hybris
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Furiosa libido. Ovid on love and madness
Autorzy:
Bielecka, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/1046801.pdf
Data publikacji:
2013-12-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
madness
love
Ovid
women
Ars amatoria
Opis:
This paper presents Ovid’s views on the concept of love madness. Taking Ars amatoria, in particular the distich (1.281–282) in which the poet blames woman’s love fury on her lust as its research material, the paper investigates how the notion in question has been realized in this “textbook for lovers.” There, Ovid uses the mythological figures of women who committed crimes against social rules to illustrate the said concept; the paper, in turn, juxtaposes it with the narratives in Metamorphoses (the stories of Byblis and Myrrha). Additionally, it makes use of the tale of Iphis, a story not included in Ars amatoria which can nevertheless be also treated as illustrative of how madness can overcome enamored women. The paper both contrasts the above mentioned stories with the narratives showing men’s inclinations to insanity caused by passion and examines the notion of love madness in the context and with regard to the style of Ovid’s works.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2013, 23, 2; 141-151
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Luctus est istic tuus,/ crimen novercae. Boskie i ludzkie szaleństwo Heraklesa na podstawie tragedii Eurypidesa i Seneki
Luctus est istic tuus,/ crimen novercae. Divine and human madness of Heracles according to the dramas by Euripides and Seneca
Autorzy:
Karamucka, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1046805.pdf
Data publikacji:
2013-12-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Heracles
Euripides
Seneca
Madness
Suicide
Anger
Opis:
The article aims to examine the tragedies: Ήρακλής μαινόμενος by Euripides and Hercules Furens by Seneca and exactly the different types of the madness, by which the main character is overcome in the above mentioned dramas. Although the article touches also on the issue of the insanity sent to the hero by Hera/ Juno, concentrates especially on the fit of madness, that is here defined as a human madness.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2013, 23, 2; 113-128
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Szalony protagonista Eurypidesowego „Orestesa” w komentarzach scholiastów
Mad protagonist of Eurypidean Orestes in scholiasts’ commentaries
Autorzy:
Czerwińska, Jadwiga
Chiżyńska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1806888.pdf
Data publikacji:
2021-10-12
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Euripides
Orestes
tragedy
madness
mania
scholia
Opis:
Madness is a constant motif in ancient literature. It was often used by playwrights, including the three greatest tragedians of the Classical Greece: Aeschylus, Sophocles and Euripides. One of the most interesting plays dealing with issues of madness is Euripidean Orestes. This play has received numerous commentaries written by scholiasts, who described all aspects of the state of mania. The article is devoted to the analysis of madness and the corpus of texts are scholia describing Orestes’ disease. Commentaries allow us to establish a definition of mania, show its sources and describe its various physical and mental symptoms. The material presented in the article shows how interesting the phenomenon of madness was for the scholiasts.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2021, 31, 1; 63-78
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Opera – między opresją a emancypacją kobiet
Opera: Between the Oppression and Emancipation of Women
Autorzy:
Bogucki, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/889529.pdf
Data publikacji:
2020-06
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
opera
madness
gender
feminism
new musicology
Opis:
The article analyses opera as a place which generates unhealthy excitement in men while being dangerous for women. This is the central theme of Opera, a horror directed by the Italian master of the genre, Dario Argento. The film, which tells the story of a young singer stalked by a madman, may be interpreted as a metaphor for the conservative sexual politics of the opera house. Argento’s work is an excellent introduction to the discussion that swept across American musicology in the early 1990s, about the gender analysis of European musical culture; a discussion that can be summarised in the question: is the opera house a place where women are oppressed or, on the contrary, is it a space for their emancipation?
Źródło:
Didaskalia. Gazeta Teatralna; 2020, 157-158; 1-22
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między ekspresją artystyczną a ekspresją faktu. Jean-Martin Charcot i Aby Warburg wobec ikonografii szaleństwa
Between artistic expression and factual expression: Jean -Martin Charcot and Aby Warburg on the iconography of madness
Autorzy:
Skrabek, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/706973.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Charcot
Warburg
iconography
madness
ikonografia
szaleństwo
Opis:
This paper deals with the relationship between art and medicine. It is concerned with the problem of artistic expression, as well as non-artistic and natural expression, in the context of questions on the genesis of a work of art, the meaning of expression in art, and the influence of visual images on the development of methods of expression. These issues, in which strictly artistic problems are related to the psychology of expression and representation, are raised by the Salpêtrière Hospital’s medical records on hysteria, gathered over the years under the supervision of Dr. Charcot, and depicting female patients in expressive poses. Another example used is the work of one of the most prominent historians of twentieth century art and culture, Aby Warburg, who was fascinated, among other things, by representations of violent sensations and emotional stirrings, mainly those caused by religious experience. An important aspect of the text is the comparison between the methods and interests of both researchers of madness. Another is finding out whether the similarity between the representations of the raving maenads, which for Warburg were a vehicle for expression, and the photographs and drawings of hysterics executed by the employees of Salpêtrière Hospital, leads to the conclusion that these depictions present the same “pathos formulas” recurring in art, and if the convergence between the photographs of Charcot’s patients and the photographs of carvings and images compared by Warburg in Mnemosyne Atlas may be interpreted as artistic formulas of expression. The article is also an attempt to examine how the hospital iconography of hysteria has influenced specific artistic works, in which “medical” expression has undergone a purely artistic transformation.
Źródło:
Rocznik Historii Sztuki; 2014, 39; 109-124
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Twinning Rider Haggard’s Ayesha and Joseph Conrad’s Kurtz
Autorzy:
Warodell, Johan
Powiązania:
https://bibliotekanauki.pl/articles/638888.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
solitude, madness, Congo, imperialism, Christianity, ivory
Opis:
Circumstantial evidence counts as hard fact in the attempt to understand what infl uenced Joseph Conrad’s works. Twenty-seven years ago Allan Hunter boldly argued that Conrad’s Heart of Darkness was, owing to many similar passages and phrases, strongly infl uenced by Rider Haggard’s She. To date, Hunter’s argument has been left unevaluated. This essay highlights similarities between the two antiheroes Kurtz and Ayesha in order to add circumstantial evidence to Hunter’s stated, but relatively unexplored view. This essay does not attempt to prove a direct infl uence, but hopes to show that engaging with this specifi c question of infl uence is worthwhile.
Źródło:
Yearbook of Conrad Studies; 2011, 6, 1
2084-3941
Pojawia się w:
Yearbook of Conrad Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le périple erratique de la mendiante durassienne
The Erratic Journey of the Durassian Beggar
Autorzy:
Ledwina, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2234002.pdf
Data publikacji:
2022-12-29
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
Duras
woman
beggar
wandering
madness
exclusion
pain
Opis:
Marguerite Duras focuses on a rejected individual on the margins of society. Her literary characters oppose being perceived as devoid of autonomy, contesting the fixed model of a submissive and passive woman. On the contrary, they reject the social order and the traditional system of values, claiming the right to freedom and thus demonstrating transgressive female behaviour. Duras’ heroine, a mysterious, crazy person who is looking for love and is aware of her otherness and alienation, appears as a kind of femme fatale or a witch. This image of a “different woman – a disturbing, unhappy, lost, borderline person experiencing a specific crisis – is best illustrated by a beggar. She identifies, par excellence, with the wandering to the lands of perdition and its various readings. Her journey is, at the same time, a sign of dereliction, an attempt at liberation and a quest for identity.
Źródło:
Academic Journal of Modern Philology; 2022, Special Issue, 17; 67-74
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Antonin Artaud ou l’absence à soi-même et l’expérience du vide
Antonin Artaud or the absence to oneself and experimenting the emptiness
Autorzy:
Rougé, Dominique
Powiązania:
https://bibliotekanauki.pl/articles/483628.pdf
Data publikacji:
2011
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
absence
emptiness
Antonin Artaud
madness
Pierre Fédida
Opis:
Concerning Antonin Artaud it has been question of some lack of work but in the article we propose to the reading we are talking about another kind of absence. Indeed, in his correspondence and in the writings of his youth, the poet was complaining to be absent to himself. He was saying that words could not convey what he felt, that he had the impression to be a spectator of himself. Over time, he will say that he was feeling some emptiness in him. Is it to fill this emptiness that he spent his time writing on notebooks and that he had replaced speaking by screaming? As a conclusion to this article, we spend some time thinking about the concepts of absence and emptiness, following some writings of Pierre Fédida.
Źródło:
Quêtes littéraires; 2011, 1; 48-58
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Psychotic phenomena in Euripides’ Heracles
Autorzy:
Stróżyński, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/1045948.pdf
Data publikacji:
2017-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Greek tragedy
Euripides
Heracles
Kleinian psychoanalysis
madness
psychosis
Opis:
The article is an attempt at the psychoanalytic interpretation of the Euripidean Heracles. The theory used to explain psychological phenomena of the play is Melanie Klein’s concepts of the paranoid-schizoid and depressive position, as well as contributions to the understanding of psychotic thinking made by her followers: Hanna Segal, Wilfred Bion, Herbert Rosenfeld, and John Steiner. Characters in the play, in their speech and behaviour, as well as in the chorus’ songs, reveal a significant number of primitive psychological mechanisms, such as splitting, denial, idealisation and projective identification. The analysis of those mechanisms expressed in literary material allows to see the much argued continuity of Euripides’ extraordinary play.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 3; 103-137
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bыбранные pусские и польские фразеологизмы, связанные с безумием и недостатком интеллекта (мотивационно-семантический аспект)
Selected Russian and Polish phraseologisms connected with madness and the lack of intellect (the motivation and semantic aspect)
Autorzy:
Walczak, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/2050895.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
phraseologism
proverb
madness
lack of intellect
semantics
motivation
Opis:
The article deals with the Russian and Polish phraseologisms including some proverbs and sayings describing madness and the lack of mind. The material has been presented with regard to dominating imaginations of madness and stupidity being displayed in the semantics of examined units. These units include – hitting, aside movement, the lack of sensitivity to outer stimuli, the fragmentation of entirety, lack of components, etc.
Źródło:
Linguistica Silesiana; 2018, 39; 315-326
0208-4228
Pojawia się w:
Linguistica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Szaleństwo i literatura. O Dziennikach Stefana Żeromskiego w perspektywie afektywnej
Stefan Żeromski’s Diaries from the Affective Perspective
Autorzy:
Chyła, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/2036668.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stefan Żeromski
madness
creativity
affect theory
private diaries
Opis:
Using the tools offered by affect theory, this article aims to present the theme of madness, its numerous incarnations and transformations in the text of the diaries that Stefan Żeromski left behind. Madness is depicted here as a phenomenon defying any kind of unambiguity; it can be anything from a secret of nature to be deciphered, through a creative frenzy of inspiration, to a state of apathy, sometimes interwoven with sudden ecstasy, triggered by the chronic hunger that Żeromski suffered as a young man, in other words: during his diarist period.
Źródło:
Przestrzenie Teorii; 2021, 35; 155-176
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La visione di mania umana e divina in Platone
The concept of divine and human “mania” in the Platonic dialogues
Autorzy:
Głodowska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1046809.pdf
Data publikacji:
2013-12-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Platonic dialogues
poetic inspiration
philosophic love
prophecy
madness
Opis:
In this article will be discussed the passages of the Platonic dialogues that give information about the way in which the philosopher understood the term “mania”. Particularly important is the reflection on this subject contained in Phaedrus in which different kinds of madness were distinguished and briefly characterized. Especially the essential is the concept of poetic inspiration because it takes an important place in Plato’s theoretical and literary thought. It had also a significant influence on shaping his opinions on the subject of poets and their work. The Plato’s term of poetic inspiration and connected with it the issues of literary output and its reception make the fundamental part of this article.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2013, 23, 2; 97-111
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 46

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