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Wyszukujesz frazę "Adam Lipszyc, Adam" wg kryterium: Autor


Tytuł:
Faith Beyond Doctrines – Faith in Dialogue: Reflection on the Philosophical Anthropology of Milan Machovec
Autorzy:
Kiczek, Paula
Adam Lipszyc, Adam
Sławek, Tadeusz
Powiązania:
https://bibliotekanauki.pl/chapters/990956.pdf
Data publikacji:
2019-02-22
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
atheism
dialogue
postsecularism
Marxist-Christian discussion
responsibility
Opis:
Czech philosopher and dissident Milan Machovec was an initiator of the so-called “Seminars of dialogue” that took place in the early 1960s at Charles University in Prague and were followed by analogical events abroad, mostly in Germanspeaking circles. The meetings were originally meant as a platform for Marxist and Christian dialogue, although the religious and ideological limits were in fact by a long way overstepped. The meetings were attended by Egon Bondy, Milan Opočenský, Jan Sokol, Zdeněk Neubauer, Ladislav Hejdánek, and others. Machovec also established close relations with Erich Fromm and Ernst Bloch. When the process of democratization in Czechoslovakia was brutally stopped in 1968, this so-called ‘normalization’ affected also Milan Machovec. His political opinions and his philosophical point of view – not to mention his dissident activities that were so disturbing to the communist powers – resulted in him being expelled from the university in 1970. Nevertheless, he kept giving lectures in his private apartment and, with the help of the people gathered around him, he built close relations with the Czech Underground. Milan Machovec is an emblematic example of an individual who could be seen today as a promoter of postsecular approaches to all forms of religiosity, starting from those which revealed themselves as ‘political religion’. However, Christianity itself and its worship were also an object of Machovec’s skepticism. According to him, all forms of faith were ‘touched’ with ambiguity due to the disillusion with traditional confession, but also, as far as ‘political religion’ was concerned, religion was affected by distrust resulting from the experience of the totalitarian regime and the post-war crisis of values. Machovec’s way of thinking is far from systematic philosophy, it turns rather towards the Socratic practice of questioning persisting dogmas. His main concern was seeking forms of profound understanding of the spiritual needs of contemporary human beings. The aim of this brief article is to recall the significance of Machovec’s thought in the broad context of postsecularism, as well as to show that his intellectual heritage still remains current nowadays.
Źródło:
The Experience of Faith in Slavic Cultures and Literatures in the Context of Postsecular Thought; 244-255
9788323537175
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Affect Unchained: Violence, Voyeurism and Affection in the Art of Quentin Tarantino
Autorzy:
Lipszyc, Adam
Powiązania:
https://bibliotekanauki.pl/articles/451261.pdf
Data publikacji:
2020-08-05
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
affect
Gilles Deleuze
Jacques Lacan
Quentin Tarantino
spectatorship
Opis:
Abstract: In the first part of the paper the author briefly revisits two of the most important traditions that stand behind the contemporary conceptualizations of affect: the Deleuzian tradition and the Lacanian one. Having pointed to the most important features of the two lines of thinking affect, as well as to certain difficulties that arise within them, the author proceeds to offer his own simple conceptual model that would be operative in thinking about film experience. The model involves feeling, emotion and affect as three distinct phenomena; the concept of “ex-spectator” is introduced in order to account for the crucial difference between emotion and affect. In the second part of the paper, the model is tested against the later films by Quentin Tarantino. The films are presented as “affective”: by skilfully operating with “reflective images” they are able to deconstruct the subject of the ex-spectator into the split-but-real, affected self of the true spectator.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2020, 4, 2; 128-138
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Taking Space Seriously: Tehiru, Khora and the Freudian Void
Autorzy:
Lipszyc, Adam
Powiązania:
https://bibliotekanauki.pl/articles/451559.pdf
Data publikacji:
2018-12-28
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
space
tsimtsum
khora
Freud
anxiety
Opis:
In the first part of the paper the author focuses on the way the great historian and thinker Gershom Scholem understood the Lurianic idea of tsimtsum (i.e. divine contraction as the first act of creation) as the key category of Jewish theology. Next, he combines the conceptual structure emerging from the Scholemian understanding of tsimtsum with Jacques Derrida’s analysis of space. He suggests that the Platonic notion of khora as read by Derrida can be identified with the idea of tehiru, i.e. the void that comes into existence as a result of divine contraction. In the second part of the paper the author extends the equation even further by pointing out how the notion of khora-tehiru can be fruitfully combined with the idea of the “Freudian void,” the space created by the separation of the mother from the child in Freudian analysis of the emergence of the human subject. One of the benefits of such a conceptual merge is that the Scholemian/Derridean/Freudian space thus understood can be seen as permeated with a complex affective and libidinal dynamic. Drawing on various post-Freudian psychoanalytic theorists (Lacan, Klein, Winnicott, Green), the author proceeds to analyze this dynamic, focusing on the notions of mourning, anxiety and desire.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2018, 2, 4(6); 70-81
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Broken Latin, Secret Europe: Benjamin, Celan, Derrida
Autorzy:
Lipszyc, Adam
Powiązania:
https://bibliotekanauki.pl/articles/1930451.pdf
Data publikacji:
2021-12-31
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
Jacques Derrida
Paul Celan
Walter Benjamin
secrecy
literature
Opis:
The author begins by analyzing Walter Benjamin’s quarrel with George Kreis and the respective visions of culture advocated by both sides of the debate. Then, he offers a reading of a poem by Paul Celan in which the poet sides with Benjamin, but also makes his position more complex, ultimately offering a paradoxical figure of “the secret openness” or “open/public secrecy” as a remedy against the “mystery” of the Georgians. This idea can be seen as developed in Jacques Derrida’s understanding of secrecy, which the author proceeds to analyze. The secrecy as a deconstructive rift in the public discourse, a split which tears it open, can be seen as opposed both to the undemocratic mystery and to the seeming openness of globalatinization. After considering the formal, political and (post)religious aspects of secrecy, the author ends with showing how literature as such is the most powerful medium of Derridean secret.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2021, 5, 3; 82-91
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Häm on the Wall: Hamacher, Celan, and Two Simple Questions
Autorzy:
Lipszyc, Adam
Powiązania:
https://bibliotekanauki.pl/articles/19322641.pdf
Data publikacji:
2023-09-30
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
Werner Hamacher
Paul Celan
Walter Benjamin
memory
image
translation
Opis:
The paper is a modest attempt at a careful assessment of Werner Hamacher’s version of deconstruction as a reading strategy which centers upon the idea of the afformative caesura. In order to probe the potential and the possible limits of Hamacher’s strategy, the author presents a Hamacherian reading of one of Paul Celan’s poems, titled “Mauerspruch,” a poem brimming with references to Walter Benjamin’s work. In the first part of the paper the author shows the effectiveness of Hamacherian perspective. In the second part, however, following suggestions of the poem itself, the author shows that the perspective should be extended in order to include two crucial categories: the category of the image and the category of memory. Thus, ultimately, the assessment of Werner Hamacher’s strategy results in a praise and a modest proposal of its amendment.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2023, 7, 2; 93-102
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Differently Married: Revising Wittgenstein, Remembering Bergman
Autorzy:
Lipszyc, Adam
Powiązania:
https://bibliotekanauki.pl/articles/451387.pdf
Data publikacji:
2019-04-30
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
Ludwig Wittgenstein
Ingmar Bergman
language-games
theater
power
iterability
Opis:
In the first part of the paper the author offers a frank reassessment of Ludwig Wittgenstein’s philosophy. He dismisses the Tractatus as philosophically irrelevant but points to the unshaken validity of the main tenents of Wittgenstein’s later philosophy, especially the idea of speech acts being inevitably interwoven with extralinguistic, bodily practices. In the second part the author identifies radical limitations of Wittgenstein’s thought, which he tries to eliminate by combining it with Foucault’s understanding of power and Derrida’s understanding of iterability. The latter link opens the path to viewing language-games as theatrical spectacles. In the third part of the paper the author illustrates the revised model of language-games/spectacles by relating it to two films, Scenes from a Marriage (directed by Ingmar Bergman) and Faithless (written by Bergman and directed by Liv Ullmann). This connection enables the author to enrich the model with an affective dimension which comes to the fore in Bergman’s analysis of the breakup of a marriage.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2019, 3, 1(7); 51-63
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Images to Come: On Showing the Future without Losing One’s Head
Autorzy:
Lipszyc, Adam
Powiązania:
https://bibliotekanauki.pl/articles/451529.pdf
Data publikacji:
2020-04-15
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
Michael Haneke
image
futurity
Walter Benjamin
psychoanalysis
Opis:
The paper discusses the possibility of a cinematic image which represents future catastrophes, while avoiding ideological entrapments and self-serving fantasies. Taking a Japanese ghost story and a brief note by Walter Benjamin as his dual starting point, the author first attempts to define the possible dangers inherent to the very idea of showing the future, the most important being the danger of the premature, cathartic discharge of the spectator’s anxiety in a sadistic/voyeuristic show. After discussion of the mechanisms of this discharge, the author offers an analysis of a positive example, namely Michael Haneke’s Time of the Wolf. According to the analysis, Haneke manages to avoid the traps by constructing reflective images that make the spectators watch themselves as they are searching in vain for the cathartic images of the catastrophe.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2020, 4, 1; 49-56
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Najoryginalniejsza książka o Schulzu, jaką do tej pory napisano (Michała Pawła Markowskiego Powszechna rozwiązłość. Schulz, egzystencja, literatura)
Autorzy:
Lipszyc, Adam
Powiązania:
https://bibliotekanauki.pl/articles/638936.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Schulz Bruno, życie, forma, mit, mesjanizm
Opis:
The most original book on Schulz written so far The paper is a review of Michał Paweł Markowski’s book Powszechna rozwiązłość (Universal promiscuity) devoted to the work of Bruno Schulz. The author acknowledges that certain elements of Markowski’s reading – such as pointing to the links between Schulz and German Romanticism – are of undeniable value. However, the main line of the reading which sets Schulz’s work against the background of Hegel’s and Nietzsche’s philosophy is criticized as shallow and inconsistent. Moreover, whereas the author agrees with Markowski’s criticism of Władysław Panas’s all too theological reading of Schulz, he also tries to show that a more subtle interpretation of Schulz’s work in messianic terms does more justice to it than the one offered by Markowski.
Źródło:
Wielogłos; 2013, 1 (15)
2084-395X
Pojawia się w:
Wielogłos
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Shrimp-Mirror-Stitch, or Voice in Psychoanalysis
Autorzy:
Lipszyc, Adam
Powiązania:
https://bibliotekanauki.pl/articles/2143170.pdf
Data publikacji:
2022-10-31
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
voice
psychoanalysis
subjectivity
body
acoustic mirror
Opis:
The paper is an attempt at a systematic review and a tentative synthesis of the philosophically most relevant theories of voice that are to be found within the psychoanalytic tradition. Beginning with some reflections borrowed from Thomas Ogden, the author proceeds to examine two lines of thinking about voice: the ‘paternal’ line which discusses voice mostly in relation to the superego and the orientation of the self and the ‘maternal’ line which discusses voice in relation to the processes of subjective constitution. Having analyzed selected insights of such authors as Freud, Reik, Isakower and Lacan within the paternal line and Lacan, Anzieu, Rosolato, Vasse, and Abraham&Török within the maternal one, the author attempts to show the common features of many of these diverse takes, focusing especially on the processes of internalization of external voices and on the strange status of voice as both most intimate and alien to us. The closing discussion of Mladen Dolar’s theory opens the way to a synthetic view of voice as the paradoxical kernel of human subjectivity.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2022, 6, 2; 37-50
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Experience of Faith in a Postsecular Context
Autorzy:
Obirek, Stanisław
Lipszyc, Adam
Sławek, Tadeusz
Powiązania:
https://bibliotekanauki.pl/chapters/979158.pdf
Data publikacji:
2019-02-22
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
religion
religious experience
postsecularism
change of paradigm
belief and disbelief
Opis:
The concept of religion and of the divine is very complex; in fact, it is a human construction which is closely related to culture and its development. This is particularly clear when we consider dynamic changes in religious institutions, the Catholic Church included. The same should be said about religious experience. The religious experience was defined by William James at the beginning of the twentieth century in his classic book, The varieties of religious experience. At the beginning of the twenty-first century, Charles Taylor took up some of James’ ideas in his book Varieties of religion today. The religious context of time is present in both books, which were the outcome of the Gifford Lectures delivered at Edinburgh University. In traditional descriptions of religious phenomena, atheism and disbelief were usually not taken into account; however, the last two decades have brought a radical change. In this paper I will try to demonstrate that the postsecular context by the end of second decade of the twenty-first century gives us a new opportunity to define religious experience that allows us to overcome the traditional tension between religious and secular worldviews. I will even propose that it is possible to speak about a new paradigm in religious studies.
Źródło:
The Experience of Faith in Slavic Cultures and Literatures in the Context of Postsecular Thought; 50-65
9788323537175
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Introduction
Autorzy:
Sosnowska, Danuta
Lipszyc, Adam
Sławek, Tadeusz
Powiązania:
https://bibliotekanauki.pl/chapters/984622.pdf
Data publikacji:
2019-02-22
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Źródło:
The Experience of Faith in Slavic Cultures and Literatures in the Context of Postsecular Thought; 7-22
9788323537175
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Unorthodox Experience of Faith in Ivan V. Lalić’s and Miodrag Pavlović’s Poetry: A Comparative Study
Autorzy:
Maszkiewicz, Magdalena
Lipszyc, Adam
Sławek, Tadeusz
Powiązania:
https://bibliotekanauki.pl/chapters/985653.pdf
Data publikacji:
2019-02-22
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
postsecular studies in literature
unorthodox
experience
Serbian poetry
Lalić
Pavlović
Opis:
The paper aims to present two models of unorthodox Christianityrelated religious experience in the poetry of two twentieth-century Serbian authors: Ivan V. Lalić (1931–1996) and Miodrag Pavlović (1928–2014). In their works, both poets reflect on the existential situation of contemporary humans by reinterpreting cultural texts from antiquity to modern times. This paper is a comparative analysis of their poems that refer to Christian texts, including the Bible as well as Byzantine and Orthodox literature. In Lalić’s poetry, especially in the books The letter/The writing (Pismo, 1992) and The four canons (Četiri kanona, 1996), God is presented as capricious and unpredictable, yet silent and mostly absent. The lyrical subject feels doubt, enhanced by the experience of death and evanescence; nevertheless, love inspires him to constantly search for a relationship with God. However, the effort of faith seems to have only one direction and depends exclusively on the subject’s will. Pavlović plays an ironic game in his works with Christian texts of culture, especially in the book The bright and the dark holidays (Svetli i tamni praznici, 1971), in which the sacred constantly mixes with the profane. The rebellious and blasphemous approach to Christian texts that is represented by the lyrical subject is not a mere negation of the traditional idea of holiness. Most of all, it can be understood as an attempt not only to overcome classical oppositions in thinking about the world and humanity, among which there is a dichotomy between the immanent and the transcendent, but it is also an attempt to rearrange the whole of reality. In poems by Lalić and Pavlović, modern consciousness is in throes with the experience of transcendence.
Źródło:
The Experience of Faith in Slavic Cultures and Literatures in the Context of Postsecular Thought; 166-177
9788323537175
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Experience of Faith in Czech Literature after the Turn of 1989 on the Example of Angel by Jáchym Topol and Mefitis by Martin Komárek
Autorzy:
Sosnowska, Danuta
Lipszyc, Adam
Sławek, Tadeusz
Powiązania:
https://bibliotekanauki.pl/chapters/985674.pdf
Data publikacji:
2019-02-22
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
postmodernism
anticlericalism
postsecularism
antiecclesiasticism
invisible religiosity
Czech literature
Opis:
After the turning point of 1989, the subject of religiosity was undertaken in Czech literature by the younger generation of writers born in the 1960s. Their presence on the literary scene was noticed at the time and described as a distinctive phenomenon. These writers dealt with religious ideas in a way that ignored Catholic dogmas, religious tradition and the instructions of the Church; they also mixed together religious threads derived from foreign cultures and cults, including non-European ones. These tendencies, as well as the characteristic literary forms preferred by the writers, such as pastiche, parody and irony, justified a postmodern interpretation of this literary topic. The postmodern reading, which is still popular, could be also related to the widespread millenarian moods of the 1990s. My paper aims to present a different interpretation of this phenomenon using the framework of postsecular thought. In this approach, the non-doctrinal, non-traditional descriptions of religious experience which can be found in Czech literature of the 1990s turns out to involve peculiar contact with the transcendental sphere, or a struggle for such contact, or an expression of metaphysical yearnings. The issue is raised of how such religious expressions belong to the modern experience of faith and how they belong to the Czech tradition of religiosity. In addition, two novels by Czech writers are analyzed as an example of the postsecular approach to the issue: Angel by Jáchym Topol and Mefitis by Martin Komárek.
Źródło:
The Experience of Faith in Slavic Cultures and Literatures in the Context of Postsecular Thought; 256-268
9788323537175
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Secular, the Sacral, and the Three Stages of the Postsecular in Russian Literature: The Past and the Present
Autorzy:
Pospíšil, Ivo
Lipszyc, Adam
Sławek, Tadeusz
Powiązania:
https://bibliotekanauki.pl/chapters/985675.pdf
Data publikacji:
2019-02-22
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
pre–post effect
unfinished secularization in Russia
three waves of postsecularism in Russian literature
Opis:
This article deals with the general problems of the secular and postsecular, but mainly with the specific features of Russian cultural and literary development characterized by the conception of the pre–post effect (the imperfect imitation of Western models that leads to new artistic revelations) and by unfinished secularization, the consequence of which is the permanent presence of sacral elements. In Russian literature, there are three stages of postsecularism that are related to romanticism, modernism and postmodernism; these are demonstrated on the examples of two case studies (Bondarev, Vodolazkin). The general characteristics of Russian postsecularism are closely related to the typical Russian unfinishedness, incompleteness and openness, thus indicating a new development potential that leads to new poetics and constituted artifacts.
Źródło:
The Experience of Faith in Slavic Cultures and Literatures in the Context of Postsecular Thought; 178-188
9788323537175
Dostawca treści:
Biblioteka Nauki
Artykuł

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