Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "zespoły staromiejskie" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Kierunek naszej ochrony zabytków
TRENDS IN THE PROTECTION OF HISTORIC MONUMENTS IN POLAND
Autorzy:
Rymaszewski, Bohdan
Powiązania:
https://bibliotekanauki.pl/articles/536195.pdf
Data publikacji:
1978
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
znaczenie ochrony dóbr kultury
dobro kultury
zabytek
dobro kultury narodowej
dzieło narodowe
zespoły staromiejskie
Opis:
A popularization and publicistic campaign to protect historic monuments in Poland is carried oat on a large scale. The work done in the field o f monuments’ protection is now much bigger than ever before, although one could think otherwise when considering critical opinions found in press, television and radio. The thing is that in previous years publicists aimed at displaying achievements and not criticism. Moreover, the subject o f conservators’ interest has been extremely broadened to include objects dating from the second half o f the 19th century and the beginnings o f the 20th, and even from the inter-war period. An intensified rate o f building in Poland, and also a great increase in new space automatically changes quantitative relations between „the new” and „the old”. An impetus o f modern investments creates occasional collisions when modernness enters protected zones, and because o f that it is necessary to deviate from passive protection, based on a ban only, in favour o f active protection characterized by solutions offered. This requires a close link between thinking and humanistic and technical knowledge. Favourable conditions are being created by a fully formed all-Poland organizational system. It combines closely actions o f the Ministry o f Culture and Arts and other departments, Voivodship Conservators o f Historic Monuments with museums, Workshops o f Historic Monuments’ Conservation, „Desa”, Centre o f Monuments’ Documentation and field Offices o f Monuments’ Research and Documentation. It also links research undertakings with practical ones carried out by higher schools, scientific and research institutes, museums, etc. A conducive role is played by a long-standing principle o f regarding museums as links in monuments’ protection working under special conditions. Following changes in an administrative division o f the country there has occurred a marked increase in conservation services as well as a wider involvement o f museums in works on protection. At present, there are in Poland 49 Voivodship Conservators o f Historic Monuments, 5 Municipal and 36 Voivodship Offices o f Monuments’ Research and Documentation. Apart from that, four museum directors perform functions o f conservation authorities with regard to architectonic complexes, folk culture, technology, etc. In 1976 the Conservator General initiated a country-wide programme o f protecting cultural values and develpoing museums. Basing on guidelines set out by the Main Board o f Museums and Historic Monuments’ Protection, Voivodship Conservators o f Monuments presented in 1977 their voivodship programmes. The programmes were then assessed by Voivodship Councils o f Cultural Values’ Protection; in 1978 they will be confronted and made precise in regional and specialistic groups (e.g. those engaged in ethnographic parks, old-towi complexes, monuments o f water engineering, etc.). In conservation practice each decision should be accompanied b) a doubt whether we wish to display a historic monument in its old or present condition. It is not possible to set out one and univocal principle o f procedure. Only to some extent it may be replaced by flexibility and a rule that values o f any monument and its environment should be examined thoroughly prior to any physica1 undertaking. A programme o f protection should also be treated as a principal guideline only, based on an assessment o f the state o f possession and a specification o f probable possibilities o f its use. One o f the main interests o f conservation services in Poland b a traditional care for old-town centres. A need to reconstruct whole complexes, bom as a result o f great devastations, brought about a cooperation between many specialists. The specific approach to programmes, based on broad studies, to mention only historic, archaeological or architectonic research works and closely linked with spatial development, gave rise to the principle o f complexity, o f which the „Polish conservation school” boasts. In the last two years it was possible to work out restoration programmes for more than 70 towns. The programmes were presented in 1977 at two all-Poland sessions at Rzeszów and Toruń. The hitherto experience shows that restoration programmes should be assessed from two points o f view: functional and spatial, from both a historic and modern standpoint. Against a wide-spread opinion that all monuments have to be rebuilt and that a notion o f „historic ruins” is only a condition o f waiting for the next stage o f execution, it is thought now to secure the so-called „premanent ruins” , provided that the condition o f the object, i.e. devastation in per cent, or its age do not qualify it for restoration. Monuments o f the history o f technics are also covered by protection; there is even a programme o f protecting technical monuments and developing relevant museology. A number of active protectors o f monuments shows also an upward trend. A few-years-old campaign o f appropriating historic buildings for rest houses, carried out already for a number o f years, as well as the 1976 competition for the best user o f historic building cultivate a sense o f cultural needs in the society and contribute directly to increasing the interest o f various social circles in the protection of historic buildings.
Źródło:
Ochrona Zabytków; 1978, 4; 215-220
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Historia – kontekst – tożsamość. Powojenna odbudowa i dekoracja Starego Miasta w Olsztynie
History – context – identity. Post-war restoration and decoration of the Old Town in Olsztyn
Autorzy:
Wawrykiewicz, Leszek
Powiązania:
https://bibliotekanauki.pl/articles/1927097.pdf
Data publikacji:
2019
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
powojenna odbudowa
Stare Miasto w Olsztynie
zabytkowe zespoły staromiejskie
program odbudowy
rekonstrukcja
projektowanie
wartość artystyczna
dekoracja plastyczna
sgraffito
post-war reconstruction
Old Town in Olsztyn
historic Old Town complexes
rebuilding programme
reconstruction
design
artistic value
artistic decoration
Opis:
Artykuł jest kolejnym przyczynkiem do badań nad fenomenem powo¬jennej odbudowy polskich miast w formach historycznych i historyzu¬jących. W pracy podjęto próbę zarysowania mało znanych aspektów skomplikowanego i wielowątkowego procesu projektowania odbudowy Starego Miasta w Olsztynie po zniszczeniach 1945 roku oraz uzupełnienia dotychczasowego stanu badań w tym zakresie. Poruszono także problem oceny wartości architektury z okresu powojennej odbudowy staromiejskiej dzielnicy Olsztyna. W powojennej odbudowie miast rysuje się wyraźna dwoistość – odtwarzano średniowieczny układ urbanistyczny i jednoczenie realizowano założenia urbanistyki nowoczesnej. Odbudowę Olsztyna trudno nazwać rekonstrukcją, jego historyczna struktura została bowiem istotnie zmieniona. Patrząc jednak na realizacje późniejsze – modernistyczne oraz w duchu retrowersji – przyznać trzeba, że przyjęte wtedy założenia odbudowy w formach historyzujących okazały się z dzisiejszej perspektywy słuszne. Autorom takiej koncepcji udało się bowiem zachować „obraz” dawnego miasta. Kontekst historyczny, społeczno-kulturowy, polityczno-ekonomiczny i wreszcie architektoniczny miał niewątpliwy wpływ na kształt programu odbudowy tej dzielnicy staromiejskiej, a zrealizowana z niemałym trudem zabudowa stała się nośnikiem istotnych wartości. Wyróżnikiem olsztyńskiego Starego Miasta na tle innych odbudowanych ośrodków jest najbardziej współczesny charakter dekoracji plastycznych – specyficzne połączenie stylizowanej architektury o formach historyzujących ze sztuką już na wskroś nowoczesną, której cechy formalne w pełni odzwierciedlają współczesne tendencje rysujące się w plastyce lat 60. XX wieku. Wartością dekoracji staromiejskich, wykonanych głównie w technice sgraffito, jest zarówno indywidualny program tematyczny, jak i oryginalna forma plastyczna o współczesnym wyrazie artystycznym.
This article is another contribution to research on the phenomenon of post-war reconstruction of Polish cities in historical and historicizing forms. The article attempts to highlight little-known aspects of the com¬plex and multi-task process of designing the reconstruction of the Old Town in Olsztyn after it was destroyed in 1945 and to fill gaps in the relevant research. It also examines the problem of valuation of the post-war architecture of the reconstructed Old Town District in Olsztyn. In towns and cities rebuilt after the war, there is a clearly visible duality – on the one hand, their restorers reconstructed the medieval urban layout, on the other hand, they aimed to achieve the objectives of modern urban planning. Olsztyn was rebuilt rather than reconstructed, because its historical structure was altered significantly. However, considering the subsequent projects – modernistic and in the spirit of retroversion – it must be admitted that, from today’s perspective, the then formulated objectives to rebuild the city in historicizing forms proved to be justified. This is because the authors of that concept managed to preserve the “image” of the pre-existing town. The historical, socio-cultural, political, economic and last but not least architectural context had an unquestion¬able impact on the nature of the old town reconstruction programme. The resulting built-up area, which required so much effort to recreate, embodies essential values today. What distinguishes the Old Town in Olsztyn from other rebuilt old towns is the most contemporary character of artistic decorations – stylized, historicizing architecture was specifically combined with art that was already thoroughly modern and whose formal features fully reflected the dominant trends in visual arts of the 1960s. The value of old-town decorations, produced mainly in the sgraffito technique, arises both from a specific range of themes and from their original artistic form, which is characterized by contemporary aesthetics.
Źródło:
Ochrona Zabytków; 2019, 1; 73-112
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies