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Tytuł:
A Vicious Circle: How Canon Continues to Reinforce Sex Segregation in Literature in the 21st century
Błędne koło, czyli jak kanon literacki wymusza segregację płciową w literaturze XXI wieku
Autorzy:
Miernik, Mirosław
Powiązania:
https://bibliotekanauki.pl/articles/572004.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
women's writing
canon
canon formation
sexism
Opis:
Artykuł omawia sposób, w jaki podział na literaturę męską i kobiecą jest podtrzymywany w kanonie literatury anglosaskiej w XXI w. Literatura kobieca jest nadal postrzegana jako gorsza i wtórna w stosunku do literatury pisanej przez mężczyzn i dla mężczyzn oraz powszechnie klasyfikowana jako literatura popularna. Artykuł podaje przykłady takiej redukcjonistycznej krytyki, dokonuje statystycznego przeglądu obecności kobiet na listach mających ustanawiać „najlepsze” powieści w historii bądź w XX wieku i analizuje częstotliwość kategoryzowania pisarzy w Wikipedii pod kątem płci.
This article demonstrates how sex segregation is still present in the canon of Western literature in the 21st century. It draws on the historical roots of the belief that male literature is qualitatively better than female literature and analyzes the various ways in which this view is reproduced by the canon and canon formation itself. The argument is based on a statistical survey of several lists trying to present the “best novel” or “works of fiction” that were published around the turn of the millennium, both those prepared by readers as well as by critics and authors, and it takes note of the tendency of people from the literary establishment to neglect female authorship. A survey of how male and female authors are categorized on the Wikipedia is also included. The article then focuses on such problematic issues as dismissing works written by women as popular and the role the publishing industry plays in this practice.
Źródło:
Acta Philologica; 2015, 47; 85-96
0065-1524
Pojawia się w:
Acta Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Il femminile in Carmine Abate
The feminine in Carmine Abate
Autorzy:
KARP, KAROL
Powiązania:
https://bibliotekanauki.pl/articles/466122.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydział Artes Liberales
Tematy:
Carmine Abate
women's writing
female figure
maternity
madness
Opis:
Nel panorama della letteratura italiana contemporanea Carmine Abate (1954), occupa una posizione rilevante. Nel 2012 l’autore è stato vincitore del prestigioso Premio Campiello, assegnatogli per il romanzo La collina del vento (2012). Abate, di origine arbëresh, cioè italo-albanese, viene al mondo in un villaggio calabrese chiamato Carfizzi, in cui vivono tuttora i discendenti degli albanesi fuggiti in Italia dall’oppressione turca nei tempi medievali. A quanto pare si potrebbe azzardare l’ipotesi che il carattere ibrido della cultura in cui cresce, fortemente influenzata dalle radici albanesi, faccia sì che la sua produzione sia tematicamente compatta. In essa campeggiano alcune strutture utilizzate in modo ripetitivo che la rendono omogenea: l’emigrazione, il problema dell’identità, la questione della lingua, il viaggio, l’immagine del paese albanese ancorato fra presente e passato. Tra altri motivi significativi che caratterizzano la sua scrittura occorre non dimenticare quello del femminile. Per averne la visione più ricca possibile si è scelto di analizzarlo nell’ottica dell’atteggiamento di varie protagoniste abatiane verso la cultura, in quanto proprio il concetto di cultura costituisce il perno della poetica dell’autore. Esso, di carattere pluridimensionale, si dimostra un mezzo metodologico adatto per scorgere il quadro del femminile delineato nelle opere abatiane.
Źródło:
Planeta Literatur. Journal of Global Literary Studies; 2015, 1. Trans-Adriatic. Fluxes, diasporas and displaced cartographies between Italian and Balkan Peninsula; 21-33
2392-0696
Pojawia się w:
Planeta Literatur. Journal of Global Literary Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Memorable Fiction. Evoking Emotions and Family Bonds in Post-Soviet Russian Women’s Writing
Autorzy:
Rytkönen, Marja
Powiązania:
https://bibliotekanauki.pl/articles/437106.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
emotion
generation
memory
narrative
post-Soviet women’s writing
Russian women’s writing
Opis:
This article deals with women-centred prose texts of the 1990s and 2000s in Russia written by women, and focuses especially on generation narratives. By this term the author means fictional texts that explore generational relations within families, from the perspective of repressed experiences, feelings and attitudes in the Soviet period. The selected texts are interpreted as narrating and conceptualizing the consequences of patriarchal ideology for relations between mothers and daughters and for reconstructing connections between Soviet and post-Soviet by revisiting and remembering especially the gaps and discontinuities between (female) generations. The cases discussed are Liudmila Petrushevskaia’s ‘povest’ Vremia noch [The Time: Night] (1991), Liudmila Ulitskaia’s novel Medeia i ee deti [Medea and her Children] (1996) and Elena Chizhova’s novel Vremia zhenshchin [The Time of Women] (2009). These novels reflect on the one hand the woman-centredness and novelty of representation in women’s prose writing in the post-Soviet period. On the other hand, the author suggests that they reflect the diverse methods of representing the Soviet era and experience through generation narratives. The texts reassess the past through intimate, tactile memories and perceptions, and their narration through generational plots draws attention to the process of working through, which needs to be done in contemporary Russia. The narratives touch upon the untold stories of those who suffered in silence or hid the family secrets from the officials, in order to save the family. The narration delves into the different layers of experience and memory, conceptualizing them in the form of multiple narrative perspectives constructing different generations and traditions. In this way they convey the ‘secrets’ hidden in the midst of everyday life routines and give voice to the often silent resistance of women towards patriarchal and repressive ideology. The new women’s prose of the 1980s–90s and the subsequent trend of women-centred narratives and generation narratives employ conceptual metaphors of reassessing, revisiting and remembering the cultural, experiential, and emotional aspects of the past, Soviet lives.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2012, 2, 1; 59-74
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Franchir les frontières territoriales et identitaires à travers l’expérience sexuelle : La Retournée (2002) de Fawzia Zouari et Les Nuits de Strasbourg (1997) d’Assia Djebar
Crossing the Territorial and Identity Borders Through Sexual Experience: La Retournée (2002) by Fawzia Zouari and Les Nuits de Strasbourg (1997) by Assia Djebar
Autorzy:
MANSUETO, CLAUDIA
Powiązania:
https://bibliotekanauki.pl/articles/466140.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydział Artes Liberales
Tematy:
Assia Djebar
Fawzia Zouari
Maghrebian literature
women's writing
female body
Opis:
À bâtons rompus contre l’intégrisme machiste qui étouffe les revendications féminines, les auteures maghrébines contemporaines luttent pour récupérer leur identité ensevelie, dévoilent leur intimité pour vaincre le silence, ce mutisme qui tue, jour après jour, l’espoir et la dignité. Née après la fin de la longue colonisation occidentale, la littérature féminine francophone aborde une pluralité de thématiques : la problématique de l’exil, la violence domestique, le machisme souterrain, qui alimente les préjugés d’une société nord-africaine postcoloniale et postmoderne de plus en plus désorientée et le réveil du corps féminin.
Źródło:
Planeta Literatur. Journal of Global Literary Studies; 2014, 2. Assia Djebar and woman writing / Assia Djebar et l'écriture au féminin; 1-15
2392-0696
Pojawia się w:
Planeta Literatur. Journal of Global Literary Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La consciencia estratégica del discurso: acerca de Las Cartas de Madre María de Jesús de Ágreda al rey Felipe IV
The Strategic Awareness of the Discourse - On the Letters of Mother Mary of Jesus of Ágreda to Philip IV of Spain
Autorzy:
LEWANDOWSKA, JULIA
Powiązania:
https://bibliotekanauki.pl/articles/466138.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydział Artes Liberales
Tematy:
women's writing
nuns' writing
María de Jesús de Ágreda
epistolography
female literary authorship
Opis:
En la reflexión que sigue me gustaría apoyarme en el concepto de ‹‹la conciencia estratégica del discurso›› con el que Myriam Díaz-Diocaretz se refiere a la subversión inscrita en el uso femenino de la escritura. Una subversión que consiste en el uso público de la palabra escrita, en percibirse a sí misma como autora, y no en el simple hecho de escribir, (1993: 98-103). Desde esta noción plantearé la lectura crítica de unos escritos escogidos de María Fernández Coronel y Arana (1602- 1665), conocida por su nombre de religión: María de Jesús de Ágreda, en un análisis que comprende no sólo lo que escribía ―el artefacto textual― sino también el cómo y el por qué de esta escritura. A la vez quiero subrayar que la lectura que aquí propongo constituye un punto de partida para un estudio mucho más amplio y de un corpus comparativo extenso con los cuales espero profundizar en el tema de las escritoras monjas.
Źródło:
Planeta Literatur. Journal of Global Literary Studies; 2014, 2. Assia Djebar and woman writing / Assia Djebar et l'écriture au féminin; 57-72
2392-0696
Pojawia się w:
Planeta Literatur. Journal of Global Literary Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czy popularna powieść kobieca może być powieścią społecznie zaangażowaną? Kilka refleksji o tematach, gatunkach i stereotypach
Can a popular women’s novel be socially committed? A few remarks on themes, genres and stereotypes
Autorzy:
Darska, Bernadetta
Powiązania:
https://bibliotekanauki.pl/articles/511207.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
women’s writing
commitment
promotion
media image
Opis:
The article aims to present the themes of popular contemporary women’s novels. The contexts for the analyses are stereotypes of sex and commercial expectations. The marketing strategy of the publishers and authors is important as well as the changing rules about creating the image of an author by the media. Pretending social involvement in popular women’s novels is connected with marketing strategies and the need to refer to popular subjects is of secondary importance. What is important, however, is the literary awareness of the authors and the capacity of recognizing the place of one’s own creativity on the map of pop culture.
Źródło:
Postscriptum Polonistyczne; 2017, 2 (20) Oblicza kobiecości; 43-62
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miasto jako wrażenie wzrokowe – doświadczenia polskich emigrantów
City as a Visual Impression: Experiences of Polish Emigrants
Autorzy:
Karwowska, Bożena
Powiązania:
https://bibliotekanauki.pl/articles/951570.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
city
visual experience
women’s writing
Polish literature
Opis:
This article discusses visual experiences of new immigrants as recorded in literary works by Polish writers. Arrival in a new country was often connected with life in a city built according to unfamiliar plans and principles. This, in turn, resulted in confusion, loss, and longing for the home country.
Źródło:
Białostockie Studia Literaturoznawcze; 2014, 5
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Дигитална хуманистика и завере (не)читања. Пројекат Књиженство, теорија и историја женске књижевности на српском језику до 1915. године
Digital Humanities and Conspiracies of [Non]Reading
Autorzy:
Дојчиновић, Биљана
Powiązania:
https://bibliotekanauki.pl/articles/951728.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
innovation
digital humanities
literary theory
women’s writing
women writer
Opis:
The article tries to answer the following question: “what is the potential of digital data bases in research of the history and theory of marginal literatures”, that is, in the research of women’s writing? The focus of the text is on the data base Knjiženstvo, as well as on the complete project Knjiženstvo, theory and history of women’s writing in Serbian language until 1915 which connects its topic with European context in an innovative way.
Źródło:
Poznańskie Studia Slawistyczne; 2016, 11; 321-333
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La forza del silenzio. Dalla Filomela di Ovidio a Lisario di Antonella Cilento
The Power of Silence. From Ovid’s Philomela to Lisario by Antonella Cilento
Autorzy:
Antelmi, Gerardina
Powiązania:
https://bibliotekanauki.pl/articles/1048388.pdf
Data publikacji:
2018-11-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antonella Cilento
Philomela
contemporary Italian women’s writing
women’s voice
Opis:
The present article examines how Antonella Cilento reinvents the myth of Philomela in Lisario o il piacere infinito delle donne, Premio Strega finalist (2014) and winner of Boccaccio Prize (2014). After evidencing the narrative aspects of Ovid’s myth – the rape; the cutting out of the tongue depriving the raped woman of her voice; the expression of the violence she experienced – the analysis focuses on how Cilento overturns the myth by interweaving Ovid’s tale with the topos of Sleeping Beauty. Despite her silencing, Lisario discovers and appropriates the pleasure that can be drawn from her body. The paper concludes by considering how the protagonist finds new and non violent ways to express herself and relate to future generations of women.
Źródło:
Studia Romanica Posnaniensia; 2018, 45, 3; 95-107
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Neera e il concetto della “Donna Nuova” dell’Italia postunitaria
Neera and Her Concept of the “New Woman” in Unified Italy
Neera I Jej Koncepcja „Nowej Kobiety” W Zjednoczonych Włoszech
Autorzy:
Cilloni-Gaździńska, Giulia
Powiązania:
https://bibliotekanauki.pl/articles/2076633.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Neera
New woman
Italian woman
Italian women’s writing
women writers
Opis:
The present article sheds light on the development of the model of femininity within the unification process of the new, united Italian state. In the new socio-economic reality the “women’s question” acquired fundamental significance, initiating debate on the concept of the “New Woman”, in other words a new feminine model to be redefined. An especially important aspect of the phenomenon described, is the contribution of women which, as demonstrated here using the example of the Milanese writer Anna Zuccari Radius, pseudonym Neera, provides an alternative perspective to the concepts propagated by the official culture.
Źródło:
Kwartalnik Neofilologiczny; 2016, 2; 244-252
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Generation, Transformation and Place in Inga Iwasiów’s Novels Bambino (2008) and Ku słońcu (2010)
Generacja, transformacja i miejsce w powieściach Ingi Iwasiów Bambino (2008) i Ku słońcu (2010).
Autorzy:
Phillips, Ursula
Powiązania:
https://bibliotekanauki.pl/articles/437195.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
Polish women’s writing
Inga Iwasiów
postdependency studies
generation
memory
Opis:
This paper discusses two novels by contemporary writer Inga Iwasiów (b. 1963), Bambino (2008) and Ku słońcu [Towards the Sun] (2010), in the context of geopolitical, ideological, social and psycho-cultural transformations as they specifically affect different generations of inhabitants of the Polish city of Szczecin (pre-1945 German Stettin) from 1945 until the first decade of the 21st century. Bambino covers the years 1945–1981, but also contains flashbacks to pre-war memory of Stettin and to the suppressed experiences of the new post-war inhabitants, as well as ‘flash-forwards’ to post-1989, post-communist reality; Ku słońcu covers 1981 to the first decade of 2000s. It shows how the novels portray these transformations through the experience primarily of women (but not only) — in Bambino, through the main protagonists: Ula (formerly Ulrike), Anna and Marysia, and through that of the hidden narrator Magda (Marysia’s daughter born in the same year as the author, Iwasiów, 1963); and in Ku słońcu, primarily through the experience of Magda herself, as well as through that of two generations of ‘feminist’ academics: Małgorzata and Sylwia (in which it is hard not to perceive the personal experience of the author, though she is at pains to emphasize elsewhere that her work is a collective biography of the city, not so much of herself). The analysis follows Katarzyna Chmielewska’s supposition that contemporary Polish fiction dealing with the past ‘constantly oscillates between memory and genealogy’, and that it raises raw issues not yet addressed by historians; it also derives inspiration from the new ‘postdependency’ studies proposed by Hanna Gosk and Ryszard Nycz. It also attempts to capture the specific nature of Iwasiów’s use of language, her style of feminism, her method of portraying place, and the connections in her prose between place and memory.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2012, 2, 1; 17-35
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nelly Arcan, une postféministe?
Nelly Arcan, a postfeminist author?
Autorzy:
Berek, Ewelina
Powiązania:
https://bibliotekanauki.pl/articles/1053624.pdf
Data publikacji:
2020-12-28
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Nelly Arcan
women’s writing
femininity
contemporary Quebecer literature
postfeminism
Opis:
The article proposes to reconsider the place taken by Nelly Arcan’s work in the women’s and feminist thinking in Quebec in the last years. The author discusses the concepts like the passivity of writer’s main characters, her conception of femininity and the fatalism which characterize her female characters. The aim of the article is to shed light in Nelly Arcan’s vision and renewal of the contemporary Quebecer literature. Her intimate, provocative, furious and dark novels bring out the deadlock on the women’s thinking nowadays and challenge the achievements of the claims of the feminist movements.
Źródło:
Romanica Silesiana; 2020, 18, 2; 30-45
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Esej, kobieta, autobiografia – hipotezy na marginesie analizy Przeźroczy Marii Kuncewiczowej
Essay, women, autobiography – hypotheses on margins of Maria Kuncewiczowa’s Przeźrocza
Autorzy:
Lisak-Gębala, Dobrawa
Powiązania:
https://bibliotekanauki.pl/articles/1386032.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
essay
autobiography
women essay
women writing
Kuncewiczowa Maria
Italian journey
esej
autobiografia
eseistyka kobiet
literatura kobiet
podróże do Włoch
Opis:
Artykuł stanowi próbę rozpatrzenia późnego tomu eseistycznego Marii Kuncewiczowej pod tytułem Przeźrocza w kontekście pisarstwa eseistycznego widzianego przez pryzmat gender studies oraz w kontekście związków eseistyki z autobiograficznością. Projekt eseistyczny zaproponowany przez Kuncewiczową powiązany jest z rezygnacją z autobiograficzności na rzecz własnej wersji senilnego eseju kobiecego, czyli tekstu migawkowego, antyerudycyjnego, w którym dominuje specyficzna formuła metaforyzmu jako kodowania sensów metafizycznych w ramach opisywania codziennych konkretów.
The article describes the late essays by Maria Kuncewiczowa entitled Przeźrocza (Slides) in the context of the essay regarded through the prism of gender studies and in the context of the relations between essay and autobiography. The essayistic project by Kuncewiczowa is connected with abandoning the autobiographical aspect and choosing her original version of senile feminine essay understood as the sketchy, anty-erudite text, which is dominated by specific formula of metaphorism as encoding the metaphysical senses within the description of quotidian details.
Źródło:
Autobiografia Literatura Kultura Media; 2018, 10, 1; 103-114
2353-8694
2719-4361
Pojawia się w:
Autobiografia Literatura Kultura Media
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ambiguity of Interpretation: the Gender-Conscious Attitudes in the Dissident Works of the Czech Writer Lenka Procházková
Autorzy:
Stohler, Ursula
Powiązania:
https://bibliotekanauki.pl/articles/635592.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
gender studies
Czechoslovakia
dissident literature
women’s writing
communism
literary traditions
Opis:
This paper explores the presence of gender-conscious attitudes in the works of the Czech author Lenka Procházková (born 1951), a member of the dissident movement during the communist regime. It argues that her writings took issue with patriarchal social structures, yet sometimes camouflaged these challenges behind criticism of the totalitarian rule. These expressions, which one might be tempted to consider as feminist from a Western and 21st-century point of view, emerged within East European dissident culture and probably without exposure to Western feminist concepts. Procházková developed a model of an inner exile for dissidents that originated in a canonical work of Czech literature by Božena Němcová and from which one of her female protagonists draws strength. Thus, her works suggest that Western gender theories are limited in their potential to assess East European dissident women’s writing, when they fail to include local literary traditions.
Źródło:
Poznańskie Studia Slawistyczne; 2016, 11; 291-306
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“My box of memories”: An Australian Country Girl Goes to London
Autorzy:
Willis, Ian
Powiązania:
https://bibliotekanauki.pl/articles/2049065.pdf
Data publikacji:
2021-10-06
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
women’s travel writing
letters
diaries
agency
traveller
tourist
Opis:
In 1954 a young country woman from New South Wales, Shirley Dunk, ex- ercised her agency and travelled to London. This was a journey to the home of her fore- fathers and copied the activities of other country women who made similar journeys. Some of the earliest of these journeys were undertaken by the wives and daughters of the 19th-century rural gentry. This research project will use a qualitative approach in an examination of Shirley’s journey archive complemented with supplementary interviews and stories of other travellers. Shirley nostalgically recalled the sense of adventure that she experienced as she left Sydney for London by ship and travelled through the United Kingdom and Europe. The article will address questions posed by the journey for Shirley and her travelling companion, Beth, and how they dealt with these forces as tourists and travellers. Shirley’s letters home were reported in the country press and reminiscent of soldier’s wartime letters home that described their tales as tourists in foreign lands. The narrative will show that Shirley, as an Australian country girl, was exposed to the cosmo- politan nature of the metropole, as were other women. The paper will explore how Shirley was subject to the forces of modernity and consumerism at a time when rural women were often limited to domesticity.
Źródło:
Anglica. An International Journal of English Studies; 2021, 30(1); 53-66
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kazimiera Iłłakowiczówna mniej więcej znana
Kazimiera Iłłakowiczówna – known more or less
Autorzy:
Marzec, Lucyna
Powiązania:
https://bibliotekanauki.pl/articles/1041638.pdf
Data publikacji:
2018-10-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
literary legend
literary canon
polemic
melancholia
borderland discourse
tonism
New Women
women’s writing
Opis:
The article is the analysis of the place of Kazimiera Iłłakowiczówna in contemporary literary discourse. The author of the article claims – using Pierre Bayard’s theory – that the poetess is known “more or less”: she is remembered as someone who got prizes and recognition but at the same time she is impossible to read nowadays. There is political ambiguity and antiquity in her texts that keep her in the past. Marzec points at four areas of literary studies, where Iłłakowiczówna is still present: 1. Poetics: Iłłakowiczówna uses an original and unusual type of the Polish tonic verse. The author of this article analyses it using tools of psychoanalysis. 2. Religious discourse: Iłłakowicz.wna is interpreted as the author of religious poetry but Marzec argues with such interpretations. 3. Post-dependence studies: Iłłakowiczówna has not been analysed in terms of post-dependence studies yet but she is mentioned in the Polish borderlines discourse. 4. Feminist literary criticism: Iłłakowiczówna used to be studied as the author of androgynous poetry, but Marzec points out other motifs such as miscarriage, infanticide or problems of the new woman, like work at government institution, contestation of vitalism and bureaucracy. The aimof this article is to show that writing of Kazimiera Iłłakowiczówna needs to be read in terms of the history of literature which is devoid of evaluation and judging. Such analysis means going back in terms of modern literary studies which have undergone multiple turns that changed the tools accessible to contemporary critics.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 32; 75-94
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jak badać literaturę dokumentu osobistego, czyli bliskie spotkania z Bronisławą Waligórską
How to research personal texts – a close meeting with Bronisława Waligórska
Autorzy:
Kwiatkowska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1040912.pdf
Data publikacji:
2019-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
letters
personal literature
women’s writing
inconspicuous work
document’s material value
Opis:
The author of 19th-century letters, Bronisława Waligórska – a socialist activist – was arrested and imprisoned in the Warsaw Citadel in July 1886.She sent letters from prison to her sister Jadwiga, who visited her in an attempt to satisfy the prisoner’s most pressing needs. The surviving correspondenceis a testimony of the living conditions of the Citadel’s prisoners and the internal life of Bronisława, who was gradually losing her spirit and the will to fight. On December 31, 1886, she swallowed sulphur from matches and died a few days later. Waligórska’s letters are a testimony of the time spent in prison, but not only. In the letters to her sister, she discussed such topics as the conditions of everyday existence, life in prison and organisation, but also included her reflections on culture, literature and art. She tried to fill her time in prison with translation work. The surviving letters have been published in an innovative graphic form and their edition is a breakthrough in editorial work on archival documents. The print meticulously keeps all the corrections and crosses of the original. Monika Rudaś-Grodzka treated Bronisława Waligórska’s letters with great respect; she approached them with a passion and sensitivity of an archivist who not only analyses the content of the remaining documents, but is always aware that they are a testimony of the life of a particular person. Thanks to thepeculiar attitude of the researcher, Waligórska, while being the protagonist of the book, never stopped being its author. The edition of letters from prison are accompanied by an editor’s note, a description of the terms of publications, a timeline, the main protagonist’s prison biography and a selection of documents concerning the investigation.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2019, 36; 330-340
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Diverse Voices: Czech Women’s Writing in the Post-Communist Era
Różne głosy: Pisarstwo Czeszek w okresie postkomunistycznym.
Autorzy:
Sokol, Elena
Powiązania:
https://bibliotekanauki.pl/articles/437314.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
Czech culture
women’s writing
feminist literary criticism
feminism
gender
post-communism
Opis:
This essay offers an overview of the diversity of women’s prose writing that emerged on the Czech cultural scene in the post-communist era. To that end it briefly characterizes the work of eight Czech women authors who were born within the first two decades after World War II and began to create during the post-1968 era of ‘normalization’. In this broad sense they belong to a single generation. With rare exception their work was not officially published in their homeland until the 1990s. The writers included are: Lenka Procházková, Tereza Boučková, Alexandra Berková, Zuzana Brabcová, Daniela Hodrová, Sylvie Richterová, Iva Pekárková, and Eva Hauserová. The overview is followed by a concise comparative analysis of texts by three very different writers (Procházková, Pekárková, and Hodrová), using a feminist critical approach. There is also an appendix of works by these writers available in English translation.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2012, 2, 1; 37-57
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ciudad y texto: leyendo a Montserrat Roig en compañía de Cristina de Pizán
City and text: reading Montserrat Roig with Christine de Pizan at your side
Autorzy:
Łuczak, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/1051208.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Catalan literature
Montserrat Roig
city
chronotope
Christine de Pizan
women’s writing
Opis:
In the article we study two visions of the city. A “classical” and allegorical one is included in Christine de Pizan’s well-known oeuvre, Le Livre de la Cité des Dames (1404/1405). We compare it to a biographically conditioned construction from the essays "Digues que m’estimes encara que sigui mentida" (1991) by the Catalan writer Montserrat Roig. The key factor in our analysis is the chronotope structure and the relationship between the image of the city and the writing act. We note a number of similarities between the two visions, some of them stemming from the identity and the social and cultural situation of the feminine subject, but also point out some differences, as those determined by the historical context of both texts and their literary genres.
Źródło:
Studia Romanica Posnaniensia; 2013, 40, 2; 105-117
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pleasure and Instruction: Generic Conventions in Emma Hart Willard’s Journal and Letters, from France and Great Britain
Autorzy:
Rutkowska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/973951.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Emma Willard,
familiar letter,
generic conventions,
women’s travel writing
Opis:
The purpose of the present paper is to analyse epistolary and descriptive conventions in Journal and Letters, from France and Great Britain (1833) by Emma Willard. The article argues that Willard attempts to combine the standards of 18th-century travelogue with its emphasis on instruction with a new type of autobiographical travel narrative which puts the persona of a traveller in the foreground. In this respect, Willard’s Journal and Travels, for all its didacticism, testifies to an increasing value attached to subjective experience, which was to become one of the distinguishing features of nineteenth-century travel writing.
Źródło:
Anglica. An International Journal of English Studies; 2019, 28/1; 49-61
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The place of a woman on the literary scene. The strategies of legal validation
Autorzy:
Barthelmebs-Raguin, Hélène
Powiązania:
https://bibliotekanauki.pl/articles/606109.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
women in literature, literary history, feminine writing, writing startegies, terminology
Women in literature, Literary History, Feminine writing, Writing startegies, Terminology.
Opis:
Der Artikel enthält Zusammenfassungen nur in Englisch und Französisch.
In the line of recent studies (Reid, 2010; Planté, 2003), this contribution deals with the place of the feminine authors in the French literary canon and with the status of author. This political question also raises questions about the corpus’ construction of the classics of the literature which are taught and serve as references in literary studies. If women represent approximately 50 % of the world’s population, they are far from proportionally representing in literature. Thus, the scarcity of women in Literary History will be at the center of our preoccupation, and we will endeavor to show how societies have influenced the representation of women in literature, and how feminine authors have denunced the image of inequalities between men and women in their works.
L'article ne contient que des résumés en anglais.
Źródło:
Lublin Studies in Modern Languages and Literature; 2019, 43, 1
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Prescriptum: Women on the Road
Prescriptum. Kobiety w drodze
Autorzy:
Augustynowicz, Nina
Czempka-Wewióra, Maria
Powiązania:
https://bibliotekanauki.pl/articles/2042390.pdf
Data publikacji:
2021-06-30
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
podróż
podróżniczki
podróżopisarstwo kobiece
reportaż
journey
women travellers
women’s travel writing
reporting
Opis:
This bilingual issue which we are now submitting to the reader takes up the theme of broadly understood travelling, being on the road, wandering, both near (not far from home) and very distant (into unknown realms of time and space). Travelling is associated with discovering new places, getting to know people and cultures, gaining experience, sometimes also pursuing a goal along winding and difficult paths. At other times, travel becomes an end in itself; it can be a way of life in which movement and change are core values. Not all journeys presented in this volume serve the purpose of recreation. Some were caused by oppressive conditions and threats to life and livelihood, which result in emigration, alienation and sacrifices that leave their mark on many generations. An inseparable element of travelling is the risk taken by the explorer. However, as the presented collection of articles confirms, journeys often become a creative impulse that leads to discovering oneself and one’s own culture in contact with the people one meets, with their customs and the places one gets to know.
Dwujęzyczny numer, który oddajemy do rąk czytelników, to zbiór artykułów podejmujących motyw szeroko rozumianej podróży, drogi,wędrówki zarówno bliskiej (nieopodal domu), jak i bardzo odległej (w nieznane rewiry czasu i przestrzeni). Podróżowanie wiąże się z odkrywaniem nowych miejsc, poznawaniem ludzi i kultur, zdobywaniem doświadczeń, docieraniem do celu nieraz krętymi i trudnymi ścieżkami. Innym razem podróż staje się celem samym w sobie, sposobem na życie, w którym ruch i zmiana to najważniejsze wartości. Nie wszystkie wyprawy przedstawione w tomie służyły wyłącznie rekreacji; nierzadko wynikały one bowiem z represji i sytuacji zagrożenia, wówczas skutkowały emigracją, wyobcowaniem i wyrzeczeniami odciskającymi piętno na wielu pokoleniach. Nieodłącznym elementem wojaży jest ryzyko, którego podejmuje się eksplorator lub tramp. Co jednak potwierdza przedstawiany zbiór artykułów, podróże wielokrotnie stawały się impulsem do tworzenia, odkrywania siebie i własnej kultury wskutek kontaktu ze spotkanymi ludźmi, ich obyczajami i poznawanymi przestrzeniami.
Źródło:
Postscriptum Polonistyczne; 2021, 27, 1; 13-28
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Alla ricerca di un capolavoro. Il teatro e la traduzione nelle lettere inedite di Sibilla Aleramo a Emilia Szenwicowa
In Search of a Masterpiece. Theatre and Translation in the Unpublished Letters of Sibilla Aleramo to Emilia Szenwicowa
Autorzy:
Kłos, Anita
Powiązania:
https://bibliotekanauki.pl/articles/446683.pdf
Data publikacji:
2019-11-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Sibilla Aleramo
Zofia Nałkowska
Emilia Szenwicowa
theatre translation
women’s writing
raduzione teatrale
scritture femminili
Opis:
Sibilla Aleramo (1876–1960) and Emilia Szenwicowa (1889–1972), Polish journalist and translator, met in 1927: the Italian writer hoped that Szenwicowa would translate her novel Amo dunque sono into Polish. A year later, Aleramo spent a few weeks on vacation in Positano, in the villa of the Szenwic family, where she often returned until the outbreak of World War II. In 1931, thanks to Szenwicowa’s mediation, Aleramo undertook the translation of Dom kobiet, a theatrical piece by Zofia Nałkowska, into French and literal Italian, using mediatory versions. A collection of Aleramo’s letters has recently been found in the family archive of the Polish journalist’s heirs. The letters, published for the first time in the present paper in fragments, testify to the profound friendship that united the two intellectuals, and document, amongst other things, their various collaborative projects concerning the translation of theatre plays from Polish to Italian. The aim of the paper is to analyse the moments of correspondence between Aleramo and Szenwicowa that refer to the theatre.
Sibilla Aleramo (1876–1960) ed Emilia Szenwicowa (1889–1972), giornalista e traduttrice polacca, si conobbero nel 1927: la scrittrice italiana sperava che Szenwicowa avrebbe tradotto in italiano il suo romanzo Amo dunque sono. Un anno dopo, Aleramo trascorse qualche settimana di vacanza a Positano, nella villa della famiglia Szenwic, dove ritornò spesso fino allo scoppio della seconda guerra mondiale. Nel 1931, grazie alla mediazione di Emilia, Aleramo intraprese la traduzione di Dom kobiet, una pièce teatrale di Zofia Nałkowska, basandosi su traduzioni mediatorie in italiano e francese. Nell’archivio familiare degli eredi della giornalista polacca è stata recentemente ritrovata una collezione di missive aleramiane. Le lettere, per la prima volta pubblicate in frammenti nel presente saggio, testimoniano la profonda amicizia che univa le due intellettuali e documentano, tra l’altro, diversi progetti di collaborazione inerenti la traduzione di testi teatrali dal polacco in italiano. I momenti della corrispondenza tra Aleramo e Szenwicowa che si riferiscono al teatro vengono sottoposti nel presente intervento ad un’analisi approfondita
Źródło:
Italica Wratislaviensia; 2019, 10.2; 239-256
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Płeć i wygnanie
Gender and exile
Autorzy:
Czerska, Tatiana
Powiązania:
https://bibliotekanauki.pl/articles/1375070.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
women’s writing
exile
migration
feminism
postcolonial studies
pisarstwo kobiece
wygnanie
migracja
feminizm
studia postkolonialne
Opis:
Przedmiotem artykułu jest praca Bożeny Karwowskiej Druga płeć na wygnaniu. Doświadczenie migracyjne w opowieści powojennych pisarek polskich, która powstała jako rezultat dłuższych studiów nad różnymi odmianami i dziełami kobiecego pisarstwa emigracyjnego i stanowi udaną próbę usystematyzowania problematyki wygnania w twórczości kobiet. Wskazano, że punktem wyjścia dla omówienia przez badaczkę doświadczenia migracyjnego w twórczości powojennych pisarek polskich jest teza o wyraźnych różnicach między wygnańczymi opowieściami kobiet i mężczyzn. Zauważono ponadto, że książka Bożeny Karwowskiej jest naznaczona silnym rysem indywidualnym, została bowiem napisana z perspektywy emigrantki. Wypełnia ważną lukę w badaniach nad literaturą emigracyjną, wskazuje na nowe perspektywy jej odczytań, korzysta z najnowszych osiągnięć badawczych feminizmu i studiów postkolonialnych.
The subject of the article is work by Bożena Karwowska The Second Sex in Exile. Experience the Story of Migration in the Postwar Polish Writers, established as a result of long study of the different variations and works of women’s writing in exile and is a successful attempt to systematize the problems of exile in the work of women. The article indicated that the starting point for discussion by the researcher of the migration experience in the work of postwar Polish writers is the thesis with clear differences between exile stories of men and women. The article noted that the book by Bożena Karwowska is marked by a strong feature of the individual, for it is written from the perspective of an immigrant. The work fills an important gap in the research literature of exile, points to new perspectives of its reading, using the latest research achievements of feminism and postcolonial studies.
Źródło:
Autobiografia Literatura Kultura Media; 2013, 1, 1; 161-170
2353-8694
2719-4361
Pojawia się w:
Autobiografia Literatura Kultura Media
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Michèle Roberts’s "Flesh and Blood" as an Example of "Écriture Feminine"
Autorzy:
Morawska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2116521.pdf
Data publikacji:
2022-07-14
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Michèle Roberts
Flesh and Blood
écriture feminine
gynocritics
feminist criticism
French feminism
women’s writing
Opis:
The essay offers an analysis of Flesh and Blood, a novel by Michèle Roberts, first published in 1994. It discusses the book from the vantage point of French feminist criticism, especially écriture feminine, as well as gynocritics. The theory serves as a reference point for a better understanding of the novel’s structure, language and plot. In the opening paragraphs, the essay delineates the main premises of écriture feminine, a French feminist theory represented primarily by Hélène Cixous and Luce Irigaray, and gynocritics, a concept developed by the American feminist scholar Elaine Showalter. It then moves on to portray Flesh and Blood as an example of écriture feminine, analysing the aspects of the novel that mirror the theories of the French feminist critics: characters, motifs, structure, formal ploys and language.  
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2020, 6, 2; 31-42
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
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