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Wyświetlanie 1-8 z 8
Tytuł:
Vuk u folkloru Hrvata
Wolf in the Folklore of Croats
Autorzy:
Dragić, Marko
Powiązania:
https://bibliotekanauki.pl/articles/635984.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
wolf processions
spells
wedding wolves
wolves from Deževice
apotropaic character
Opis:
The paper focuses on the significant role of wolf in the Croatian folklore that has been confirmed by a series of analyses over the thirty contemporary original field records. The socalled wolf processions were still performed in many places of the country just before the Homeland War in 1991. Often described in a word vukavarski, the processions were always initiated by an act of killing the wolf since the animal was traditionally assumed as a symbol of evil and subsequently as a cause of severe damage. In order to celebrate such an act, the wolf killer, accompanied by a small group of hunters, had to march through the village. The group was obliged to sing  or recite spells, derived from an apotropaic rite, in front of the country houses. As for the hosts, they were satisfied to receive the procession (such a satisfaction was usually expressed by different rewards) since all the neighborhood had got rid off another dangerous animal.
The paper focuses on the significant role of wolf in the Croatian folklore that has been confirmed by a series of analyses over the thirty contemporary original field records. The socalled wolf processions were still performed in many places of the country just before the Homeland War in 1991. Often described in a word vukavarski, the processions were always initiated by an act of killing the wolf since the animal was traditionally assumed as a symbol of evil and subsequently as a cause of severe damage. In order to celebrate such an act, the wolf killer, accompanied by a small group of hunters, had to march through the village. The group was obliged to sing  or recite spells, derived from an apotropaic rite, in front of the country houses. As for the hosts, they were satisfied to receive the procession (such a satisfaction was usually expressed by different rewards) since all the neighborhood had got rid off another dangerous animal. 
Źródło:
Poznańskie Studia Slawistyczne; 2012, 3; 45-59
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metaforyczne znaczenie wilka w kontekście samotności i osamotnienia bohaterów utworów „Samotność wilków” Marka Harnego oraz „Pogromcy wilków” Christopha Ransmayra i Martina Pollacka
The Metaphorical Significance of the Wolf in the Context of the Feeling of Solitude of the Characters of “The Solitude of Wolves” by Marek Harny and “The Wolf Hunter” by Christoph Ransmayr and Martin Pollack
Autorzy:
Naplocha, Anna
Powiązania:
https://bibliotekanauki.pl/articles/512199.pdf
Data publikacji:
2019-03-30
Wydawca:
Wydawnictwo Diecezjalne Adalbertinum
Tematy:
loneliness
wolves
Polish-Ukrainian conflict
Opis:
The purpose of this article is to present a way of showing loneliness in two separate literary works. In the novel, The Solitude of Wolves by Marek Harny, the main character is Marek Nowicki. The discourse on the individualʼs loneliness towards traumatic experiences with wolves related to their childhood and for the Polish-Ukrainian conflict of the twentieth century is taken into account. A similar theme is included in the title reportage – The Wolf Hunter – written in the form of a literary duo by Christoph Ransmayr and Martin Pollack. Such a report shows the experience of loneliness and helplessness of the Ukrainian, Vasil Borsuk, against the resettlement campaign called “Vistula”. The next part of the article presents a historical outline of the Polish-Ukrainian conflict in the Bieszczady Mountains as well as the aspects of characters’ life resulting from this conflict which make up the loneliness experienced by them. In addition, attempts have been made to prove that wolves which are inseparably connected with the lives of characters, are not just a background to the events of their lives, but constitute a kind of allegory of their fate.
Źródło:
Studia Ełckie; 2019, 21, 1; 85-100
1896-6896
2353-1274
Pojawia się w:
Studia Ełckie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nie taki wilk straszny… O edukacji ekologicznej w kontekście bajki Wilk Ambaras Tomasza Samojlika i jej wpływie na kształtowanie postaw proekologicznych dzieci i młodzieży względem wilków
Not such a scary wolf... On Ecological Education in the Context of the Fable The Wolf Called Ambaras by Tomasz Samojlik and its Influence on Shaping Pro-Ecological Attitudes of Children and Adolescents Towards Wolves
Autorzy:
Naplocha, Anna
Powiązania:
https://bibliotekanauki.pl/articles/919787.pdf
Data publikacji:
2019-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ecological education
wolves
fable
bibliotherapy
Opis:
This article deals with the issue of achieving the goals of ecological education in the context of the fable The Wolf Called Ambaras by Tomasz Samojlik and its influence on shaping pro-ecological attitudes of children and adolescents towards wolves. The fable The Wolf Called Ambaras by Tomasz Samojlik is part of the literature trend promoting pro-ecological attitudes within the framework of ecological education. The main educational goal included in the story of the fable treating the adventures of the young wolf is to provide young readers and their parents the knowledge about the wolves’ life as well as public awareness of the need to protect the wolf by shaping positive attitudes of people towards this predator. Helpful in this assumption is taking up the problem of overthrowing negative stereotypes about wolves, on which the form of answers as well as attemption of demythologizing them are individual scenes of the fable. The plot of the analyzed fable attempts to answer the three main allegations of people towards wolves, which often appear in social, political and ecological discourse: the issue of wolves attacks on people, the impact of wolves hunting on forest game population and the public perception of a wolf as a bad animal, one unnecessary in the ecosystem. In addition, the bibliotherapeutic character of the fable was indicated. Through identificaiton with the character of the fable, readers can overcome their own fears related to their weaknesses and complexes based on the desensitization.
Źródło:
Studia Edukacyjne; 2019, 53; 321-340
1233-6688
Pojawia się w:
Studia Edukacyjne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Helminth infections in faecal samples of Apennine wolf (Canis lupus italicus) and Marsican brown bear (Ursus arctos marsicanus) in two protected national parks of central Italy
Autorzy:
Paoletti, Barbara
Iorio, Raffaella
Traversa, Donato
Di Francesco, Cristina E.
Gentile, Leonardo
Angelucci, Simone
Amicucci, Cristina
Bartolini, Roberto
Marangi, Marianna
Di Cesare, Angela
Powiązania:
https://bibliotekanauki.pl/articles/972259.pdf
Data publikacji:
2017
Wydawca:
Polskie Towarzystwo Parazytologiczne
Tematy:
intestinal helminths
wolves
bears
faeces
zoonosis
Opis:
This article reports the results of a copromicroscopic and molecular investigation carried out on faecalsamples of wolves (n=37) and brown bears (n=80) collected in two protected national parks of central Italy (Abruzzo Region). Twenty-three (62.2%) samples from wolves were positive for parasite eggs. Eight (34.78%) samples scored positive for single infections, i.e. E. aerophilus (21.74%), Ancylostoma/Uncinaria (4.34%), Trichuris vulpis (4.34%), T. canis (4.34%). Polyspecific infections were found in 15 samples (65.21%), these being the most frequent association: E. aerophilus and Ancylostoma/Uncinaria. Thirty-seven (46.25%) out of the 80 faecal samples from bears were positive for parasite eggs. Fourteen (37.83%) samples were positive for B. transfuga, and six (16.21%) of them also contained Ancylostoma/Uncinaria, one (2.7%) E. aerophilus and one (2.7%) both E. aerophilus and Ancylostoma/Uncinaria. Of the other samples, 19 (51.35%) were positive for Ancylostoma/Uncinaria, two (5.4%) for E. aerophilus and two (5.4%) for both. Molecular analysis found the roundworm and capillariid eggs found in wolves and bear samples to be Toxocara canis, Baylisascaris transfuga and Eucoleus aerophilus (syn. Capillaria aerophila). Considering the high prevalence of zoonotic intestinal helminths detected in this study, it is important to improve the knowledge and awareness of the general public and park operators regarding the potential health risk associated with infections in wildlife.
Źródło:
Annals of Parasitology; 2017, 63, 3; 205-212
0043-5163
Pojawia się w:
Annals of Parasitology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Светителот – скротител на дивите ѕверови. По примерот на св. вмч. Мина Чудотворец
(Saint – The Tamer of the Wild Beasts. By the Example of the St. Martyr Mina the Miracle-Maker
Autorzy:
Луческа, Ели
Powiązania:
https://bibliotekanauki.pl/articles/1890687.pdf
Data publikacji:
2021-09-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
St. Mina
wolves
wild beasts
Brajchino
Kostur (Καστορια
Opis:
The basic and main topic of this research paper is the cult of St. Martyr Mina, especially his ability to tame the wild beasts-the wolves. The starting point of this paper is publication, written by V. Popovska Korobar about the wall paintings from the XV century in the monastery church St. Petka in the village of Brajchino, region of Prespa in Macedonia. In this church the saint is portrayed with some fairly rare iconographic elements that out framed the usual monumental painting of that time – the saint is portrayed as a victorious handler of tamed wild beasts. Popovska Korobar supposes that this kind of interpretation is related with the saint’s life in the desert together with the wild animals, or with the description of the beast in the existing literature about her life in Egypt – the monster with a camel’s head, and she does not identify the species of the animals depicted on the wall of the church. According to our research, this type of iconography is created and based upon the hagiographic texts in combination with the folklore identity of St. Mina and according to that, we think that the wild beasts are tamed wolves.
Źródło:
Poznańskie Studia Slawistyczne; 2021, 20; 273-298
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wolves in the City of Domesticated Women: The Queer Wild of Olivia Rosenthal
Autorzy:
Szymonek, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/1902832.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
wolves
animal studies
queer ecofeminism
trans-species urban theory
Opis:
In 2009, in the city of Nantes, a pack of six wolves was released in a public park as part of Stéphane Thidet’s art installation. A book of short stories accompanied the event. One of the authors involved was Olivia Rosenthal, who then incorporated her story into the novel Que font les rennes après Noël? (2010), in which captive wolves are reintroduced to the city. In this post-natural environment, animals provide a semblance of the wilderness for residents, yet remain enclosed in an extended zoo designed by man – an act that domesticates both sides of the fence by  separating humans from wolves. Rosenthal’s protagonist is one of such captives. Her life and the lives of animals are presented in parallel narratives. She grows up in a strictly controlled environment, and social standards are imposed on her. In a semi-autobiographical vein, Rosenthal explores issues of queer and gender marginalization as well as emancipation. At the same time, she seeks to dismantle the binary oppositions that place animals, women, and non-heteronormative persons on the other side of the fence. Relying on queer ecofeminist theory developed by Greta Gaard (1997) as well as trans-species urban theory formulated by Jennifer Wolch (1998), this paper argues that we should challenge the hierarchical approach to human and non-human life, as it silences differences and denies voice, rights, and agency to women, non-heteronormative persons, and animals. Tracing inspirations behind Olivia Rosenthal’s novel, this paper also contemplates the ethics of using live animals in Stéphane Thidet’s La Meute (2009) as well as Mircea Cantor’s Deeparture (2005) – two art installations that place captive wolves in an artificial environment.
Źródło:
New Horizons in English Studies; 2021, 6; 51-62
2543-8980
Pojawia się w:
New Horizons in English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Howls in the Anthropocene: Between Wildness and Captivity of Wolves in the Memoirs of Lois Crisler and Teresa Martino
Wilcze wołanie w antropocenie. Niewola i wolność wilków we wspomnieniach Lois Crisler i Teresy Martino
Волчий вой в антропоцене. Жизнь волков на свободе и в неволе в воспоминаниях Лоис Крайслер и Терезы Мартино
Autorzy:
Szymonek, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/21150545.pdf
Data publikacji:
2022-06-22
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
волки
Лоис Крайслер
Тереза Мартино
свобода
антропоцен
wilki
Lois Crisler
Teresa Martino
dzikość
antropocen
wolves
wildness
anthropocene
Opis:
The article shows the shift in perception of wolves that occurred in North America between the 1950s and 1990s through the stories of Lois Crisler and Teresa Martino—two women who developed a close relationship with their wolves. Although Lois Crisler’s wolves—Lady, Trigger, Alatna, Arctic, Barrow, Killik, and Tundra—were born wild, they spent their lives as captives. On the other hand, Mckenzie, a she-wolf born in captivity and raised by Teresa Martino, was released back to the wild. Their stories provide a glimpse into a period of time when hatred for wolves was giving way to public acceptance. It was during this time, too, that wolf reintroductions were considered as a way of rewilding the land after these predators have been almost completely exterminated in the United States.
W artykule ukazano zmianę postrzegania wilka, jaka nastąpiła w Ameryce Północnej w latach 1950–1990, poprzez historie Lois Crisler i Teresy Martino – dwóch kobiet, które nawiązały bliskie relacje ze swoimi wilkami. Choć wilki Lois Crisler – Lady, Trigger, Alatna, Arctic, Barrow, Killik i Tundra – urodziły się dzikie, ich życie było zależne od ludzi. Natomiast Mckenzie, wilczyca urodzona w niewoli i wychowana przez Teresę Martino, została wypuszczona na wolność. Historie Crisler i Martino ukazują czas, w którym w Stanach Zjednoczonych nienawiść do wilków ustępowała publicznej ich akceptacji oraz podjęto pierwsze próby reintrodukcji tego gatunku po uprzednim niemal doszczętnym wytępieniu wilków na terenie USA.
В статье, на примере историй Лоис Крайслер и Терезы Мартино – двух женщин, установивших близкие отношения со своими волками, – показан сдвиг в восприятии волков, произошедший в Северной Америке в период с 1950-х по 1990-е годы. Хотя волки Лоис Крайслер – Леди, Триггер, Алатна, Арктик, Барроу, Киллик и Тундра – родились дикими, они провели свою жизнь в неволе. В свою очередь, Маккензи, волчица, родившаяся в неволе и воспитанная Терезой Мартино, была выпущена обратно на волю. Их истории позволяют заглянуть в тот период времени, когда ненависть к волкам уступала место общественному признанию. Именно в это время реинтродукция волков стала рассматриваться как способ восстановления дикой природы после того, как эти хищники были почти полностью истреблены в США.
Źródło:
Zoophilologica. Polish Journal of Animal Studies; 2022, 1 (9); 1-18
2719-2687
2451-3849
Pojawia się w:
Zoophilologica. Polish Journal of Animal Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ekoliteratura w kontekście animal studies i zwrotu etycznego
Ecoliterature in the Context of Animal Studies and the Ethical Turn
Autorzy:
Szalewska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/2135681.pdf
Data publikacji:
2022-09-30
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
animal studies
dogs in culture
wolves in culture
ecoliterature
nature writing
ethical turn
psy w kulturze
wilki w kulturze
ekoliteratura
zwrot etyczny
Opis:
Artykuł stanowi próbę odczytania różnego typu reportaży, które traktują o relacjach ludzko-zwierzęcych (Wilki Adama Wajraka oraz I ktoś rzucił za nim zdechłego psa Jeana Rolina). Każdy z tych tekstów dotyczy innej kategorii, w jakiej klasyfikujemy zwierzęta (dzikie, towarzyszące), lecz autorzy poddają te kategorie dekonstrukcji. Dzięki temu interpretacja wspomnianych reportaży stała się też przyczynkiem do rozważenia takich kwestii, jak „dzikość”, empatia w relacjach ludzko-zwierzęcych, kulturowe uwarunkowania traktowania określonych gatunków zwierząt, szowinizm gatunkowy itd. Rozważania te zostały ujęte, co oczywiste, w duchu refleksji posthumanistycznej, ale przede wszystkim – zwrotu etycznego. Wstępem do całości stały się z kolei refleksje nad odmianą gatunkową, jaką jest reportaż przyrodniczy, i jej ewolucją w kontekście zmian, które dokonały się w myśli humanistycznej (np. zanegowanie podziału na naturę i kulturę).
The article is an attempt to read various types of journalism that deal with human-animal relations (“Wolves” by Adam Wajrak and “Un chien mort après lui” by Jean Rolin). Each of these texts covers a different category in which we classify animals (wild, companion), but the authors deconstruct these categories. Thanks to this, the interpretation of the aforementioned books has also contributed to the development of such issues as “wildness,” empathy in human-animal relations, cultural conditions of treating certain animal species, species chauvinism, etc. These considerations were obviously included in the spirit of posthumanism, but most of all the ethical turn. The introduction includes, in turn, reflections on the particular genre, which is nature writing, and its evolution in the context of changes that took place in humanistic thought (e.g. negating the division into nature and culture).
Źródło:
Porównania; 2022, 31, 1; 95-113
1733-165X
Pojawia się w:
Porównania
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-8 z 8

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