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    Wyświetlanie 1-7 z 7
    Tytuł:
    Nobili on Mobile! When the scientific instruments exhibitions are at your fingertips
    Autorzy:
    Cardoso, Carlos Adriano
    Martins, Décio Ruivo
    Powiązania:
    https://bibliotekanauki.pl/articles/2171375.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    history of science
    scientific instruments
    communication in science museums
    sematic web
    wiki
    instrumenty naukowe
    komunikacja w muzeach nauki
    sieć semantyczna
    Wiki
    historia nauki
    Opis:
    This paper presents a general view of a proposal for a digital reinterpretation of a collection of scientific instruments belonging to the Physics Cabinet of the Science Museum of the University of Coimbra. In this cataloging, the local and global aspects of each instrument are inventoried and represented by a semantic network of concepts, facts, ideas, and narratives, resulting in a knowledge base about scientific physics instruments. This knowledge base will be made available to students, researchers, and the general public through a mobile phone application. The article also offers a review of the transformations of the conceptual models of material culture studies related to scientific instruments and adds some contributions to this field of study.
    Źródło:
    Opuscula Musealia; 2020, 27; 83-100
    0239-9989
    2084-3852
    Pojawia się w:
    Opuscula Musealia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kod, platforma, interfejs. Strategie czytania Nieszuflady w perspektywie krytyki genetycznej na przykładzie twórczości Tomasza Pułki
    Code, Platform, Interface. Strategies of Reading Nieszuflada. The Genetic Criticism Perspective Using the Example of Tomasz Pułka’s Creative Output
    Autorzy:
    Chorzewska-Rubik, Paulina
    Powiązania:
    https://bibliotekanauki.pl/articles/32062494.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Tomasz Pułka
    Nieszuflada
    literary website
    web history
    interface
    digital philology
    genetic criticism
    computer code
    strona internetowa
    historia wyszukiwania
    interfejs
    filologia cyfrowa
    krytyka genetyczna
    kod
    Opis:
    The article discusses the strategy of reading the body of texts published by Tomasz Pułka on the Nieszuflada poetry portal, which is almost completely overlooked in literary reception and publishing practice. The author answers the question of how the technological aspects of the publication, such as the user interface and code, are relevant in the context of the philological and genetic reading of the texts posted on the portal. The source code of the website is treated as material for philological research.
    Źródło:
    Przestrzenie Teorii; 2023, 39; 101-120
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Web 2.0. Próba chronologizacji i konceptualizacji zjawiska
    Web 2.0. An attempt to chronologise and conceptualise the phenomenon
    Autorzy:
    Kinal, Jarosław
    Powiązania:
    https://bibliotekanauki.pl/articles/1939466.pdf
    Data publikacji:
    2018
    Wydawca:
    Stowarzyszenie Naukowe Przestrzeń Społeczna i Środowisko
    Tematy:
    web 2.0
    sieć semantyczna
    socjologia internetu
    historia internetu
    aktywność sieciowa
    semantic web
    internet sociology
    internet history
    internet activity
    Opis:
    The development of virtual space and the redefinition of the conceptual ranges of virtuality and reality require intensive descriptive processes of phenomena occurring in the virtual sphere. The term Web 2.0 does not refer to the improvement of the technical possibilities of the Internet, but to the changes that occurred in the use of the network by software producers and end users. The escape to the virtual world is also a novelty in the way of managing leisure time. The escape consists of spending hours on virtual beaches, in nightclubs and on yachts floating on the seas seen in the form of cochlorine pixels on the screens of computer monitors. The virtual world is no longer a substitute for the real world but rather it becomes a real form of rest. The social stratification of users is an example of the phenomenon of the Internet. Nowadays Internet users are divided into many groups (e.g. the users of instant messengers and social media), they have a sense of their own identity by naming themselves ‘Internet users’ or even ‘network citizens’. Virtual communication in the last decade changed from the supplementary to the dominant form in the transmission and flow of information between individuals and social groups. Another change took place at the level of media systems. The traditional division of the roles of the ‘sender’ and ‘recipient’ has been replaced by a hybrid – a Toffler’s ‘prosumer’, as both the recipient and the creator of the content. Successive online resources are generated by users who generate content with all disadvantages both in terms of relevance, quality and falsifiability of the content. The aim of this article is to present social theories describing the phenomenon of Web 2.0 and an attempt to chronologise this phenomenon.
    Źródło:
    Przestrzeń Społeczna; 2018, 2, 2/2018 (16); 67 - 80
    2084-1558
    Pojawia się w:
    Przestrzeń Społeczna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Usi indotti dal motore di ricerca: l’“iper-pianificazione” nella scrittura in rete
    Uses Induced by the Search Engine: “Hyper-Planning” in Web Writing
    Autorzy:
    Rainone, Michele
    Powiązania:
    https://bibliotekanauki.pl/articles/34655842.pdf
    Data publikacji:
    2023-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    history of the Italian language
    Italian linguistics
    SEO
    web writing
    Google
    storia della lingua italiana
    linguistica italiana
    scritture digitali
    Opis:
    On a daily basis, Google’s algorithm plays a decisive role in determining the success or failure of web content. Authors must not only consider linguistic norms and conventions, which have been thoroughly explored in the literature on the subject, but also adhere to Google’s guidelines and the suggestions of SEO (Search Engine Optimisation) experts in order to optimise their content for a high position in the SERP (Search Engine Results Page). This process is highly complex, as it depends on the continuous updates of the search engine and requires consideration of all the services provided by Google—such as YouTube, Images, and Discover, among others—to meet the diverse needs of its users. Moreover, if necessary, the significant impact of social media, which is in some way connected with search engines, cannot be underestimated. It is evident that the search engine induces certain linguistic usages and trends, and its important role must be acknowledged in providing a clear and impartial view of such phenomena. In the context of web writing, the practice of “hyper-planning” is a fundamental aspect that is largely dependent on Google’s guidelines, as well as authors’ adherence to official guidelines, SEO manuals, and case studies. This approach embodies a markedly distinct attitude from the nonchalant approach often associated with web writing. This work is based on a corpus of 40 online guides and aims to illustrate the influence of the search engine on editorial choices concerning the lexicon (as part of “surface” planning), textuality, syntax, and content structure (as part of a more “deep” planning).
    Con il proprio algoritmo Google decreta quotidianamente il successo o l’insuccesso dei contenuti pubblicati nel web. Gli autori devono tener conto tanto della norma linguistica e più in generale della forma, già attentamente studiate dalla letteratura scientifica sull’argomento, quanto delle linee guida di Google e dei suggerimenti degli esperti SEO (Search Engine Optimization) sull’ottimizzazione dei contenuti per il posizionamento vincente nella SERP. Si tratta di un’attività molto complessa che dipende anche dagli aggiornamenti continui del motore di ricerca e che non può escludere né i molti servizi messi a disposizione da Google per soddisfare i bisogni dell’utenza (YouTube, Immagini, Discover ecc.) né, là dove necessario, il peso dei social media. Alcuni usi e alcune tendenze sono quindi evidentemente indotti dal motore di ricerca, il cui il ruolo non può essere affatto sottovalutato per restituire una visione chiara e non parziale dei fenomeni linguistici. L’“iper-pianificazione” è senza dubbio uno degli aspetti fondamentali della scrittura in rete che dipendono in buona parte da Google e soprattutto dall’idea che l’autore ha maturato su questo tipo di scrittura seguendo le linee guida ufficiali, la manualistica SEO, i case study ecc. Essa è frutto di un atteggiamento quasi opposto alla disinvoltura in genere attribuita a tali scritture. Questo lavoro, basato su un corpus di quaranta guide online, mira a illustrare con gli esempi più rilevanti quanto il motore di ricerca abbia influenzato le scelte editoriali sul lessico, che rientrano in una pianificazione “di superficie”, e quelle sulla testualità, sulla sintassi e sulla presentazione dei contenuti, relative una pianificazione più “profonda”.
    Źródło:
    Italica Wratislaviensia; 2023, 14.2; 171-189
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Does digital media develop social paranoia? Dialogue on the presence of conspiracy theory in social media and mass culture
    Autorzy:
    Werner, Wiktor
    Trzoss, Adrian
    Powiązania:
    https://bibliotekanauki.pl/articles/703510.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    social media
    mass culture
    conspiracy theory
    Wielka Lechia
    remediation
    digital history
    Web 2.0
    Opis:
    This article is in a sense a dialogue devoted to the presence of conspiracy theories on social media and mass culture. The authors present the current state of research on the development of digital culture and its social consequences. Next, a case study of the existence of the conspiracy theory of so-called Wielka Lechia is presented. In the analysis the authors combine theoretical and technical considerations of Web 2.0 with research inquiry, which is the analysis of the structure of the Great Lechia theory in social media. The problem of the popularity of the concept of Paweł Szydłowski's and Janusz Bieszk's has been referred to a wider context related to the modern functioning of historical knowledge on the Web. The factual orientation of historical education and the influence of social media on the functioning of the social dimension of history and historians have been indicated as the reason for the current state of the problem. Finally, the authors refer to the digital version of pseudoscience to its earlier analog counterparts and make a structural comparison of both. The effect of this confrontation is to point the phenomenon of remediation of conspiracy theories and the growing de-professionalization of discourse, which ultimately leads to the end of the era of intellectual authorities.
    Źródło:
    Nauka; 2019, 3
    1231-8515
    Pojawia się w:
    Nauka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    History and YouTube. Historical narrative in the age of Web 2.0
    Autorzy:
    Werner, Wiktor
    Trzoss, Adrian
    Gralik, Dawid
    Powiązania:
    https://bibliotekanauki.pl/articles/1916650.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    YouTube
    historical narrative
    Web 2.0
    entertainment
    history
    Opis:
    The following paper, in its sense, is a summary of the broad qualitative and quantitative authorial research on the historically-themed materials from the social media video platform YouTube. The main research problem dealt with the matter of the meaning of the historical narrative for the contemporary polish society and the specificity of its historical consciousness. 635 videos from 6 channels since 2013 till 2019 were analyzed. Authors point out the relation between the quantitative analysis of the videos’ topics with the current trends of interests in history present in the society. Functioning of the most popular videos’ trends were emphasized and its connection with their qualitative layer of the historical narrative. Further research on the hypothesis on the ethnocentric interest in history was conducted. Slightly advantage of the political and military narrative was observed and a little less advantage of the factographical and processual perspective in history which is the matter for the further analysis. Conducted research showed that interest in history on the YouTube platform confirms the special status of the XX century and II World War narrations in the historical consciousness of the Polish society.
    Źródło:
    Nauka; 2020, 3
    1231-8515
    Pojawia się w:
    Nauka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    W stronę historiografii zjawisk cyfrowych
    Towards the Digital Historiography
    Autorzy:
    Werner, Wiktor
    Trzoss, Adrian
    Powiązania:
    https://bibliotekanauki.pl/articles/2080831.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    media archaeology
    digital history
    web history
    contemporary history
    media studies
    archeologia mediów
    historia cyfrowa
    historia najnowsza
    medioznawstwo
    Nauki Humanistyczne i Społeczne
    Opis:
    The main aim of the article was to present two emerging discourses of contemporary historiography in the field of digital media. In the first example, the authors present the thought of Niels Brügger, called the Web History and Web-minded historiography, which concentrates upon the digital source itself. The other school is marked by the works of Friedrich Kittler and Wolfgang Ernst, and called media archaeology. It underlines the concept of the medium itself as a primary object of research.
    Źródło:
    Historyka studia metodologiczne; 2020, 50; 421-438
    0073-277X
    Pojawia się w:
    Historyka studia metodologiczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

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