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Wyszukujesz frazę "weaving" wg kryterium: Temat


Tytuł:
‘Nothing like Textiles’: Manufacturing Traditions in Textile Archaeology
Autorzy:
Banck-Burgess, Johanna
Powiązania:
https://bibliotekanauki.pl/articles/1774814.pdf
Data publikacji:
2019-01-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
prehistoric textile traditions
combination of weaving and wrapping weaving techniques
flying threads
embroidery
Opis:
Textiles are evaluated mainly in regard to their visual appearance and technical features of textile production. From a modern point of view, it is their optical perception that is most often displayed in reconstructions. This, however, can rarely be achieved due to the poor and fragmentary preservation of archaeological textiles, which hinders gathering basic information about details of the production technique. Sources illustrating garments or putative textile patterns are often additionally consulted to achieve a better understanding of the textiles. Over the past two decades, the author has made an effort to present a different approach to textile archaeology, that is to demonstrate that the significance of textiles was predominantly governed by culture-specific production techniques whose differences were optical – i.e. at the first glance imperceptible even for experts. Textile patterns were predominantly applied during production. There was little subsequent embellishment where textiles acted as a carrier of the decoration. This means that patterns were rarely additionally integrated after the basic weave was complete, for instance as in the case of embroidery. In consequence, archaeological textiles assume a different cultural and historical significance than previously thought. They are not merely objects whose surfaces served as carriers for culture-specific patterns. In this context, embroidery is of particular significance, as it is a procedure for subsequent decoration of fabrics. In this article, the author presents prehistoric, including the Bronze and Iron Ages, textile finds that have been described as embroidery but are actually a combination of weaving and wrapping weaving techniques.
Źródło:
Światowit; 2017, 56(1); 13-22
0082-044X
Pojawia się w:
Światowit
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
З історії розвитку текстилю Київщини
From history of development textiles of the Kyiv region
Autorzy:
Andriiashko, Vasyl
Powiązania:
https://bibliotekanauki.pl/articles/38400240.pdf
Data publikacji:
2022
Wydawca:
Wyższa Szkoła Techniczna w Katowicach
Tematy:
textile
art textile
fabric
weaving
Kyiv Region
Opis:
On the basis of the literary sources available to the author of the article, the main milestones of the development of artistic textiles of the Kyiv region are considered. Textiles on the territory of modern Ukraine existed in all historical periods, starting with the Trypil culture, as evidenced by the impressions on the bottoms of ceramic dishes found during archaeological excavations. Antiquities researchers assume that weaving existed in the Bronze Age as well. During the times of Kyivan Rus, in addition to simple linen weaving, there was a patterned weaving and a bump on the fabric, where the pattern was applied with the help of paint and stamps cut out of wood. This is evidenced by artifacts and spinning tools found by archaeologists. Textiles acquired development even after the Tatar-Mongol oppression in the times when the Kyiv lands were under the rule of the Grand Duchy of Lithuania. Later, in the 17th and 18th centuries. silk manufactories were developed in Kyiv itself, where, in addition to breeding cocoons, silk fabrics were made. At that time, there were also weaving workshops at monasteries, one of which was located in the Kyiv-Pechersk Lavra. In the mid-19th to the first half of the 20th centuries, textiles became widely developed in the Kyiv region. In addition to the home weaving of artisans, local craft workshops began to supply textile goods to the market. The assortment of products included fabrics for upholstering men’s furniture, handkerchiefs, sheets, and blankets. In 1906, the Kyiv Artisan Society was created to intensify the development of textile and other industries.Textiles gained further development after the establishment of Soviet power in Ukraine. In the 1930s, weaving centers worked in Bohuslav, Pereyaslav, and Tarascha. In the post-war period, textile mills came into operation in Kyiv – the Darnytsky Silk Mill, which produced fabrics from synthetic fibers, and the Kyiv Silk Mill, which produced natural silk fabrics.
Źródło:
Zeszyty Naukowe Wyższej Szkoły Technicznej w Katowicach; 2022, 15; 177-188
2082-7016
2450-5552
Pojawia się w:
Zeszyty Naukowe Wyższej Szkoły Technicznej w Katowicach
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kręć się, kręć wrzeciono. O tkactwie i jego symbolice w perspektywie genderowej
Spin on, spin on. Weaving and its symbolism in the perspective of gender studies
Autorzy:
Rudnicka, Marta
Powiązania:
https://bibliotekanauki.pl/articles/459789.pdf
Data publikacji:
2014
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
tkactwo
gender
symbolika tkactwa
teorie feministyczne
kulturowy podział ról społecznych
weaving
spinning
gender roles
weaving symbolism
feminist theories
Opis:
Celem niniejszego artykułu jest analiza przypadku tkactwa z regionu łowickiego pod względem symbolicznym, społecznym oraz kulturowym. W tym celu odwołuję się do szerokiego wachlarza przykładów, odnosząc się do historii, symboliki oraz zmieniającej się roli społecznej tkactwa. Jednym z moich priorytetów jest zarysowanie genderowo ukonstytuowanego podziału ról społecznych podczas obróbki lnu, przędzenia i tkania. Przywołuję zatem ukonstytuowane na gruncie humanistyki podziały natura-kultura, domowe-zewnętrzne, a także korzystam z teoriii marksistowskich oraz strukturalistycznych. Jednocześnie nie prowadzę silnie zarysowanej polemiki z żadną z wymienionych teorii, zgodnie z założeniem opisania zjawiska, jakim jest tkactwo w Łowiczu, a nie krytyki naukowej.
This article aims to examine the case of gender roles intertwined with the tradition of spinning and weaving within the community of Łowicz region, Poland. My interest in this particular case was aroused during fieldwork I conducted there covering the topic of local traditional craft. In my article I pursue the aim by invoking various examples both from history, mythology and scientific theories following the origin and development of spinning and weaving Special attention is paid to feminist, gender, marxist and stucturalist theories with a view of a multidimensional coherent and plausible explanation. In the end I resort to these for an ultimate evaluation of Łowicz’s weaving tradition.
Źródło:
Ogrody Nauk i Sztuk; 2014, 4; 180-186
2084-1426
Pojawia się w:
Ogrody Nauk i Sztuk
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Comparative Analysis of Western Ukrainian and Lithuanian Folk Towels
Autorzy:
Kumpikaitė, Eglė
Nykorak, Olena
Nenartavičiūtė, Erika
Herus, Ludmyla
Kutsyr, Tetiana
Milašienė, Daiva
Kozakevych, Olena
Rukuižienė, Žaneta
Powiązania:
https://bibliotekanauki.pl/articles/24200960.pdf
Data publikacji:
2023
Wydawca:
Sieć Badawcza Łukasiewicz - Instytut Biopolimerów i Włókien Chemicznych
Tematy:
traditional towel
Ukraine
Lithuania
weaving technique
ornamental motif
Opis:
A comparative analysis of traditional western Ukrainian and Lithuanian towels provides rich material for new creative inspirations, as well as diversification of individual and mass-produced interior textiles, and also visualizes historical ties between the two countries. Therefore, the objective of the article is to analyse the weaving techniques that prevail in the creation of towel decor, to determine the artistic and stylistic parameters of Ukrainian and Lithuanian towels and to establish the common and unique features of their decor. The techniques of plain and twill weaving, the latter of which could obtain simple textured patterns on the canvas, were widespread in both countries. Various weaving compositions were obtained by the pick-up techniques of weaving, the overshot, and the damask weaving technique, which was much more widespread in Lithuania than in the western part of Ukraine.
Źródło:
Fibres & Textiles in Eastern Europe; 2023, 31, 2; 26--38
1230-3666
2300-7354
Pojawia się w:
Fibres & Textiles in Eastern Europe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rola i pozycja społeczna kobiet we wczesnej epoce żelaza przez pryzmat zmian w rytuałach pogrzebowych – na przykładzie Wielkopolski
Autorzy:
Żychlińska, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/1023898.pdf
Data publikacji:
2016-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
funeral rite
woman
social role
weaving
pottery
Early Iron Age
Opis:
This paper proposes that the beginning of the Early Iron Age saw the change of the social role and status of women. The study was based on the analysis of dozens of graves attributable to the Lusatian Culture, which spanned the Bronze and Early Iron Ages. Included in the analyses were only graves of individuals, whose sex and age could be anthropologically determined. The hypothesis is justified on the basis of the socio-symbolic dimension of weaving and pottery.
Źródło:
Folia Praehistorica Posnaniensia; 2016, 21; 491-503
0239-8524
2450-5846
Pojawia się w:
Folia Praehistorica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Design and Cultural Aspects of 20th Century Chinese Xiangjin Brocade
Autorzy:
Wenji, Zhao
Rongrong, Cui
Li, Niu
Powiązania:
https://bibliotekanauki.pl/articles/2172002.pdf
Data publikacji:
2022
Wydawca:
Sieć Badawcza Łukasiewicz - Instytut Biopolimerów i Włókien Chemicznych
Tematy:
Xiangjin brocade
design feature
oriental art feature
weaving technique
pattern schema
Opis:
As one of the representative silk-woven artworks of the 20th century in China, Chinese Xiangjin brocade, well-known as "the flower of Oriental art", draws on the essence of Sichuan brocade, Yun brocade, Song brocade, so as to form its own unique artistic style. It also takes the lead in the innovation of traditional brocade in key processes such as craftsmanship, design and jacquard, whose drawing technique is the exact core skill making it intangible cultural heritage. So far, there have been few studies on crafts and textile design in China before the 20th century or even after the reform and opening up, and rather fewer studies on the structure of Xiangjin brocade in the 20th century. This paper attempts to record and classify 1008 pieces of Xiangjin brocade in the Suzhou Silk Archive, China, as well as to find out their design features, oriental flavour, and unique weaving techniques. In addition, the cultural connotation of Xiangjin brocade as the painting medium was also put forward by analysing those brocades’ historical texts, images, and style.
Źródło:
Fibres & Textiles in Eastern Europe; 2022, 3 (151); 116--129
1230-3666
2300-7354
Pojawia się w:
Fibres & Textiles in Eastern Europe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Shoulder girdle muscle activity and fatigue in traditional and improved design carpet weaving workstations
Autorzy:
Allahyari, Teimour
Mortazavi, Narges
Khalkhali, Hamid Reza
Sanjari, Mohammad Ali
Powiązania:
https://bibliotekanauki.pl/articles/2177075.pdf
Data publikacji:
2015-10-21
Wydawca:
Instytut Medycyny Pracy im. prof. dra Jerzego Nofera w Łodzi
Tematy:
muscle activity
surface electromyography
muscle fatigue
carpet weaving
workstation
perceived fatigue
Opis:
Objectives Work-related musculoskeletal disorders in the neck and shoulder regions are common among carpet weavers. Working for prolonged hours in a static and awkward posture could result in an increased muscle activity and may lead to musculoskeletal disorders. Ergonomic workstation improvements can reduce muscle fatigue and the risk of musculoskeletal disorders. Material and Methods The aim of this study is to assess and to compare upper trapezius and middle deltoid muscle activity in 2 traditional and improved design carpet weaving workstations. These 2 workstations were simulated in a laboratory and 12 women carpet weavers worked for 3 h. Electromyography (EMG) signals were recorded during work in bilateral upper trapezius and bilateral middle deltoid. The root mean square (RMS) and median frequency (MF) values were calculated and used to assess muscle load and fatigue. Repeated measure ANOVA was performed to assess the effect of independent variables on muscular activity and fatigue. The participants were asked to report shoulder region fatigue on the Borg’s Category-Ratio scale (Borg CR-10). Results Root mean square values in workstation A are significantly higher than in workstation B. Furthermore, EMG amplitude was higher in bilateral trapezius than in bilateral deltoid. However, muscle fatigue was not observed in any of the workstations. Conclusions The results of the study revealed that muscle load in a traditional workstation was high, but fatigue was not observed. Further studies investigating other muscles involved in carpet weaving tasks are recommended.
Źródło:
International Journal of Occupational Medicine and Environmental Health; 2016, 29, 2; 345-354
1232-1087
1896-494X
Pojawia się w:
International Journal of Occupational Medicine and Environmental Health
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O warsztatach tkackich w starożytnym Rzymie słów kilka
Autorzy:
Kaczmarek, Zofia
Powiązania:
https://bibliotekanauki.pl/articles/631403.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ANCIENT ROME
TEXTILES
WARP-WEIGHTED LOOM
TWO-BEAM (TUBULAR) LOOM
HORIZONTAL LOOM
WEAVING
Opis:
The  most important source for the research into weaving products are excavated fabrics. By defining its weave, spin direction of the thread, raw materials used or the employed dyestuff the origin of the fabric may be determined, as well as the loom on which it was weft. Iconography is also greatly useful in the reconstruction of weaving work.  The first loom known inRomewas the vertical warp-weighted loom. This loom, despite offering the possibility of weaving very broad fabrics, quickly went out of use inItaly, probably because weaving on it requires earlier preparation, such as weaving the starting border. Also, we do not know any representation of this type of loom in Roman art.   The vertical two-beam loom resembles the warp-weighted loom, with the exception that the row of weights is replaced with a horizontal beam. It is easier to use, as it does not require preliminary work, so weaving can be begun at once.     We also know representations of this loom in Roman art, which facilitate the reconstruction of its use in antiquity. The most interesting issue is the question of familiarity with the horizontal loom. The written sources do not mention it, nor is there any representation in art that we know of, therefore we must rely on what the fabrics themselves present. However, one may venture a claim that the more complicated the pattern, the greater the likelihood of the horizontal loom having been used.   Furthermore, its knowledge might be attested to by the contents of Diocletian’s edict. One cannot underestimate the evidence for the existence of a horizontal loom, yet it should be assumed that it had not been introduced on a wide scale. Consequently, it appears that the Romans made use primarily of vertical looms, with the prevalence, from the turn of of the two-beam loom.  
Źródło:
Studia Europaea Gnesnensia; 2012, 5; 183-202
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Workstation Design in Carpet Hand-Weaving Operation : Guidelines for Prevention of Musculoskeletal Disorders
Autorzy:
Choobineh, A.
Lahmi, M.
Hosseini, M.
Shahnavaz, H.
Jazani, R. K.
Powiązania:
https://bibliotekanauki.pl/articles/89889.pdf
Data publikacji:
2004
Wydawca:
Centralny Instytut Ochrony Pracy
Tematy:
weaving workstation design
carpet hand-weaving operation
musculoskeletal problems
working posture
projektowanie miejsc pracy
pozycja przy pracy
ergonomia
choroby narządów ruchu
wytwarzanie wyrobów włókienniczych
zagrożenia zdrowia
czynniki ryzyka
fizjologia narządów ruchu
Opis:
Carpet weavers suffer from musculoskeletal problems mainly attributed to poor working postures. Their posture is mostly constrained by the design of workstations. This study was conducted to investigate the effects of 2 design parameters (weaving height and seat type) on postural variables and subjective experience, and to develop guidelines for workstation adjustments. At an experimental workstation, 30 professional weavers worked in 9 different conditions. Working posture and weavers’ perceptions were measured. It was shown that head, neck and shoulder postures were influenced by weaving height. Both design parameters influenced trunk and elbows postures. The determinant factor for weavers’ perception on the neck, shoulders and elbows was found to be weaving height, and on the back and knees it was seat type. Based on the results, the following guidelines were developed: (a) weaving height should be adjusted to 20 cm above elbow height; (b) a 10º forward-sloping high seat is to be used at weaving workstations.
Źródło:
International Journal of Occupational Safety and Ergonomics; 2004, 10, 4; 411-424
1080-3548
Pojawia się w:
International Journal of Occupational Safety and Ergonomics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Innovative or Traditional? Diachronic Approach to Weaving Technology in Bronze Age Greece
Autorzy:
Ulanowska, Agata
Powiązania:
https://bibliotekanauki.pl/articles/1774820.pdf
Data publikacji:
2019-01-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Bronze Age Greece
textile technology
weaving
warp-weighted loom
loom weights
innovation
tradition
Opis:
This paper aims at recognising potential innovations in weaving technology that may have occurred in Bronze Age Greece. It discusses whether these assumed developments may be examined diachronically. This discussion is based on archaeological evidence of textile implements, such as loom weights and presumed traces of warp-weighted looms, as well as knowledge of traditional craft and experimental archaeology. After a short introduction discussing how technical innovations could possibly be recognised in weaving, the paper explores possible changes in the construction and functionality of the warp-weighted loom and potential uses of other types of looms in Greece. A distribution pattern of specific forms of a loom weight, e.g. discoid loom weights in particular, is examined as an innovation responding to the demand for fabrics of specific technical qualities and appearance, possibly associated with a spread of new weaving techniques which accompanied the transmission of these tools. Social relations and modes of organisation of textile production are considered factors that must have had a significant impact on creativity and innovativeness in weaving technology. However, the final conclusion is that specific relations between the organisation of weaving and the occurrence of innovative processes cannot be clearly recognised based on the available evidence.
Źródło:
Światowit; 2017, 56(1); 57-73
0082-044X
Pojawia się w:
Światowit
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
РЕМЁСЛА И ПРОМЫСЛЫ ЖИТЕЛЕЙ БЕЛОРУССКОГО ЗАПАДНОГО ПОЛЕСЬЯ В 20–30-Е ГОДЫ ХХ В.
Autorzy:
Lavreenko, Larisa
Powiązania:
https://bibliotekanauki.pl/articles/681390.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
craft, trade, workshops, building, pottery, weaving, embroidery
rzemiosła, handel, warsztaty, budownictwo, garncarstwo, tkactwo, haft
Opis:
The article offers an overview of the main crafts and folk trades of the western Belarusian Polesie region in the early 20th century. The article notes that Polesie folk crafts and trades of that period were aimed primarily at meeting the needs of the local population, particularly in rural areas. The most common skilled trades were specifically associated with the use of cheap local raw materials.
Na podstawie różnych źródeł historycznych scharakteryzowano główne ludowe rzemiosła i przemysł białoruskiego Zachodniego Polesia w okresie między dwiema wojnami światowymi. Autor stwierdza, że poleskie rzemiosła ludowe w badanym okresie miały na celu przede wszystkim zaspokajanie potrzeb miejscowej ludności, zwłaszcza na obszarach wiejskich. Najbardziej popularnymi rzemiosłami wiązały się przede wszystkim z wykorzystaniem tanich surowców lokalnych.
Źródło:
Zeszyty Cyrylo-Metodiańskie; 2016, 5
2449-8297
Pojawia się w:
Zeszyty Cyrylo-Metodiańskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Detection of Remote Sensing Warp Tension during Weaving on Plain Twill and Satin Fabrics
Wykrywanie naprężenia osnowy za pomocą teledetekcji podczas wytwarzania tkanin o splotach skośnym i satynowym
Autorzy:
Kaplan, Volkan
Powiązania:
https://bibliotekanauki.pl/articles/1419918.pdf
Data publikacji:
2021
Wydawca:
Sieć Badawcza Łukasiewicz - Instytut Biopolimerów i Włókien Chemicznych
Tematy:
weaving
fuzzy logic
warp tension
image processing
tkactwo
logika rozmyta
napięcie osnowy
przetwarzanie obrazu
Opis:
Warp tensions were measured while a machine was operating on a woven cotton fabric with three different woven patterns. This study was carried out with image analysis methods using a high speed camera. Three weave pattern types: plain, twill and satin were woven on the same weaving machine, and thus it could be understood how weave pattern differences affect warp tension. Each of these three weaves was woven in three weft densities: 20, 28 and 45 wefts per cm. These fabrics were able to be made on a weaving machine with an automatic dobby. It was aimed to investigate warp tension differences for three basic weave patterns while keeping all machine settings constant. The weave settings of the dobby were changed for plain, twill and satin weaves. Warp tension calculation was based on the warp elasticity theory. Warp elasticises were measured by image processing methods in MATLAB using a high-speed camera. It was aimed to improve upon the new method of warp extension measurement of fabric when the loom is in operation. It was observed that the warp tension in plain fabric was higher than for twill and satin under the same conditions.
W pracy mierzono naprężenia osnowy podczas wytwarzania tkanin bawełnianych o trzech różnych wzorach. Badanie zostało przeprowadzone metodami analizy obrazu przy użyciu kamery. Na tej samej maszynie tkano trzy rodzaje wzorów splotu: gładki, diagonalny i satynowy, dzięki czemu zbadano wpływ rodzaju splotu na napięcie osnowy. Każdy z tych trzech splotów został utkany w trzech gęstościach wątku: 20, 28 i 45 wątków/cm. Celem pracy było zbadanie różnic naprężeń osnowy dla trzech podstawowych wzorów splotów, przy jednoczesnym zachowaniu stałych ustawień maszyny. Obliczenia naprężenia osnowy oparto na teorii sprężystości osnowy. Elastyczność osnowy mierzono metodami przetwarzania obrazu w programie MATLAB przy użyciu kamery. Celem badania było ulepszenie nowej metody pomiaru wydłużenia osnowy tkaniny podczas pracy krosna. Zaobserwowano, że naprężenie osnowy w tkaninie gładkiej było wyższe niż w przypadku diagonalu i satyny w tych samych warunkach.
Źródło:
Fibres & Textiles in Eastern Europe; 2021, 1 (145); 35-39
1230-3666
2300-7354
Pojawia się w:
Fibres & Textiles in Eastern Europe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
PROJEKT BUDOWY ZAKŁADÓW PRZEMYSŁU JEDWABNICZEGO W SZADKU (1954–1956)
PROJECT OF BUILDING A SILK-PRODUCING PLANT IN SZADEK (1954–1956)
Autorzy:
Stulczewski, Jarosław
Powiązania:
https://bibliotekanauki.pl/articles/510614.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Szadek, przemysł, tkalnia jedwabiu, Gorzów Wielkopolski
Szadek, silk industry, silk weaving plant, Gorzów Wielkopolski
Opis:
W 1954 r. pojawiła się koncepcja lokalizacji zakładów przemysłu jedwabniczego w pobliżu Szadku. Projektowany zakład miał się składać z tkalni wyposażonej w 580 krosien oraz oddziałów pomocniczych. Fabryka miała produkować tkaniny z jedwabiu sztucznego z przeznaczeniem na suknie, bluzki, bieliznę i podszewki. Zakład miał zostać wybudowany w latach 1955–1956. Ostatecznie wycofano się z tego projektu, a zakład powstał w Gorzowie Wielkopolskim.
The concept of building a silk-producing plant near Szadek appeared in 1954. The factory was to consist of a weaving plant (equipped with 580 looms) and some auxiliary departments. It was intended to produce artificial silk for dresses, blouses, underwear and bed linen. The construction was to take place in 1955–1956. Eventually the project was cancelled and the factory was built in Gorzów Wielkopolski.
Źródło:
Biuletyn Szadkowski; 2017, 17; 125-133
1643-0700
Pojawia się w:
Biuletyn Szadkowski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tekstylia pochodzące z grobu nr 17, odkrytego w dawnej kolegiacie w Jarosławiu (woj. podkarpackie)
Textiles from Grave 17, discovered in the former collegiate church in Jarosław (Podkarpackie Voivodeship)
Autorzy:
Antosik, Ł.
Rychter, M.R.
Powiązania:
https://bibliotekanauki.pl/articles/218669.pdf
Data publikacji:
2013
Wydawca:
Stowarzyszenie Konserwatorów Zabytków
Tematy:
archeologia
grób
nekropola
zabytek metalowy
tekstylia
włókiennictwo
archaeology
grave
necropolis
metal relic
textiles
weaving
Opis:
W czasie badań archeologicznych natrafia się na różnorodne znaleziska. Jedną z kategorii odkryć są pochówki. Cały ich szereg wyeksplorowano podczas wykopalisk przy kolegiacie w Jarosławiu. Na szczególną uwagę zasługuje grób, w którym złożono zmarłego w trumnie wykonanej z sosnowych desek, dodatkowo ozdobionej posrebrzanymi guzami układającymi się w motyw serca z trzema strzałami. W artykule opisano sposób konserwacji poszczególnych grup surowcowych znalezisk oraz dokonano analizy tkanin z okresu pochówku.
In the course of archaeological research diverse relics can be discovered. One category of finds are burials, several of which were explored during archaeological excavations carried out near the collegiate church in Jarosław. One of them, laid in a coffin made of pinewood planks, additionally decorated with silver-plated nails forming a motif of a heart pierced by three arrows, deserves particular attention. The article describes conservation procedures applied to individual groups of raw materials from the finds, and the analysis of weaving techniques characteristic for that period.
Źródło:
Wiadomości Konserwatorskie; 2013, 33; 58-62
0860-2395
2544-8870
Pojawia się w:
Wiadomości Konserwatorskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bidłowy mechanizm akumulacyjny krosna
The accumulatic slay motion of loom
Autorzy:
Słodowy, J.
Powiązania:
https://bibliotekanauki.pl/articles/258300.pdf
Data publikacji:
2007
Wydawca:
Sieć Badawcza Łukasiewicz - Instytut Technologii Eksploatacji - Państwowy Instytut Badawczy
Tematy:
tkanie
krosno
mechanizm bidłowy
dobicie wątku
rezonans
weaving
loom
slay motion
beat-up
resonance
Opis:
Analiza działania bidła krosna tkackiego ujawnia jego wady. Przedstawiono nowe rozwiązanie napędu bidła. Wykazano analitycznie i doświadczalnie, w oparciu o zbudowany model fizyczny, korzystniejsze warunki pracy rezonansowego bidła akumulacyjnego wobec dotychczas stosowanego. Opracowano wskaźniki skuteczności dobicia dowodzące jej trzykrotnej poprawy w rozwiązaniu nowym.
The analysis of the loom slay action reveals its defects. The new solutions of slay driver were presented. Better work conditions of resonant accumulatic slay were proved, both analytically and experimentally, on the base of a physical model in comparison with the one used so far. The efficiency indicators of beaten show its treble improve in a new solution.
Źródło:
Problemy Eksploatacji; 2007, 3; 195-205
1232-9312
Pojawia się w:
Problemy Eksploatacji
Dostawca treści:
Biblioteka Nauki
Artykuł

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