Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "transmediality" wg kryterium: Temat

  Lista filtrów
Wyrównaj
Wyświetlanie 1-10 z 13
Tytuł:
Opowieść transmedialna – znak naszych czasów
Transmedia story – sign of the times
Autorzy:
Boczkowska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/511752.pdf
Data publikacji:
2014
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
transmediality
convergence
media
fiction
Opis:
The article presents the so¬ called transmedia stories that have become more popular in the epoch of media convergence. Transmedia texts are the texts that tell their stories using different media, for example television, Internet or literature. Transmediality can be regarded as a kind of intertextuality. The author also presents several novels whose plot as well as other elements (for example fictive author) refer to popular TV series.
Źródło:
Postscriptum Polonistyczne; 2014, 2(14); 125-137
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Transmedialność jako transkulturowe doświadczenie ucznia
Transmediality as a transcultural experience of students
Autorzy:
Chawrilska, Irena
Powiązania:
https://bibliotekanauki.pl/articles/511305.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
transmediality
transculturality
interculturality
students with migration experience
Opis:
Designing classes with the contribution of students who experienced migration and those without similar experiences becomes a didactic, pedagogical and cul-tural challenge. The aim of this paper is to analyse such phenomena in culture, which may provide inspiration for teachers as to how to think about teaching Polish culture in primary and secondary schools. The field for investigation is defined by the categories of transmediality and transculturality, since in the au-thor’s opinion the constant experiencing of transmediality and transmedia sto-rytelling in culture results in transcultural experiences. The author’s delibera-tions are based on examples from experimental poetry, forum theatre and am-bient literature.
Źródło:
Postscriptum Polonistyczne; 2019, 2 (24); 235-245
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Between the Stage and the Art Gallery: “Artistic Actions” at the Lublin Theatre Spring in 1973 and 1974
Autorzy:
Sablik, Michalina
Powiązania:
https://bibliotekanauki.pl/articles/50673086.pdf
Data publikacji:
2024-08-02
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
performance art
transmediality
student theatre
Lublin Theatre Spring
reconstruction
Opis:
In this article, I have undertaken an analysis of the visual arts section “curated” by Zbigniew Warpechowski at the student festival Lublin Theatre Spring in 1973 and 1974, where many artists, later known as precursors of performance art, performed. Experimental happenings within the field of student theatre, referred to as “artistic actions”, are mentioned by many sources as an event marking the start of performance art history in Lublin. The aim of this article is to reconstruct individual actions, collect scattered archival materials (brochures, descriptions of actions, memories, photographs, excerpts from press reviews), and analyse the reception of these actions among the audience and theatre critics based on press reviews. These events are placed in the context of the simultaneous emergence of avant-garde theatre represented by Jerzy Grotowski, Tadeusz Kantor, and Józef Szajna, as well as student theatre. This contextualisation illustrates how this new art form, later defined as performance art, negotiated its position and sought its place between the theatrical stage and the art gallery in the mid-1970s. The article also demonstrates how these new theatre models converged with the reflection on action art. Moreover, the research highlights the local and transmedial specificity of the development of this artistic direction.
Źródło:
Ikonotheka; 2023, 33; 243-266
0860-5769
Pojawia się w:
Ikonotheka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Monsters and Marvels: Shakespeare Across Opera, Ballet, Dance, Puppetry, and Music in Central and Eastern Europe—and Beyond
Autorzy:
Cetera-Włodarczyk, Anna
Havlíčková Kysová, Šárka
Kowalcze-Pawlik, Anna
Mišterová, Ivona
Reuss, Gabriella
Powiązania:
https://bibliotekanauki.pl/articles/39773465.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
William Shakespeare
dance theatre
opera
ballet
musical
puppetry
transmediality
Opis:
This collectively authored position paper discusses “hybrid” Shakespeares in Central and Eastern Europe, focusing on productions that offer formal experimentation and transnational perspectives. While their contexts remain regional, they provide an insight into how Shakspeare has been mobilised regionally. The paper consists of four distinct parts, each considering Shakespeare in a hybrid form: in opera, dance and musical theatre as well as puppetry in the transnational, regional context. The general discussions of Shakespeare’s presence/appropriation in these art forms are followed by case studies that illustrate the significance of hybridity that characterises Shakespeare in the Central and Eastern European transnational context. Our brief analyses and selected case studies suggest a need for a detailed study of Shakespeare and performative arts in Central and Eastern Europe that would concentrate on the transgressive impulse these theatrical blends realised through formal experiment and artistic innovation.  
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2023, 28, 43; 89-108
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Ponad” i „pomiędzy” (nowymi) mediami: użytkownicy w nowym środowisku. Studium przypadku kampanii reklamowej firmy Netia
„Above” and „between” the new media: the users in a new environment. A case study of the advertising campaign of Netia
Autorzy:
Kopecka-Piech, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/521344.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
new media, media convergence, transmediality, intermediality, media ecology, McLuhan' stetrad
Opis:
The article presents the relations between particular media, developing as a result of convergence. The aim of the analysis is also determining mutual dependences between the media, their content and form of distribution, and their utilization. The analyzed environment reveals its intermedial and transmedial image, and makes us realize the continuously expanding communication possibilities. The case study focuses on the advertising campaign „Pierwsze Wolne Wybory na Twarz Netii” (The first free election for the face of Netia) realized between 11.05.2009 and 30.06.2009. The analysis is based on the most recent findings in the research on media convergence, also using the theory of literary analysis, and on the four laws of the media, i.e. the tetrad, formulated by Marshall and Eric McLuhan.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2010, 1; 165-175
2083-7275
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Niewspółmierność Transmedialne zbliżenia materii medium (Antoni Tàpies, Jean Dubuffet, Jeff Wall)
Incommensurability Transmedial Rapprochement of Medium Matter (Antoni Tàpies, Jean Dubuffet, Jeff Wall)
Autorzy:
Kałuża, Anna
Powiązania:
https://bibliotekanauki.pl/articles/534764.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
transmediality
incommensurability
materials
Jeff Wall
Jean Dubuffet
Antoni Tàpies
Antoni Tapies
Opis:
The text is devoted to the problem of materiality in the perspective of transmedial artistic practices. The object of special interest is the principle of rapprochement between the medium and non-artistic matter, shown on examples of art that intentionally strengthen its relationship with various materials (so-called matter painting), and on the example of art that to a greater extent is subjected to the processes of dematerialization (hyperrealism, conceptualism). In the works of such painters as Antoni Tàpies, Jean Dubuffet, Lucio Fontana turning to non-literary materials leads to an interesting tension / rapprochement between the materials and the medium. It brings a retreat from the idealistic aesthetics and ahistorically treated matter, and opens up to non-antropocentrically captured objects. In the case of Jeff Wall’s post-conceptual photography, the principle of closeness draws attention to the ability of photography to annex various media. Transmediality, as it manifests itself in both Wall’s paintings of matter and his photographs, may be called, after Jacques Rancière, incommensurability. 
Źródło:
Śląskie Studia Polonistyczne; 2018, 12, 2; 97-117
2084-0772
2353-0928
Pojawia się w:
Śląskie Studia Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Działania dia- i izosemiotyczne na przykładzie tłumaczenia i adaptacji w relacjach transmedialnych
Diasemiotic and isosemiotic actions in transmediality: Translation and adaptation as a case in point
Autorzy:
Michoń, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/1191849.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
diasemiotic and isosemiotic actions
multimedia and audiovisual translation
transmediality
translation process
Opis:
The paper describes dia- and isosemiotic relations in the process of transmedia adaptation. The translator plays a difficult role in the globalisation process of multimedia projects, therefore it is crucial for the scientific approach to recognise the set of obligatory interpersonal, intercultural, and communicational skills that lead to a successful participation in the production and internationalisation process of audiovisual and multimedia hypertexts. Examples of good practises in that area can be evaluated from text clusters created due to transmedia adaptation, such as the “Witcher” universe created by Andrzej Sapkowski and recreated for the multimedia by the CD Project RED publishing house.
Źródło:
Studia Translatorica; 2019, 10; 161-176
2084-3321
2657-4802
Pojawia się w:
Studia Translatorica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Na własnej skórze. Wprowadzenie do ASMR jako transmedialnego zjawiska estetycznego
First-hand experience. Introduction to ASMR as a transmedia aesthetic phenomenon
Autorzy:
Iwasiów, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/1856990.pdf
Data publikacji:
2020
Wydawca:
Narodowe Centrum Kultury
Tematy:
asmr
transmedialność
konwergencja
rzeczywistość wirtualna
media społecznościowe
transmediality
convergence
virtual reality
social media
Opis:
This article discusses autonomous sensory meridian response, or ASMR, a sensation of ‘pleasant tingling’ or ‘brain tingles’ experienced by people watching videos prepared especially for this purpose and posted primarily on YouTube. With the interest in this phenomenon constantly on the rise, ASMR is nowadays becoming something more than merely a marginal community of online enthusiasts. On the one hand, ASMR is a bottom-up phenomenon. As a social media product it has spread through YouTube, which makes it more difficult to analyse and collect all ASMR videos available online. Therefore, this text focuses on the works of one specific ASMR artist. Known as Ephemeral Rift, he has been among the first ASMR content creators in the Internet. On the other hand, ASMR is a novelty and thus still an interesting issue for scientists who work at the intersection of sciences, such as biology, neurocognitive science, psychology, media studies and cultural studies. What is ASMR? What research is currently available regarding this phenomenon that until recently has been difficult to define? Will ASMR enter the realm of transmedia genres and forms of expression for good? The author tries to answer these questions, bearing in mind that this is still a fresh concept where the ‘old’ meets the ‘brand new’ in the media and therefore requires further research.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2020, 108, 1; 58-67
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Das Parlament der Dinge: Transmateriale und transmediale Dynamiken, Bild-Ding-Relationen und „Meta-Artefakt-Malerei“
Autorzy:
Schulz, Vera-Simone
Powiązania:
https://bibliotekanauki.pl/articles/909492.pdf
Data publikacji:
2019-05-07
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
transmediality
transmateriality
image-object-interrelations
intersections of visual and material culture
materiality of art
Opis:
Studies related to artifacts, to what has been traditionally categorized as ‘high’ and ‘minor’ or ‘applied arts’, and to the materiality of art in recent years have been among the core foci of art history. More scholarly attention has also been given to the intersections between visual and material culture, not least in transcultural contexts. This paper seeks to contribute to these issues. Investigating transmaterial and transmedial dynamics between the arts, image-object interrelations as well as phenomena wherein images themselves gave the impulse to the creation of artifacts, the paper analyzes transfer processes transgressing various media and materials, 15th- and 16th-century Italian and Portuguese paintings in their Mediterranean and global entanglements, as well as 19th - and 20th-century artistic and academic approaches to objects in paintings. 
Źródło:
Artium Quaestiones; 2018, 29; 25-62
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zjawisko transmedialności w spektaklu Kosmos w reżyserii Krzysztofa Garbaczewskiego
The Phenomenon of Transmedia in the Performance Kosmos, Directed by Krzysztof Garbaczewski
Autorzy:
Kazek, Sinitta
Powiązania:
https://bibliotekanauki.pl/articles/445723.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
transmediality,new media,theatre mediatization,theatre culture,Virtual Reality,intermedia in art
transmedialność,nowe media,mediatyzacja teatru,kultura teatralnaVirtual Reality,intermedia w sztuce
Opis:
This article is a look at contemporary theatre in the context of its changes caused by the development of technology and digital civilization. It aims to show the phenomenon of theatre transmediality, that is the use of new media in the implementation of theatre performances, and to define the basic functions of contemporary theatre in the social reception of art. Currently, there are many theatre directors and creators who use innovative media tools while working on a show or a specific artistic event. There are significant differences between the theatre influenced by new media and the one which developed in a traditional way.
Niniejszy artykuł jest spojrzeniem na teatr współczesny w kontekście jego przemian dokonanych pod wpływem rozwoju technologii i cywilizacji cyfrowej. Ma na celu ukazać zjawisko transmedialności teatralnej, czyli wykorzystywania nowych mediów w realizacji przedstawień teatralnych oraz określić podstawowe funkcje teatru współczesnego w społecznym odbiorze sztuki. Obecnie wielu jest reżyserów i twórców teatru, którzy pracując nad spektaklem bądź konkretnym wydarzeniem artystycznym, posługują się innowacyjnymi narzędziami medialnymi. Teatr funkcjonujący pod wpływem nowych mediów znacznie różni się w odbiorze od teatru wykształconego na drodze tradycji.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica; 2019, 7; 207-221
2353-4583
2449-7401
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-10 z 13

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies