- Tytuł:
-
Wiedza i zmysły w pracy tłumacza
The role of translator’s erudition and sensory cognizance in the process of translation
Vloga čutilnega zaznavanja ter erudicije prevajalca v prevajanju - Autorzy:
- Muszyńska-Vizintin, Anna
- Powiązania:
- https://bibliotekanauki.pl/articles/486941.pdf
- Data publikacji:
- 2015
- Wydawca:
- Wydawnictwo Uniwersytetu Śląskiego
- Tematy:
-
mimetična književnost (mimesis)
znanje prevajalca
senzorično zaznavanje
ekphrasis
esej o umetnosti
mimetic literature (mimesis)
translator’s erudition
sensory cognizance
essay about visual arts
literatura mimetyczna (mimesis)
wiedza tłumacza
poznanie zmysłowe
ekfraza
esej o sztuce - Opis:
-
Članek obravnava problematiko literarnih besedil (kot so npr. zgodovinski romani, dnevniki, potopisi, biografije, literarni eseji ipd.), za katere je značilna visoka stopnja realnosti (kategorija mimesis) in v katerih se pojavljajo opisi realno obstajajočih prostorov, zgradb, umetnin itd. Ta zvrst leposlovja zahteva od prevajalca določeno znanje ter erudicijo in pogosto temelji na realnih izkušnjah, ki so povezana s čutili (videti, pogledati, pokušati, dotakniti), še predvsem z vidom (figura hipotiposis). Zanimiv primer, ki nekako druži problematiko znanja ter senzoričnega zaznavanja v prevodu, so potopisni eseji o umetnosti, za katere je značilna retorična figura ekhprasis, definirana kot “verbalni (jezikovni) opis resnično obstajajoče umetnine”. Z vidika teorije prevajanja, potopisni eseji o umetnosti (kot je npr. zbirka Zbigniewa Herberta Barbar v vrtu) implicirajo obstoj dveh tipov prevoda, ki sta: 1. primarno, v originalu, intersemiotični prevod (transmutacija) 2. sekundarno pa interlingvalni prevod (iz jezika v jezik). Prevajalec bi moral v postopek interlingvalnega prevajanja vključiti tudi transmutacijo, se pravi verificirati pravilnost prevoda tako v primerjavi z besedilom originala kot tudi z realno umetnino, ki je opisana v originalu.
This paper deals with the problem of literary texts (such as. Historical novels, diaries, travelogues, biographies, literary essays, etc.) which are characterized by a high degree of reality (category mimesis) and by realistic descriptions of the available spaces, buildings, art, etc. This type of literature requires a certain knowledge and erudition from the translator, and it is often based on real experiences which are connected to the senses (sound, sight, touch, smell, taste), but in particular with sight (figure hipotiposis). An interesting example, that somehow brings together the problems of knowledge and sensory perception in the process of translation, are the travelogue essays on art, characterized by the rhetorical figure known as ekphrasis — a “verbal (linguistic) description of an existent art object”. From the perspective of the theory of translation, travelogue essays concerning art (eg. Zbigniew Herbert‑collection “Barbarian in the garden”) imply the existence of two types of translation, which are: 1) intersemiotic translation (transmutation) and; 2) interlingual translation (from one language to another). During the process of interlingual translation it would be recommendable for the translator to also include the dynamics of transmutation, that is to verify the correctness of the translation in comparison to the original text as well as to the art object, described in the original text. - Źródło:
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Przekłady Literatur Słowiańskich; 2015, 6, 1; 133-148
1899-9417
2353-9763 - Pojawia się w:
- Przekłady Literatur Słowiańskich
- Dostawca treści:
- Biblioteka Nauki
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