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Wyszukujesz frazę "tragedy" wg kryterium: Temat


Tytuł:
Maski Bakchantek
Autorzy:
Rybowska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/52229504.pdf
Data publikacji:
2004
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Bacchai
Greek tragedy
Opis:
In hoc opusculo quaestio tractatur quid verum de bacchatione dici possit; deinde in scriptis tragicis personas bacchantum quaerunt, quae ad demonstrandum dolorem atque furorem ab auctoribus creatae sunt.
Źródło:
Collectanea Philologica; 2004, 8; 43-58
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
El vínculo entre modernidad y romanticismo en Octavio Paz y Rafael Argullol
Autorzy:
Rodríguez, Amán Rosales
Powiązania:
https://bibliotekanauki.pl/articles/638311.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
modernity, Romanticism, essay, tragedy
Opis:
This article presents and confronts two views concerning the link between modernity and romanticism. On the one hand, the view proposed by the Nobel Prize winner, the Mexican Octavio Paz in his book Los hijos del limo. Del romanticismo a la vanguardia, and, on the other hand, the one put forward by the prolific Spanish writer Rafael Argullol in his El Héroe y el Único. El espíritu trágico del romanticismo. While for O. Paz the romantic movement as a child of modernity has inspired partially the modern search for the new in itself, for R. Argullol the romantic spirit is expression above all of a tragic-heroic mood of dissatisfaction with modernity. Both writers see the paradoxical nature of romanticism –sometimes longing for the past, sometimes dreaming about the future– as a complex expression of modernity’s self-awareness and self-criticism.
Źródło:
Romanica Cracoviensia; 2015, 15, 4
2084-3917
Pojawia się w:
Romanica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fate in Thunderstorm by Cao Yu and Hippolytus by Euripides
Autorzy:
Zhang, Jing
Powiązania:
https://bibliotekanauki.pl/articles/915139.pdf
Data publikacji:
2016-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Thunderstorm
Hippolytus
fate
tragedy
Opis:
Theatre, as opposed to traditional Chinese drama, was introduced to China through the first Opium War, and the establishment of Chunliushe in Japan is regarded as the birth of the real Chinese play in 1907. Hereafter, many plays were written and performed in China and were accepted as new form plays. Thunderstorm (Leiyu), Cao Yu’s first play, was published in 1934, and became the first masterpiece of modern Chinese theatre, symbolizing its becoming mature. As the playwright admitted, it was influenced by classical Greek Plays, as well as by Henrik Ibsen. This paper reflects upon the theme of fate in Thunderstorm by Cao Yu and Hippolytus by Euripides. Although Cao Yu interpreted that he was influenced by western plays consciously or unconsciously, Thunderstorm has its own Chinese roots. Similarities and differences in the themes of fate are compared by time or history; ethnic or family aspects; and the individual or feminine. The indescribable fate of the protagonists leads to the agony they suffer inside and also effects them outside because of typical social beliefs and family life; meanwhile, it helped to bring fame to the two tragedies.
Źródło:
Studia Azjatystyczne; 2016, 2; 137-151
2449-5433
Pojawia się w:
Studia Azjatystyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Trylogia trojańska jako dramat poetycki
Autorzy:
Czerwinska, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/52229512.pdf
Data publikacji:
2004
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Euripdes' tragedy
poetic drama
Opis:
Le considerazioni contenute nell'articolo aspirano a certe generalizzazioni utili per propagare il fenomeno, il quale era la tragedia greca, dunque a indicare le sue proprieta immanenti ed i modi della loro realizzazione nella struttura drammaturgica. La trilogia troiana di Euripide divento l'esemplificazione di questi tratti e fenomeni che caracterizzano in modo particolare la tragedia greca.
Źródło:
Collectanea Philologica; 2004, 8; 83-100
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lorigine del culto dionisiaco e della tragedia
Unde Dionysi cultus in tragicorum opera pervenerit?
Autorzy:
Bologna, Orazio
Powiązania:
https://bibliotekanauki.pl/articles/52229501.pdf
Data publikacji:
2004
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Greek tragedy
Dionysus' cult
Opis:
Tragoediis visis et lectis, litterarum Graecarum periti nec non philosophi, ut Aristoteles et Nietzsche, generis originen vestigaverunt, multos et doctos libros conscripserunt, multa et utilia ad genus comprehendendum posteritati tradiderunt.Sed remotam et longinquam originem nullus umquam attigit, quia mentes in litteras Graecas tantum verterunt.
Źródło:
Collectanea Philologica; 2004, 8; 3-20
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O pochodzeniu tragedii albo co zawdzięczamy Arystotelesowi
The origin of Greek tragedy or what we owe to the Aristotle
Autorzy:
Wachowski, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/1039651.pdf
Data publikacji:
2019-04-16
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Aristotle
origin of Greek tragedy
Opis:
Greek tragedy, as an expression shaped in the course of a performance, requires not only extending the field of investigation to include extra-philosophical interpretations, but also searching for its sources within the framework of the Greek thinking, described most profundly by Aristotle. The tradition of the Aristotle is inducing us to the reply to numerous questions, concerning Dionysus, as well as composition of the tragedy. Adopting his intellectual perspective provokes us to seek the genesis of tragedy in Greek logos. Apart of being a language (it referred to the notional structure of the Greek universe, defined the way of thinking, and provide a set or rules regarding presentation) it was also an order organizing the sense of action. It combined with doing, provokes action and constituted a reflection of the gestures made on stage.
Źródło:
Przestrzenie Teorii; 2018, 30; 49-61
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Gothic” Elements in Seneca’s Tragedies
Autorzy:
Pypłacz, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1046060.pdf
Data publikacji:
2017-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Seneca
Gothic tragedy
imagination
Poe
Opis:
In the present article I discuss the remarkable fact that many of the motifs to be found in Seneca’s tragedies – such as a horrible death, a madman, an obsession or some supernatural agent – are also to be found in abundance in the work of “Gothic” authors such as Ann Radcliffe and Edgar Allan Poe. Indeed, these motifs are now commonly considered to be the hallmark of the Gothic genre. I also analyse some of the techniques which Seneca uses in order to arouse fear and stimulate the reader’s imagination, comparing them with those used by Poe and other Gothic writers.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 3; 35-47
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Tragedia dobra wspólnego” w świetle paradygmatu neoewolucyjnego
Autorzy:
Sułkowski, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/639475.pdf
Data publikacji:
2009
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
tragedy of the commons, neoevolutionism
Opis:
The issue of „common wealth” is a classics of economic, sociological and even politological considerations in the area of social cooperation. Introduction of the neo-evolutionist context can, however, contribute new significant motifs to the analyses of the „tragedy of the commons”. Man is characterised by a natural, developed in the course of evolution, tendency to cooperate and compete. Therefore, the construction of the social order aiming at the protection and development of the „common wealth” cannot disavow the human nature. Knowledge of our biological and evolutionary roots can be helpful while building the social order limiting the problem of the „tragedy of the common wealth”.
Źródło:
Zarządzanie Publiczne; 2009, 1 (5)
2084-3968
Pojawia się w:
Zarządzanie Publiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Специфика колымского юмора
Peculiarproperties of „Kolyma humour”
Autorzy:
Gorbačevskij, Česlav
Powiązania:
https://bibliotekanauki.pl/articles/481783.pdf
Data publikacji:
2013-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Kolyma humour
memory
tragedy
documentary
Opis:
The article is devoted to the problem of „Kolyma humour”. This term is consider by formers Kolyma political prisoners such as Varlam Shalamov, Daniil Alin, Georgiy Demidov, ZalmanRoomer, Wernon Kress, Juriy Dombrowskiy etc. „Kolyma humour” as definition sounded quite absurdly with reference to slavish condition of existence huge quantity deprived elementary civil rights people. Through „Kolyma humour” everyone can see the extremely cruel attitude so called „friends of people” to „enemies of people”. As a result: only human with fatal deformed consciousness has ability for understanding such kind of non-human humour, called „Kolyma humour”.
Źródło:
Acta Polono-Ruthenica; 2013, 1, XVIII; 35-45
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dioniso a Milano: le atopie di Milo De Angelis
Dionysios in Milan: Milo De Angelis and atopies
Autorzy:
Baldacci, Alessandro
Powiązania:
https://bibliotekanauki.pl/articles/1050744.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
City
suburb
atopy
nihilism
tragedy
Opis:
The essay focuses on Milo De Angelis’s poetic work, underlying his representation of the city of Milan as a tragic and mythic place, crossed by threatening energies on the basis of which the author emphasizes his dramatic tension with reality.
Źródło:
Studia Romanica Posnaniensia; 2014, 41, 4; 5-9
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Violent Origins of Law
Autorzy:
Cavallo, Riccardo
Powiązania:
https://bibliotekanauki.pl/articles/2082380.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Zielonogórski. Instytut Filozofii
Tematy:
law
violence
tragedy
myth
justice
Opis:
The aim of this article is to analyse an issue discussed by philosophers and legal scholars since ancient times: the violent origins of law. In other words, it attempts to respond to the following questions: can we ultimately trace the origins of law back to violence, and could it be that law is in fact a continuation of violence by other means? To this purpose, there will be retraced the law-violence relation as portrayed in the Greek tragedy The Eumenides where Aeschylus focuses on Orestes’ trial, is of particular relevance when it comes to questioning the origins of law. At the same time, there will be followed the footsteps of Michel Foucault and Walter Benjamin who had the undoubted merit of having brought to light, within the tragic framework of the twentieth century, the relationship between law and violence.
Źródło:
Filozoficzne Aspekty Genezy; 2019-2020, 16-17; 121-133
2299-0356
Pojawia się w:
Filozoficzne Aspekty Genezy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ein vieldiskutierter Imperativ: Euripides, Elektra 140
An imperative that has been discussed many times: Euripides, Electra 140
Autorzy:
Seidensticker, Bernd
Powiązania:
https://bibliotekanauki.pl/articles/1806853.pdf
Data publikacji:
2021-10-12
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Euripides
Electra
line 140
tragedy
interpretation
Opis:
The article argues that in line 140 Electra does not address an anonymous servant but herself.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2021, 31, 1; 227-234
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Szalony protagonista Eurypidesowego „Orestesa” w komentarzach scholiastów
Mad protagonist of Eurypidean Orestes in scholiasts’ commentaries
Autorzy:
Czerwińska, Jadwiga
Chiżyńska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1806888.pdf
Data publikacji:
2021-10-12
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Euripides
Orestes
tragedy
madness
mania
scholia
Opis:
Madness is a constant motif in ancient literature. It was often used by playwrights, including the three greatest tragedians of the Classical Greece: Aeschylus, Sophocles and Euripides. One of the most interesting plays dealing with issues of madness is Euripidean Orestes. This play has received numerous commentaries written by scholiasts, who described all aspects of the state of mania. The article is devoted to the analysis of madness and the corpus of texts are scholia describing Orestes’ disease. Commentaries allow us to establish a definition of mania, show its sources and describe its various physical and mental symptoms. The material presented in the article shows how interesting the phenomenon of madness was for the scholiasts.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2021, 31, 1; 63-78
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Progress of Evil and the Return of Justice in Shakespeare’s Richard III
Autorzy:
Guyette, Fred
Powiązania:
https://bibliotekanauki.pl/articles/888734.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
William Shakespeare
tragedy
tyranny
politics
justice
Opis:
Shakespeare’s Richard III is a warning about the danger of tyrannical political leaders. Richard has no legitimate claim to the throne, but he devises his own way to achieve that goal. All along the path he follows, he leaves a trail of dead bodies. Richard becomes a fratricidal, child-murdering, Machiavellian usurper, who takes delight in breaking nearly every one of God’s commandments. This essay traces the progress of evil in Richard III under the following rubrics: (1) Ambition and The Tactics of Deception, (2) The Erosion of Conscience, (3) The Deeds of a Tyrant, (4) The Return of Justice, and (5) Implications for an Education in Political Theory.
Źródło:
Anglica. An International Journal of English Studies; 2015, 24/1; 83-96
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sofoklesowa wersja mitu o Hermesie w świetle innych źródeł literackich
Autorzy:
Zalewska-Jura, Hanna
Powiązania:
https://bibliotekanauki.pl/articles/52229506.pdf
Data publikacji:
2004
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Hermes' myth
Sophocles' tragedy
Hymnus Homericus
Opis:
Non est dubium,quin IV hymnum Homericus in Mercurium atque Indagatores Sophoclis veterrima servata exemplaria fabularum de pueritia Mercurii sint.In disputatione igitur de similitudinibus et diferentiis inter utrumque opus atque inter alia litterarum testimonia tractatur, ut eo modo demonstrari possit Sophoclen Hymnum Homericum non solum nosse sed etiam imitatum esse.
Źródło:
Collectanea Philologica; 2004, 8; 59-71
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł

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