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    Tytuł:
    Ein Text – zwei Rezeptionshorizonte. Zur tschechischen Übersetzung des deutschen Romans Feuchtgebiete
    One text – two reception horizons. On the Czech translation of the German novel Feuchtgebiete
    Autorzy:
    Krappmann, Marie
    Powiązania:
    https://bibliotekanauki.pl/articles/1202345.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Opolski
    Tematy:
    translation studies
    cultural transposition
    topoi
    equivalence
    translation shifts
    taboo
    Opis:
    Drawing on the German novel Feuchtgebiete by Charlotte Roche and its translation into Czech – Vlhká místa, the paper will examine the different horizons of reception in the source and target cultures. Roche has brought many topoi belonging to the discourse of open corporeality to the centre of the canonized literary polysystem in the German space. Consequently, the author of this paper will discuss to what extent this centripetal movement can be transferred to the Czech literary landscape. While the German source text was labelled “a manifesto of sexual spontaneity” and was in the centre of media attention for a long time, the text of the Czech translation experienced a completely different reception. The paper has the following aims: 1) to show the differences that can be interpreted as direct consequences of the translation process; 2) to mediate the specifics of the reception of the source and target texts and to define their position in the respective literary polysystems.
    Źródło:
    Studia et Documenta Slavica; 2019, 9, 3; 83-94
    2658-1620
    Pojawia się w:
    Studia et Documenta Slavica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Patrząc na przemoc. Postawa, odczucia i bezsilność człowieka wobec okropności wojny w świetle retoryki okresu średniobizantyńskiego
    Observing violence. Human attitude and feelings facing the atrocities of war in the light of a rhetoric from the middle Byzantine period
    Autorzy:
    Marinow, Кirił
    Powiązania:
    https://bibliotekanauki.pl/articles/612051.pdf
    Data publikacji:
    2018
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    przemoc
    studia nad wojną
    emocje
    toposy literackie
    retoryka bizantyńska
    violence
    war studies
    emotions
    literary topoi
    Byzantine rhetoric
    Opis:
    The second and third decade of the 10th century was marked by an armed conflict between the East Roman Empire and Bulgaria. A conflict, which nearly brought about the downfall of Byzantium, was caused by ambitious plans of Symeon I (893-927), the Bulgarian ruler who desired to impose his supremacy upon the empire and gain new territories on the Balkan Peninsula at its cost. Only his death let the Byzantines take a breath and conclude a peace treaty with his son and follower, Peter I (927-969). Theodore Daphnopates (890/900 - after 961), the alleged author of a rhetoric work On the Treaty with the Bulgarians, praising the freshly concluded peace (in 927), reminded the atrocities of war. He also built up the image of a suffering human who had become a witness to the violence inflicted to the soil, temples and villages, as well as and first of all to humans during war operations. And although that image was in many aspects a cliché of the Byzantine literature through multiplying the images of suffering, present in other similar works, it referred to the deeply inrooted pattern of such feelings, based on the experience of many generations of Byzantines themselves and of the humankind in general. So, despite being a customary topos it reflected the possible or perhaps actual human experience of meeting with violence. In my presentation I will present and characterize the attitudes and emotions which accompanied the Byzantine author he had experienced (or at least said he had), being a witness and hearing the relations of atrocities of a fratricidal war.
    Źródło:
    Vox Patrum; 2018, 69; 449-465
    0860-9411
    2719-3586
    Pojawia się w:
    Vox Patrum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Birdless Sky”. On one of the topoi in Lager literature (and its fringes)
    Autorzy:
    Krupiński, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/649629.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Lager literature
    Nazi concentration camps
    topoi studies
    birds
    animal studies
    Opis:
    The aim of the article is to indicate a recurring motif in the writings devoted to Nazi concentration camps. In many of the accounts of male and female internees the camp was described as a place “where birds did not sing”. As a territory over which there spun an empty silent sky. “A Birdless Sky”. The author of the study, utilising various sources, attempted to study the phenomenon from different perspectives. The results of scientific ornithological studies conducted by Günther Niethammer, a scientist and an SS guard at KL Auschwitz proved a rather unexpected point of reference for the voices of the internees. The presented article refers to the increasingly lively contemporary research into the topics of Lager and Holocaust literatures. Ecocriticism and environmentalism have been some of the more significant inspirations of the proposed discussion. By introducing a post-anthropocentric perspective, the author was able to expand the historical field to include non-human beings (animals, plants, landscapes).
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 46, 8
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Niebo bez ptaków”. O jednym z toposów literatury lagrowej (i jego obrzeżach)
    „A sky without birds”: on a topos of concentration camp literature (and its margins)
    Autorzy:
    Krupiński, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/649201.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    concentration camp literature
    Nazi concentration camps
    topoi
    birds
    animal studies
    Opis:
    The main purpose of this article is to draw attention to one of the motifs which appear regularly in literature concerning the Nazi concentration camps. In many memoirs of ex-convicts the concentration camp is represented as a place „where birds did not sing” – an area domed by an empty, silent sky, „a sky without birds”. The author of this paper examines this phenomenon from many perspectives, drawing on various types of sources. The voices of the imprisoned are surprisingly juxtaposed with ornithological research conducted by Günther Niethammer, a scientist and, simultaneously, one of the SS guards in the Auschwitz concentration camp. This article is part of ever-growing contemporary research on the topoi of concentration camp literature and Holocaust literature. Ecocriticism and environmentalism constitute an important inspiration for his text, and a post-anthropocentric perspective allows the author to extend the scope of historicity to include the non-human beings, such as animals, plants and the landscape.
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    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 42, 4
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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