Temat: the print room - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Polonorum Icones – zbiór „wyobrażeń ludzi w ojczyźnie znakomitych, na hołd potomności zasługujących”. Przyczynek do kształtowania kolekcji Gabinetu Rycin króla Stanisława Augusta
Autorzy:: Przepałkowska, Izabela
Powiązania:: https://bibliotekanauki.pl/articles/1179487.pdf
Data publikacji:: 2021-03-09
Wydawca:: Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:: Stanisław August Poniatowski
Polonorum Icones
Musaeum Polonicum
Gabinet Rycin
portrety
kolekcje graficzne
kolekcjonerstwo
Michał Jerzy Mniszech
stanisław august poniatowski
musaeum polonicum
the print room
portraits
graphic collections
collecting
michał jerzy mniszech
polonorum icones
Opis:: Zespół portretów sławnych Polaków Polonorum Icones powstał jako część kolekcji Gabinetu Rycin króla Stanisława Augusta. Wbrew dotychczasowym ustaleniom jego kształtowanie przypada na wcześniejsze lata niż rok 1778. W artykule podjęto próbę ukazania wpływu relacji między Poniatowskim a Michałem Mniszchem na formowanie się omawianego zespołu portretów oraz jego zależności od idei utworzenia Museaum Polonicum.
The set of portraits of famous Poles, called Polonorum Icones, was a part of the Print Room of Stanisław August Poniatowski, the king of Poland. In spite of the opinion of previous researchers, this set of portraits was shaped earlier than 1778. This article attempts to reveal the influence of the relation between King Poniatowski and Michał Mniszech on the formation of the discussed set of portraits. The author also raises the issue of the dependence of Polonorum Icones on the idea of creating Museaum Polonicum.
Źródło:: Artifex Novus; 2020, 4; 182-193
2544-5014
Pojawia się w:: Artifex Novus
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Księgozbiór specjalistyczny Henryka Grohmana (1862–1939) a jego kolekcja grafiki nowoczesnej
Henryk Grohman’s (1862–1939) Specialist Library and His Collection of Modern Prints
Autorzy:: Dragońska, Urszula
Powiązania:: https://bibliotekanauki.pl/articles/32351988.pdf
Data publikacji:: 2023
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Henryk Grohman
Print Room of the University of Warsaw Library
modern prints
art collecting
historical libraries art market
Opis:: This article is the first study of the library belonging to the Łódź industrialist and art collector Henryk Grohman (1862–1939). It attempts to answer the question of the degree to which analysing these volumes, which are now housed in the collections of the University of Warsaw Library and the National Museum in Warsaw, can prove helpful in the study of art collections. The methodology for researching historical book collections was used to reconstruct and describe the library. These inquiries resulted in more than 165 titles being determined, which originally belonging to Grohman and covered oriental and European arts and crafts, as well as graphic and drawing arts (about 60). These included monographs, albums, and critical catalogues, exhibition and antiquarian nature, published mainly in Western Europe before 1914. The collector’s specialized book collection, built up on an ongoing basis, overlapped with his artistic interests and had the character of a utilitarian library. From the point of view of the study of graphic collections of the late 19th and early 20th centuries, the reference libraries of their creators seem to be of particular importance. In times when taste no longer sufficed to create a valuable collection, and quality and rarity became the main criteria for selecting graphic works, specialized literature on the subject was of help. Created by art historians, collection curators, art market experts, and also private collectors, it introduced the nuanced world of graphic arts. It provided a tool to help identify a print, determine its state, edition and quality, and thus determine the value of a given work. The preserved publications from Grohman’s library were therefore regarded as sources of specialized knowledge that the collector could not acquire either during his education or in his native environment. Three publications have been analysed in detail in the context of Grohman’s graphic arts collection: the series Le peintre-graveur illustré by Loys Delteil (1906–1926), the two-volume catalogue of Jean-Louis Forain’s lithographs and etchings by Marcel Guérin (1910, 1912), and the album devoted to the engravings of Fank Bangwyn prepared by Frank Newbolt (1908). These are publications reflecting the thriving activity of the circle of print enthusiasts of the late 19th and early 20th centuries, which had a significant impact on the dissemination of knowledge about this field of art. The series of relationships revealed between the collection of prints and drawings and the reference library significantly expanded the knowledge on its creator and how the collection was formed. It made it possible to appreciate the collector’s expertise and artistic taste, to observe how his awareness grew, influencing decisions on subsequent purchases, and also to detail the provenance of certain works. Thanks to the research field being expanded to include Grohman’s library, the findings on his graphic collection have become more complete and reliable.
Źródło:: Artium Quaestiones; 2023, 34; 47-79
0239-202X
Pojawia się w:: Artium Quaestiones
Dostawca treści:: Biblioteka Nauki

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