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    Wyświetlanie 1-6 z 6
    Tytuł:
    Święta Tekla – ikonografia i miejsce świętej w historii Kościoła
    Saint Thecla – the Iconographic Pattern of this Female Saint and Her Role in the History of Christianity
    Autorzy:
    Zalewska, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/2169986.pdf
    Data publikacji:
    2020
    Wydawca:
    Akademia Supraska
    Tematy:
    Święta Tekla
    Pierwsza męczennica
    Święta równa Apostołom
    ikonografia świętej Tekli
    rola kobiety w historii chrześcijaństwa
    Saint Thecla
    The first female martyr
    Saint Thecla equal to the Apostles
    the iconography of Saint Thecla
    the role of women in the history of Christianity
    Opis:
    The article concentrate on several aspects related to the person of Saint Thecla. One of the most important issues is the presentation of Thecla as historical figure and her role – a female Saint equal to the apostles – in the history of Christianity. Another aspect of the considerations is the searching for this saint woman iconography based on the analysis of the oldest surviving examples in comparison with the content of the hagiographic “Acts of Paul and Thecla”, which were written in the 2nd and 3rd centuries after Christ. The considerations were used in the development of an iconographic pattern, which contains historiographic premises of presenting the first martyr Saint Thecla on the Deacon’s Doors into the orthodox church of Saint Nicholas the Wonderworker in Topilec village.
    Źródło:
    Latopisy Akademii Supraskiej; 2020, Dzieci w kulturze duchowej Prawosławia, 11; 223-240
    2082-9299
    Pojawia się w:
    Latopisy Akademii Supraskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Wielka” i „Mała Rodzina Marii” w ikonografii chrześcijańskiej. Krótka historia tematu i jego realizacje na terenie Wielkopolski
    The “great” and “small” Family of Mary in Christian iconography. A short history of the theme and its realizations in Greater Poland
    Autorzy:
    Wajroch, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/1039443.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    religious iconography in the Middle Ages
    great and small Family of Mary
    history of the theme and its iconographic realizations in Greater Poland (Prochy Tarnowo Połuckie Skarbaszewo)
    Opis:
    The article deals with the iconography of the theme of the “great” and “small” family of Mary in Greater Poland. Most of the representations are not evidenced in the Bible. The author reviews the literature of the subject and presents examples of the realization of this theme in Greater Poland: Prochy, Tarnowo Połuckie, Skarbaszewo.Representations of this and related content were popular in medieval piety, especially in middle-class circles. In Greater Poland sculpted representations of the “small” Family of Mary enjoyed larger popularity than painted ones.
    Źródło:
    Ecclesia. Studia z Dziejów Wielkopolski; 2016, 11; 81-108
    1731-0679
    Pojawia się w:
    Ecclesia. Studia z Dziejów Wielkopolski
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Relations between State and Church in the Kongo in the Early Modern Period Based on Preserved Iconographic Material An Outline of the Problematic
    Stosunki pomiędzy państwem a Kościołem w Kongo w okresie nowożytnym na podstawie zachowanych materiałów ikonograficznych. Zarys problematyki
    Autorzy:
    Pawłowska, Aneta
    Piętek, Robert
    Powiązania:
    https://bibliotekanauki.pl/articles/23050677.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Królestwo Kongo
    ikonografia
    okres nowożytny
    sztuki wizualne
    historia
    Kingdom of the Congo
    iconography
    modern period
    visual arts
    history
    Opis:
    Celem artykułu jest poszerzenie badań nad historią i kulturą Konga w okresie nowożytnym poprzez analizę wybranych źródeł ikonograficznych związanych z tym obszarem geograficznym od schyłku XVI do połowy XVIII w. Dzięki silnej infiltracji Konga przez portugalskich i włoskich podróżników oraz zakonników, będącej skutkiem postępującej chrystianizacji kraju, zachowało się bardzo dużo różnego typu źródeł, co wyróżnia Kongo spośród innych państw Afryki Subsaharyjskiej. Przyjęcie i zachowanie chrześcijaństwa było dobrowolną decyzją polityczną kongijskich władców. Dokumenty poddane analizie zostały wybrane ze względu na swój przełomowy charakter, jak też wysoką wartość artystyczną. Kolejną przesłanką do zagłębienia się w ikonografię Konga może być próba poszerzenia odbioru kultury Afryki, zwłaszcza zaś próba porzucenia europocentrycznych sposobów opisywania świata. Artykuł jest bogato ilustrowany.
    The aim of this article is to support the study of the history and culture of the Kongo in the modern period by analysing selected iconographic sources related to this geographical area from the late 16th century to the mid-18th century. The main reason for doing so is the existence of a strong infiltration of the Kongo by Portuguese and Italian travellers and monks, which resulted from the progressive Christianisation of the country as a result of the political decisions of its successive rulers. A large amount of surviving documentation makes Kongo’s position unique in comparison to other sub-Saharan African countries. The documents analysed were chosen for their ground-breaking nature as well as their high artistic value. Another rationale for delving into the iconography of the Kongo may be to try to broaden the perception of African culture, especially the attempt to abandon Eurocentric ways of describing the world. The article is richly illustrated.
    Źródło:
    Przegląd Nauk Historycznych; 2023, 22, 2; 41-81
    1644-857X
    2450-7660
    Pojawia się w:
    Przegląd Nauk Historycznych
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Widoki portretowe Krakowa czasów staropolskich w badaniach historii miasta. Obraz, znak, symbol, tekst
    Views of Cracow from the Old Polish Times in the Research of the History of the City: Picture, Sign, Symbol, Text
    Autorzy:
    Komorowski, Waldemar
    Powiązania:
    https://bibliotekanauki.pl/articles/1178384.pdf
    Data publikacji:
    2019-03-31
    Wydawca:
    Towarzystwo Naukowe w Toruniu
    Tematy:
    views of European and Asian cities
    iconography
    laudatio urbis
    the history and culture of Cracow
    Opis:
    The article constitutes an overview of the most important views of Cracow in the Old Polish times. The keynote is the presentation of specific representations (11 views have been discussed) along with the rules of showing the city and – which is the basic thesis – their subjective interpretation in the social and political context. A view beyond the axiomatic principle of the faithfully portrayed urban space usually carried out interpretations which were more or less visualized (both by their creators and recipients). It should be read as a testimony of the epoch, exploring the circumstances of their creation and possible cultural analysis. The first of the discussed representations is the view in the work of Hartman Schedel of 1493; it is not so much the real image of the city as its sign – it corresponds to the views of the city landscape at that time. The second view, from 1537, probably by Mathias Gerung, despite being generally the faithful reflection of the reality, omits many details or distorts them. However, the first representation which faithfully presents the details is the view of 1581; however, it, in turn, deforms the urban space (which, incidentally, was a conscious choice of the creator). Two views in Civitates orbis terrarum by Georg Braun and Franz Hogenberg, published in 1617, are the most informative views presenting Cracow. The latter is the most beautiful picture of the capital city and it also became the source which was later used by the creators of the next panoramas of Cracow, who changed the prototype more or less uncritically (1619, 1696, the second quarter of the 18th century). A breakthrough in the representation of the city, rooted in modern thinking, was the “rationalist” view of 1785. Iconography, like any historical source, is subject to critical review; it should also be – for verification purposes – confronted with other archival sources. In this process, methods from the area of art history, history of architecture, urban planning and historical landscape architecture are applied. There are mutual relations between iconography and written communication; iconography can be the complement, but it can also be the main source, or even the only one.
    Źródło:
    Zapiski Historyczne; 2019, 84, 1; 135-167
    0044-1791
    2449-8637
    Pojawia się w:
    Zapiski Historyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Obraz miasta epoki przedprzemysłowej we współczesnych badaniach historycznych
    The Representation of the City of the Pre-industrial Era in Contemporary Historical Research
    Autorzy:
    Czaja, Roman
    Powiązania:
    https://bibliotekanauki.pl/articles/1160669.pdf
    Data publikacji:
    2019-03-31
    Wydawca:
    Towarzystwo Naukowe w Toruniu
    Tematy:
    the history of iconography
    the representation of cities
    perception of cities
    pre-industrial city
    Opis:
    The aim of the article is to present the material scope and methodological assumptions of the research on the image of cities undertaken since the late 1970s. The author points out that the image of the city is a very broad term in which various research directions are included. The subject matter had been addressed in the works of sociologists, geographers and art historians since the 1920s. The so-called cultural breakthrough in historical sciences in the 1970s has contributed to the increasing interest in the problem of the representation of cities. The essence of the new approach has become the interest in the principles of creating an image, the ways of its construction and its functions. The priority in undertaking new methodological challenges in the research on the perception of cities and its representations should be attributed to researchers of literature and art historians. Historians started to be more seriously interested in the area in the 1980s. According to the author, the studies developing until the beginning of the 21st century were characterized by a large methodological diversity. Over the last ten years, the focus of researchers has been the issue of creating an image of their own city in various research contexts: city representation, city branding, symbolic communication and communal staging.
    Źródło:
    Zapiski Historyczne; 2019, 84, 1; 67-84
    0044-1791
    2449-8637
    Pojawia się w:
    Zapiski Historyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pomnik chłopa – przystanki sensu, stacje rozpadu: Rozważania o pisaniu historii
    Peasant Statue – Stops of Sense, Stations of Disintegration (Reflections on the Writing of History)
    Autorzy:
    Cembrzyńska, Patrycja
    Powiązania:
    https://bibliotekanauki.pl/articles/1830730.pdf
    Data publikacji:
    2021-10
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    the iconography of Melancholy and Saturn
    allegory
    monument/anti-monument
    history from below (people's history of Poland)
    Opis:
    The article deals with the relationship between the writing of history and the creation of allegories. The question of the contextual and creative nature of interpretation/organisation of meaning is placed at the centre of consideration. The starting point is the Albrecht Dürer’s Monument to Commemorate the Victory over the Rebellious Peasants woodcut – an example of an interpretative puzzle showing the discursive entanglements of interpreters. Through contemporary artistic references to the Dürer’s work, the phenomenon of a turn towards folk history is also presented. The analysis of the Daniel Rycharski’s mobile Pomnik Chłopa (Monument to a Peasant), inspired by the Dürer’s woodcut, which travels across Poland, aims at bringing closer the mechanism of creating connotational shifts and reflecting on the interpenetration and divergence of various ways of thinking about peasant history. Melancholy, to which Dürer and Rycharski refer in their works, is shown as a figure of the desire for meaning and the disintegration of meaning.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2021, 165; 277-301
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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