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    Wyświetlanie 1-4 z 4
    Tytuł:
    Przedpola romantycznej sławy
    The Dawn of the Romantic Fame
    Autorzy:
    Kijek, Łukasz
    Powiązania:
    https://bibliotekanauki.pl/articles/1934209.pdf
    Data publikacji:
    2010
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    konfederacja barska
    literatura barska
    legenda Kazimierza Pułaskiego
    legenda konfederacji barskiej
    Claude C. Rulhière
    Bar Confederation
    Bar literature
    Kazimierz Pułaski's legend
    legend of the Bar Confederation
    Claude C. Rulhiere
    Opis:
    The aim of the article is to present the beginnings of the formation of the legend of one of the Bar Confederation commanders, and at the same time a hero of the American Independence War, Kazimierz Pułaski. The fame of the best military commander of the Bar Confederation assumed the shape of Pułaski's Bar legend, that was a reproduction of the myth of a knight/soldier in the context of the social demand for the image of a hero giving his life in the struggle against the enemy. For Pułaski's legend the fact was significant that initially the legend was completely positive, but after the attempt to abduct King Stanislaus August Poniatowski it also absorbed a negative component, in this way creating Pułaski's ambiguous image. However, soon Pułaski's Bar legend was affected by the legend of the Bar Confederation whose aim was independence, and as a result it started Pułaski's pro-independence legend, additionally inspired by the American Independence War. In consequence in the Polish literature of the Romantic period there were two Kazimierz Pułaski's legends: the legend of the Sarmatian age, and the pro-independence one.
    Źródło:
    Roczniki Humanistyczne; 2010, 58, 2; 131-159
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Polskie tłumaczenia korespondencji Stanisława Augusta z Katarzyną II i Nikitą Paninem z lat 1769–1772,
    The Polish translations of Stanisław August’s correspondence with Catherine II and Nikita Panin from the years 1769–1772
    Autorzy:
    Zielińska, Zofia
    Powiązania:
    https://bibliotekanauki.pl/articles/1193807.pdf
    Data publikacji:
    2015
    Wydawca:
    Towarzystwo Naukowe w Toruniu
    Tematy:
    epistolography of monarchs
    Polish translations
    the Bar Confederation
    the Czartoryski family
    the Polish and Russian diplomacy
    the first partition of the Rzeczpospolita
    Opis:
    Among the letters which Stanisław August exchanged with Catherine II and Nikita Panin in the times of the Bar Confederation there are several ones which were translated into Polish. The translations were probably connected with the propaganda offensive prepared by Stanisław August and the Czartoryski family, aimed at convincing the society that the monarch and the leaders of the “Family” did not inspire the dissenters to strive for political equality, nor did they support the kidnapping of the senators perpetrated by Nikolai Repnin. The translated texts prove that the king opposed the Russian actions. Eventually, Stanisław August did not decide to promote the translated texts, still less – to publish them.The attempt to conciliate the king and his uncles with the rebellious nations, which was to appease the country, did not bear fruit.
    Źródło:
    Zapiski Historyczne; 2015, 80, 3; 193-206
    0044-1791
    2449-8637
    Pojawia się w:
    Zapiski Historyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Konfederacja barska w myśli historycznej szkoły krakowskiej: Michał Bobrzyński i Anatol Lewicki
    Autorzy:
    Maternicki, Jerzy
    Powiązania:
    https://bibliotekanauki.pl/articles/2042747.pdf
    Data publikacji:
    2020-12-09
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    historical thought
    the Kraków school of history
    Michał Bobrzyński
    Anatol Lewicki
    the Bar Confederation
    liberum conspiro
    the Kraków conservatives’ politics of history
    myśl historyczna
    szkoła historyczna krakowska
    konfederacja barska
    polityka historyczna konserwatystów krakowskich
    Opis:
    Artykuł jest kontynuacją rozprawki autora pt. Joachim Lelewel i Józef Szujski: wizje konfederacji barskiej. Szczegółowej analizie poddano poglądy Michała Bobrzyńskiego i Anatola Lewickiego na konfederację barską, zaprezentowane w ich całościowych ujęciach dziejów Polski. Zwrócono uwagę na występujące pomiędzy nimi podobieństwa i różnice, a także relacje z wizjami Józefa Szujskiego oraz związki z polityką historyczną konserwatystów krakowskich.
    In this article, the author continues to discuss the topic with which he first dealt in an essay entitled Joachim Lelewel i Józef Szujski: wizje konfederacji barskiej. The article provides a detailed analysis of the views of the Bar Confederation as advanced by M. Bobrzyński and A. Lewicki in their interpretations of Polish history. In addition to showing both differences and similarities existing between the two accounts of the political movement in question. The author also aims to establish how the analysed views related to those held by J. Szujski and how they connected to the politics of history pursued by the Kraków conservatives.
    Źródło:
    Klio Polska. Studia i Materiały z Dziejów Historiografii Polskiej; 2020, 12; 9-23
    2450-8381
    2450-8373
    Pojawia się w:
    Klio Polska. Studia i Materiały z Dziejów Historiografii Polskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Obraz Artura Grottgera „Modlitwa konfederatów barskich przed bitwą” (pod Lanckoroną?): historia, literatura, ogląd
    Grottger’s Painting “The Bar Confederates Pray Before the Battle“ (of Lanckorona?): History, Literature, Vision
    Autorzy:
    Bryl, Mariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/909559.pdf
    Data publikacji:
    2020-12-20
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    the Bar Confederation
    Artur Grottger
    historical/literary references
    autonomy/heteronomy relationship
    art historical hermeneutics
    Opis:
    The subject of the paper is a painting by Artur Grottger, which has not yet been the subject of  close art historical analysis, hindered by the complicated history of the painting as a material object: from its creation (1861–63) and being exhibited in Vienesse Kunstverein in 1864 (titled Das Gebet vor der Schlacht. Episode aus der vergangenen Zeit in Polen), via its appearances and disappearances in the arena of history, till its present status of an object in a private collection, whichlimits its accessibility. The reconstruction of the process of constituting its present title (The Bar Confederates Pray Before the Battle of Lanckorona), reveals the problematic status of the reference to the specific battle fought during the Bar Confederation (1768–1772). The confrontation of the pictorial presentation with a real course of the battle of Lanckorona (23 May 1771) proves that it was not Grottger’s imperative to reconstruct in a probabilistic manner neither the place nor the course of the specific historical event. The analysis of the common for the artist and its public cultural competence, whose basis during  that epoch was literature, does not yield an unequivocal identification of specific historical figures or literary motifs as references for the painting. This probabilism of heteronomous, historical and literary references, increases the autonomy of Grottger’s painting as a visual medium. Following the tenet of art historical hermeneutics that it is not contextual references but the pictorial potential activated by the artist that defines the actual status of the represented event, the subject of the next part of the text is the vision-oriented logic of the painting. The main reference is Michael Brötje’s theory, according to which the surface of the painting (not the material, covered with paint, picture plane – die Flache – but immaterial, invisible instance – die Ebene) constitutes the ultimate instance for both represented reality, which it transcends and whose boundaries it establishes, and for the spectator, who confronts this reality in the process of viewing with the pictorial surface and its boundaries. In the process of viewing, which consists in the interaction between structural properties of the painting and the postulated by the viewer relating to the surface, the spectator experiences, as his or her own, the truth about the confederates’ origin, their connection with nature, their religiosity, rootedness in the motherland, death as their destiny, and their devotion to the ultimate absolute instance. The very experience, residing in the medium, ultimately determines the status of the heteronomous in relation to the painting, historical and literary references.
    Źródło:
    Artium Quaestiones; 2020, 31; 369-400
    0239-202X
    Pojawia się w:
    Artium Quaestiones
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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