Temat: technologie wideo - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Technologiczny radar CISCO 2014
Radar technology CISCO 2014
Autorzy:: Furmanek, Waldemar
Powiązania:: https://bibliotekanauki.pl/articles/446208.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet Rzeszowski
Tematy:: technologie wideo
urządzenia świadome otoczenia
mobilne sieci
protokół IPv6
MDM
SDN
ACI
video technology
environment conscious device
mobile networks
dissemina-tion of IPv6
Internet of Everything (IOE) and M2M
security and MDM
Applications SDN (Software Defined Networking) and ACI (Application Centric Infrastructure)
Opis:: Wśród wielu prognoz dotyczących rozwoju technologii informacyjnych na uwagę zasługuje prognoza CISCO. Dotyczyła ona roku 2014. Czy zrealizowano jej założenia? Obejmowały one następujące kierunki rozwoju: rozwijanie technologii wideo z przeglądarki w czasie rzeczywistym; urządzenia świadome otocze-nia; mobilne sieci; upowszechnienie protokołu IPv6; Internet Wszechrzeczy (IoE) a M2M, bezpieczeństwo i MDM; aplikacje SDN (Software Defined Networking) i ACI (Application Centric Infrastructure).
Among the many predictions for the development of information technologies on Noteworthy fore-cast CISCO. It concerned 2014. Is realized its objectives? These included the following heavy-vided devel-opment: development of video technology from the browser in real time; environment conscious device; mobile networks; dissemination of IPv6; Internet of Everything (IOE) and M2M, security and MDM; Ap-plications SDN (Software Defined Networking) and ACI (Application Centric Infrastructure).
Źródło:: Dydaktyka informatyki; 2015, (10) 2015; 15-19
2083-3156
Pojawia się w:: Dydaktyka informatyki
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Créer un environnement interactif en classe de FLE
Creating an interactive language classroom
Autorzy:: Kotuła, Krzysztof
Powiązania:: https://bibliotekanauki.pl/articles/1037302.pdf
Data publikacji:: 2012-12-15
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu. Collegium Novum. Polskie Towarzystwo Neofilologiczne
Tematy:: TIK
interactive classroom environment
technologie informacyjne i komunikacyjne (TIK)
interaktywne środowisko uczące
klasa językowa
gry wideo
Opis:: Traditional communication in foreign language classes, even if varied by the use of diverse games and simulations, takes place in a sterile classroom environment, and therefore, is rarely encouraging. However, the new generation of pupils is growing up on computer games, and this fact is changing their expectations and demands on education. The dynamically changing virtual world of videogames may be the perfect environment for them to develop various skills. In this paper, I would like to present my preliminary conclusions made while implementing videogames into foreign language classes in a high school.
Źródło:: Neofilolog; 2012, 39/2; 147-156
1429-2173
Pojawia się w:: Neofilolog
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: SZTUKA RUCHOMEGO OBRAZU. OCHRONA, KONSERWACJA I REKONSTRUKCJA W DOBIE MEDIÓW CYFROWYCH
THE ART OF THE MOVING IMAGE. PROTECTION, CONSERVATION AND RECONSTRUCTION IN THE ERA OF DIGITAL MEDIA
Autorzy:: Wysocka, Elżbieta
Powiązania:: https://bibliotekanauki.pl/articles/535387.pdf
Data publikacji:: 2007
Wydawca:: Narodowy Instytut Dziedzictwa
Tematy:: AUDIO-VISUAL & DIGITAL MEDIA PROTECTION
obraz elektroniczny
cyfryzacja sztuki
video art.
ARPANET
Internet
technologie cyfrowe
nowe media
konserwacja sygnału wideo
konserwator obiektu elektronicznego
Opis:: The art of conservation has been forced to face entirely new challenges. The sort of art that so far has kept its distance from official circulation, is being intentionally collected, is entering the domain of museum space, and, as a consequence, is becoming the object of the concern expressed by art conservators. Requirements and problems associated with the conservation of audio-visual and digital objects differ considerably from the needs of traditional archival material and monuments of art. The magnetic tape, in contrast to, e. g. the film tape, does not contain traces of the process, which had produced its information structure. Images recorded on magnetic tape are not directly accessible and remained encoded. The characteristic feature of the digital media is a still smaller 'material quality coefficient'. New dilemmas are also created by the interpretation of new media objects. Another noteworthy fact is the great reduction of the period of the durability of the carriers as technology progresses. A different problem involves the constant outdating caused by the rapid development of audiovisual technologies. At present, the fundamental challenge entails the creation of a conception of long-range protection of the new media, and the storage of resources in a world governed by the harsh rules of the market. A conservator or an archivist will not delay the outdating of audio-visual technologies, and does not have any impact on the trend of their growth. He is also incapable of improving the physico-chemical properties of the carriers. It will become imperative to cooperate closely with specialists representing informatics, physics or electronics. Only by entering these new domains one can guaranteed a chance to protect and preserve the new variety of monuments of culture. Obviously the protection of audiovisual collections calls for research and documentation. In the case of valuable magnetic tapes it is crucial to ensure suitable storage conditions. Successive prevention entails cyclical copying of master tapes onto new carriers, prior to the appearance of the first symptoms of disintegration. Next to the heretofore-used analog formats of the master tapes , archives are gradually selecting digital tape formats or keep valuable video material on hard disks.The development of informatics technologies is accompanied by the possibility of a digital reconstruction of the moving image. The software is addressed primarily to the 'digital intermediate' industry and archival films, but can be also applied for the reconstruction of valuable video material. All these solutions are still in the experimental phase and are not widely applied. It is not surprising that neither conservation theory nor praxis can keep up and we are only beginning to learn how to put them to use. The obliteration of the concept of the original and copyright protection causes further anxiety. The above issues must be resolved rapidly if digital imagery is to become part of conservation praxis and institutions protecting art are to become capable of treating their collections suitably.
Źródło:: Ochrona Zabytków; 2007, 3; 17-34
0029-8247
Pojawia się w:: Ochrona Zabytków
Dostawca treści:: Biblioteka Nauki

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