Temat: strangeness/alienation - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: „Nein, hier bin ich fremd, ich gehöre dahin, wo ich nicht bin“. Fremdheit und Heimatsuche im Schaffen von Anna Mitgutsch
'No, I’m a stranger here, I belong somewhere else!' Alienation in the literary work of Anna Mitgutsch
Autorzy:: Jurzysta, Aneta
Powiązania:: https://bibliotekanauki.pl/articles/679504.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: strangeness
German literature
homeland
alienation
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Opis:: The paper deals with the broad concept of strangeness in the literary work of Anna Mitgutsch, a contemporary Austrian writer. The topic of strangeness is a keynote in her rich literary output. Mitgutsch’s experience of being abroad (travelling to the Middle East and south-east Asia, living and working in Israel, England, Korea and The USA) is reflected in such novels as Das andere Gesicht, In fremden Städten or Abschied von Jerusalem. Her characters are nomads, people looking for identity and homeland, trying to escape alienation. The feeling of being a stranger is also present in their relations with their loved ones (Die Annäherung).
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Źródło:: Acta Universitatis Lodziensis. Folia Germanica; 2016, 12; 123-143
2449-6820
Pojawia się w:: Acta Universitatis Lodziensis. Folia Germanica
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Odnaleziony klucz
The key found
Autorzy:: Stankowka, Agata
Powiązania:: https://bibliotekanauki.pl/articles/1535116.pdf
Data publikacji:: 2010-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: poetic anthropology
Julia Hartwig
strangeness/alienation
identity
empathy
Opis:: Poetycka antropologia Julii Hartwig [Julia Hartwig’s poetic anthropology] written by Marcin Terlecki is a book that fills the yawning gap in our literary understanding of the twentieth century Polish poetry and constitutes the first attempt at a comprehensive and detailed presentation of the lyrical works by J. Hartwig. The modern collection in which the work appears allow M. Terlecki to reveal the poetess’ fundamental insights dominating and underlying her world outlook and epistemological views. This, in turn, puts him in a position to give an explanation to the logic embedded in the evolution under scrutiny. M. Terlecki convincingly supports his own argument concerning J. Hartwig’s poetic reception of the world proving the thesis that its fundamentals are deeply rooted in the anthropological perspective. Terlecki differentiates the latter into three basic categories. First, there is “strangeness/alienation”, which results in the need for self-definition (determination of one’s nature and basic qualities). Then, “identity”, whose reflection turns out to be not only what is different in its external shape, but also what is different inside — within the plane of one’s own culture, biography and personality. And, finally, “empathy”, born out of questions on a feasibility of contact with what is different, alien and absent. The three categories, connected by the logic of anthropological vision, are presented as basic and fundamental for the subsequent stages in Hartwig’s poetical output. At the same time, they reveal themselves as axes of anthropological reading material provided by the author — for the discussed book is the author’s own research project on “poetic anthropology”.
Źródło:: Poznańskie Studia Polonistyczne. Seria Literacka; 2010, 17; 191-201
1233-8680
2450-4947
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:: Biblioteka Nauki

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