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Wyświetlanie 1-15 z 48
Tytuł:
HEZJOD WOBEC BLISKOWSCHODNIEGO DZIEDZICTWA KULTUROWEGO.
Autorzy:
Pyznar, Konrad
Powiązania:
https://bibliotekanauki.pl/articles/436919.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
starożytna Grecja
teologia
filozofia
Hesiod
Opis:
In this paper I consider how theology impacted on the uprising philosophy in ancient Greece. In the first part of my text I analyze the concept of theology and philosophy and I want to know the relation between these two ideas. I am especially interested in point of the line separating theology and philosophy. The main question concerning it is when we could say about theology that it is already philosophy, and reversely – when we could say about philosophy that it is still theology in Greek meaning. For the better understanding of the answer of this question I analyze Hesiod’s Theogony. Hesiod of Beotia is accepted as a poet and theologian and that is why I pay attention to him in the second part of my text.
Źródło:
Res Gestae. Czasopismo Historyczne; 2015, 1; 7-26
2450-4475
Pojawia się w:
Res Gestae. Czasopismo Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Armia spartańska
Spartans, 1999
Autorzy:
Sekunda, Nick (1953- ).
Współwytwórcy:
Hook, Richard (1938-2010). Ilustracje
Tomczak, Juliusz. Tłumaczenie
Firma Handlowo Usługowa NAPOLEON V, Dariusz Marszałek. pbl
Data publikacji:
2016
Wydawca:
[Oświęcim] : Wydawnictwo Napoleon V
Tematy:
Wojsko
Wydawnictwa popularne
Opis:
Tyt. oryg.: [The Spartans] 1999. Na książce tyt. serii oryg.: Elite ; 66.
Bibliogr. s. 62.
Dostawca treści:
Bibliografia CBW
Książka
Tytuł:
„PODRÓŻNIK WĘDRUJĄCY DO ŹRÓDEŁ”. WYBRANE WĄTKI W TWÓRCZOŚCI ZBIGNIEWA HERBERTA W KONTEKŚCIE MYŚLI PRESOKRATYKÓW
„A TRAVELLER COMING TO THE SOURCES”. SELECTED THEMES IN HERBERTS WORK IN THE CONTEXT OF PRESOCRATIC THOUGHT
Autorzy:
Filipczuk, Magdalena
Filipczuk, Michał
Powiązania:
https://bibliotekanauki.pl/articles/955711.pdf
Data publikacji:
2017
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
Zbigniew Herbert
wiersz
starożytna Grecja
filozofia
poem
ancient Greece
philosophy
Opis:
Life is a journey as long as a man is set to absorb the world, to accept it in its diversi-ty and richness. Zbigniew Herbert often expresses the conviction regarding the “inex-haustible splendour of the world”, and admits that he is “seduced by the beautiful and diversified world” (A Prayer of Mr. Cogito – the Traveller). Both the real and the meta-phorical travelling understood as getting to know – exploring – learning anew, are the domain of the Ionian philosophers. No wonder that the philosophy of Ionian thinkers serves Herbert as the incessant source in his intellectual peregrinations. In this article we explore some interconnections between the aforementioned tradition and Herbert’s work.
Źródło:
Świat Tekstów. Rocznik Słupski; 2017, 15; 123-142
2083-4721
Pojawia się w:
Świat Tekstów. Rocznik Słupski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
OLINT – OLINTHOS – uwagi o architekturze
Autorzy:
Kwiatkowska-Baster, B.
Powiązania:
https://bibliotekanauki.pl/articles/218265.pdf
Data publikacji:
2006
Wydawca:
Stowarzyszenie Konserwatorów Zabytków
Tematy:
Olint
wykopalisko
architektura mieszkalna
starożytna Grecja
excavation
residential architecture
ancient Greece
Źródło:
Wiadomości Konserwatorskie; 2006, 20; 45-47
0860-2395
2544-8870
Pojawia się w:
Wiadomości Konserwatorskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
POLICHROMOWANA CERAMIKA W GROBOWCACH HELLENISTYCZNEJ APULII
POLYCHROME POTTERY IN THE GRAVES OF HELLENISTIC APULIA
Autorzy:
Martusewicz, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/537433.pdf
Data publikacji:
2004
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
starożytna Grecja
lekyty białogruntowane
Apulia
Canosa
askos
ceramika hellenistyczna
naczynia sepulkralne
oinochoe
Opis:
South Italian pottery of the Hellenistic period comprises a large group of historical monuments representing diversified forms, decoration and technology. Against this background, the relatively few polychrome vessels discovered in graves from this epoch, especially in the region of the town of Canosa, are particularly noteworthy. They constitute a characteristic and, simultaneously, unique group both as regards their rich iconography and the technology of execution which combines full plastic sculpture, the bas-relief, and painting. The sepulchral character of the pottery determined the origin of its multi-motif decoration. At the same time, the awareness of producing cult objects intended for burial rites and subsequently for placing in graves essentially influenced the production technology. The years-long co-operation of the Chair of the Conservation and Restoration of Stone Sculpture and Architectural Elements at the Department of the Conservation and Restoration of Works of Art (the Academy of Fine Arts in Warsaw) and the Ancient Arts Gallery at the National Museum in Warsaw led to a decision about embarking on extensive technological research relating to a selected group of ceramic monuments, This venture was linked with conclusions stemming from the conservation of some of those objects, conducted earlier at the Academy of Fine Arts in Warsaw. Research into the technique and technology of Hellenistic decorated polychrome vessels originating from Apulia was preceded by a selection of five objects from the collections of the National Museum in Warsaw. The investigations made it possible to obtain detailed results enabling the reconstruction of the technique and technology in question, and their confrontation with the available outcome of technological research focused on historical objects and foreign collections. The observations and analyses of data which had been gathered from the viewpoint of conservation, offered additional information indispensable for a more complete reconstruction of the production technique of particular objects. The ensuing research confirmed that the sepulchral purpose of this type of pottery is reflected in the application of the relatively perishable polychrome technology. Despite their different forms, the discussed objects disclosed a similar technological structure: they are made of ceramic clay, containing a mixture of ferric compounds, and their firing temperature did not exceed 950 C. The outer surfaces are covered with white ground composed of white clay and lime binding, the only exception being a figurine of Nike covered with pure lime ground. The polychrome was produced upon the basis of natural pigments – imperial red and iron oxide yellow as well as Egyptian blue, characteristic for antiquity. The black colours differ depending on the object and include soot, charcoal or boneblack. The pigments were placed into the lime binding in the form of limewater or whitewash. The two most essential sources of inspiration for this type of pottery mentioned in historical literature, i. e. Attic white-ground lecythi and murals, have been recognised as interesting from the technological viewpoint. It must be added, that the Attic whiteground lecythi cannot be recognised as an inspiration for the technological solutions accepted in the discussed group of grave pottery from Apulia. On the other hand, the occurrence of admixtures in the form of limewater or whitewash, ascertained in the aforementioned research, as well as the use of lime binding in polychrome indicates a possible technological connection with murals from those centres. A continuation of pertinent studies could yield extremely interesting results.
Źródło:
Ochrona Zabytków; 2004, 1-2; 79-92
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 48

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