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Tytuł:
Русская речь в СМИ и как категория стиля
Autorzy:
КОНЬКОВ, ВЛАДИМИР И.
Powiązania:
https://bibliotekanauki.pl/articles/615658.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Opolski
Tematy:
style
functional style
speech technology
functional speech varieties
Opis:
The article says that the variety of Russian speech in the media require more detailed, functionally differentiated deseription. Proposes a definition of style as a speech technology.
Źródło:
Stylistyka; 2014, 23; 209-219
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Развлекательный дискурс в русскоязычном интернете
Autorzy:
Карпова, Татьяна Б.
Powiązania:
https://bibliotekanauki.pl/articles/1203413.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Opolski
Tematy:
runet as new speech environment
types of discourse of runet
genre and style forms
language of internet
Opis:
Leisure discourse is one of the main types of the d course of Russian-speaking internet. It realizes the aims of a language person for the way of spending time, resting, entertainment. The field of leisure discourse in runet is formed by such micro-fields as communi cation, self-presentation (designing of a web-person), сгеапѵе works, hobby, cognition (navigation), playing, sex. Motives and functions of leisure activity of a language person, as well as those genre forms where this activity takes place, have been analyzed
Źródło:
Stylistyka; 2011, 20; 163-174
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Типология газетных речевых жанров
Autorzy:
Дускаева, Лилия P.
Powiązania:
https://bibliotekanauki.pl/articles/1925972.pdf
Data publikacji:
2005
Wydawca:
Uniwersytet Opolski
Tematy:
publicisticf unctional style
the speech genre
the typology of newspaper's speech genres
the principles of this typology
the communicative aim of the genre
the hypothesis about addressee of the genre
Opis:
The paper deals with the genre typology of the publicistic functional style. The speech genres are interpreted as a three-part system reflecting the interaction of the semantic positions both of the writer and the addressee. For the first time there has been characterized the system of the reader's genre needs which are nom1ally taken into consideration by a reporter when creating the text ofthis or that particular genre. As a result of the study into the problem it has been stated that various informational needs of the audience determine the compositional andthematic genres'peculiarities, as well as the communicative requirements and set the stylistic parametres of the pattems. In the paper there is proposed thesolution of the disputable issued in linguistics concerning the primary and secondary genres and are revealed the regularities in the different genres' interractions.
Źródło:
Stylistyka; 2005, 14; 463-482
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ситуация как фактор стиля
Situation as a Style Factor
Autorzy:
ГОНЧАРОВА, ЕВГЕНИЯ A.
Powiązania:
https://bibliotekanauki.pl/articles/953946.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet Opolski
Tematy:
style
situation
text formulating modus
speech competence
stylistic information
extralinguistic factors
‘external’ situation
‘internal’speech-contextual style determinant
situational style factors
linguostylistic markers of situation
Opis:
There is no unanimous point of view concerning the organic relationship between ‘style’ and ‘situation’, mainly because o f different definitions and interpretations of the concept o f ‘style’. As a quality of an integral text, style presents a text formulating modus, which characterizes new textual qualities that appear as optional to the basic necessary criteria o f textuality (e.g. integrality, coherence, etc.) as a result o f altering the ‘situation’ of making and perceiving the text. Making a ‘style’ means formulating that kind of a text structure which would accommodate to the ‘situation’ of presenting (new) information to the communication partners. As a subject o f a philological description ‘situation’ can be interpreted both in the broad and in the narrow sense. It can take into account extralinguistic factors of making and perce ■ mg the text, which influence the style as well as proper linguistic mechanisms that define the nature of stylistic information of a particular text. In the textual structure one can differentiate a certain system of relations between separate situational style factors as well as their linguostylistic markers. The character of such hierarchy may vary in different text classes and types. This proves the fact that both the ‘situation’ as a (text) style factor and the elements, which function as linguistic markers of stylistic information, are o f a gradient character.
Źródło:
Stylistyka; 2010, 19; 7-22
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Речевой жанр комплимента в современной российской коммуникации
Autorzy:
ВОРОНЦОВА, ТАТЬЯНА А.
Powiązania:
https://bibliotekanauki.pl/articles/615340.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Opolski
Tematy:
compliment
speech genre
speech etiquette
colloquial style
Opis:
Unlike the majority of linguistic researchers, we consider the compliment as a speech genre, and a praise as a speech tactic of a positive assessment of the addressee. This tactic is the main and only speech tactic designed to serve the complimentary purpose, which expresses a positive attitude towards the interlocutor. Specifics of the compliment as a speech genre are defined by it possessing communicative independence and completeness. Unlike other genres of speech etiquette, the compliment is not attached to a certain situation and represents a facultative element of phatic communication. The etiquette essence of a compliment presupposes a certain convention of its contents, therefore theoretically it is supposed that the stated positive assessment shouldn’t be verified by the addressee. However, the importance of the category of sincerity for the Russian language consciousness determines the fact that in modernRussian communicative culture there is a special style of compliment which is caused by an aspiration of the sender to evoke trust of the interlocutor to the contents of a statement made. Markers of this style are various language emotional and estimated means and the structural-syntactic features particular to spontaneous informal conversation.
Źródło:
Stylistyka; 2015, 24; 271-282
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ЛИНГВОДИДАКТИЧЕСКИЙ ПОТЕНЦИАЛ ГОГОЛЕВСКОГО ТЕКСТА. „СЛОВО ГНИЛО ДА НЕ ИЗЫДЕТ ИЗ УСТ НАШИХ...”
Linguadidactics Potential of the Gogol’s Works
Autorzy:
Бондаренко, Марина
Powiązania:
https://bibliotekanauki.pl/articles/444347.pdf
Data publikacji:
2016-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian language
linguistic education
Gogol’s style
speech variety
Opis:
Particular attention in the article is paid to speech development through Gogol’s works. His literary productions are distinguished by variety of linguistic resources. Some exercises are devoted to poem Dead Souls and The Story of How Ivan Ivanovich Quarreled with Ivan Nikiforovich. They are characterized by speech variety: Gogol uses gradation, namely syntactical gradation, literature neologisms, humorous vocabulary, professionalisms, high and low words, popular speech, phraseology, antithesis and many other linguistic means.
Źródło:
Acta Neophilologica; 2012, XIV/1; 139-153
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Прагматика - функционaлънaя перспектива языка
Autorzy:
Баранов, Анатолий Г.
Powiązania:
https://bibliotekanauki.pl/articles/1203918.pdf
Data publikacji:
2005
Wydawca:
Uniwersytet Opolski
Tematy:
language
functional style
scientific style
speech linguistics
text
dialogue form
extralinguistic factors
style of genre
dinamic concept of language
Opis:
The dynamie chaos theory applied to linguistics casts light on the role of Perm school of functional stylistics (M.N. Kozhina) as an odd attractor promoting the study of text in dynamics, especially the functional stylistic-semantic categories of text.It is argued here that modem situation in linguistics is shaped by the application of global context (individual cognitive system - on the personal level, and culture in all its heterogeneity - on the social level) to the mainstream research of language in use. This methodological demand is met by functional pragmatics as whole semiotics embracing all aspects of semiosis. lt ensures the blend of cognitive and interpretive models with their specific procedures in revealing the subtleties of language in use. That is exemplified in the analysis of a chunk of fictive text. Besides, we set forth the category of tonality which denotes attitudes and tones permeating discourse, in the light ofM.N. Kozhina's contribution to the field.
Źródło:
Stylistyka; 2005, 14; 75-86
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Конmинуальностъ/дискретностъ - стилевая черта дискурса
Continuity/discreteness - stylistic feature of discourse
Autorzy:
БАРАНОВ, АНАТОЛИЙ G.
Powiązania:
https://bibliotekanauki.pl/articles/615605.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Opolski
Tematy:
tetrachotomic approach to style: thinking - discourse - speech genre - utterance: semiosis
Opis:
The predominant way of stylistic investigation - up till nowadays - follows the di chotomie ‘token-type’ principle. It is argued here that the comprehensive study of style be carried along the rhetoric-interpretative lineš, which requires a letrachotomic ap- proach (thinking - discourse - genre - utterance), thinking and utterance levels being of paramount importance. So, one should distinguish style of thinking, utterance style, genre style and discourse style. The analysis of continuity/discreteness is carried oul on four varieties of discourse: business, scientific, everyday (set in f literary one ) and poetic. The results show that the antinomy o f continuity/discreteness is highly varřable in each ilem of the antinomy - from continuity to discreteness and backwards; the scale o f variability dependent, though, on the type o f discourse. This fact shows that this antinomy might be treated as a stylistic feature of communication, alongside with other features of textuality.
Źródło:
Stylistyka; 2014, 23; 71-85
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Жанры официально-делового стиля в зеркале русской сленговой метафоры
Speech Genres of the Official Style in the Mirror of Russian Slang Metaphor
Autorzy:
БАЛАШОВА, ЛЮБОВЬ B.
Powiązania:
https://bibliotekanauki.pl/articles/953749.pdf
Data publikacji:
2008-12-31
Wydawca:
Uniwersytet Opolski
Tematy:
official style
speech genres
slang
metaphor
language picture o f the world
Opis:
The metaphor - one of basic means of forming of the vocabulary of contemporary Russian slang - is been regularly used when the nomination of various speech genres of the official style takes place. Thus, the language picture of the world is forming, where the negative attitude towards official speech communication has been reflected. In a way, it demonstrates distrust of common people to the authority and power institutes.
Źródło:
Stylistyka; 2008, 17; 245-257
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Проблематика научного текста неисчерпаема…" (К 80-летию профессора Марии Павловны Котюровой)
“The problems of scientific text are inexhaustible...” (On the 80th anniversary of Professor Maria P. Kotyurova)
Autorzy:
Баженова, Елена A.
Powiązania:
https://bibliotekanauki.pl/articles/615021.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Opolski
Tematy:
professor Maria P. Kotyurova
functional stylistics
scientific text
extralinguistic factors of scientific text
semantic structure of scientific text
categories of scientific text
stereotypes and creativity in the text
individual style of the scientist’s speech
the reference scientific text
Opis:
The article covers the broad problems of the scientific works of Maria P. Kotyurova – professor of Perm State University, the leader of Perm Scientific School of Functional stylistics. The bibliography of Maria P. Kotyurova includes 7 monographs, 15 textbooks, more than 300 articles, in which the main questions of stylistics of scientific speech, semantic structure of scientific text, legal linguistics and many others are put forward and solved. Special attention in the article is given to the analysis of the key notions of Prof. Kotyurova’s stylistic theory, which are now generally recognised and fundamentally important in functional stylistics. Among these notions are scientific text extra-linguistic factors, epistemic situation, reference scientific text, scientific speech culture, principles of scientific text editing, scientist speech individual style, etc. As the most important achievements of Prof. Kotyurova the author of the article considers: the model of scientific text semantic structure developed by Prof. Kotyurova (the model includes three components of scientific knowledge – ontological, methodological and axiological); description of the basic scientific text categories – coherence, integrity, wholeness, accuracy, density, etc.; justification of a multidisciplinary (complex) approach to scientific text study; and studying of stereotypes and creativity in scientist communicative activity. It is noted that M. Kotyurova is distinguished by the ability to see the non-obvious but fundamentally important properties in a scientific text. The dynamics of the research interest of Prof. Kotyrova, from classical functional stylistics to anthropocentric and discursive linguistics, are analyzed. The author of the article underlines that, while retaining a commitment to the ideas of her teacher – Prof. Margarita N. Kozhina, Maria P. Kotyrova at the same time is an innovator in the development of modern functional stylistics and the application of new approaches to research text. The fruitfulness of Prof. Maria P. Kotyurova ideas was confirmed by numerous works of her followers both in Russia and abroad.
Źródło:
Stylistyka; 2019, 28; 393-407
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gatunek pamięci zbiorowej. Rekonesans
Collective Memory genre. Reconnaissance
Autorzy:
Wójcicka, Marta
Powiązania:
https://bibliotekanauki.pl/articles/615316.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Opolski
Tematy:
collective memory
speech genre
memory genre
sign
language style
Opis:
Collective memory, defined as ‘acollection of imagesof community members about their past which are included in cultural texts,’ (Wójcicka 2015: 68), ‘images about the past activated in the process of social communication in order to meet the cul-tural and political needs of the present’ (Czachur 2018: 11), is unavailable directly. It can be reached only through representation of the past expressed in different kinds of signs. Thus, collective memory has the character of a sign. Based on that assumption, the author presents the style and genre diversity of collective memory. She shows the role of language style in collective memory and puts forward a ques-tion about what function speech genre has in remembering, recalling, reminding and forgetting. She presents complex relations between memory and speech genre, which she treats as a sign of oblivion. In the last part of the article, the author offers a typology of memory genres distinguishing primarily (intentionally) mnemonic and secondarily(functionally) mnemonic genres.
Źródło:
Stylistyka; 2019, 28; 79-90
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le tabou et l’humour – analyse pragmatique, sémantique et stylistique des formes citées françaises à caractère comique
Taboo and humour – a pragmatic, semantic and stylistic analysis of French quoted forms of comic character
Autorzy:
Lipińska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/683359.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
tabou
comique langagier
sémantique
pragmatique linguistique
analyse sémique
figures de style
maximes conversationnelles
connotation
présuppositions
implicatures
taboo
linguistic comism
semantics
pragmatics
linguistic pragmatics
semic analysis
stylistic figures of speech
conversational maxims
presuppositions
Opis:
In French comic quoted forms mechanisms of comism connected with taboo can be defined by means of semantic and stylistic analysis, however, the most comprehensive description can be obtained by employing linguistic pragmatics research instruments. Comic violation of taboo stems from breaching the maxim of politeness and quantity. Another source of humour comes from the contrast between the cultural presupposition and the sense of the sentence or its implicature. Implied topics are the basis for humour, quite like the implied structure of an utterance. Such sentences represent indirect speech acts: illocutionary tropes, as well as allusive derivatives packed with vulgarisms. From the semantic point of view, contrasts between the specific inherent semes and the afferent ones prevail. Oppositions within specific inherent semes or afferent contextual ones can also be observed. Quoted comic forms represent simple or complex tropes as well as rhymed paraphrases. Taboo content can be found in lexemes with broad connotations.
Dans les formes citées françaises à caractère humoristique, les mécanismes du comique lié au tabou se laissent préciser à l’aide des analyses sémantique et stylistique, mais la description complète est obtenue grâce à l’appareil de la pragmatique linguistique. La violation comique du tabou découle de la transgression des maximes de politesse et de quantité. Comme source de l’humour, il faut citer le contraste entre une présupposition culturelle et le sens de la phrase ou l’implication. Les sujets impliqués se trouvent aussi à la base de l’humour ainsi que la construction implicative de l’énoncé. Les phrases en question appartiennent aux actes de langage indirects : aux tropes illocutoires et aux dérivations allusives truffées de vulgarismes. Du point de vue sémantique, ce sont les contrastes entre les sèmes spécifiques inhérents et afférents qui prévalent. On observe aussi des oppositions à l’intérieur des sèmes spécifiques inhérents ou afférents contextuels. Les formes autonymes comiques sont des tropes simples ou complexes ainsi que des périphrases rimées. Les contenus tabouisés apparaissent dans des lexèmes à connotation large.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2017, 12; 247-256
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stylistique et poétique de l’extrême : analyse de l’oeuvre poétique "Galerie infernale" de Jean-Marie-Adiaffi
Autorzy:
Koffi, Fulbert
Powiązania:
https://bibliotekanauki.pl/articles/1195600.pdf
Data publikacji:
2020-11-03
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
extreme
dialectic
ethics
fantastic inflection
figures of speech
extrême
dialectique
éthique
inflexion fantastique
figures de style
Opis:
Galerie infernale est, à bien des égards, une œuvre subversive par rapport aux normes langagières et éthiques. Cette transgression se perçoit à divers niveaux du langage : lexique, combinaison syntaxique et syntagmatique, logique du sens et de la pensée. Ce langage de rupture est mis au service d’une pensée elle-même en rupture avec les valeurs éthiques communément admises en société. Tout se passe comme si le poète décidait de franchir les limites de l’humainement acceptable et de scruter les territoires de l’extrême langagier et éthique, comme pour révéler la finitude et l’échec du langage, avec sa morale tout aussi désuète, le but du jeu étant de proposer d’autres possibles à une société en dérive en dépit de ses normes.
Galerie infernale, in many ways, is a subversion against the language and ethical standards. This transgression is perceived at different levels of language: lexicon, syntax and left, logic combination of sense and thought. This language of rupture is put at the service of thought itself at odds with ethical values commonly accepted in society. Everything happens so as if the poet decided to cross the humanly acceptable limits and to peer into the territories of the extreme language and ethics, as to reveal the finitude and the failure of language, with its all too outdated moral. The aim of the game is to offer other possibilities to a society adrift despite its standards.
Źródło:
e-Scripta Romanica; 2020, 8; 74-84
2392-0718
Pojawia się w:
e-Scripta Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Specifika komunikace v diskusích na internetu
Autorzy:
JUNKOVÁ, BOHUMILA
Powiązania:
https://bibliotekanauki.pl/articles/615096.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Opolski
Tematy:
everyday communication style
Internet discussions
speech
writing
standard and nonstandard language
Opis:
Discussions on the Internet show the changes of traditional conception of language styles. Even though the texts are undoubtedly written down they are spontaneous and colloquial Czech is primarily used there. High occurrence of spoken colloquial language can be understood as an attempt to establish a contact with other discussion participants.The dichotomy of speech and writing is disappearing. Slight differences between written and spoken texts are not observed only in everyday communication style of the Internet discussions and that is why traditional distinguishing of speech and writing is not always possible.
Źródło:
Stylistyka; 2018, 27; 193-201
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Současná česka kultura styl básnických a dramatických tcxti a kultui u / kultivovanost jazyka / řeči
Contemporary Czech culture (the style of poetic and dramatic texts) and the culture / cultivation o f language / speech
Autorzy:
HOFFMANNOVÁ, JANA
Powiązania:
https://bibliotekanauki.pl/articles/953409.pdf
Data publikacji:
2020-12-11
Wydawca:
Uniwersytet Opolski
Tematy:
language speech culture/cultivation
high — middle — low style
contemporary Czech drama and poetry
expressive means
slang
vulgarisms
English loanwords
trendy words
Opis:
This páper attempts to interrelate culture (as a set of values produced and received by a specific community, including its artistic and literary production) and language/speechculture/cultiva on. Its point of departure is the classic hierarchy of styles, the differentiation between high style (which is associated with cultivated, and in Czech, exclusively standardlanguage expression), middle and low style. Low style is characterized by the use of non-standard. slang and expressive means and vulgarisms, and currently extends into Czechliteratuře; the style characteristics o f which, in addition to the non-standard means listed above, are contributed to by a significant amount of English loanwords, trendy words and phi ases (often from the media and advertising spheres). The use of all means of low style by the younger generation o f Czech authors is motivated by cnrical attitudes towards thecontemporary consumption-oriented society. This is documented in the páper through examples irom two playwrights (David Drábek, Petr Kolečko) and two poets (Karel Škrabal, JanTesnohlídek, Jr.). The critical orientation of the authors is directed toward the lifestyle of the society - it is, of course, a question, how to evaluate their work from the perspective of languageculture/cultivation.
Źródło:
Stylistyka; 2012, 21; 83-96
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
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