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Wyświetlanie 1-5 z 5
Tytuł:
Technology of Soviet Myth Creation about Famine as a Result of Crop Failure in Ukraine of the 1932–1933s
Autorzy:
Sokolova, Sofiia
Powiązania:
https://bibliotekanauki.pl/articles/951106.pdf
Data publikacji:
2019
Wydawca:
Wyższa Szkoła Gospodarki Euroregionalnej im. Alcide De Gasperi w Józefowie
Tematy:
famine
mythologization
soviet mass media
collectivization
repressions
peasant protests
parallel reality
Opis:
According to the Ptoukha Institute for Demography and Social Studies of the National Academy of Sciences of Ukraine, over 3, 9 million people died during the famine of the 1932–1933s However, it’s impossible to define the exact number of the dead due to liquidation of the 1937 census data by the soviet authorities who deliberately aimed at violating complete record of the deaths and stated in the documentation other death reasons instead of the ones caused by the famine. To disguise this criminal offence the soviet government directed all its efforts to creation of a myth pointing to that year crop failure as the reason of famine. Purpose. The aim of the following article is to reveal practical techniques of alternative reality creation in the soviet society based on the example of the 1932–1933s famine’s mythologization in Ukraine. Materials and methods. Analyses and generalization of scientific archive sources and international documents, overview of soviet mass media related to the topic have been performed. Research results. The soviet myth creation technology applied to the famine happening in Ukraine of 1932–1933 as a result of crop failure shows a wide spectrum of alternative reality creation means (mythologization), which was exploited by the whole history of the soviet government: liquidation of documents and evidence, intimidation and physical extermination of witnesses, blockage of access to sources of reliable information, formation of alternative “truth” and its expansion in mass media. Results. The purpose of creation and expansion of the famine myth based on the belief about crop failure in Ukraine of the 19362–1933s was to form and infix “ideologically correct” interpretation of history in the mass consciousness. It was supposed to disguise reasons of the famine, which was artificially organized by the soviet government in Ukraine, aiming at liquidation of Ukrainian rural population, resisting collectivization, i.e. dissimulating of criminal offences and masking them under ecological myth.
Źródło:
Journal of Modern Science; 2019, 42, 3; 37-56
1734-2031
Pojawia się w:
Journal of Modern Science
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sons and Daughters of the Regiment: The Representation of the WWII Child Hero in the Soviet Media and Children’s Literature of the 1940s
Autorzy:
Voronina, Olga
Powiązania:
https://bibliotekanauki.pl/articles/45427849.pdf
Data publikacji:
2018
Wydawca:
Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
war childhood
Soviet children’s literature
Pravda
Soviet mass media
propaganda
hero discourse
victimization of children
Opis:
The image of the child hero as an emblem of the Soviet people’s unfailing dedication to the communist cause dominated Soviet media discourse years before the beginning of WWII. And yet, shortly after the war commenced on Soviet territory, reports on children’s valor nearly disappeared from the pages of Pravda, the country’s leading daily of the time. In contrast, the wartime journalistic portrayal of child fatalities of the Great Patriotic War prevailed over heroic representations of children. Overall, the newspaper graphically and insistently depicted the Soviet young as murdered, maimed, and brutally tortured victims, thus helping to launch and sustain the “hate-and-revenge” campaign which lasted until the allied victory appeared irreversible. In the 1940s, Soviet children’s literature inverted the central rhetorical tropes of the wartime propaganda discourse by representing children as heroes, rather than victims, it offered its readers a more nuanced portrayal of a deeply traumatized, psychologically vulnerable, and often bereaved child. That said, the inconsistencies of tone, voice, and characterization children’s fiction inherited from the media accounts of war childhood occurred in even such celebrated children’s novels as Syn polka (The Son of the Regiment, 1944) by Valentin Kataev and Vasek Trubachev i ego tovarishchi (Vasek Trubachev and His Comrades,1947–1951) by Valentina Oseeva.
Źródło:
Filoteknos; 2018, 8; 13-33
2657-4810
Pojawia się w:
Filoteknos
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The image of Europe and the European Union in digital media of Ukraine, Belarus, and Russia (discourse analysis 2005-2019)
Autorzy:
Steblyna, Nataliia
Powiązania:
https://bibliotekanauki.pl/articles/2027791.pdf
Data publikacji:
2021-11-26
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
media discourse
post-Soviet countries
digital mass media
Europe
EU
political emotions
image
dyskurs medialny
kraje postsowieckie
media cyfrowe
Europa
UE
emocje polityczne
wizerunek
Opis:
The image of the EU and Europe in digital mass media of Ukraine, Belarus and Russia is studied in this article using the methodology of discourse analysis. Independent digital mass media Ukrainska Pravda, Nasha Niva, Lenta.ru, Novaya Gazeta are analysed (online publications from years 2005– 2019). Three images of Europe in the media are indicated as a result of the research. In Ukraine: a strong reliance on Europe as the idea is observed. The EU and its institutions are stably present in political news, but European politicians are not so popular. In Belarus: Europe doesn’t structure political discussions, however, efforts of the neighbouring EU Member States may be important in the image creation. In Russia: there is not much interest towards Europe, but some approaches to present constant clashes between Russia and the West are evident in digital mass media. The research has confirmed the main hypothesis, which supposed that the mechanisms of creating the image of Europe and the EU in post-Soviet countries’ mass media are different, and the specifics of political discourse, as well as the states’ international politics define the image.
W niniejszym artykule przedstawiono wizerunek Europy i Unii Europejskiej (UE) w mediach cyfrowych na Ukrainie, Białorusi i w Rosji. Badanie zrealizowano metodą analizy dyskursu. Zbadano publikacje w niezależnych internetowych mediach Ukraińska Prawda, Nasha Niva, Lenta.ru, Novaya Gazeta w latach 2005–2019. W wyniku przeprowadzonej analizy zaobserwowano kreowanie przez media trzech obrazów Europy. Na Ukrainie w dyskursie medialnym obserwuje się silne zainteresowanie Europą jako ideą. UE i jej instytucje są często obecne w wiadomościach politycznych, ale europej- 130 Nataliia Steblyna scy politycy nie są tak popularni. Na Białorusi natomiast słowo „Europa” nie porządkuje dyskusji politycznych, jednak działania sąsiadujących z Białorusią państw członkowskich UE mogą mieć kluczowe znaczenie w tworzeniu wizerunku UE. W Rosji nie widać dużego zainteresowania Europą w dyskursie niezależnych mediów, częściej dominują tematy związane z ciągłą walką między Rosją a Zachodem. Badania potwierdziły główną hipotezę, że mechanizmy kreowania wizerunku Europy i UE w mediach krajów postsowieckich są odmienne, a specyfika dyskursu politycznego i polityka międzynarodowa państw określają ten obraz/wizerunek.
Źródło:
Przegląd Europejski; 2021, 3; 129-146
1641-2478
Pojawia się w:
Przegląd Europejski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Prawo prasowe i autorskie w systemie konstytucyjnym Kazachstanu
Autorzy:
Jaissanbayev, Talgat
Powiązania:
https://bibliotekanauki.pl/articles/2197907.pdf
Data publikacji:
2018-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Kazachstan
prawo autorskie
prawo prasowe
Nazarbajew
Azja Środkowa
Kazakhstan
copyright law
mass media law
Nazarbayev
Soviet Central Asia
Opis:
The main purpose of the article is to present the principles of functioning of the Republic of Kazakhstan together with descriptions of two branches of law – copyright law and mass media law in Kazakhstan. The beginning of the article is dedicated to the legislature, which is represented by bicameral parliament. Its seats, the legislative process as well as the current political situation are described. Followed by the executive power description together with its representative, the Government of Kazakhstan, which can be formed or dismissed by the president. The way the Government is formed and its authority are presented as well. In the next part of the article is the judiciary of Kazakhstan which is described together with the system of common and special courts followed by description the way the judges are appointed. A separate part in the article is dedicated to the President of Kazakhstan who plays an important role in the authority system and officially does not belong to any branch of the power. While describing the functions of the president, the characteristic title of the First President of the Republic of Kazakhstan, “Elbasy” (the National Leader), which belongs to the current President Nursultan Nazarbayev, is also analyzed together with the features which make this title so special. The next part describes the ruling political party “Nur-Otan” (“the Luminosity of the Motherland”) which has been in charge since the year of 2004. The last part of the article is dedicated to the foundations of the copyright law in Kazakhstan and especially its basic legal acts, the bodies which are called to implement the copyright law and the copyright law specific features. The main legal acts and norms of Kazakhstani mass media law have been described as well, especially in the areas of advertising, print, radio and TV transmissions, rights and obligations of journalists.
Źródło:
Themis Polska Nova; 2018, 2(14); 166-181
2084-4522
Pojawia się w:
Themis Polska Nova
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Oppression of Ukrainian National Identity by the Soviet Mass Media: Political and Ideological Censorship 60’s and 70’s of the Twentieth Century
Autorzy:
Kindrachuk, Nadia
Powiązania:
https://bibliotekanauki.pl/articles/519946.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Mikołaja Kopernika w Toruniu. Wydawnictwo UMK
Tematy:
Ukrainian ethnic environment
national consciousness
the mass media
political censorship
the Soviet power
the totalitarian regime
the communist propaganda
an ideological oppression
denationalization
Opis:
This article covers the oppression of Ukrainian national identity by the Soviet mass media, which served as an ideological tool of the communist government on the way of total russification and denationalization of Ukrainians over the 60’s and 70’s of the 20th century; censorship is being studied as one of the methods of state supervision over the control of the release of the mass media in order to restrict the dissemination of the ideas and information that were recognized by the then authorities as “undesirable” or “ideologically harmful”. The destructive role of the mass media in the narrowing of the national worldview of Ukrainians, the prohibition of the Ukrainian word, and the leveling of the national aspect in the Ukrainian ethnic environment in the defined period are highlighted.
Źródło:
Historia i Polityka; 2019, 28 (35); 103-110
1899-5160
2391-7652
Pojawia się w:
Historia i Polityka
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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