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    Tytuł:
    O komizmie ze słupa ogłoszeniowego
    Humor on poster-stands
    Autorzy:
    Miłkowska, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/487987.pdf
    Data publikacji:
    2015
    Wydawca:
    Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
    Tematy:
    Poster
    propaganda
    humor
    social satire
    Get Stankiewicz
    Opis:
    Poster history is inextricably linked with the question of humor. Almost since the inception of this medi-um, pictorial communication as well as verbal joke were the most popular means of directing the atten-tion of recipients. Humorous stories told in the form of posters connected with different products awoke smile by compilation of various objects, and sometimes caricatured figures. The method was used in order to arouse positive reactions to the products. In poster images, artists painted smiling people who enjoyed products and showed how to use them. Light, humorous convention was developed in the field of commercial poster, and it was also used in cultural posters. Providing that it was appropriate, smiling people looked at on-lookers. Their mood was supposed to be a guarantee of participation. While the event itself was advertised in comic manner, the method seriously influenced the style of posters. However, political posters proved to be the most fertile field of humor. Joke (sometimes not very sophisticated), was used in satirical drawings, many of which could be found in nineteenth-century press. Reaching out to multiple recipients became effective method to ridicule or to expose political opponents, or to ridicule the enemy in time of war. Contemporary postmodern posters include a new variety of comedy: ‘humor for the initiated’. It is based on juggling with quotations from classic posters, classic design, cultural conventions and codes.
    Źródło:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2015, 19; 194-207
    1733-1528
    Pojawia się w:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Two Exercises in Consilience: Annie Dillard and Kurt Vonnegut on the Galapagos Archipelago as the Archetypal Darwinian Setting
    Autorzy:
    Oramus, Dominika
    Powiązania:
    https://bibliotekanauki.pl/articles/888960.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    prose fiction
    Anne Dillard
    Kurt Vonnegut
    Charles Darwin
    the Galapagos Islands
    science-fiction
    social satire
    Opis:
    The aim of this essay is to compare how Darwinian references are used in the writings of two late 20th century American authors, Annie Dillard and Kurt Vonnegut who both choose the Galapagos archipelago as the focal setting of their symbolical narratives, as we see in Vonnegut’s novel Gala´pagos and in Dillard’s essay ‘‘Life on the Rock: the Gala´pagos.” As far as Dillard’s prose is concerned, she also depicts the archipelago in other short narratives from Teaching a Stone to Talk and Pilgrim at Tinker Creek. Although neither Dillard nor Vonnegut have a conspicuously political agenda, they both consider the theory of evolution a heavily ideological subject and both apply the Darwinian paradigm to describe nature and the human race within nature.
    Źródło:
    Anglica. An International Journal of English Studies; 2014, 23/1; 19-29
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Criza valorilor în România si reprezentarea culturală a mitocăniei in Atlas de Mitocănie Urbană
    Autorzy:
    Culea, Mihael
    Powiązania:
    https://bibliotekanauki.pl/articles/638135.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    (post)transition, value, (non-)culture, rudeness, stereotype, “urban fauna”, media culture, social satire, “form without foundation”
    Opis:
    After December 1989, Romania entered a long dark period of transition, that from communism to capitalism and democracy. Unfortunately, it seems that this intermediary stage has not ended yet (Pleşu 1996; Pasti 1995), and has turned into a carnival where every one of us is inevitably trapped into a mask-game, groping our way in the darkness of social, cultural, economic and political crises. Our paper takes special interest in the cultural crisis censured by the recent national campaign against urban rudeness initiated by Propaganda Agency and Guerilla Radio, between March 15 and May 15 2009, interactively engaging diversified media activism: radio broadcasting, print, TV, cinema, and even online. The media campaign aimed at denouncing the major types of “urban fauna” circumscribing the label of urban rudeness, with its female and male subtypes tagged in slang, although the language describing them is tele-encyclopaedic. We intend to address questions related to why the collection of “urban species” was printed in the format of an Atlas of Urban Rudeness, reasons why the collection itself forms an atlas, or why the species described form the contemporary urban “fauna”. We will also analyse the sources for launching such negative generalizations, the criteria taken into consideration when systematizing the species or the goals of cultural criticism.In the first part of our paper we briefly refer to the Romanian crisis of cultural values in the so-called period of transition and post-transition. The next step entails some theoretical considerations regarding categorization, stereotyping and generalization with both positive and negative ideological implications for social groups. The portrayal of rudeness is also considered, having in view its definitions through the ages, from Ion L. Caragiale’s hero to the type populating the contemporary Romanian society. The last part of the article attempts to answer questions related to the linguistic level of the articles from the Atlas, looking into the type of journalistic text, metaphorization processes, the linguistic instantiation of the forms without foundation/substance theory, or the sources of humour. Stereotypes are embedded in culture, so the media campaign, by way of its sharp moral penalty, called for cultural agency that would gradually substitute moral degradation with moral worthiness.
    Źródło:
    Romanica Cracoviensia; 2013, 13, 3
    2084-3917
    Pojawia się w:
    Romanica Cracoviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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