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Wyszukujesz frazę "singing aesthetics" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
The Singing Voice’s Charms: Aesthetic and Transformative Aspects of Singing in Literature, Art, and Philosophy
Autorzy:
Szyszkowska, Małgorzata A.
Powiązania:
https://bibliotekanauki.pl/articles/2143171.pdf
Data publikacji:
2022-10-31
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
voice
singing
music aesthetics
Carolyn Abbate
Theodor Adorno
Opis:
Music, as sung and listened to, has been described in many a tale as powerful and transformative. Yet, the important question is not so much if that claim is true or whether it may be verified, but what kind of power and transformation are alluded to in those mythical and literary sources? Taking these symbolic claims and elaborating on their possible meaning, alongside thinkers such as Carolyne Abbate or Roland Barthes, proceeds to find ways in which these claims may suggest different roles that music and singing play in human lives. As much as current musicological and anthropological academic narratives point to the power and its negotiation in society, there is more to singing voices’ charms than this. The author points to an important transformation that happens when the human existential qualities found in the voice’s imperfections (its materiality) are matched with the music’s aesthetic qualities (its beauty, sublimity, its symmetry, its impression) to transform the listener and make her listen.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2022, 6, 2; 26-36
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Between opera and the Lied - ‘Tre sonetti di Petrarca’ by Franz Liszt
Autorzy:
Wojtczak, Ziemowit
Powiązania:
https://bibliotekanauki.pl/articles/780353.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Liszt
Tre sonetti di Petrarca
das Lied
opera
belcanto
songs
singing aesthetics
Opis:
Franz Liszt composed his songs in the time when Europe was at the peak of the development of the Romantic form - das Lied. However, it seems that not all of Liszt’s songs should be discussed from this perspective, pointing at least at significant influences of the 19th century Italian opera. The second version of a set of Tre sonetti di Petrarca reflects not only some changes in the composer’s technique or style, but above all, constitutes an evidence of certain tendencies in perceiving vocal technique and the development of Italian and European vocal aesthetics. It might be assumed that, even though the music construction of the second version of the Sonnets - particularly in the layer of melody of the vocal part - brings to mind the Italian operatic aria in its almost purest form, the deeply emotional musical interpretation of Petrarch’s most beautiful love lyrics seems to strongly derive from the already shaped German Romantic song. On the whole, the masterpiece is a bit eclectic, which in the light of Liszt’s reference to the past (belcanto form of an Italian aria, Renaissance lyrics) constitutes - as it could be called today - the author’s postmodern reinterpretation.
Źródło:
Interdisciplinary Studies in Musicology; 2014, 13; 57-66
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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