Temat: scatology - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Zagadkowe „źwierzę o jednym oku”, czyli o fraszce III 78 Kochanowskiego
Mysterious “one-eyed animal” or on Trifle III 78 by Kochanowski
Autorzy:: Eder, Maciej
Powiązania:: https://bibliotekanauki.pl/articles/2012754.pdf
Data publikacji:: 2017-06-01
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Jan Kochanowski
fraszki
Gadka
oscena
skatologia
trifles
Riddle
obscenity
scatology
Opis:: The paper discusses one of the epigrams by Jan Kochanowski, published in his collection of epigrams called Fraszki (Trifles). The epigram in question, entitled A Riddle (Gadka), was subject to several interpretations exploiting either obscene or scatological readings. The present study aims to show that these two allegedly discrete body-centric perspectives might overlap, since they tend to coincide quite often in the context of European literature of the 16th and 17th centuries.
Źródło:: Prace Filologiczne. Literaturoznawstwo; 2017, 7(10); 17-31
2084-6045
2658-2503
Pojawia się w:: Prace Filologiczne. Literaturoznawstwo
Dostawca treści:: Biblioteka Nauki

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Tytuł:: 0 „procesie cywilizacyjnym ” i „ mieszczańskim ” języku poetyckim w Polsce na przełomie XVI i XVII wieku
On the “Civilizing Process ” and the “Burger” Poetical Language at the On the “Civilizing Process ” and the “Bourgeois ” Poetic Language
Autorzy:: Wojtowicz, Witold
Powiązania:: https://bibliotekanauki.pl/articles/953983.pdf
Data publikacji:: 2010-12-30
Wydawca:: Uniwersytet Opolski
Tematy:: popular culture
obscenity
scatology
bourgeois poetry
poetic language
Opis:: The paper deals with the relations between poetic language (especially obscenity and scatology) and the social milieu of the recipients of the bourgeois poetry. The humour and the comic are precisely the basic sphere where representations of human sexuality occur. In this context, a distinct reduction o f the comic fields connected to sexuality in the 16th and 17th centuries is vital. Literature is one more testimony of the increasing division into the “sophisticated” and “vulgar” (both in regard to subjective reference as well as to the language used here). “The Civilizing Process” (N. Elias) expressed the elite’s urge to separate from the masses on the level o f custom and language. Further on, the “carnival” language admired for its specific “vitality” (a “popular” spirit is often attributed to it) becomes marginalized - the 18th century classicism is here the crowning of this process. On the other hand, one should be aware that the “subversive” use of the language code is inscribed in the registers o f the early culture. In this period, the “serious” culture of the elites still combined the texts that expressed for instance certain principles of courtly love with their opposites, that can be called burlesque, grotesque or with less justification, realistic. This rule is reflected by collections of bourgeois poetry, including such texts. Not only values o f knightly (or noble) code, “high erotica”, expressed in the official literature, should be included in this “high culture”, but also elements which are their parodies and opposites that sound low and not high. If those texts - mistakenly perceived as “popular” - are being called “camivalesque”, this is only by virtue o f an attempt at positive valorisation o f texts with a predominantly obscene character.
Źródło:: Stylistyka; 2010, 19; 239-262
1230-2287
2545-1669
Pojawia się w:: Stylistyka
Dostawca treści:: Biblioteka Nauki

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