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    Wyświetlanie 1-7 z 7
    Tytuł:
    Von ‚Ich liebe jede Falte’ bis ‚Hurra, wir leben noch!’ – der humoristische Umgang mit dem Älterwerden in Sandra Schönthals Shades of Fifty
    From ‚Ich liebe jede Falte‘ to ‚Hurra, wir leben noch!‘ – the humorous approach to getting older in Sandra Schönthals Shades of Fifty
    Od ‘Ich liebe jede Falte’ do ‘Hurra, wir leben noch!’ – humorystyczne podejście do starzenia się w Shades of Fifty Sandry Schönthal
    Autorzy:
    Stosik, Martin
    Powiązania:
    https://bibliotekanauki.pl/articles/28317656.pdf
    Data publikacji:
    2021-12-30
    Wydawca:
    Uniwersytet Humanistyczno-Przyrodniczy im. Jana Długosza w Częstochowie. Wydawnictwo Uczelniane
    Tematy:
    Sandra Schönthal
    Shades of Fifty
    Ironie
    Selbstironie
    Sarkasmus
    deutschsprachige Gegenwartsliteratur
    ironia
    autoironia
    sarkazm
    współczesna literatura niemiecka
    irony
    self-irony
    sarcasm
    contemporary German literature
    Opis:
    Ziel des Beitrags ist es, am Beispiel ausgewählter Fragmente des Romans Shades of Fifty, der die Dilemmata einer Frau im Prozess des Älterwerdens beschreibt, die Möglichkeiten der Erzeugung von Humor in Sandra Schönthals Werk darzustellen. Die Analyse umfasst Stilmittel wie Ironie, Selbstironie und Sarkasmus, die im Roman komische Situationen schaffen. 
    Celem artykułu jest prezentacja sposobów generowania humoru w twórczości Sandry Schönthal na przykładzie wybranych fragmentów powieści Shades of Fifty opisującej dylematy kobiety w procesie starzenia się. Analizie poddane zostały takie środku stylistyczne jak m.in. ironia, autoironia, sarkazm budujące w powieści sytuacje komiczne.  
    The aim of the article is to present the ways of generating humour in Sandra Schönthal's works on the example of selected fragments of the novel Shades of Fifty describing the dilemmas of a woman in the process of ageing. The analysis covers such stylistic means as irony, self-irony, sarcasm, which create comic situations in the novel. 
    Źródło:
    Transfer. Reception studies; 2021, 6; 83-98
    2451-3334
    Pojawia się w:
    Transfer. Reception studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    L’ironie et le sarcasme dans l’argumentation politique sur l’exemple des séances des Questions au Gouvernement
    Irony and sarcasm in political argumentation in Questions to the Government
    Autorzy:
    Jereczek-Lipińska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/1048558.pdf
    Data publikacji:
    2017-09-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    political discourse
    irony
    sarcasm
    discourse analysis
    Questions to the Government
    Opis:
    This research is based on the discursive and logometric analysis of the French parliamentary political discourse. The purpose of the article is to note irony and sarcasm as forms of political argument in parliamentary discourse.
    Źródło:
    Studia Romanica Posnaniensia; 2017, 44, 3; 73-86
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Z historii polskiego performansu. Happening, performans, intermedialność
    From the history of Polish performance. Happening, performance, intermediality
    Autorzy:
    Hendrykowski, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/1040129.pdf
    Data publikacji:
    2019-01-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    film
    television
    new media
    intermediality
    transmediality
    corespondance des arts
    Gesamtkunstwerk
    contemporary art
    off cinema
    student counter-culture
    performance
    happening
    spontaneity-discipline conflict
    art of film
    metaphor
    irony
    sarcasm
    Opis:
    Marek Hendrykowski’s case study shows the original idea of The Salon Niezależnych’s performances, one of the most spectacular events of 1970s Polish student counter-culture.
    Źródło:
    Przestrzenie Teorii; 2018, 29; 343-356
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ironia, autoironia, sarkazm – trzy odmienne funkcjonalnie zdarzenia komunikacyjne
    Irony, Self-Mockery, Sarcasm – the Three Different Communicative Occurrences
    Autorzy:
    Grzelak, Eliza
    Powiązania:
    https://bibliotekanauki.pl/articles/1933726.pdf
    Data publikacji:
    2011
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    ironia
    autoironia
    sarkazm
    komunikacja
    intencja przekazu
    zdarzenie komunikacyjne
    irony
    self-mockery
    sarcasm
    communication
    intention of transmission
    communicative occurrence
    Opis:
    In the article, the author presents opinions of literature theorists, experts on rhetoric and culture, literature historians with regard to irony. She shows ways of defining irony, forms of ironic discourse, focuses on the overtness degree of ironic discourse among other things. In this background she depicts problematic, in her opinion, positions to self-mockery and sarcasm. The author cast a doubt on thesis that self-mockery is irony with a different object of ironic description and that sarcasm is strong irony. In the last part of the text the author draws attention to the fact that if treat irony, self-mockery and sarcasm as communicative occurrences then the differences among them can be seen in their sender-recipient context and functionality. Finally, she proves that irony is the tool of attack, self-mockery – defence, sarcasm indicates surrender. The author finds particularly interesting the fact that, even though these three forms of transmission are exceptionally complex tools of social communication, they are willingly and fortunately used by users of public discourse. According to that, she proves the thesis of anthropocentric genesis of irony. This form of presentation of the position is deep in us and, by use of various types of signs, we let it come out for a while.
    Źródło:
    Roczniki Humanistyczne; 2011, 59, 6; 75-87
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ironia e sarcasmo in Un filo di fumo di Andrea Camilleri
    Irony and Sarcasm in Andrea Camilleri’s Un filo di fumo
    Autorzy:
    Caocci, Duilio
    Powiązania:
    https://bibliotekanauki.pl/articles/1929931.pdf
    Data publikacji:
    2020-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Andrea Camilleri
    irony
    sarcasm
    pragmatics
    identity
    ironia
    sarcasmo
    pragmatica
    identità
    Opis:
    L’articolo svolge alcune considerazioni intorno ai modi di rappresentazione delle relazioni all’interno della comunità vigatese nei romanzi di Andrea Camilleri e più in particolare in Un filo di fumo. L’osservazione da cui partiamo è che la misurazione della quantità di sicilianismi e la valutazione della qualità della lingua siculo-italiana possa fornire dati utili solo se si combina la prospettiva semantica con quella pragmatica. Analizziamo perciò il rapporto che intercorre tra le indicazioni extralinguistiche fornite dal narratore e dai personaggi e i dialoghi disseminati nel romanzo per notare che per accedere al senso di molti enunciati occorre sospettare della lettera del testo. I parlanti fanno continuamente ricorso a strategie discorsive oblique, tra le quali l’ironia e il sarcasmo - per come vengono intesi nei più recenti studi di filosofia del linguaggio - risultano prevalenti. Per questa ragione - ovvero perché l’ironia non si dà quasi mai con un significante isolabile da un contesto ambientale, relazionale e storico - narratore e personaggi del romanzo hanno il compito di elargire al lettore informazioni indispensabili. Il mondo siciliano-vigatese che emerge da certi romanzi di Andrea Camilleri si caratterizza per una semiotica specifica, che può essere decifrata solo se si possiedono competenze linguistiche e culturali adeguate.
    This article examines the representational modes of the relationships in Andrea Camilleri’s Vigata community and, in particular, those presented in Un filo di fumo. Our initial consideration is that only by combining a semantic perspective with a pragmatic one, the measurement of Sicilianisms and the evaluation of the quality of the Sicilian-Italian language can provide useful information. We need to analyse the relationship that exists between the extra-linguistic hints provided by the narrator and by the characters and the dialogues interspersed in the novel to realise that one needs to be wary of the literal sense of the text in order to fully grasp the significance of many statements. In other words, speakers make constant use of oblique strategies of communication, amongst which, this article argues, irony and sarcasm (in the current interpretation offered by the philosophy of language) emerge as prevailing. As irony is seldom presented as dislocated from an environmental, relational, and historical context, both the narrator and the characters are charged with the duty of providing indispensable information. The Sicilian-Vigatese world arising from some of Camilleri’s novels takes on a semiotic specificity, then, that can be deciphered only with adequate linguistic and cultural competence.
    Źródło:
    Italica Wratislaviensia; 2020, 11.2; 41-54
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Multimodal Sarcasm Detection via Hybrid Classifier with Optimistic Logic
    Autorzy:
    Bavkar, Dnyaneshwar Madhukar
    Kashyap, Ramgopal
    Khairnar, Vaishali
    Powiązania:
    https://bibliotekanauki.pl/articles/2142320.pdf
    Data publikacji:
    2022
    Wydawca:
    Instytut Łączności - Państwowy Instytut Badawczy
    Tematy:
    Bi-GRU
    improved CCA
    LSTM
    multimodal sarcasm detection
    Opis:
    This work aims to provide a novel multimodal sarcasm detection model that includes four stages: pre-processing, feature extraction, feature level fusion, and classification. The pre-processing uses multimodal data that includes text, video, and audio. Here, text is pre-processed using tokenization and stemming, video is pre-processed during the face detection phase, and audio is pre-processed using the filtering technique. During the feature extraction stage, such text features as TF-IDF, improved bag of visual words, n-gram, and emojis as well on the video features using improved SLBT, and constraint local model (CLM) are extraction. Similarly the audio features like MFCC, chroma, spectral features, and jitter are extracted. Then, the extracted features are transferred to the feature level fusion stage, wherein an improved multilevel canonical correlation analysis (CCA) fusion technique is performed. The classification is performer using a hybrid classifier (HC), e.g. bidirectional gated recurrent unit (Bi-GRU) and LSTM. The outcomes of Bi-GRU and LSTM are averaged to obtain an effective output. To make the detection results more accurate, the weight of LSTM will be optimally tuned by the proposed opposition learning-based aquila optimization (OLAO) model. The MUStARD dataset is a multimodal video corpus used for automated sarcasm Discovery studies. Finally, the effectiveness of the proposed approach is proved based on various metrics.
    Źródło:
    Journal of Telecommunications and Information Technology; 2022, 3; 97--114
    1509-4553
    1899-8852
    Pojawia się w:
    Journal of Telecommunications and Information Technology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Occurrences et dénonciation des « idées reçues » dans la création nouvellesque de Guy de Maupassant
    Occurrences and denouncement of the ‘inherited ideas’ in Maupassant’s short stories
    Autorzy:
    Anghel, Liliana
    Powiązania:
    https://bibliotekanauki.pl/articles/1368351.pdf
    Data publikacji:
    2021-02-15
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    short stories
    inherited ideas
    cliché
    social conformism
    moral prejudice
    irony
    sarcasm
    Opis:
    In this essay I intend to show how Maupassant turned his short stories into a denouncement area of the ‘inherited ideas’, which mean commonly accepted ideas, such as those included by Flaubert in his Dictionary of inherited ideas. In this part of Maupassant’s literary work, the syntagm ‘inherited ideas’ acquires several different meanings, such as: some commonplace topics of the French bourgeoisie, the hasty taking up of fashionable words, attitudes, or cultural clichés, which one may come across in everyday life, the tendency of accepting as unchallenged some social, moral or religious prejudices, or foolish beliefs and unjust statements, authoritatively uttered by ordinary people. I’ll also emphasize the manner Maupassant treated the ‘inherited ideas’ by his ironical hints and the narrator’s affective implication, in spite of his seeming impassibility.
    Źródło:
    Romanica Silesiana; 2019, 16, 2; 93-104
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

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