Temat: romance - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Breaking the Hard Limits: Romance, Pornography, and the Question of Genre in the Fifty Shades Trilogy
Autorzy:: McAlister, Jodi
Powiązania:: https://bibliotekanauki.pl/articles/653527.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: romance
pornography
Fifty Shades
erotic romance
genre
Opis:: The Fifty Shades series has brought erotic fiction to a broader and more mainstream audience than ever before. In its wake, a number of erotic romance series have achieved unprecedented popularity, such as Sylvia Day’s Crossfire series and Lisa Renee Jones’ Inside Out series. These books do not fit comfortably into the genres of romance or pornography: rather, they fuse the romantic and pornographic together. This locates the multiple climaxes of pornography within the overarching emotional climax of romance and creates a structure that is both finite and infinite, allowing the books to create both instant and delayed gratification. This article examines The Sheik as a textual forebear to Fifty Shades before moving on to examine the ways in which romance and pornography are fused, overcoming the limits of serialization in romance, and creating a romantic “pornotopia.”
Źródło:: Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2015, 3, 2
2353-6098
Pojawia się w:: Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Wokół "Mr. Darcy", "Vampyre" Amandy Grange
"Mr. Darcy", "Vampyre" by Amanda Grange
Autorzy:: Kliszcz, Aneta
Powiązania:: https://bibliotekanauki.pl/articles/520990.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:: popular romance
paranormal romance
Jane Austen
Amanda Grange
Pride and Prejudice
Opis:: The paper examines Amanda Grange’s Mr. Darcy, Vampyre as an adaptation of Jane Austen’s novel Pride and Prejudice, focusing on the character types and the sequence of events.
Źródło:: Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2013, 5, 1; 263-271
2083-7275
Pojawia się w:: Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: The Old Serbian Alexander Romance and the Greek Phyllada
Autorzy:: Usakiewicz, Krzysztof
Powiązania:: https://bibliotekanauki.pl/articles/508768.pdf
Data publikacji:: 2014
Wydawca:: Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:: Alexander Romance
Alexander the Great
Phyllada
Old Serbian Alexander Romance
popular literature
Opis:: The paper includes a short introduction and four excerpts from the Old Serbian Alexander Romance translated into Polish by Maciej Falski. Tekst zawiera krótką prezentację zagadnienia filiacji Opowieści o Aleksandrze w bałkańskiej przestrzeni kulturowej oraz przekład fragmentów tzw. Serbskiej Aleksandreidy na język polski.
Źródło:: Colloquia Humanistica; 2014, 3
2081-6774
2392-2419
Pojawia się w:: Colloquia Humanistica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: “Holding the Dream”: Women’s Favorite Reading Matter in a Portuguese Prison
Autorzy:: Sequeiros, Paula
Powiązania:: https://bibliotekanauki.pl/articles/623471.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Female Prisons
Reading
Women
Prison Libraries
Light Literature
Romance Novel
Popular Romance
Cultural Tastes
Opis:: The reading practices of women, mediated by a prison library in Portugal, constituted an interesting case study. In Santa Cruz do Bispo prison, female prisoners were increasingly aged and excluded from social groups, less literate, and educated. Many were first-time library users and some were beginning readers. This research aimed to understand their reading practices and preferences, their self-assigned meanings, and the roles of reading in prison. Having become aware that industrial literature romance novels were the most requested items, a critical comparative analysis of the three most requested titles was contrasted with readers’ favorite passages to foster a deeper understanding of their preferences and sustain an integrated analysis. Furthermore, a consensualized definition of a “good read” is presented. The results from ethnography and interviews to readers and staff are analyzed taking into account class, gender, ethnicity, age, occupation, and education of the detainees. Conclusions address the fact that although the prison’s educational service and imprisonment conditions propitiated an increase in reading generally, the library was oriented by educational targets and irresponsive to certain demands expressed by readers. Secondly, women readers were using the available top-selling romance novels to sustain their introspective and prospective work, while reckoning with their past and planning for their future. In addition to this reflexive stance, escapist entertainment and knowledge building were important reading purposes.
Źródło:: Qualitative Sociology Review; 2018, 14, 1; 110-128
1733-8077
Pojawia się w:: Qualitative Sociology Review
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: “Guys from Egypt” and others. Problematizing narratives about Islam of Polish female romance tourists
Autorzy:: Górak-Sosnowska, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/2081283.pdf
Data publikacji:: 2021-06-24
Wydawca:: Akademia Pedagogiki Specjalnej. Language and Society Research Committee
Tematy:: Romance tourism
Egypt
Polska
Internet
Opis:: Polish female romance tourism is a relatively recent phenomenon linked to mass tourism to Middle East and North Africa with Egypt being one of the top travel destinations. Local exotic, travel and leisure time create conditions to enter a romantic relationship with local Muslim men. In this regard Islam is the source of danger and fascination. On the one hand it is about the essentialized submissive position of women, but on the other hand local context brings in the potential of a racialized sexuality. The paper aims to analyze how Islam is narrated and used in discussions at two Polish Internet forums dedicated to female romance tourism in Egypt and Tunisia. The data corpus indicates that information about Islam is used in order to decode, interpret and predict the behavior and motivation of Muslim men.
Źródło:: Language, Discourse & Society; 2021, 9 (1); 137-148
2239-4192
Pojawia się w:: Language, Discourse & Society
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Le fou est-il vraiment fou? Les noms des figures d’échecs dans les langues romanes
Is French fou ‘bishop’ really fou ‘demented’? Chessmen’s names in Romance languages.
Autorzy:: Dębowiak, Przemysław
Powiązania:: https://bibliotekanauki.pl/articles/700128.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:: etymology
Romance languages
chess
chessmen
borrowing
Opis:: The purpose of the paper is to present and explain the etymology of some chess terms (‘chess’, ‘checkmate’) and the chessmen’s names (‘king’, ‘queen’, ‘bishop’, ‘knight’, ‘rook’ and ‘pawn’) in seven Romance languages. Numerous words referring to chess in Portuguese, Galician, Spanish, Catalan, French, Italian and Romanian are analysed and compared so as to show their common history and some interesting linguistic facts that occurred during their formation.
Źródło:: Studia Etymologica Cracoviensia; 2013, 18, 1; 41-49
1427-8219
Pojawia się w:: Studia Etymologica Cracoviensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: Projekty (nie tylko) literackie Oksany Robski
Autorzy:: Siepietowska, Joanna Z.
Powiązania:: https://bibliotekanauki.pl/articles/1826647.pdf
Data publikacji:: 2018-10-08
Wydawca:: Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:: Oksana Robski
romance novels
literary projects
Opis:: In this article entitled Oksana Robski’s (Not Only) Literary Projects we would liketo briefly present the figure of Oksana Robski, an author of romance novels whois not very well known in Poland, but is very popular in Russia. The collapse ofthe Soviet Union resulted in commercialization of Russian literature, which,among other things, made some writers use various publicity stunts. Among suchstunts, conceiving the so-called “literary projects” comes to the fore. Robski, whoturned her name into a brand, is a prime example here. The writer is associatedwith both sale of colour magazines, luxury furniture or perfumes, as well as withwriting popular romance novels. In order to create the appropriate media image,Robski distorts her own biography and freely talks in the media about her relationshipswith men. However, her popularity is mostly due to the fact that sheknows first-hand the life of Russian oligarchs who are protagonists of her works.Thanks to Oksana Robski’s novels, ordinary Russians have the opportunity to fictionallyvisit residences of the Russian business elite.
Źródło:: Conversatoria Litteraria; 2018, 12; 165-174
1897-1423
Pojawia się w:: Conversatoria Litteraria
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: La subagrupació romànica de la llengua catalana: una aproximació dialectomètrica de base fonètica a l’Atlas Linguistique Roman
The Romance subgrouping of the Catalan language: A dialectometric approach to the Atlas Linguistique Roman
Autorzy:: Valls, Esteve
González, Manuel
Powiązania:: https://bibliotekanauki.pl/articles/1048785.pdf
Data publikacji:: 2016-06-15
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Romance studies
dialectology
dialectometry
Catalan subgrouping
Opis:: The aim of this paper is to present a first dialectometric approach to the geolinguistic distribution of the Romance varieties using a new corpus based on the Atlas Linguistique Roman (ALiR) which is currently being developed at the Centro Ramón Piñeiro para a Investigación en Humanidades. However, the dialectometrization of ALiR will allow us not only to analyze the linguistic distance among the varieties of Romania Antiqua, but also to shed light from a quantitative perspective on several issues that have historically raised controversy. Specifically, this paper deals with the Romance subgrouping of the Catalan language, an issue that has been recently reopened by Radatz (2012).
Źródło:: Studia Romanica Posnaniensia; 2016, 43, 2; 5-27
0137-2475
2084-4158
Pojawia się w:: Studia Romanica Posnaniensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: Definiując urban fantasy i romans paranormalny. Przekraczanie granic gatunków, mediów, a także siebie i innych w nowych nadprzyrodzonych światach
Defining Urban Fantasy and Paranormal Romance Crossing Boundaries of Genre, Media, Self and Other in New Supernatural Worlds
Autorzy:: McLennon, Leigh M.
Olkusz, Ksenia
Powiązania:: https://bibliotekanauki.pl/articles/520074.pdf
Data publikacji:: 2018
Wydawca:: Ośrodek Badawczy Facta Ficta
Tematy:: paranormal romance
urban fantasy
genology
genre theory
Opis:: on-existent before the late 1980s, in recent years urban fantasy / paranormal romance has become the prevailing form of the monstrous Gothic in popular culture. In little more than two decades, urban fantasy has evolved from striking new genre innovations, coming to constitute a set of nowfamiliar genre conventions. Yet while urban fantasy has risen meteorically in popularity, especially in the last decade, it remains surprisingly understudied as a coherent genre. McLennon in the article Defining Urban Fantasy and Paranormal Romance: Crossing Boundaries of Genre, Media, Self and Other in New Supernatural Worlds provides a clear definition and history of urban fantasy / paranormal romance as a genre. She argues that this genre is both formally and thematically concerned with destabilising new Gothic boundaries—boundaries of genre, of media, of self and Other. Finally, McLennon suggests that these formal and thematic challenges to boundaries offer one explanation for this genre’s broad popularity. The article thus seeks to provide a platform from which we can better analyse and understand both this genre as a whole, and its individual texts, across a variety of media.
Źródło:: Creatio Fantastica; 2018, 1(58); 65-95
2300-2514
Pojawia się w:: Creatio Fantastica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 10.

Tytuł:: Kulturowe konteksty przemian gatunku (na przykładzie noweli i romansu)
Autorzy:: REJTER, ARTUR
Powiązania:: https://bibliotekanauki.pl/articles/615338.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet Opolski
Tematy:: genre theory
discourse
culture
short story
romance
Opis:: The article is devoted to describing the problem of cultural contexts of genre transformations, taking the example of chosen literary forms: short story and romance. A few aspects of text model have been analyzed: structural, stylistic and functional. There are three basic cultural contexts of genre changes: 1. archaecultural, 2. macrocultural, 3. microcultural. Each of them is connected with various factors and aspects of the genres. The analysis allows treating the two chosen genres as “drifting” ones, because they are very “fluent”, they migrate from a discourse to a discourse during their historyfrom the Old-Polish period to contemporary times.
Źródło:: Stylistyka; 2013, 22; 351-364
1230-2287
2545-1669
Pojawia się w:: Stylistyka
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 11.

Tytuł:: „Odkryjemy miłość nieznaną…” – czyli co wiemy o romansie w pracy
“We’ll Discover Uncharted Love…” or What We Know About Office Romance
Autorzy:: Wojtowicz, Ewa
Powiązania:: https://bibliotekanauki.pl/articles/598710.pdf
Data publikacji:: 2017-02-15
Wydawca:: Instytut Pracy i Spraw Socjalnych
Tematy:: romans w pracy
zarządzanie romansem
relacje romantyczne w pracy
workplace romance
romance management
romantic relationships at work
Opis:: W środowisku zawodowym coraz częściej nawiązywane są relacje nie tylko o charakterze służbowym, ale również prywatnym. Z uwagi na to, że administrowanie osobistymi relacjami w miejscu pracy staje się wyzwaniem dla profesjonalistów w dziedzinie zarządzania zasobami ludzkimi, celem artykułu jest przedstawienie zjawiska romansu w pracy – jego przyczyn oraz pozytywnych i negatywnych konsekwencji dla funkcjonowania przedsiębiorstw. Artykuł dostarcza także wskazówek dotyczących budowania skutecznej polityki zarządzania intymnym życiem organizacji.
Relationships in a professional environment are no longer exclusively formal, but also personal with increasing frequency. As managing personal relations in the workplace is becoming a challenge for human resource management professionals, the goal of the article is to present the phenomenon of the office affair, its causes, and its positive and negative consequences for the functioning of the company. The paper also provides guidelines on how to build effective policies for managing the intimate life of an organization.
Źródło:: Zarządzanie Zasobami Ludzkimi; 2017, 1(114); 57-67
1641-0874
Pojawia się w:: Zarządzanie Zasobami Ludzkimi
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 12.

Tytuł:: Literatura Niewidocznego — wizje i rewizje urban fantasy
Literature of the Unseen—Visions and (Re)visions of Urban Fantas
Autorzy:: Ekman, Stefan
Taylor, Audrey Isabel
Borowska-Szerszun, Sylwia
Maj, Krzysztof M.
Szymczak-Maciejczyk, Barbara
Powiązania:: https://bibliotekanauki.pl/articles/520089.pdf
Data publikacji:: 2018
Wydawca:: Ośrodek Badawczy Facta Ficta
Tematy:: urban fantasy
paranormal romance
genology
genre theory
Opis:: A discussion Literature of the Unseen—Visions and (Re)visions of Urban Fantasy collects theoretical reflections upon the subgenres of urban fantasy and paranormal romance, along with a brief commentary on the body of text representative for both conventions. Participants include „Creatio Fantastica” editors—Sylwia Borowska-Szerszun, Krzysztof M. Maj, and Barbara Szymczak-Maciejczyk—as well as renowned experts in the field of fantasy studies: Stefan Ekman, author of the first monograph of fantasy map-making, Here Be Dragons. Exploring Fantasy Maps & Settings (2013), and Audrey Taylor, author of Patricia A. McKillip and the Art of Fantasy World-building (2017).
Źródło:: Creatio Fantastica; 2018, 1(58); 177-188
2300-2514
Pojawia się w:: Creatio Fantastica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 13.

Tytuł:: Temperaturen des Begehrens als konventionelle Metaphern im Hard-Core-Liebesroman
Temperatures of desire as conventional metaphors in the new adult romance novel
Autorzy:: Pokrywka, Rafał
Powiązania:: https://bibliotekanauki.pl/articles/929392.pdf
Data publikacji:: 2015-07-04
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: romance novel
genre
temperature
desire
metaphor
rhetoric
Opis:: The paper focuses upon the latest adult romance novels that appeared after Fifty Shades of Grey, anal-yses their stylistic dimensions and argues with the essay Hard-Core Romance by Eva Illouz. At first the genre is defined, above all on the basis of its medial presence (chapter 1. Genre). Furthermore tempera-ture metaphors in two representative texts of the genre (E.L. James Fifty Shades of Grey and Sylvia Day Bared to You) are analyzed as stylistic (chapter 2. Conventional Temperature Metaphors) as well as rhetorical artifacts (chapter 3. Rhetoric of Metaphor). In conclusion the question of language in the novels and its usefulness in the task described by Illouz is raised (chapter 4. A New Love Order?). The new adult romance novel seems to be a conventional cultural text of little rhetorical power, thus unable to carry important social ideas.
Źródło:: Studia Germanica Posnaniensia; 2015, 36; 159-174
0137-2467
Pojawia się w:: Studia Germanica Posnaniensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 14.

Tytuł:: Sigmatic plurals in Romance varieties spoken in Italy and their interaction with -i plurals
Autorzy:: Savoia, Leonardo M.
Baldi, Benedetta
Manzini, M. Rita
Powiązania:: https://bibliotekanauki.pl/articles/1040274.pdf
Data publikacji:: 2018-12-30
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:: morphology
plural
dative
agreement asymmetries
Romance variation
Opis:: In Sardinian, Friulian, Rhaeto-Romance, Occitan (not considered in this work) and Franco-Provençal varieties spoken in peripheral Italian areas, the -i inflection is not totally eradicated but interacts with plural -s. The coexistence of -s and -i reflects syntactic constraints. Specifically, -i is in complementary distribution with -s or it combines with –s, giving rise to a duplicated lexicalization of plurality. In any event, it is specialized for a subset of the morpho-syntactic contexts. The distribution of -i generally involves the D domain, i.e. determiners and clitics. In some cases, -i is limited to the D elements. Different agreement systems on D and on N emerge, recalling partial or asymmetric agreement phenomena known in literature. Moreover, in the relevant varieties (-)i is in turn the inflection of the dative clitic; this suggests that (-)i is endowed with a slightly different content from plural -s, that, on the contrary, shows no connection with dative.
Źródło:: Linguistics Beyond and Within; 2018, 4; 141-160
2450-5188
Pojawia się w:: Linguistics Beyond and Within
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 15.

Tytuł:: Phenomena in Romance verb paradigms: Syncretism, order of inflectional morphemes and thematic vowel
Autorzy:: Baldi, Benedetta
Savoia, Leonardo M.
Powiązania:: https://bibliotekanauki.pl/articles/40055722.pdf
Data publikacji:: 2022
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:: morphology
syntax
inflection
thematic vowel
Romance languages
Opis:: This article aims to propose a treatment of the internal morphological organization of words, based on the idea that morphology is part of syntactic computation. We disagree with Distributed Morphology model, whereby morphology is identified with a post-syntactic component conveying an information ‘separated from the original locus of that information in the phrase marker’ (Embick and Noyer 2001: 557) by rules manipulating syntactic nodes. We also consider inadequate the costly and complex syntactic structures that cartographic approach maps into inflectional strings. We pursue a different conceptualization assuming that morphology is governed by the same rules and principles of syntax. Sub-word elements, including inflections, thematic exponents and clitics, are fully interpretable and enter (pair-)merge operations (in the sense of Chomsky 2020a,b, 2021) according to their content, giving rise to complex words.
Źródło:: Linguistics Beyond and Within; 2022, 8; 5-23
2450-5188
Pojawia się w:: Linguistics Beyond and Within
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 16.

Tytuł:: Honourable slave traders and aristocratic slaves in Middle English "Floris and Blancheflour"
Autorzy:: Czarnowus, Anna
Powiązania:: https://bibliotekanauki.pl/articles/571838.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Warszawski. Wydział Neofilologii
Tematy:: Middle English literature
romance
slavery
wealth
the Orient
Opis:: The Middle English “Floris and Blancheflour” idealizes slave trade and suggests that only the highly-born can be subject to enslavement. It disregards the oriental origin of the merchants who will trade in Blancheflour. The poem focuses on wealth and ignores the widespread nature of medieval poverty. Respect for the merchants in the text foreshadows the later high social status of slave traders in England. Slavery is romanticized in the poem and the reality of serfdom is not included. The text is similar to the later “mercantile romances” and it is a mercantile text responding to the worldview of merchants, who were probably the text’s audience and to whose expectations the plot was adjusted.
Źródło:: Acta Philologica; 2016, 49; 79- 89
0065-1524
Pojawia się w:: Acta Philologica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 17.

Tytuł:: “The thin delights of moonshine and romance”: Romance, Tourism, and Realism in Hawthorne’s <i>The Marble Faun</i>
Autorzy:: Martinez, Carlo
Powiązania:: https://bibliotekanauki.pl/articles/626172.pdf
Data publikacji:: 2018
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: Nathaniel Hawthorne
Tourism
Italy
The Marble Faun
Romance
Realism
Opis:: Carlo MartinezUniversità “G. d’Annunzio” di Chieti-Pescara, Italy “The thin delights of moonshine and romance”: Romance, Tourism, and Realism in Hawthorne’s The Marble Faun Abstract: Hawthorne’s involvement with the logic of the tourism of his day is a key aspect of his development as a fiction writer. Starting from a discussion of the early sketch “My Visit to Niagara” the article argues that the discourse of tourism, with its protocols and practices, is for Hawthorne a fertile breeding ground and conceptual framework for the elaboration of a new rationale and a new aesthetic for the fiction writing he calls “romance.” It then explores how tourism resonates in the romance which takes it as its central thematic concern: The Marble Faun. Hawthorne’s last completed long work of fiction represents a moment of artistic and personal crisis for the author, who finds his notion of romance writing caught in a sort of double bind created by the touristic nature of his stay in Italy. As the plot of the novel suggests, in his efforts to extricate himself from the situation, Hawthorne, envisioned and experimented with a new kind of writing that led him to revise and alter radically the romance form he had previously elaborated in favor of a much more realistic style of fiction. Keywords: Nathaniel Hawthorne; Tourism; Italy; The Marble Faun; Romance; Realism
Źródło:: Review of International American Studies; 2018, 11, 2
1991-2773
Pojawia się w:: Review of International American Studies
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 18.

Tytuł:: Clitics in imperative: proclisis, enclisis and mesoclisis in Albanian and in Italo-Romance varieties of Lausberg area
Autorzy:: Baldi, Benedetta
Savoia, Leonardo M.
Powiązania:: https://bibliotekanauki.pl/articles/1040287.pdf
Data publikacji:: 2020-12-30
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:: imperative mood
mesoclisis
negative contexts
Albanian varieties
Romance varieties
Opis:: The relation between morpho-syntactic structure and its externalization into interpretive levels is the topic of this article. In many languages, typically in Romance and Albanian varieties, modal contexts, specifically imperative and infinitive, and negation, give rise to phenomena of clitic reordering and an interesting micro-variation. Imperative differs from declarative sentences in selecting enclisis except in negative contexts. Moreover, in Albanian mesoclisis appears in the 2nd plural person of imperative, between the verbal base and the person inflection. A similar distribution characterizes Calabro-Lucanian varieties spoken in Lausberg area, in contact with Arbëresh (Italo-Albanian) dialects. This article proposes to analyze the influence of modal contexts on the lexicalization of object clitics (OCls) and their different behavior in connection to their referential properties. Our descriptive and theoretical starting point is the representational morpho-syntactic approach adopted in Manzini and Savoia (2011 and subsequent works; see Section 5).
Źródło:: Linguistics Beyond and Within; 2020, 6; 17-46
2450-5188
Pojawia się w:: Linguistics Beyond and Within
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 19.

Tytuł:: How Damsels Love: The Transgressive Pleasure of Romance
Autorzy:: Ntelia, Renata Elizabetta
Powiązania:: https://bibliotekanauki.pl/articles/1912008.pdf
Data publikacji:: 2021
Wydawca:: Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:: romance
love
desire
monomyth
pleasure
feminist theory
psychoanalysis
intertext
Opis:: In this article, I look at contemporary romances as a source of transgressive pleasure that may inspire its audience to reject patriarchy. I focus solely on romances between a man and a woman with emphasis on the psychological dimension of the female character upon her trajectory from an object of desire to the man’s ideal partner. I argue that the pleasure of romance is, indeed, a means towards the dismissal of patriarchy. Drawing on feminist theory, I contend that romance constitutes a nucleus of a feminine ideal that women may use as a comparative reference point for their real-life relationships, revealing any problematic and inadequate behavior of real-life partners. Even though romance pertains to the prescripts of patriarchy, I argue that it can be seen as an intertext: a product of the interlanguage used to translate the male discourse to the female bodily experience. In producing and consuming the romance, women can contrast this experience of the feminine ideal with the lack of pleasure patriarchy entails for them. In this respect, the romance possesses a transgressive power that may facilitate women’s realization of their dissatisfaction and the refusal of their role as emotional labor.
Źródło:: New Horizons in English Studies; 2021, 6; 146-159
2543-8980
Pojawia się w:: New Horizons in English Studies
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 20.

Tytuł:: REDUPLICATIVE SYLLABLES IN ROMANCE LANGUAGES
Autorzy:: Piechnik, Iwona
Powiązania:: https://bibliotekanauki.pl/articles/638217.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:: reduplication, repetition, doubling, Latin, Romance languages, monosyllables, polysyllables, syllables
Opis:: The article deals with the reduplications in Latin and in Romance languages. While in Latin there were only reduplications of monosyllables, Romance languages have a lot of polysyllabic (mostly disyllabic) reduplications. This development could arise due to a bigger expressivity of vulgar Latin mixed with vernacular languages and to their contacts with other languages: Germanic (mostly English and German), Celtic, Slavic, Turkic and Hungarian, in which the polysyllabic reduplication is the most common.
Źródło:: Romanica Cracoviensia; 2015, 15, 1
2084-3917
Pojawia się w:: Romanica Cracoviensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 21.

Tytuł:: IS THE ENGLISH GUINEA PIG A PIG FROM GUINEA, AND THE GERMAN MEERSCHWEINCHEN A PIGGY FROM THE SEA?, OR TWO OLD PROBLEMS REVISITED
Autorzy:: Stachowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/634418.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:: etymology, English language, German language, Romance languages, biological terminology
Opis:: The old problem of the origins of the English name guinea pig is discussed here in the context of its equivalents in some other European languages (one of them being German Meerschweinchen).Some new suggestions concerning both components of the English name and the original meaning of the German designation are made.
Źródło:: Studia Linguistica Universitatis Iagellonicae Cracoviensis; 2014, 131, 2
2083-4624
Pojawia się w:: Studia Linguistica Universitatis Iagellonicae Cracoviensis
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 22.

Tytuł:: Beyond the Convention? Representation of Female Characters in Middle English Romances
Autorzy:: Kiełkowicz, Justyna
Powiązania:: https://bibliotekanauki.pl/articles/601261.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:: Middle English romance
medieval studies
medieval literature
gender
feminism
Opis:: The paper presents literary images of medieval women in four Middle English romances, viz. King Horn, Sir Isumbras, Havelok the Dane and Sir Gawain and the Green Night. Its aim is to identify some conventional patterns of representation of female characters in the literary works classified as different subtypes of the genre of romance, namely ancestral romance (King Horn, Havelok the Dane), homiletic romance (Sir Isumbras) and Arthurian romance (Sir Gawain and the Green Knight). After Sharon Farmer and other feminist critics, the concept of gender is interpreted as one of the major categories of difference in medieval English society. This argument is supported by the analysis of the construction of female characters in the romances in question. However, while it is important to remember that the society of medieval England was to a large extent male-governed and male-dominated, which is the reason for the apparent centrality of male protagonists in medieval English literature, the function of female characters in literary works of that period is not necessarily secondary. The paper focuses on the importance of women in presenting the protagonist’s genealogy and on selected strategies of representation, such as reversal of gender roles or marginalization of female characters. The essay attempts to demonstrate that the category of gender, as it is seen in the medieval texts, cannot be reduced to a simplified model of binary oppositions, since the romances also introduce the complexity of power relations and tensions between the sexes.
Źródło:: New Horizons in English Studies; 2017, 2
2543-8980
Pojawia się w:: New Horizons in English Studies
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 23.

Tytuł:: Sabra the Saint: Hagiography in Richard Johnson’s The Seven Champions of Christendom
Autorzy:: Drzazgowski, Kyla Helena
Powiązania:: https://bibliotekanauki.pl/articles/888833.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Richard Johnson
Protestant Hagiography
the female saint-figure
romance
Opis:: This paper looks at the influence of hagiography, or the writing of the lives of saints, on Richard Johnson’s wildly popular text, The Seven Champions of Christendom (1596). The author focuses on the character Sabra, who represents a female saint figure in opposition to her not-so-saint-like husband St George, in order to show how the tradition of hagiography is changed in the sixteenth-century as it moves away from its pious and medieval origins. A text that has been mostly overlooked by literary scholars, The Seven Champions of Christendom emerges as more than simply a part of the culture of popular literary fiction of the 1590s as it considers Protestant hagiography and its cultural pertinence at the time Johnson wrote.
Źródło:: Anglica. An International Journal of English Studies; 2016, 25/1; 35-46
0860-5734
Pojawia się w:: Anglica. An International Journal of English Studies
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 24.

Tytuł:: David L. Gold’s English, Jewish and other etymologies
Autorzy:: Stachowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/699942.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:: etymology
word history
Jewish
Germanic
Romance
Slavic
methodology
Opis:: Thirty-one etymological studies published in a new volume by David L. Gold are discussed in this article. A general characteristics of David L. Gold’s etymological work and methodology is given at the end of the study.
Źródło:: Studia Etymologica Cracoviensia; 2013, 18, 4; 167-195
1427-8219
Pojawia się w:: Studia Etymologica Cracoviensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 25.

Tytuł:: The Kind Millionaire, Lemonade Joe and Superman. On Czech Film Parodies
Autorzy:: Mareš, Petr
Powiązania:: https://bibliotekanauki.pl/articles/917991.pdf
Data publikacji:: 2014-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: parody
pre-text
popular genres
romance
western
comics
Opis:: The article deals with Czech film parodies that were produced primarily during the period of the state-directed cinema (1945–1989). Their development was connected to a campaign against trash literature, which attempted in the 1930s and 1940s to suppress different popular genres that were considered worthless and harmful. Parodies caricatured conventions of disapproved genres (romance, western, detective story), but at the same time, maintained an awareness of them and eventually also functioned as a substitute for them. The construction of parodies was often based on the accumulation of motifs of a given genre and their escalation to absurdity. The technique of confrontation of disparate elements was also repeatedly used: the conventionality and artificiality of the world of the parodied genre was unveiled as an encounter with the world, which was presented as real and ordinary.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 15-24
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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