Temat: rock opera - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Głód na Jezusa. Notatki na marginesie (nie)chrystologii i popkultury
Craving for Jesus. Side Notes to (Non)Christology and Pop Culture
Autorzy:: Żyła, Mateusz
Powiązania:: https://bibliotekanauki.pl/articles/3200752.pdf
Data publikacji:: 2022
Wydawca:: Wyższa Szkoła Ekonomiczno-Humanistyczna w Bielsku-Białej
Tematy:: Jesus
Christianity
rock opera
pop culture
Opis:: The objective of the article is an attempt to interpret the character/figure/symbol of Jesus by references to miscellaneous cultural texts. First, the author describes the most significant aspects of Piotr Augustyniak’s essay Jezus Niechrystus, emphasizing their originality and rebelliousness, especially towards the Christian doctrine. In latter part of the article, selected fragments of Zbigniew Masternak’s film novella Jezus na prezydenta are analysed. Further, the author acknowledges timelessness of Jesus Christ Superstar rock opera. In the recapitulation, the author discerns constant craving for Jesus, perceiving it as a desirable response, since – according to Kołakowski’s and Augustyniak’s message – teachings of the carpenter from Nazareth constitute an abiding code of our culture.
Źródło:: Polonia Journal; 2022, 15; 185-205
2083-3121
Pojawia się w:: Polonia Journal
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: O specyfice musicalu rockowego
Rock musical and its specificity
Autorzy:: Bernatowicz, Wojciech
Powiązania:: https://bibliotekanauki.pl/articles/1944370.pdf
Data publikacji:: 2021-06-30
Wydawca:: Narodowe Centrum Kultury
Tematy:: musical
rock
sztuki performatywne
rock opera
analiza
performing arts
analysis
Opis:: This article discusses various aspects of rock musical, focusing on its relationship with the aesthetics of rock music. The introduction provides a methodological approach to this type of a musical theatre work. The existing concepts related to this term are presented, a distinction is made between the category of rock opera and rock musical, and an original definition of this subgenre is proposed. The next section explores the relationship between rock music and rock musical in terms of authenticity. Differences and similarities in the performing practice are presented for both artistic forms along with their sound representations. The final section of the article analyses two prominent musicals created in the early stages of the subgenre development – Hair and Jesus Christ Superstar. Having set certain boundary conditions for fusing rock with theatre, both productions are analysed for their structural components appropriate for the musical form (musical elements, dramatic elements of the work) in combination with rock aesthetics and the performance of this type of work on stage.
Źródło:: Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 114, 2; 150-161
1230-4808
Pojawia się w:: Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Mitul jertfei creatoare din balada Mănăstirea Argeșului reinterpretat în opera rock-simfonică Meșterul Manole (2013) – o analiză din perspectivă socio-istorică și intermedială
Reinterpreting the myth of sacrifice for creation from the ballad Mănăstirea Argeșului in the rock-symphonic opera Meșterul Manole (2013) – analyse from a socio-historical and intermedial perspective
Autorzy:: Bartosiewicz-Nikolaev, Olga
Powiązania:: https://bibliotekanauki.pl/articles/43665741.pdf
Data publikacji:: 2023
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Meșterul Manole
intermediality
rock-symphonic
opera
legend of the immured woman
Phoenix
politics and identity
Opis:: The main objective of my paper is to present the sociopolitical circumstances of the creation of the rock-symphonic opera Meșterul Manole (2013), based on a libretto by Victor Cârcu and composed by Joseph Kappl (former member of the rock band Phoenix), its reception by contemporary society and its character as an intermedial work. In my study, I will use the tools of the intermedial approach, which will help me to describe and grasp the relations of transposition of the myth between different media that interact and influence each other in the opera under analysis.
Źródło:: Studia Romanica Posnaniensia; 2023, 50, 4; 55-70
0137-2475
2084-4158
Pojawia się w:: Studia Romanica Posnaniensia
Dostawca treści:: Biblioteka Nauki

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